Showing 101–120 of 188 results

  • Mobilités, circulations et frontières

    Mobilités, circulations et frontières

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    Mobilités, circulations et frontières

    Ce livre est un apport précieux pour demander à changer de focale et de perspective au sujet des migrations à l’intérieur du continent africain. Celles-ci sont bien plus importantes quan- titativement, mais aussi économiquement et historiquement, que les migrations de l’Afrique vers l’Europe. Elles sont beaucoup plus silencieuses et infiniment moins étudiées que celles du Sud vers le Nord. Ces migrations sont vitales, tant pour les pays de départ que pour ceux d’arrivée. Ainsi, des millions de jeunes partent chaque année pour les pays de la côte, et cela sans susciter les mêmes résistances, fantasmes et peurs qu’en Europe.

    Cet ouvrage a le grand mérite d’intégrer les migrations dans la perspective plus large des mobilités, puis d’en examiner les liens avec le développement. Il est rédigé par de jeunes chercheurs africains, qui produisent à partir de leurs terrains spécifiques des analyses à valeur générale sur les sociétés contemporaines. Ils contribuent ainsi au renouvellement des sciences sociales à partir des pays africains.


    On peut en revanche souligner que l’ouvrage a relevé un défi important : celui d’éclairer à la fois les dynamiques de l’expérience migratoire, des trajectoires suivies par les migrants et des espaces migratoires à l’intérieur de l’Afrique. — Sylvie Ayimpam, « Mobilités, circulations et frontières. Migrations, mobilités et développement en Afrique », Anthropologie & développement [En ligne], 51 | 2020, mis en ligne le 01 décembre 2020, consulté le 23 février 2021. URL : http://journals.openedition.org/anthropodev/1068 ; DOI : https://doi.org/10.4000/anthropodev.1068

    These companion volumes are refreshing because they introduce us to many less well- known instances which amply illustrate just how mobile African populations really are at the regional, intra-regional and global scales. Paul NUGENT, University of Edinburgh (United Kingdom)

    Un ouvrage d’une grande actualité qui aborde la question des migrations sous un angle radicalement nouveau et original : l’articulation dynamique entre la migration, la mobilité et le développement en Afrique de l’Ouest. Ces deux volumes bilingues renouvellent le débat sur les migrations : de quoi faire réfléchir ensemble l’Afrique et l’Europe.Marie-Caroline SAGLIO-YATZIMIRSKY, INALCO, CESSMA Paris (France)

    Christian Bouquet, « Quelques éclairages nouveaux sur les migrations africaines », EspacesTemps.net [En ligne], Books, 2020 | Mis en ligne le 20 November 2020, consulté le 20.11.2020. URL : https://www.espacestemps.net/en/articles/quelques-eclairages-nouveaux-sur-les-migrations-africaines/ ; DOI : 10.26151/esapcestemps.net-jc2a-6b03

    Avec la participation de Naluwembe BINAISSA, Alimou DIALLO, Nyalo Barkissa DRABO, Sylvester KOHOL, A. Aziz MOSSI, Loppa NGASSOU, Lawrence Rafaih OKELLO, Mutiat Titilope OLADEJO, Zakaria SORÉ, Astadjam YAOUBA et Irissa ZIDNABA.

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  • Mobilizing for Health Justice
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    Mobilizing for Health Justice

    Since its first edition in 2005, Global Health Watch (GHW) – the flagship publication of the People’s Health Movement (PHM) – has been critically reporting on the state of the world’s health. Published every three or four years, it comments on developments in global health while focusing on continuities with past popular struggles.

    As with previous editions, GHW7 comes to life with contributions from over one hundred activists around the world, sharing experiences and analysis on issues affecting people’s health in the contexts they live in and efforts to progress towards greater health justice. This process was energized by the fifth People’s Health Assembly (PHA5), the global gathering of PHM, that took place in Argentina in April 2024 under the motto “Making ‘Health for All’ our struggle for ‘Buen Vivir”.

    Political contributions from Latin America are manifest in the first GHW7 section, dedicated to “The global political and economic architecture”, where an up-to-date analysis of current health crises is followed by contributions that frame them in an eco-feminist perspective, showing how alternatives can be rooted in ancestral wisdoms and the practice of ‘Buen Vivir’. The second section addresses old and new challenges for public and global health systems through the critical lenses of gender justice and decoloniality. The third section, “Beyond Healthcare,” addresses key social and environmental determinants of health, while the “Watching” section critically apprises the state of global governance for health with a focus on several key institutions. The final section, “Resistance, struggles and alternatives,” highlights areas of transformative change by health activists in a global context of increasing repression. The book ends with a chapter on PHA5, highlighting how collective action is the most powerful medicine against ill health and health inequality at the human and planetary levels.

    Global Health Watch 7 will include the following chapters

    Chapters A2 and A3 have been translated from Spanish by Lila Esther Silgado Villadiego.

    Summaries of the chapters that are currently available can be viewed by scrolling down and clicking on the “Description” tab. You can also download the chapters highlighted below.

