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Nous sommes toujours là
USD $ 25.00Select options This product has multiple variants. The options may be chosen on the product pageNous sommes toujours là
USD $ 25.00Depuis le début du génocide contre les Palestiniens à Gaza, mené par la violence coloniale israélienne, les établissements d’enseignement supérieur ont été systématiquement détruits. Les campus sont en ruines, les universitaires et les étudiants ont été tués ou déplacés de force, et ce qui était autrefois une population étudiante florissante et intellectuellement dynamique vit maintenant sous la menace quotidienne de bombardement, de famine forcée et de mort. Pendant près de deux ans, les étudiants ont été coupés non seulement de leurs universités, mais aussi de leurs rêves, de leur avenir et même de leur sentiment de sécurité le plus élémentaire.
Pourtant, malgré ce traumatisme inimaginable, beaucoup écrivent encore.
Nous sommes toujours là est une anthologie de ces voix – brutes, non filtrées et courageuses. Il présente des histoires courtes et longues, des poèmes, des essais et des témoignages écrits par des étudiants des universités de Gaza. Ce ne sont pas des réflexions rétrospectives ou des analyses à distance ; ce sont des mots en temps réel, émergeant des profondeurs du génocide, du déplacement et du deuil. Ces écrits peuvent être leurs derniers espoirs d’atteindre le monde, un dernier acte de résistance par l’expression.
Les droits d’auteur de la vente de ce livre sont intégralement reversés aux étudiants auteurs de Gaza.
Survivant aux extrêmes les plus sombres de la souffrance, de la destruction et du déplacement, de la famine et de la menace constante de mutilation ou de mort, ces jeunes écrivains nous parlent avec une lucidité perçante. Leur résilience est leur seule forme d’optimisme. Paradoxalement, les lire soulève le cœur.
– Ian McEwan, auteur d’Expiation et d’Amour ÉternelUn recueil bouleversant, douloureux et pourtant plein d’espoir, de la jeune génération du peuple de Gaza. Le Sumud, la résilience, n’a jamais été aussi puissant et clair qu’il ne l’apparaît dans cette collection incontournable et urgente. —Ilan Pappé, professeur au Collège des Sciences Sociales et des Études Internationales de l’Université d’Exeter, auteur de Une histoire très courte du conflit israélo-palestinien
Au cœur de la souffrance, les mots naissent — et sous les décombres, la créativité s’élève. Ce livre est plus qu’un recueil de pages écrites ; c’est l’écho d’âmes résilientes et le cri de plumes qui ont parlé lorsque les voix ont été réduites au silence. — Professeur Dr. Omar Kh. Melad, Président de l’Université Al-Azhar de Gaza
Nous Sommes Toujours Là n’est pas un livre sur la guerre — c’est un livre sur le fait d’être en vie après que le monde a décidé que vous avez déjà disparu, écrit dans des pièces qui ne tiennent peut-être plus debout. Ces pages sont des dépêches du fil étroit du présent : des lettres de la faim, des fragments de vies interrompues, des éclairs d’espoir si inflexibles qu’ils brûlent. Ici, des jeunes gens façonnent le témoignage de leur temps sur terre, sachant que leur temps peut être court. Vous ne quitterez pas ce livre avec le confort d’une conclusion. Il restera avec vous bien après que la dernière page aura été tournée. — Leila Sansour, réalisatrice et fondatrice d’Open Bethlehem
Ces réflexions poignantes de Gaza, en prose et en poésie, du milieu d’un génocide, sont à la fois déchirantes et pleines de vie et de promesse. Israël a peut-être physiquement tué nombre de leurs jeunes auteurs, mais il ne tuera jamais leurs mots, qui vivent dans ce puissant recueil de leurs écrits. — Ghada Karmi.
La mort n’est pas une idée pour ces jeunes écrivains, mais une réalité quotidienne. Ce recueil témoigne de la puissance des mots. Il révèle comment l’amour, la créativité et l’espoir peuvent nous galvaniser contre la peur et l’inaction. — Selma Dabbagh, auteure du roman Out of It et éditrice de l’anthologie We Wrote in Symbols; Love and Lust by Arab Women Writers.
