Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
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Chandramohan S (Sathyanathan) is an Dalit Indian poet, short story writer and a social critique based in the south Indian state of Kerala. He is pursuing research in mathematics, apart from being a translator, editor and a social activist. Chandramohan…
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
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La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
irst published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
This book collects four decades of writings on dialectics, a number of them published here for the first time, by Kevin B. Anderson, a well-known scholar-activist in the Marxist-Humanist tradition. The essays cover the dialectics of revolution in a variety of settings, from Hegel and the French Revolution to dialectics today and its poststructuralist and pragmatist critics. In these essays, particular attention is given to Lenin’s encounter with Hegel and its impact on the critique of imperialism, the rejection of crude materialism, and more generally, on world revolutionary developments. Major but neglected works on Hegel and dialectics written under the impact of the struggle against fascism like Lukács’s The Young Hegel and Marcuse’s Reason and Revolution are given full critical treatment. Dunayevskaya’s intersectional revolutionary dialectics is also treated extensively, especially its focus on a dialectics of revolution that avoids class reductionism, placing gender, race, and colonialism at the center alongside class. In addition, key critics of Hegel and dialectics like Jacques Derrida, Michel Foucault, Antonio Negri, Pierre Bourdieu, and Richard Rorty, are themselves analysed and critiqued from a twenty-first century dialectical perspective. The book also takes up the dialectic in global, intersectional settings via a reconsideration of the themes of Anderson’s Marx at the Margins, where nationalism, race, and colonialism were theorized alongside capital and class as key elements in Marxist dialectical thought. As a whole, the book offers a discussion of major themes in the dialectics of revolution that still speak to us today at a time of radical transformation in all spheres of society and of everyday life.
These letters and poems are invaluable fragments of a living conversation that portrays the indomitable power in humans to stay alive in the face of certain death – to stay alive even in death.
Reading through the treasure trove of the letters and poems compiled here as The Last Writings of Ken Saro-Wiwa evokes intense memories of his resolute struggles against an oil behemoth and a deaf autocratic government. His crusade frames one of the most tumultuous periods of Nigeria’s history; his tragic story evokes anger and demands action to resolve the crises that first led the Ogoni people to demand that Shell clean up Ogoni lands or clear out of the territory.
Críticas da obra:
“Uma provocante crítica à extração contemporânea dos recursos (talvez mais adequadamente, “exploração” dos recursos) na África Subsariana. Na sua convincente análise, e em momentos abrasadora, Bassey apresenta uma critica cativante e abrangente da crise social e ambiental que se vive na África” – Chatham House
“De escravos a diamantes e passando pelo petróleo, há muito que os países mais consumistas têm vindo a pilhar a África a seu bel-prazer. Bassey explica muito bem como tudo isso tem vindo a acontecer, frisando bem o que procura a África: Justiça. Leia a obra e junte-se ao apelo de Bassey” – Annie Leonard, autora d´A estória das coisas
“Um livro que explica, de forma perspicaz e eloquente, o que a África pode fazer para travar as novas formas de colonização exacerbadas pelo caos das mudanças climáticas” – Pablo Solon, ex-embaixador da Bolívia nas Nações Unidas
“É uma obra que, a par da forte denúncia que faz da ganância e do saque da riqueza africana, apresenta perspetivas de esperança” – Camilla Toulmin, presidente do Instituto Internacional de Desenvolvimento e Meio Ambiente
“A África e o seu ambiente. Com um estilo refrescante, o autor torna as suas ideias extremamente acessíveis. Um dos mais proeminentes ambientalistas da África, faz uma análise abrangente dos desafios que enfrenta o continente, inspirando as pessoas a agir.” – David Fig, Presidente da Biowatch South Africa e autor do Staking Their Claims
“Para aqueles que ainda estão sépticos dos efeitos das mudanças climáticas, este livro vai deixa-los não apenas incomodados e preocupados, mas também motiva-los a fazer alguma coisa” – Nigerian Compass
O nigeriano Nnimmo Bassey é arquiteto, ativista ambiental e escritor. Foi presidente dos Amigos da Terra Internacional (Friends of the Earth International) de 2008 a 2012 e Diretor Executivo da Ação pelos Direitos Ambientais (Environmental Rights Action) durante duas décadas. Em 2009, foi nomeado “Herói do Ambiente” pela revista Time e, em 2010, foi co-vencedor do prestigiado Right Livelihood Award (considerado o Prémio Nobel Alternativo). Em 2012, ganhou o Rafto Prize. É atualmente diretor da Fundação Health of Mother Earth, uma organização ambientalista de reflexão e advocacia.
