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Settler Colonialism
USD $ 5.00 – USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageSettler Colonialism
Settler Colonialism examines the genesis in the USA of the first full-fledged settler state in the world, which went beyond its predecessors in 1492 Iberia and British-colonized Ireland with an economy based on land sales and enslaved African labor, an implementation of the fiscal-military state. Both the liberal and the rightwing versions of the national narrative misrepresent the process of European colonization of North America. Both narratives serve the critical function of preserving the “official story” of a mostly benign and benevolent USA as an anticolonial movement that overthrew British colonialism. The pre-US independence settlers were colonial settlers just as they were in Africa and India or like the Spanish in Central and South America. The nation of immigrants myth erases the fact that the United States was founded as a settler state from its inception and spent the next hundred years at war against the Native Nations in conquering the continent. Buried beneath the tons of propaganda—from the landing of the English “pilgrims” (Protestant Christian evangelicals) to James Fenimore Cooper’s phenomenally popular The Last of the Mohicans claiming settlers’ “natural rights” not only to the Indigenous peoples’ territories but also to the territories claimed by other European powers—is the fact that the founding of the United States created a division of the Anglo empire, with the US becoming a parallel empire to Great Britain, ultimately overcoming it. From day one, as was specified in the Northwest Ordinance, which preceded the US Constitution, the new “republic for empire,” as Thomas Jefferson called the new United States, envisioned the future shape of what is now the forty-eight states of the continental US. The founders drew up rough maps, specifying the first territory to conquer as the “Northwest Territory.” That territory was the Ohio Valley and the Great Lakes region, which was already populated with Indigenous villages and farming communities thousands of years old. Even before independence, mostly Scots Irish settlers had seized Indigenous farmlands and hunting grounds in the Appalachians and are revered historically as first settlers and rebels, who in the mid-twentieth century began claiming indigeneity. Self-indigenizing by various groups of settlers is a recurrent theme in story of settler colonialism, white supremacy, and the history of erasure and exclusion about which I have written elsewhere.
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A Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
USD $ 5.00 – USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageA Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity. This is a work of Reclamation. The author, Nikesha Breeze, has slowly, page by page, reclaimed the text of the book Heart of Darkness by Joseph Conrad. This racist turn-of-the-19th-century book was pivotal in the continued dehumanization of Black people and in particular of African people, as it painted an image of bestiality on the Congo people and the continent. It is laced with racist imagery and language. The author has reappropriated the book, page by page, making “BlackOut” poetry for each page, isolating methodically the words to create new poems of power and black voice within the text —stealing the language and reappropriating the power.
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Poems for the Penniless
USD $ 5.00 – USD $ 18.00Select options This product has multiple variants. The options may be chosen on the product pagePoems for the Penniless
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
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Finding a Voice: Asian Women in Britain (New and Expanded Edition)
USD $ 5.00 – USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageFinding a Voice: Asian Women in Britain (New and Expanded Edition)
irst published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
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