Sara Alkhaldy, l’une des contributrices de Nous Sommes Toujours Là, une nouvelle anthologie d’écrits d’étudiants de Gaza, déclare : “Je voudrais pouvoir mettre en bouteille l’odeur de notre maison et l’emporter avec moi en partant.” Rula Elkhair écrit à propos des études pendant le déplacement : “Même dans des endroits sans électricité, sans eau et sans internet stable, j’ai installé un eSIM sur mon téléphone et je suis montée sur le toit sous le bourdonnement des drones pour télécharger des cours. J’ai passé des examens dans des cafés au bord de la mer. J’ai étudié en ayant faim, en ayant peur, en étant en deuil.” — Selma Dabbagh dans la London Review of Books Connaissance des Faits Pertinents.
Écoutez notre conversation en podcast
avec les étudiants contributeursLa version anglaise de ce livre est disponible ici : We Are Still Here
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October 1917 Revolution
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00Select options This product has multiple variants. The options may be chosen on the product pageOctober 1917 Revolution
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00Great revolutions make history. Conservative resistance and counter-revolutions only delay their progress. The French revolution invented modern politics and democracy, the Russian revolution paved the way for the socialist transition, while the Chinese revolution connected the emancipation of those peoples oppressed by imperialism with the path to socialism. These revolutions are great precisely because they are bearers of undertakings that are far ahead of the immediate demands of their time. beacons that illuminate the still unfinished struggles of the peoples for the realization of these goals. It is impossible to understand the contemporary world by ignoring these great revolutions. To commemorate these revolutions, says Samir Amin, one needs both to assess their ambitions (the utopia of today will be the reality of tomorrow), and to understand the reasons for their temporary setbacks. Conservative and reactionary minds refuse to do so—they wish us to believe that great revolutions have been nothing more than unfortunate accidents, that the peoples who have made them were carried away by their deceitful enthusiasm, diversions from the normal current of history. This collection of essays helps to situate the lessons of the October 1917 Russian Revolution from a perspective of 100 years.
Egyptian economist and intellectual, Samir Amin (1931-2018), was one of the world’s greatest radical thinkers —a creative Marxist’. He was the director of Third World Forum (Forum du tiers monde), Dakar and President of the World Forum for Alternatives. He published numerous books and papers, including The Law of Value and Historical Materialism, Eurocentrism – Modernity, Religion and Democracy: A Critique of Eurocentrism and Culturalism, Ending the Crisis of Capitalism or Ending Capitalism?‘, Global History – a View from the South and Russia and the Long Transition from Capitalism to Socialism
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Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism
USD $ 28.00As the world grapples with the legacy of crimes of enslavement, colonialism, genocide and mass killings, imprisonment and murder of children, attempts at eliminating cultures and history of Indigenous peoples, looting and other crimes against humanity, the performance of public atonement has become increasingly prevalent. Apologies from state actors and institutions are issued in solemn ceremonies, often acknowledging the collective guilt for historical atrocities. Despite the solemnity of these events, there is a growing scepticism surrounding the sincerity of these apologies, particularly when they are not accompanied by tangible reparations, healing, reconciliation or systemic change. This scepticism is rooted in a perception that these acts of contrition are sometimes less about making amends to the aggrieved and more about assuaging the guilt of the aggressors and maintaining the status quo, providing the illusion of progress without the substance.
