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Life Histories from the Revolution: Three militants from the Kenya Land and Freedom Army tell their stories
In the early 1970s, Donald Barnett — who worked with Karari Njama to produce Mau Mau From Within (published by Daraja Press) — also worked with three militants of the Kenya Land and Freedom Army to enable them to tell the story of their experience in fighting for freedom and against British colonialism.
These rarely acknowledged militants were Karigo Muchai, Ngugi Kabiru and Mohamed Mathu. Their stories were published in 1973 by LSM Information Center (Richmond, British Columbia, Canada) as part of a series entitled Life Histories of the Revolution, as The Hardcore: The Story of Karigo Muchai; The Man in the Middle by Ngugi Kabiro; and The Urban Guerrilla by Mohamed Mathu.
As part of its mission of Nurturing reflection, sheltering hope and inspiring audacity, Daraja Press is pleased to republish the three booklets as a single volume that will help a new generation of activists — Kenyan and international — reflect on a history that might inspire audacious struggles to continue the struggle for freedom that was the goal of the Kenya Land and Freedom Army.
Donald Barnett wrote the foreword to each of the booklets as follows:
One of our objectives in launching this series of LIFE HISTORIES FROM THE REVOLUTION is to provide a medium through which individual members of these classes-in-motion within the revolution can speak. We also believe it important that they be heard by those of us who comprise imperialism’s privileged and literate metropolitan minority. Their recounted lives throw our own into sharp relief, while at the same time they offer us fresh perspectives on the processes of repression and revolution from a unique vantage point: from below. Their life stories provide us with a window into the qualitative—as distinct from the merely statistical and quantitative—aspects of class conflict, thus enabling us to better understand and weigh the various factors at work in transforming oppressed masses into revolutionary classes. Again, their remembered life experiences can provide us with significant insights into the dialectical relationships between material and subjective conditions which shape the revolutionary situation, embrace the revolutionary transformation of individuals and classes alike, and move humanity forward toward a new international social formation.
Not all of the individuals whose life histories are included in this series are illiterate peasants or workers. Some are educated defectors from petty bourgeois classes who have joined the revolution and identified their interests with those of the oppressed masses in a very concrete way. They constitute a very important part of the revolutionary vanguard—i.e., the middle cadres who articulate the relationship between leadership and base, who carry forward the military and civilian programs in day-to-day contact with the armed militants and popular masses. The selfless dedication, integrity, comportment and skill of the middle cadres is an essential ingredient within any successful revolutionary process.
The life histories in this series have been recorded and prepared as historical documents from the revolutionary struggles of our time. The techniques and methods employed at each stage of the process, from initial contact to final editing, have therefore been chosen or fashioned with the purpose of guaranteeing the authenticity and integrity of the life history concerned. These stories, then, to the best of our ability to make them so, constitute a body of data and testimony as revealed by a few of those history-makers normally condemned to silence while others speak on their behalf.
We would like to express our thanks to Ole Gjersta, Steve Goldfield and others involved in the LSM Information Centre for making these booklets available.
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The Revolutionary Meaning of the George Floyd Uprising
There was nothing but darkness in the spring of 2020 as the Covid-19 pandemic raged and shut down the economy. But as right-wing protesters demanded an end to the lockdown, a much bigger social conflict was brewing under the surface. A rebellion exploded in Minneapolis in response to the brutal police murder of George Floyd in late May, during which a police station was overtaken and burned down. The uprising quickly spread across the United States as protesters looted downtown urban centers, set fire to cop cars, vandalized government buildings, and fought the police. The Black proletariat led the charge, but white, Latinx, Asian, and Indigenous proletarians also joined the fight, demonstrating new possibilities for building alliances. While anti-police rebellions continued throughout the summer and fall, the uprising receded with the start of the winter. But this conflict is far from over.