    Introduction: Mobilizing for Health Justice
    A1. From a Political Economy of Disease to a Political Economy for Wellbeing
    A2. Life at the Center: Ecofeminisms and Ecoterritorial Feminisms in the Struggle for Life
    A3. Ancestral and Popular Knowledge for Buen Vivir
    B1. Privatization and Financialization of Health Systems: Challenges and Public Alternatives
    B2. Artificial Intelligence, Digital Technologies, and Health
    B3. Building Equitable Health Systems: A Transformative Proposal from an Intersectional Gender Perspective
    B4. Abolition Medicine as a Tool for Health Justice
    B5. Decolonizing Global Health
    C1. War, Conflict and Displacement
    C2. People on the Move
    C3. Putting the Right to Health to Work
    C4. Tax Justice: A Pathway to Better Health
    C5. Commercial/Corporate Determination of Health
    D1. WHO’s Compromised Role in Global Health Leadership
    D2. Unpacking Our Pandemic Failures for Future Pandemic Prevention, Preparedness, and Response
    D3. Financing Pandemic Recovery, Prevention, Preparedness and Response
    E1. National Struggles for the Right to Health
    E2. Taking Extractives to Court
    E3. Fear and Hope in ‘Speaking Truth to Power’: Struggles for Health in Times of Repression and Shrinking Spaces
    E4. 5th People’s Health Assembly: Advancing in the Struggle for Liberation and Against Capitalism

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  • Moving Beyond Capitalist Agriculture
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    Moving Beyond Capitalist Agriculture: Could Agroecology Prevent Further Pandemics?

    Pathogens repeatedly are emerging from a global agrifood system rooted in inequality, labor exploitation, and unfettered extractivism by which communities are robbed of their natural and social resources. A crisis-prone economic system that prioritizes production for profit over meeting human needs and ecological preservation is organized around intense monocultural production that, along the way, allows the deadliest of diseases to emerge. The PReP Agroecologies working group focuses on how agriculture might be reimagined as the kind of community-wide intervention that could stop coronaviruses and other pathogens from emerging in the first place. We address how mainstream science supports the same political and economic systems that helped produce the pandemic. Then we introduce agroecology, an environmentalism of the peasantry, the poor, and indigenous, long in practice, that treats agriculture as a part of the ecology out of which humanity grows its food. Agroecology—a science, movement, and practice—combines ecological science, indigenous and peasant knowledges, and social movements for food and territorial sovereignty to achieve environmentally just food systems.

    Peasant- and indigenous-led agroecology is uniquely positioned to limit the spread of zoonotic viruses: Post-capitalist agroecology champions the indigenous and smallholders who protect agricultural biodiversity. A diverse agroecological matrix of farm plots, agroforestry, and grazing lands all embedded within a forest can conserve animal biodiversity in the landscape. Agricultural biodiversity can make it more difficult for zoonotic diseases to prevail. Such a mode of conservation also takes into account the economic and social conditions of people currently tending the land, rather than a conservation that uproots people to foster the private accumulation of capital.

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  • Mudarse Màs Allá de la Agricultura Capitalista

    Mudarse Màs Allá de la Agricultura Capitalista

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    Mudarse Màs Allá de la Agricultura Capitalista

    Los agentes patógenos surgen una y otra vez de un sistema agroalimentario global arraigado en la desigualdad, la explotación laboral y el extractivismo sin límites por el que se despoja a las comunidades de sus recursos naturales y sociales. Un sistema económico propenso a la crisis que prioriza la producción para obtener beneficios por encima de la satisfacción de las necesidades humanas y la preservación ecológica se organiza en torno a una intensa producción monocultural que, por el camino, permite la aparición de las enfermedades más mortíferas.

    La Investigación sobre la Pandemia para el Pueblo (PReP) se centra en cómo la agricultura podría ser reimaginada por el tipo de intervención a nivel de la comunidad que podría detener la aparición del coronavirus y otros patógenos en primer lugar. Abordamos cómo la ciencia convencional apoya los mismos sistemas políticos y económicos que ayudaron a producir la aparición del coronavirus y otros patógenos en primer lugar.

    Introducimos la agroecología, un ecologismo de los campesinos, los pobres y los indígenas, que existe desde hace mucho tiempo, y que trata la agricultura como una parte de la ecología de la que la humanidad cultiva sus alimentos. La agroecología -una ciencia, un movimiento y práctica- combina la ciencia ecológica, los conocimientos indígenas y campesinos y los movimientos sociales por la soberanía alimentaria y territorial para lograr sistemas alimentarios ambientalmente justos.

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  • Nigeria and the Challenge of Federalism

    Nigeria and the Challenge of Federalism

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    Nigeria and the Challenge of Federalism

    The book identifies three key moments in Nigeria’s experience with federalism and makes the argument that a complex and socially-diverse country like Nigeria can only be successfully governed by a truly federal arrangement, and not the present unitary contraption that has only delivered poverty, social unrest and the powerful centrifugal forces that are now threatening the very existence of the country itself. The time has come, write Ike Okonta, to convene a conference with sovereign powers to design a federal constitution for the country. The current process of amending the 1999 Constitution by the National Assembly will not suffice. The document is so hopelessly flawed that only its discarding and a fresh effort at constitution-making will suffice.