In this compelling work, Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism, the authors unveil the complex interplay between public apologies, social justice and popular mobilisations. The chapters are devoted primarily to the experiences of Latin America, particularly of Mexico, Guatemala, Chile, and Brazil. But there is also a chapter on the struggles for Palestine — so relevant in the face of the current genocidal invasion by the Zionist State of Israel into Gaza, the world’s largest and most densely populated concentration camp.Select options This product has multiple variants. The options may be chosen on the product page -
Oil Politics
USD $ 2.00 USD $ 35.00Price range: USD $ 2.00 through USD $ 35.00Select options This product has multiple variants. The options may be chosen on the product pageOil Politics
USD $ 2.00 USD $ 35.00Price range: USD $ 2.00 through USD $ 35.00The essays here contribute to developing and deepening an understanding of the ecological challenges ravaging Nigeria, Africa and our world today. They illustrate the global nature of these terrors. These essays are not meant just to enable for coffee table chatter: they are intended as calls to action, as a means of encouraging others facing similar threats to share their experiences.
Set out in seven sections, this book of 54 essays deals with deep ecological changes taking place primarily in Nigeria but with clear linkages to changes elsewhere in the world. The essays are laid out with an undergird of concerns that characterise the author’s approach to human rights and environmental justice advocacy. The first section rightly presents broad spectrum ecological wars manifesting through disappearing trees, spreading desertification, floods, gas flaring and false climate solutions.
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Once I Forget
“Once I Forget,” a collection of poems by John P. Portelli, originally written in Maltese and translated by Aaron Aquilina and John Martin. These sections include the title page, a preface by Professor Norbert Bugeja, and portions of the poems themselves, which explore themes of memory, exile, loss, and the poet’s childhood village, Ħad-Dingli. The preface highlights Portelli’s struggle with forgetfulness and his focus on the vanishing past, connecting his work to literary figures like Yeats and Walcott. Furthermore, the source provides biographical notes on the author, translators, and cover artist, Carmel Micallef, along with endorsements that praise the poetry’s transcendence of the lyric and its powerful exploration of nostalgia and the impossibility of return.
Translated from the Maltese by Aaron Aquilina and John Martin.
John P. Portelli treads along those nebulous cliff-edges where forgetfulness attempts to pick at the treacherous scabs of recall, capturing the vertigo of a distant childhood as it inches outward
into the land’s end of metaphor. — Prof. Norbert BugejaPortelli’s gorgeous poems speak of exile, searching, and loss in such a way that the reader becomes one with the village of his birth, the cliffs, the smells, his frail body, and the sea. —Jennifer Hosein, Tiohtià:ke/ Montreal-born writer, visual artist and educator, author A Map of Rain Days
..the poems of Once I Forget restore our faith in the transcendence of the lyric, in the power of song and secular psalm. — Karen Shenfeld, Canadian writer and film-maker,
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Palestine Wail: Poems
USD $ 25.00Select options This product has multiple variants. The options may be chosen on the product pagePalestine Wail: Poems
USD $ 25.00Lababidi’s Palestine Wail calls for the simplest, barest humanity, and it reminds us that loss of life, occupation, and genocide take an impossible toll on everyone. Finally, it holds us all accountable to address injustice, to dispel oppression and to work toward collaborative and restorative justice. In our interview, we focused on what he saw as our responsibility to humanity. — How Hope Outlasts Despair: An Interview with Yahia Lababidi — https://www.clereviewofbooks.com/writing/how-hope-outlasts-despair-an-interview-with-yahia-lababidi
…a poignant message of compassion and hope, the kind beautifully expressed by Yahia Lababidi in his #book #Palestine Wail,
@DarajaPress.
“Since purchasing the book, I have read the poem every day—it tends to feed my imagination.” https://boundlessphilanthropy.com/writings/tending-the-imagination-the-practice-of-creativity-care-challenge-compassion #poetry #GazaRenowned aphorist Yahia Lababidi’s Palestine Wail writes alongside a catastrophe beyond words, trying to shelter in words what remains of our humanity. To be a Minister of Loneliness and Lightkeeper, tending to the light. — Philip Metres, author of Fugitive/Refuge
Palestine is personal for writer, Yahia Lababidi. His Palestinian grandmother, Rabiha Dajani — educator, activist & social worker — was forced to flee her ancestral home in Jerusalem, at gunpoint, some eighty years ago.
As an Arab-American, Lababidi feels deeply betrayed by the USA’s blind support of Israel’s genocide of Palestinians.
