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Every Country Gets the Fascism It Deserves
USD $ 5.00 USD $ 12.00Price range: USD $ 5.00 through USD $ 12.00Select options This product has multiple variants. The options may be chosen on the product pageEvery Country Gets the Fascism It Deserves
USD $ 5.00 USD $ 12.00Price range: USD $ 5.00 through USD $ 12.00Every Country Gets the Fascism It Deserves documents the systematic construction of xenophobic violence as a political project in post-apartheid South Africa. Richard Pithouse traces how the state, media and organised political forces have cultivated hatred against migrants, transforming social pain into organised cruelty.
The book begins with the May 2008 pogroms that killed 62 people and displaced 100,000, showing how the mob followed the logic of a state that had already begun dehumanising migrants. It documents the rise of the All Truck Drivers Foundation, which murdered more than 200 drivers in organised attacks, and the subsequent emergence of Operation Dudula and March and March—well-funded astroturfed movements that normalised fascist language and violence.
Pithouse reveals the complicity of the police, media and major political parties—including the ANC, DA, MKP, ActionSA and Patriotic Alliance—in legitimating xenophobic violence. He shows how the mob and state have collaborated to drive more than 150,000 people across South Africa’s borders in a matter of weeks, with government infrastructure facilitating mass deportation.
Drawing on the work of Aijaz Ahmad, Alain Badiou and Richard Seymour, Pithouse argues that the erosion of democratic norms, the reactivation of ethnic mobilisation, and the normalisation of sadism constitute a fascist challenge to the constitutional order. The book insists that the answer to the far right is never to move rightward, but always to build a politics of universal solidarity rooted in the principle that a person is a person wherever they may find themselves.
With a foreword by Michael Neocosmos and an afterword by Abahlali baseMjondolo founder S’bu Zikode, this is an urgent account of a country’s descent into organised cruelty—and a powerful call for a politics of human dignity.
This essay is an elegy for solidarity; a blistering call for social communion based not on grievance, but on a human ethic of care. Pithouse’s assessment of contemporary fascism offers a masterclass in political theory, and yet there is a granularity to his words, a grasp of the pain and suffering at the heart of this crisis that cannot be mimicked. In this way, Pithouse moves beyond the realm of the academic, into the territory of the body, into the flesh and bone and blood of the violence that stalks this moment.
Pithouse’s reportage does not simply bear witness, it offers an activist intervention. By writing not from the margins, but from the centre of an organised response to the cruelty of this moment, Pithouse insists that solidarity is not built on words alone. Instead, he reminds us that solidarity is crafted in the intimacy of bodies meeting in shared spaces – not to carry out violence, but to repel it.
Pithouse is at his finest in this form; his words are succinct, urgent and yet – somehow – achingly tender. —Sisonke Msimang, author of Always Another Country
(This essay was originally published on Richard Pithouse’s Substack: https://substack.com/profile/143275356-richard-pithouse)
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The Stories We Carry
The Stories We Carry is a compelling collection of essays that explore identity, trauma, and resilience through deeply personal narratives. Edited by Merlyna Lim and Kathy Dobson, this volume brings together twenty-two contributors—academics, artists, journalists, and storytellers—who refuse to separate personal experience from scholarly inquiry.
The collection unfolds in three interconnected movements: Self, Scar, and Struggle, examining how identity is shaped through history, gender, embodiment, and migration; how trauma and exclusion leave lasting marks; and how survival requires ongoing negotiation with institutions, technology, and community. Each essay is accompanied by hand-drawn illustrations, making the personal visible and visceral.
The contributors challenge academic conventions that dismiss personal writing as less rigorous, arguing instead that the narrated self is a legitimate site of knowledge. Their stories address Islamophobia, poverty, colonialism, queerness, neurodivergence, immigration bureaucracy, and the politics of belonging. This is not a book seeking inclusion in broken institutions, but one that insists the table itself must be rebuilt. It asks readers to sit with complexity, contradiction, and the unfinished work of being human.