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  • Night Settles Upon The City

    Night Settles Upon The City

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    Night Settles Upon The City

    Written with urgency out of a war-time Beirut, this poetry collection registers the griefs and the heroism of the Lebanese, under siege yet again. Sabbagh lends his lyrical voice here, to give a voice to the voiceless, trying to find some harmonic sense out of catastrophe. This book will compel readers, both Lebanese and those with any kind of human heart. While much of the work was written swiftly, on impulse, and almost like, as one of the poem’s title’s has it, a ‘War Diary,’ in verse, this work aims nonetheless to last in its significance and resonance at a time when the world as a whole (let alone Lebanon herself) has become so unpredictable, so fickle and so perilous. Night Settles Upon The City aims to be a worthwhile addition to the contemporary literature of war and, more specifically, to the literary representations of the modern Lebanese reality and experience.

    Omar Sabbagh is a poet who is privileged to write about war and destruction from the relative safety of his study. But this double-edged illusion is insidious — mental and emotional inwardly, and physical for those who are directly under attack. It is visceral, political, heart-wrenching — yet the poet seeks out light and hope through the act of writing, for the sake of ownership and sharing. He may say that “I cannot read minds and nor / will I ever wish to”, but he writes for the importance of record-keeping, seeking solace, both private and public — as the Night Settles Upon The City of Beirut.
    — Sudeep Sen, Winner of the Rabindranath Tagore Literary Prize

    Omar Sabbagh has long brought us a world in which personal experience stitches a hyphen between the eastern Mediterranean and the northerly British archipelago. Now he makes the tension inherent within that richness explicit, in a love-letter to his family and home city of Beirut. Written while the ‘night’ of war ‘settles upon the city’, his introductory ‘Thoughts’ show us how unthinkable war remains, even when it arrives on the doorstep. This is a book of witness to what cannot happen, and yet does.
    Fiona Sampson, Professor Fiona Sampson MBE FRSL.Two-Way Mirror: The Life of Elizabeth Barrett Browning WW Norton 2022 – Washington Post Book of the Year, New York Times Editors’ Choice, finalist Plutarch Prize, finalist PEN Jacqueline Bograd Award, Sunday Times Paperback of the year.

    The poet Omar Sabbagh lives in Beirut. His voice is playful, almost surreal at times. He talks of ‘the hairbrained monocle of war’ and suggests that if you live long enough in a place like Beirut ‘laughter becomes a lover’s distance-giving kiss’. Night Settles Upon the City offers us a poetry that is neither ideological nor partisan, not of the frontline but of a deeply threatened warzone. Its terms are easy-going, sorrowful, humane, formally intelligent and tinged with apprehension. It is humanity being human. Reading it is relief and hope.’
    George Szirtes FRSL, Eliot Prize winner.

    Night Settles Upon the City by Omar Sabbagh is a profoundly reflective and evocative collection that blends personal experience with the brutal realities of life in a war-torn Beirut. Through a tapestry of poems, essays, and prose, Sabbagh explores the intersections of love, grief, intellectual contemplation, and the relentless backdrop of violence. The writing oscillates between moments of tender introspection and stark depictions of societal collapse, embodying a kind of philosophical meditation on suffering and survival. Sabbagh’s voice is distinctively lyrical, capturing both the intimacy of individual loss and the broader existential weight of conflict. His reflections on war and its aftermath are imbued with a sense of historical consciousness, yet deeply grounded in the immediacy of personal anguish and resilience. The collection is not just about bearing witness to destruction, but also about finding fragments of humanity amidst the ruins. A haunting and powerful work that invites readers into the fragile space between beauty and despair.

    Dr. Pamela Chrabieh, Kulturnest Co-founder & Managing Director

    The Arabic term for poet means the one who feels, unlike the Greek origin of poetry, which describes the craft itself. Omar Sabbagh is the quintessential poet in the Arabic sense. In this collection, he vibrates with Beirut, where he now lives, at a time when the city’s famous cultural vibrations are overwhelmed by murderous quakes caused by the Israeli war machine.
    —Gilbert Achcar, Professor of Development Studies and International Relations at SOAS University of London.
    Beirut’s Omar Sabbagh, lover of beauty, poet of lush lyrical power, addresses the spirit of the great Dr. Edward W. Said in one poem, saying these troubled seasons make him “restless now in (his) resting place.” I’m captivated by a further description of Said, “living paper, breathing ink of one whose thoughts still seem to think.” There is healing in such sensitive recognition. Wise voices we always needed are suddenly needed desperately.  Sabbagh invokes his love for a precious home frequently under siege and his care for all the people who made and surround him. Gratitude for the wisdom, kindness and rich affections of Night Settles Upon the City.
    Naomi Shihab Nye, recipient Lifetime Achievement in Poetry Award, the Wallace Stevens prize