In an effort to think through the experience of the uprising and prepare for the great struggles that are coming, The Revolutionary Meaning of the George Floyd Uprising provides an in-depth analysis of what exactly happened during the 2020 uprising, its potentials, internal limits, and strategic implications.
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Love after Babel and other poems
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.
Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.surajyengde@surajyengdeHad an honor to introduce this extremely riveting collection of humanity-filled radical lines “Love After Babel” told by the incomparable art form—Dalit Poetry. Chandramohan is confidently flirtatious with his words. by
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Finding a Voice: Asian Women in Britain (New and Expanded Edition)
First published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
An amazing review of the book can be read here: https://librofulltime.wordpress.com/2023/03/03/book-review-amrit-wilson-finding-a-voice-asian-women-in-britain/
Here is an extract:
This book is a call to collective action and sisterhood, a memorial and an instruction to keep going. In her Reflections, Wilson points out White feminists need to let Asian women work on their own problems while standing in support, not intrude and try to sort their issues out for them, and the valuable material she gathers in this book is indeed because she was part of the communities she was studying, speaking to the women in their kitchens in their own languages. I was so pleased to be able to revisit this wonderful work. – Lix Dexter @LyzzyBee_Libro
A great interview with Amrit Wilson in Montreal Serai (October 4, 2020).
‘This book is a wonderful, important and necessary reminder of all the black feminist work behind us and all that is left to do.’ —Sara Ahmed, feminist writer and independent scholar, and author of Living a Feminist Life
‘Finding a Voice acquires a new significance in this neoliberal era…an indispensable archive as well as a narrative of a past that is not past but reactivated and recast…’ —Kumkum Sangari, William F.Vilas Research Professor of English and the Humanities, University of Wisconsin-Milwaukee
‘A ground-breaking book, as relevant today as it was in the seventies – and evidence, if ever such were needed, that the struggles of Asian, African and Caribbean women remain inextricably linked.’ —Stella Dadzie, founder member of OWAAD and author of Heart of the Race
‘Finding a Voice… was affirmation that our lives mattered, that our experiences with all their cultural complexities, mattered.’ —Meera Syal, British comedian, writer, playwright, singer, journalist, producer and actress.
‘This new edition comes at a time…when we are experiencing the growth of the surveillance state and when our narratives are being co-opted and used against us. Finding a Voiceis not only welcome, it is necessary.’ — Marai Larasi, Director, Imkaan; Co-Chair of UK’s End Violence Against Women Coalition.
Amrit Wilson is a writer and activist on issues of race and gender in Britain and South Asian politics. She is a founder member of South Asia Solidarity Group and the Freedom Without Fear Platform, and board member of Imkaan, a Black, South Asian and minority ethnic women’s organisation dedicated to combating violence against women in Britain. She was a founder member of Awaz and an active member of OWAAD. She is author, amongst other books, of Dreams Questions Struggles—South Asian women in Britain (Pluto Press 2006) and The Challenge Road: Women and the Eritrean revolution (Africa World Press 1991). The first edition of Finding a Voice: Asian Women in Britain won the the Martin Luther King Jr award.
It is the impact of oppression, racism and class which unifies South Asian women and the book comes at a time where we see the continued rise of the far right, misogyny, issues of class and the gig economy here and across the globe being played out in the media and perpetuated by male leaders going unchallenged by the state.
These new voices confirm how groundbreaking the book has been as a reference point for south Asian women now through listening to the voices of women from four decades ago, honouring their contribution and speaking in solidarity with them. As Wilson says in her introduction, it “reclaims our collective past as an act of resistance.”
An excellent read.
‘Reclaiming our collective past’: Amrit Wilson reflects on 40 years of anti-racist feminist work
By Sophia Siddiqui ARCHIVESPOLITICS 30th October 2018
http://gal-dem.com/collective-past-amrit-wilson-reflects-anti-racist-feminist-work/?fbclid=IwAR2qF13MA82F-9hztnRg4hN8ry5EEiZ2rYUtzX4OPuG7CELOzffhCTBjm4o