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The Price of Dignity
USD $ 21.50Select options This product has multiple variants. The options may be chosen on the product pageThe Price of Dignity
USD $ 21.50The Price of Dignity chronicles the extraordinary life of Patrocinia Polanco Rivas, a Salvadoran peasant woman whose personal story embodies the Central American struggle for survival and justice. The narrative follows her from a childhood of desperate poverty in the 1970s, through her family’s involvement in grassroots movements inspired by liberation theology and the murdered priest Rutilio Grande.
As civil war engulfs El Salvador, Patrocinia’s family is drawn into the conflict. She experiences the horror of scorched-earth tactics, lethal aerial bombardments, and the trauma of forced displacement (guindas). After losing her father to a bomb and suffering severe injuries herself, she leaves the war at her mother’s request. The postwar period, however, brings new struggles. Despite the hope of the 1992 Peace Accords, neoliberal policies and enduring poverty force Patrocinia’s family into a relentless battle for survival, cutting sugarcane for meager wages.
This economic desperation ultimately dismantles her family, as her husband and, one by one, her six children are forced to migrate illegally to the United States. The book’s second half becomes a searing indictment of U.S. immigration policy. It juxtaposes the dangerous journeys of her children—marked by cartel violence and exploitation—with the cruel, dehumanizing rhetoric of Donald Trump, who labels them “criminals” and “rapists.” Patrocinia is left alone in El Salvador, her utopian dream of dignity replaced by the anguish of a separated family, haunted by a past of war and a present of political disillusionment under Nayib Bukele. Her story is a powerful testament to the resilience of the human spirit and the ongoing price of dignity.
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Settler Colonialism
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageSettler Colonialism
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00Settler Colonialism examines the genesis in the USA of the first full-fledged settler state in the world, which went beyond its predecessors in 1492 Iberia and British-colonized Ireland with an economy based on land sales and enslaved African labor, an implementation of the fiscal-military state. Both the liberal and the rightwing versions of the national narrative misrepresent the process of European colonization of North America. Both narratives serve the critical function of preserving the “official story” of a mostly benign and benevolent USA as an anticolonial movement that overthrew British colonialism. The pre-US independence settlers were colonial settlers just as they were in Africa and India or like the Spanish in Central and South America. The nation of immigrants myth erases the fact that the United States was founded as a settler state from its inception and spent the next hundred years at war against the Native Nations in conquering the continent. Buried beneath the tons of propaganda—from the landing of the English “pilgrims” (Protestant Christian evangelicals) to James Fenimore Cooper’s phenomenally popular The Last of the Mohicans claiming settlers’ “natural rights” not only to the Indigenous peoples’ territories but also to the territories claimed by other European powers—is the fact that the founding of the United States created a division of the Anglo empire, with the US becoming a parallel empire to Great Britain, ultimately overcoming it. From day one, as was specified in the Northwest Ordinance, which preceded the US Constitution, the new “republic for empire,” as Thomas Jefferson called the new United States, envisioned the future shape of what is now the forty-eight states of the continental US. The founders drew up rough maps, specifying the first territory to conquer as the “Northwest Territory.” That territory was the Ohio Valley and the Great Lakes region, which was already populated with Indigenous villages and farming communities thousands of years old. Even before independence, mostly Scots Irish settlers had seized Indigenous farmlands and hunting grounds in the Appalachians and are revered historically as first settlers and rebels, who in the mid-twentieth century began claiming indigeneity. Self-indigenizing by various groups of settlers is a recurrent theme in story of settler colonialism, white supremacy, and the history of erasure and exclusion about which I have written elsewhere.
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Finding a Voice: Asian Women in Britain (New and Expanded Edition)
USD $ 5.00 USD $ 20.00Price range: USD $ 5.00 through USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageFinding a Voice: Asian Women in Britain (New and Expanded Edition)
USD $ 5.00 USD $ 20.00Price range: USD $ 5.00 through USD $ 20.00irst published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
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