    In Night Settles on the City, Omar Sabbagh gives voice to the bewilderment, fear, rage, and despair so many of us in the Middle East are currently feeling. His eloquent, tender poems grapple with the impossibility—yet absolute necessity—of language at a moment when words otherwise fail. Like all the best poems, Sabbagh’s challenge, soothe, haunt, and rehumanize us, ultimately arousing our better selves.
    Mai Al-Nakib, author of An Unlasting Home and The Hidden Light of Objects

    Both erudite and demotic, felt through the body and ‘guided by ear’ Omar Sabbagh’s voice powers through the remote attacks on Beirut – the city in which he currently lives – the hourly atrocities and unspeakable suffering to reach us and to speak for us. ‘What’s to understand?’ he asks ‘That murder can be finessed?’ In his seminal new collection, Night Settles Upon the City, night becomes a ‘dark and violent animal’  with its ‘panther’s pelt’ of terror ‘slowly curving round us’ through which we hear the voice of the aggressor reflecting that ‘…each murderous attack/ I order seems to drain this world of innocence.’ Yet Sabbagh’s own voice remains measured, balanced, especially in the portraits he paints of his beloved father…‘It gets worse each day watching him/ ageing’ (‘The Old Man and his Walking Stick’). This poem ends with the lines ‘an old man and his son, fighting a war/ in a warzone we all must visit’. Alongside unimaginable horror we are shown the ordinary griefs and losses that we all suffer – of ageing, of failing, of being human; and it’s the humanity and compassion with which Sabbagh bears witness that will secure this book’s future among the handful of classics that will come to define our era.
    Jenny Lewis, MA Oxon., MPhil., PhD, Tutor for Poetry, Oxford University

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  • Nos rehusamos a ser borrados
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    Nos rehusamos a ser borrados

    Con desgarro, con dolor, pero sobre todo con enorme dignidad, porfía y convicción, un grupo de estudiantes de Gaza nos hace sentir y escuchar su voz urgente y afirmativa en una frase valiente e inquebrantable: Nos rehusamos a ser borrados.

    Con la universidad en ruinas, con la ciudad y el país transformado en escombros, con sus familias diezmadas por el éxodo incierto y un genocidio llevado adelante por el Estado de Israel, un conjunto de estudiantes gazatíes levanta un testimonio coral que documenta con un pulso literario desgarrador la ruptura absoluta de la cotidianidad civil a partir de octubre de 2023.

    Con un tono profundamente descriptivo y despojado de eufemismos, los narradores exponen la caída de los hospitales, la precarización en claustrofóbicas tiendas de campaña y la instauración de una hambruna fabricada como táctica bélica, donde el intento de conseguir un simple saco de harina se convierte en un acto de inmolación.

    Al documentar el asedio, los textos evidencian cómo el resguardo de la identidad y la educación emergen también como formas de resistencia. Estudiantes que buscan captar señal de internet en los tejados bajo el constante zumbido de los drones demuestran que mantener viva la necesidad de comunicar es el único antídoto contra la aniquilación sistemática.

    La sección poética sublima el trauma físico, ofreciendo una exploración visceral sobre la pérdida, la orfandad cíclica y la culpa del sobreviviente. Más que un recuento de atrocidades, este libro es un imperativo ético contra el silencio del mundo.

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  • Nous sommes toujours là
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    Nous sommes toujours là

    Depuis le début du génocide contre les Palestiniens à Gaza, mené par la violence coloniale israélienne, les établissements d’enseignement supérieur ont été systématiquement détruits. Les campus sont en ruines, les universitaires et les étudiants ont été tués ou déplacés de force, et ce qui était autrefois une population étudiante florissante et intellectuellement dynamique vit maintenant sous la menace quotidienne de bombardement, de famine forcée et de mort. Pendant près de deux ans, les étudiants ont été coupés non seulement de leurs universités, mais aussi de leurs rêves, de leur avenir et même de leur sentiment de sécurité le plus élémentaire.

    Pourtant, malgré ce traumatisme inimaginable, beaucoup écrivent encore.

    Nous sommes toujours là est une anthologie de ces voix – brutes, non filtrées et courageuses. Il présente des histoires courtes et longues, des poèmes, des essais et des témoignages écrits par des étudiants des universités de Gaza. Ce ne sont pas des réflexions rétrospectives ou des analyses à distance ; ce sont des mots en temps réel, émergeant des profondeurs du génocide, du déplacement et du deuil. Ces écrits peuvent être leurs derniers espoirs d’atteindre le monde, un dernier acte de résistance par l’expression.

    Les droits d’auteur de la vente de ce livre sont intégralement reversés aux étudiants auteurs de Gaza.