In Palestine Wail, he reminds us that religion is not politics, Judaism is not Zionism, and to criticize the immoral, illegal actions of Israel is not antisemitism — especially since, as an Arab, Lababidi is a Semite, himself.
Using both poetry and prose, Lababidi reflects on how we are neither our corrupt governments, nor our compromised media. Rather, we are partners in humanity, members of one human family. Not in Our Name will the unholy massacres of innocent Palestinians be committed (two-thirds of whom are women and children) nor in the false name of ‘self-defense’.
In turn, Lababidi reminds us that starvation as a weapon of war is both cruel and criminal, as is collective punishment.
Palestine Wail invites us to bear witness to this historical humanitarian crisis, unfolding in real-time, while not allowing ourselves to be deceived, intimidated or silenced. We are made aware of the basic human truths that no lasting peace can be founded upon profound injustice and that the jailor is never Free…
Yahia Lababidi, an Arab-American writer of Palestinian background, has crafted a poignant collection which serves as a heartfelt tribute to the Palestinian people, their struggles, and their resilience in the face of an ongoing genocide and ethnic cleansing.
The collection, described as a love letter to Gaza, draws inspiration from the rich literary tradition of Palestinian resistance literature. Lababidi, known for his critically-acclaimed books of aphorisms, essays, and poetry, brings his unique voice to this personal, political and spiritual work.
Palestine Wail addresses us in a variety of voices: outrage, lamentation and pity, in attempting to honor the pain of the oppressed Palestinian people, while also celebrating their enduring spirit.
Lababidi’s Wail, ultimately, is a prayerful work seeking peace, healing and reconciliation—a testament to the transformative power of literature to keep hope alive in the face of seemingly insurmountable odds.
These are necessary and truthful poems. Yahia Lababidi powerfully illuminates this heartbreaking time and terrible season in the history of our world. This book, like a lantern in darkness, brings to light the truth of lives we must learn to honor and remember. — James Crews, author of Unlocking the Heart: Writing for Mindfulness, Creativity, and Self-Compassion
Yahia Lababidi’s stunning and resonant collection, Palestine Wail, addresses the outrage felt by many of the oppressed Palestinian supporters and more. He also speaks of the lamentations of his people and the show of pity, compassion, and empathy from many members of the human family from all around the world. — The Indefatigable Longing For Peace And Rapprochement In Yahia Lababidi’s Palestine Wail By Michael Parker.
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PAS DE REDD EN AFRIQUE
USD $ 10.00La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
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Poems for the Penniless
USD $ 7.00 USD $ 25.00Price range: USD $ 7.00 through USD $ 25.00Select options This product has multiple variants. The options may be chosen on the product pagePoems for the Penniless
USD $ 7.00 USD $ 25.00Price range: USD $ 7.00 through USD $ 25.00These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
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Política e cultura no pensamento emancipatório africano
USD $ 7.00 USD $ 13.00Price range: USD $ 7.00 through USD $ 13.00Select options This product has multiple variants. The options may be chosen on the product pagePolítica e cultura no pensamento emancipatório africano
USD $ 7.00 USD $ 13.00Price range: USD $ 7.00 through USD $ 13.00Description (2132 / 2500)
A atual ausência de uma visão emancipatória para a África está no centro dos nossos problemas políticos relacionados à opressão racial capitalista e colonial. Qualquer tentativa de repensar a emancipação política no continente africano deve ser capaz de localizar uma concepção universal de liberdade no interior das experiências culturais singulares que as pessoas vivem. Quando esteve baseada nas tradições populares, a política emancipatória exibiu tais traços dialéticos, independentemente da maneira específica na qual cada luta pela liberdade foi pensada em diferentes contextos históricos. No entanto, apenas alguns intelectuais militantes compreenderam a importância dessa dialética no pensamento.O presente volume esboça e discute dois pontos de vista particularmente importantes sobre o papel e a relevância da cultura popular na política emancipatória em África. Cada um deles resulta de formas distintas de exploração capitalista e colonialista: o primeiro viu a luz do dia em um contexto colonial, enquanto o segundo é diretamente confrontado pelo estado neocolonial. Todas as políticas emancipatórias são desenvolvidas em confronto com o poder estatal, e todas começam com um processo de discussão e debate através do qual um sujeito coletivo começa a se formar. No continente africano, a construção de tal sujeito político coletivo tem sido informada, de maneira fundamental, pelas culturas populares.