The essays here contribute to developing and deepening an understanding of the ecological challenges ravaging Nigeria, Africa and our world today. They illustrate the global nature of these terrors. These essays are not meant just to enable for coffee table chatter: they are intended as calls to action, as a means of encouraging others facing similar threats to share their experiences.
Set out in seven sections, this book of 54 essays deals with deep ecological changes taking place primarily in Nigeria but with clear linkages to changes elsewhere in the world. The essays are laid out with an undergird of concerns that characterise the author’s approach to human rights and environmental justice advocacy. The first section rightly presents broad spectrum ecological wars manifesting through disappearing trees, spreading desertification, floods, gas flaring and false climate solutions.
This book is for all those—community workers, adult educators, social activists of every kind—who want to overcome pessimism and play a part in changing society in the direction of peace, justice and dignity for all human beings. As author Brian Murphy points out, many of us are pessimistic about our ability to change the world when confronted by the powerful forces of big corporations and big government. Murphy reveals the social and personal dilemmas which hold people back from social engagement, and argues that the various constraints we face can be overcome.
In this new edition, David Austin explains in his Introduction why this book, first published in 1999, is perhaps more relevant to our times than ever, offering insights from his own experiences of engaging critically with the book and with others. And in his Afterword, Brian Murphy reflects on the continued relevance of the original text, emphasizing how our humanity is being corroded and commodified. To reclaim our humanity, he argues, we must transform ourselves to transform the world.
Brian Murphy’s immensely inspiring book,Transforming Ourselves, Transforming the World, deeply challenges us to think and rethink everything we knew and thought we knew.—Nnimmo Bassey, Executive Director, Health of Mother Earth Foundation & Right Livelihood Award Laureate in 2010
We need more conversations like the one in this book, which are rooted in hope while honestly working through a foundational way of seeing and understanding ourselves in the bigger picture.— Christina Warner, Co-Executive Director and Director of Campaigns and Organising, Council of Canadians.
This is one of the coolest, enjoyable and important books I have read in recent years. Written from the heart as well as the head, it is a breathtakingly visionary, unique and insightful take on the life of the ultimate activist.—Hope Chigudu, Feminist activist
Given the growing interest in understanding the meaning, manifestations, analyses and implications of racism in North/South relations, White Saviorism in International Development seeks to remedy the shortcomings of the development studies literature on the prevalence of White Saviorism in Western development initiatives in the Global South. The volume comprises theoretical chapters, testimonies, stories and lived experiences from 19 contributors from across the Global South. With sensitivity and intelligence, these practitioners and academics create a tapestry that unveils the implicit and explicit forms of White Saviorism in international development.
Kate McDonnell
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the
world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating.
– Wendy Doniger, Mircea Eliade Distinguished Service Professor Emerita of the History of Religions; also in the Department of South Asian Languages and Civilizations, the Committee on Social Thought
Kate McDonnell
[Chandramohan S]’s poems reflect the socio-political struggles of the marginalized, the working class and the nomadic outcasts of the world who are victimized and then forgotten as nations clash and wage relentless war. His work has been profiled in New Asia Writing and Mascara Literary Review. Poet Chandramohan S defines a Dalit as “someone who is politically disenfranchised, culturally interiorised and economically impoverished,” but he also firmly believes that “being a Dalit poet endows one with a tremendous potential to turn one’s own experiences and unique perspectives on history into poetry. From Edex Live