    Survivant aux extrêmes les plus sombres de la souffrance, de la destruction et du déplacement, de la famine et de la menace constante de mutilation ou de mort, ces jeunes écrivains nous parlent avec une lucidité perçante. Leur résilience est leur seule forme d’optimisme. Paradoxalement, les lire soulève le cœur.
    – Ian McEwan, auteur d’Expiation et d’Amour Éternel

    Un recueil bouleversant, douloureux et pourtant plein d’espoir, de la jeune génération du peuple de Gaza. Le Sumud, la résilience, n’a jamais été aussi puissant et clair qu’il ne l’apparaît dans cette collection incontournable et urgente. —Ilan Pappé, professeur au Collège des Sciences Sociales et des Études Internationales de l’Université d’Exeter, auteur de Une histoire très courte du conflit israélo-palestinien

    Au cœur de la souffrance, les mots naissent — et sous les décombres, la créativité s’élève. Ce livre est plus qu’un recueil de pages écrites ; c’est l’écho d’âmes résilientes et le cri de plumes qui ont parlé lorsque les voix ont été réduites au silence. — Professeur Dr. Omar Kh. Melad, Président de l’Université Al-Azhar de Gaza

    Nous Sommes Toujours Là n’est pas un livre sur la guerre — c’est un livre sur le fait d’être en vie après que le monde a décidé que vous avez déjà disparu, écrit dans des pièces qui ne tiennent peut-être plus debout. Ces pages sont des dépêches du fil étroit du présent : des lettres de la faim, des fragments de vies interrompues, des éclairs d’espoir si inflexibles qu’ils brûlent. Ici, des jeunes gens façonnent le témoignage de leur temps sur terre, sachant que leur temps peut être court. Vous ne quitterez pas ce livre avec le confort d’une conclusion. Il restera avec vous bien après que la dernière page aura été tournée. — Leila Sansour, réalisatrice et fondatrice d’Open Bethlehem

    Ces réflexions poignantes de Gaza, en prose et en poésie, du milieu d’un génocide, sont à la fois déchirantes et pleines de vie et de promesse. Israël a peut-être physiquement tué nombre de leurs jeunes auteurs, mais il ne tuera jamais leurs mots, qui vivent dans ce puissant recueil de leurs écrits. — Ghada Karmi.

    La mort n’est pas une idée pour ces jeunes écrivains, mais une réalité quotidienne. Ce recueil témoigne de la puissance des mots. Il révèle comment l’amour, la créativité et l’espoir peuvent nous galvaniser contre la peur et l’inaction. — Selma Dabbagh, auteure du roman Out of It et éditrice de l’anthologie We Wrote in Symbols; Love and Lust by Arab Women Writers.

    Sara Alkhaldy, l’une des contributrices de Nous Sommes Toujours Là, une nouvelle anthologie d’écrits d’étudiants de Gaza, déclare : “Je voudrais pouvoir mettre en bouteille l’odeur de notre maison et l’emporter avec moi en partant.” Rula Elkhair écrit à propos des études pendant le déplacement : “Même dans des endroits sans électricité, sans eau et sans internet stable, j’ai installé un eSIM sur mon téléphone et je suis montée sur le toit sous le bourdonnement des drones pour télécharger des cours. J’ai passé des examens dans des cafés au bord de la mer. J’ai étudié en ayant faim, en ayant peur, en étant en deuil.” — Selma Dabbagh dans la London Review of Books Connaissance des Faits Pertinents.

    Écoutez notre conversation en podcast
    avec les étudiants contributeurs

     

    La version anglaise de ce livre est disponible ici : We Are Still Here

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  • October 1917 Revolution

    October 1917 Revolution

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    October 1917 Revolution

    Great revolutions make history. Conservative resistance and counter-revolutions only delay their progress. The French revolution invented modern politics and democracy, the Russian revolution paved the way for the socialist transition, while the Chinese revolution connected the emancipation of those peoples oppressed by imperialism with the path to socialism. These revolutions are great precisely because they are bearers of undertakings that are far ahead of the immediate demands of their time. beacons that illuminate the still unfinished struggles of the peoples for the realization of these goals. It is impossible to understand the contemporary world by ignoring these great revolutions. To commemorate these revolutions, says Samir Amin, one needs both to assess their ambitions (the utopia of today will be the reality of tomorrow), and to understand the reasons for their temporary setbacks. Conservative and reactionary minds refuse to do so—they wish us to believe that great revolutions have been nothing more than unfortunate accidents, that the peoples who have made them were carried away by their deceitful enthusiasm, diversions from the normal current of history. This collection of essays helps to situate the lessons of the October 1917 Russian Revolution from a perspective of 100 years.