Os dois autores cujos ensaios estão aqui incluídos entenderam isso e colocaram a cultura popular no centro de suas políticas. O primeiro, Amílcar Cabral, aborda o papel central da cultura popular na luta pela independência da Guiné-Bissau nos anos 1970; o segundo, Ernest Wamba-dia-Wamba, aborda a centralidade da cultura popular africana para uma política emancipatória endereçada à atual República Democrática do Congo. Apesar das décadas que os separam, tanto Cabral como Wamba-dia-Wamba desenvolvem, no centro de sua política, uma dialética que ativa os universais da cultura no presente. É essa característica que confere às suas visões uma importância central para o pensamento emancipatório contemporâneo.
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Politics and Culture in African Emancipatory Thought
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00Select options This product has multiple variants. The options may be chosen on the product pagePolitics and Culture in African Emancipatory Thought
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00The current absence of any emancipatory vision for Africa lies at the heart of our political problems of racial capitalist and colonial oppression. Any attempt to rethink political emancipation on the African continent must be able to locate a universal conception of freedom within singular cultural experiences where people live. Irrespective of the specific manner in which such struggles for freedom were thought within different historical contexts, emancipatory politics always exhibited such a dialectic when it was based within popular traditions. Yet only some militant intellectual leaders understood the importance of this dialectic in thought.
The present volume outlines and discusses two particularly important views concerning the role and importance of popular culture in emancipatory politics in Africa. Each is the product of distinct forms of colonial capitalist exploitation: the former saw the light of day within a colonial context while the latter is directly confronted by the neocolonial state. All emancipatory politics are developed in confrontation with state power, and all begin with a process of discussion and debate whereby a collective subject begins to be formed. The formation of such a collective political subject has been fundamentally informed by popular cultures on the African continent.
The two authors whose essays are included here understood this and posit popular culture at the centre of their politics. The first, Amílcar Cabral, addresses the central role of popular culture in the independence struggle of Guinea Bissau in the 1970s; the second, Ernest Wamba-dia-Wamba, addresses the centrality of African popular culture in an emancipatory politics for the current Democratic Republic of Congo. Despite the distance in time that separates them, both Cabral and Wamba-dia-Wamba develop a dialectics at the core of their politics which activates the universals of culture in the present. It is this that makes their views of central importance to emancipatory thought today.Select options This product has multiple variants. The options may be chosen on the product page -
Politique et culture dans la pensée émancipatrice Africaine
USD $ 7.00 USD $ 13.00Price range: USD $ 7.00 through USD $ 13.00Select options This product has multiple variants. The options may be chosen on the product pagePolitique et culture dans la pensée émancipatrice Africaine
USD $ 7.00 USD $ 13.00Price range: USD $ 7.00 through USD $ 13.00Au cœur de nos problèmes politiques issus d’un capitalisme racial et d’une oppression (néo)coloniale en Afrique aujourd’hui se trouve l’absence de toute vision émancipatrice véritable. Toute tentative de repenser une politique émancipatrice en Afrique doit pouvoir situer une vision universaliste de la liberté parmi les expériences culturelles singulières que les gens vivent. Les politiques émancipatrices quand elles existaient, bien que pensées dans les luttes pour la liberté ayant lieu dans des contextes historiques particuliers, mettaient toujours en vue une dialectique de ce genre quand elles étaient vraiment basées parmi les traditions populaires. Cependant, seulement une minorité de dirigeants intellectuels et militants comprenait l’importance d’une telle dialectique pour la pensée et l’action.