    Egyptian economist and intellectual, Samir Amin (1931-2018), was one of the world’s greatest radical thinkers —a creative Marxist’. He was the director of Third World Forum (Forum du tiers monde), Dakar and President of the World Forum for Alternatives. He published numerous books and papers, including The Law of Value and Historical Materialism, Eurocentrism – Modernity, Religion and Democracy: A Critique of Eurocentrism and Culturalism, Ending the Crisis of Capitalism or Ending Capitalism?‘, Global History – a View from the South and Russia and the Long Transition from Capitalism to Socialism

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  • Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism

    As the world grapples with the legacy of crimes of enslavement, colonialism, genocide and mass killings, imprisonment and murder of children, attempts at eliminating cultures and history of Indigenous peoples, looting and other crimes against humanity, the performance of public atonement has become increasingly prevalent. Apologies from state actors and institutions are issued in solemn ceremonies, often acknowledging the collective guilt for historical atrocities. Despite the solemnity of these events, there is a growing scepticism surrounding the sincerity of these apologies, particularly when they are not accompanied by tangible reparations, healing, reconciliation or systemic change. This scepticism is rooted in a perception that these acts of contrition are sometimes less about making amends to the aggrieved and more about assuaging the guilt of the aggressors and maintaining the status quo, providing the illusion of progress without the substance.
    In this compelling work, Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism, the authors unveil the complex interplay between public apologies, social justice and popular mobilisations. The chapters are devoted primarily to the experiences of Latin America, particularly of Mexico, Guatemala, Chile, and Brazil. But there is also a chapter on the struggles for Palestine — so relevant in the face of the current genocidal invasion by the Zionist State of Israel into Gaza, the world’s largest and most densely populated concentration camp.

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  • Oil Politics

    Oil Politics

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    Oil Politics

    The essays here contribute to developing and deepening an understanding of the ecological challenges ravaging Nigeria, Africa and our world today. They illustrate the global nature of these terrors. These essays are not meant just to enable for coffee table chatter: they are intended as calls to action, as a means of encouraging others facing similar threats to share their experiences.

    Set out in seven sections, this book of 54 essays deals with deep ecological changes taking place primarily in Nigeria but with clear linkages to changes elsewhere in the world. The essays are laid out with an undergird of concerns that characterise the author’s approach to human rights and environmental justice advocacy. The first section rightly presents broad spectrum ecological wars manifesting through disappearing trees, spreading desertification, floods, gas flaring and false climate solutions.

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  • Once I Forget
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    Once I Forget

    “Once I Forget,” a collection of poems by John P. Portelli, originally written in Maltese and translated by Aaron Aquilina and John Martin. These sections include the title page, a preface by Professor Norbert Bugeja, and portions of the poems themselves, which explore themes of memory, exile, loss, and the poet’s childhood village, Ħad-Dingli. The preface highlights Portelli’s struggle with forgetfulness and his focus on the vanishing past, connecting his work to literary figures like Yeats and Walcott. Furthermore, the source provides biographical notes on the author, translators, and cover artist, Carmel Micallef, along with endorsements that praise the poetry’s transcendence of the lyric and its powerful exploration of nostalgia and the impossibility of return.

    Translated from the Maltese by Aaron Aquilina and John Martin.

    John P. Portelli treads along those nebulous cliff-edges where forgetfulness attempts to pick at the treacherous scabs of recall, capturing the vertigo of a distant childhood as it inches outward
    into the land’s end of metaphor. — Prof. Norbert Bugeja

    Portelli’s gorgeous poems speak of exile, searching, and loss in such a way that the reader becomes one with the village of his birth, the cliffs, the smells, his frail body, and the sea. —Jennifer Hosein, Tiohtià:ke/ Montreal-born writer, visual artist and educator, author A Map of Rain Days

    ..the poems of Once I Forget restore our faith in the transcendence of the lyric, in the power of song and secular psalm. — Karen Shenfeld, Canadian writer and film-maker,
    author The Law of Return

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  • Online payments

    For your convenience, you can make payments directly to Daraja Press using a credit/debit card for orders placed off-line. Please remember to include invoice / reference number.

    We will confirm receipt once payment has been cleared.

    And if you would like to donate in support of Daraja Press, you can do so here.

    Thank you.

  • Palestine Wail: Poems
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    Palestine Wail: Poems

    Lababidi’s Palestine Wail calls for the simplest, barest humanity, and it reminds us that loss of life, occupation, and genocide take an impossible toll on everyone. Finally, it holds us all accountable to address injustice, to dispel oppression and to work toward collaborative and restorative justice. In our interview, we focused on what he saw as our responsibility to humanity. — How Hope Outlasts Despair: An Interview with Yahia Lababidi — https://www.clereviewofbooks.com/writing/how-hope-outlasts-despair-an-interview-with-yahia-lababidi

    …a poignant message of compassion and hope, the kind beautifully expressed by Yahia Lababidi in his #book #Palestine Wail,
    @DarajaPress.
    “Since purchasing the book, I have read the poem every day—it tends to feed my imagination.” https://boundlessphilanthropy.com/writings/tending-the-imagination-the-practice-of-creativity-care-challenge-compassion #poetry #Gaza

    Renowned aphorist Yahia Lababidi’s Palestine Wail writes alongside a catastrophe beyond words, trying to shelter in words what remains of our humanity. To be a Minister of Loneliness and Lightkeeper, tending to the light.  Philip Metres, author of Fugitive/Refuge

    Palestine is personal for writer, Yahia Lababidi. His Palestinian grandmother, Rabiha Dajani — educator, activist & social worker — was forced to flee her ancestral home in Jerusalem, at gunpoint, some eighty years ago.

    As an Arab-American, Lababidi feels deeply betrayed by the USA’s blind support of Israel’s genocide of Palestinians.

    In Palestine Wail, he reminds us that religion is not politics, Judaism is not Zionism, and to criticize the immoral, illegal actions of Israel is not antisemitism — especially since, as an Arab, Lababidi is a Semite, himself.

    Using both poetry and prose, Lababidi reflects on how we are neither our corrupt governments, nor our compromised media. Rather, we are partners in humanity, members of one human family. Not in Our Name will the unholy massacres of innocent Palestinians be committed (two-thirds of whom are women and children) nor in the false name of ‘self-defense’.

    In turn, Lababidi reminds us that starvation as a weapon of war is both cruel and criminal, as is collective punishment.

    Palestine Wail invites us to bear witness to this historical humanitarian crisis, unfolding in real-time, while not allowing ourselves to be deceived, intimidated or silenced. We are made aware of the basic human truths that no lasting peace can be founded upon profound injustice and that the jailor is never Free…

    Yahia Lababidi, an Arab-American writer of Palestinian background, has crafted a poignant collection which serves as a heartfelt tribute to the Palestinian people, their struggles, and their resilience in the face of an ongoing genocide and ethnic cleansing.

    The collection, described as a love letter to Gaza, draws inspiration from the rich literary tradition of Palestinian resistance literature. Lababidi, known for his critically-acclaimed books of aphorisms, essays, and poetry, brings his unique voice to this personal, political and spiritual work.

    Palestine Wail addresses us in a variety of voices: outrage, lamentation and pity, in attempting to honor the pain of the oppressed Palestinian people, while also celebrating their enduring spirit.

    Lababidi’s Wail, ultimately, is a prayerful work seeking peace, healing and reconciliation—a testament to the transformative power of literature to keep hope alive in the face of seemingly insurmountable odds.

    These are necessary and truthful poems. Yahia Lababidi powerfully illuminates this heartbreaking time and terrible season in the history of our world. This book, like a lantern in darkness, brings to light the truth of lives we must learn to honor and remember.James Crews, author of Unlocking the Heart: Writing for Mindfulness, Creativity, and Self-Compassion

    Yahia Lababidi’s stunning and resonant collection, Palestine Wail, addresses the outrage felt by many of the oppressed Palestinian supporters and more. He also speaks of the lamentations of his people and the show of pity, compassion, and empathy from many members of the human family from all around the world. — The Indefatigable Longing For Peace And Rapprochement In Yahia Lababidi’s Palestine Wail By Michael Parker.

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  • Partisan Universalism: Essays in Honour of Ato Sekyi-Otu

    Partisan Universalism: Essays in Honour of Ato Sekyi-Otu

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    Partisan Universalism: Essays in Honour of Ato Sekyi-Otu

    The collection of essays in Partisan Universalism celebrates the work of Ato Sekyi-Otu, a scholar, teacher and friend, marking his extraordinary contribution to the philosophy, politics and praxis of liberation. As Ato Sekyi-Otu has argued in his recent book, Left Universalism, Africacentric Essays (Routlege 2019), universalism is an ‘inescapable presupposition of ethical judgment in general and critique in particular, especially indispensable for radical criticism of conditions of existence in postcolonial society and for vindicating visions of social regeneration’. Universalism must and can only be partisan.
    “Responding to the invitation ‘to re-member severed but shareable things’, these lovers of truth, freedom, and dignity celebrate the searing intellect, generosity, wit, and compassion of the person and the scholar Ato Sekyi-Otu. … this is a precious contribution. Not to be missed!” —Jane Anna Gordon, author of Statelessness and Contemporary Enslavement and co-editor (with Drucilla Cornell) of Creolizing Rosa Luxemburg. /
    “Critically engaging Ato Sekyi-Otu’s notion of partisan universalism, this timely volume of essays speaks directly to the onto-metaphysical issues that will give Africana thought the new foundations that will enable it to move beyond the linguistic turn, brush aside the ashes of Afro-pessimism. … A must read for all concerned with the future of Africana theory and praxis.” —Paget Henry, author of Caliban’s Reason/
    “Ato Sekyi-Otu’s thought is one of the most important and exciting in Africa today. The texts compiled in this volume celebrate and engage with the work of Sekyi-Otu … They bear eloquent witness to Sekyi-Otu’s stature as a thinker and to his consistent commitment to the universalization of humanity in both theory and practice.” — Michael Neocosmos, Emeritus Professor in the Humanities, Rhodes University, South Africa.

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  • Partitions of the Heart: Unmaking the Idea of India
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    Partitions of the Heart: Unmaking the Idea of India

    In Partitions of the Heart: Unmaking the Idea of India, human rights and peace worker Harsh Mander takes stock of whether the republic has upheld the values it set out to achieve and offers painful, unsparing insight into the contours of hate violence. Through vivid stories from his own work, Mander shows that hate speech, communal propaganda and vigilante violence are mounting a fearsome climate of dread, that targeted crime is systematically fracturing our community, and that the damage to the country’s social fabric may be irreparable. At the same time, he argues that hate can indeed be fought, but only with solidarity, reconciliation and love, and when all of these are founded on fairness.