Ce petit livre trace le contour et discute de deux points de vue très importants sur le rôle de la culture populaire dans la politique émancipatrice en Afrique. Chacun d’entre eux émane de formes d’exploitation capitalistes coloniales distinctes : le premier a vu le jour dans un contexte colonial classique tandis que le second est directement issu d’un contexte étatique néocolonial. Toute politique émancipatrice est développée vis-à-vis le pouvoir d’état et toutes commencent avec un processus de discussion ou est formé un sujet collectif. Un tel sujet politique doit être fondamentalement informé par et conçu en relation avec les cultures populaires.
Les deux auteurs ci-inclus ont compris ce principe et mettent la culture populaire au centre de leur pensées politiques. Le premier, Amílcar Cabral se réfère au rôle principal de la culture dans la lutte contre le colonialisme au Guinée Bissau dans les années 1970 ; le second, Ernest Wamba-dia-Wamba insiste sur le rôle central de la culture populaire pour une politique émancipatrice dans la République Démocratique du Congo aujourd’hui. Malgré la distance temporelle qui les sépare, tous les deux développent au centre de leurs politiques distinctes, une pensée dialectique qui déclenche des pensées universalistes depuis la culture populaire dans le présent. C’est pour cela que leurs points de vue sont d’une importance capitale pour la pensée de la politique émancipatrice en Afrique aujourd’hui.
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Post Capitalist Philanthropy
“Post capitalist philanthropy is a paradox in terms. A paradox is the appropriate starting place for the complex, entangled, messy context we find ourselves in as a species.” This is how long-time activists, political strategists, and accidental philanthropy advisors Alnoor Ladha and Lynn Murphy start their treatise on Post Capitalist Philanthropy. This book is a result of decades of practice and research, including a hundred plus interviews with leading activists, philanthropists, philosophers, social scientists, cosmologists and wisdom keepers.
The authors take us on a journey from the history of wealth accumulation to the current logic of late-stage capitalism to the lived possibilities of other ways of knowing, sensing and being that can usher in life-centric models. This “ontological shift”, as they call it, is at the heart of the text – creating new-ancient-emerging realities is not simply about how we redistribute wealth or “fight power”, but rather, how we perceive and embody our actions in relationship to a dynamic, animistic world and cosmos.
This book is made available by Daraja Press on behalf of the Transition Resource Circle.
The Spanish version of this book is available at
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Racism, Capitalism, and COVID-19 Pandemic
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00Select options This product has multiple variants. The options may be chosen on the product pageRacism, Capitalism, and COVID-19 Pandemic
USD $ 7.00 USD $ 21.00Price range: USD $ 7.00 through USD $ 21.00he COVID-19 pandemic has brought into sharp relief the deep structural problems affecting nonwhite racialized workers in the core and periphery. Yet, many social scientific analyses of the global political economy, at least in the pre-COVID era, are race neutral or willfully indifferent to the persistent racial pattern of global inequalities. This pamphlet explains how the unremitting super-exploitation of Black and other nonwhite racialized labor in the core and the periphery persisted throughout the COVID-19 crisis through the lens of Black radical scholarship on racism and capitalism.
Edwards not only captures how people of African descent have been disproportionately impacted by COVID, but also the historical, sociological and structural roots of the inequalities that affect vulnerable groups across the world, tied to what she has described as the architecture of the global economy linked to race and gender. She represents a refreshing voice in our time and part of a Caribbean radical tradition in the spirit of Claudia Jones, Eric Williams, Oliver C. Cox, and C.L.R. James, from her native Trinidad, as well as Guyana’s Walter Rodney and Andaiye.Select options This product has multiple variants. The options may be chosen on the product page -
Recent Political Developments in West Africa
A compendium focused on political developments in West Africa from 2014 to early 2015. Popular uprisings, regime collapse, armed conflicts, epidemic, and economic emergencies in various States are reviewed. The questions of sovereignty and the future of social movements are central considerations.




