    ‘At last a book that turns a powerful searchlight on the evil tide of hatred and violence stalking our country, where our minorities live in fear, and Muslims among us are killed under a government that has declared war on Islam.’ —Nayantara Sahgal, journalist, author of Day of Reckoning: Stories (2015).

    ‘Harsh Mander’s is the voice of Kabir come alive in our violent times. We can hear it to our redemption, ignore it to our peril.’ —Gopalkrishna Gandhi, former administrator and diplomat, Governor of West Bengal 2004-2009

    This book is absolutely mandatory reading. You owe it to the much-vaunted “motherland” which is being abused so shamelessly.’—Kiran Nagarkar, novelist, playwright, film critic and screenwriter.

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  • PAS DE REDD EN AFRIQUE

    La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.

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  • Poems for the Penniless

    Poems for the Penniless

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    Poems for the Penniless

    These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.

    Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.

    The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.

    Wonderfully translated by Ida Hadjivayanis.

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  • Política e cultura no pensamento emancipatório africano

    Política e cultura no pensamento emancipatório africano

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    Política e cultura no pensamento emancipatório africano

    Description (2132 / 2500)
    A atual ausência de uma visão emancipatória para a África está no centro dos nossos problemas políticos relacionados à opressão racial capitalista e colonial. Qualquer tentativa de repensar a emancipação política no continente africano deve ser capaz de localizar uma concepção universal de liberdade no interior das experiências culturais singulares que as pessoas vivem. Quando esteve baseada nas tradições populares, a política emancipatória exibiu tais traços dialéticos, independentemente da maneira específica na qual cada luta pela liberdade foi pensada em diferentes contextos históricos. No entanto, apenas alguns intelectuais militantes compreenderam a importância dessa dialética no pensamento.

    O presente volume esboça e discute dois pontos de vista particularmente importantes sobre o papel e a relevância da cultura popular na política emancipatória em África. Cada um deles resulta de formas distintas de exploração capitalista e colonialista: o primeiro viu a luz do dia em um contexto colonial, enquanto o segundo é diretamente confrontado pelo estado neocolonial. Todas as políticas emancipatórias são desenvolvidas em confronto com o poder estatal, e todas começam com um processo de discussão e debate através do qual um sujeito coletivo começa a se formar. No continente africano, a construção de tal sujeito político coletivo tem sido informada, de maneira fundamental, pelas culturas populares.

    Os dois autores cujos ensaios estão aqui incluídos entenderam isso e colocaram a cultura popular no centro de suas políticas. O primeiro, Amílcar Cabral, aborda o papel central da cultura popular na luta pela independência da Guiné-Bissau nos anos 1970; o segundo, Ernest Wamba-dia-Wamba, aborda a centralidade da cultura popular africana para uma política emancipatória endereçada à atual República Democrática do Congo. Apesar das décadas que os separam, tanto Cabral como Wamba-dia-Wamba desenvolvem, no centro de sua política, uma dialética que ativa os universais da cultura no presente. É essa característica que confere às suas visões uma importância central para o pensamento emancipatório contemporâneo.

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  • Politics and Culture in African Emancipatory Thought

    Politics and Culture in African Emancipatory Thought

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    Politics and Culture in African Emancipatory Thought

    The current absence of any emancipatory vision for Africa lies at the heart of our political problems of racial capitalist and colonial oppression. Any attempt to rethink political emancipation on the African continent must be able to locate a universal conception of freedom within singular cultural experiences where people live. Irrespective of the specific manner in which such struggles for freedom were thought within different historical contexts, emancipatory politics always exhibited such a dialectic when it was based within popular traditions. Yet only some militant intellectual leaders understood the importance of this dialectic in thought.
    The present volume outlines and discusses two particularly important views concerning the role and importance of popular culture in emancipatory politics in Africa. Each is the product of distinct forms of colonial capitalist exploitation: the former saw the light of day within a colonial context while the latter is directly confronted by the neocolonial state. All emancipatory politics are developed in confrontation with state power, and all begin with a process of discussion and debate whereby a collective subject begins to be formed. The formation of such a collective political subject has been fundamentally informed by popular cultures on the African continent.
    The two authors whose essays are included here understood this and posit popular culture at the centre of their politics. The first, Amílcar Cabral, addresses the central role of popular culture in the independence struggle of Guinea Bissau in the 1970s; the second, Ernest Wamba-dia-Wamba, addresses the centrality of African popular culture in an emancipatory politics for the current Democratic Republic of Congo. Despite the distance in time that separates them, both Cabral and Wamba-dia-Wamba develop a dialectics at the core of their politics which activates the universals of culture in the present. It is this that makes their views of central importance to emancipatory thought today.

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