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A Manifesto on Palestine
We are excited to share a summary of a truly transformative new work, A Manifesto on Palestine: Rethinking Liberation from Below, by Ibraheem Rasras. This manifesto offers a profound and challenging re-evaluation of the Palestinian struggle, urging us to look beyond conventional political and diplomatic frameworks to envision a radically different path to freedom and self-determination.
The Core Diagnosis: Beyond Material Occupation
Rasras argues that the Palestinian crisis is not merely a material one of occupation, dispossession, and statelessness, but also a deep “epistemological crisis”. The very structures intended for liberation, the manifesto asserts, have been “subverted, diverted, or rendered ineffective by the very forces they seek to fight”. This is evident in the recurrence of atrocities, reminiscent of past massacres, seen in Gaza from 2023 onwards. A central critique is leveled against the adoption of hierarchical, statist, and technocratic forms of liberation, which have come to tragically resemble the configuration of the oppressor, shedding their ethical and revolutionary essence. The Oslo Accords are cited as a prime example, transforming the language of liberation into one of “formalized managerial governance” and “conditional sovereignty”. This has contributed to a profound “void in the political contextualization and ethical framework of the political ruling”.The Problem of “Stylistic” Resistance and Internalized Colonialism
The manifesto identifies how Palestinian resistance has, over decades, shifted from revolutionary, bottom-up rhetoric to institutionalized and compromised modes, particularly after the Oslo Accords. It introduces the concept of “stylistic” liberation, where leaders impose their imagined schemes rather than adapting to the realities on the ground, leading to an “alienus” leadership that lacks genuine popular allegiance. This “stylistic” approach also manifests when liberation is pursued through “tools of trivialization” that are external to the collective’s specific needs, such as placing prolonged peace negotiations *before* achieving liberation. This externalization, mirroring the colonizing process itself, leads to a form of alienation, obstructing collective self-control and, in many cases, resulting in the unconscious participation of the colonized in their own subjugation. Distrust stemming from unfulfilled promises by factions like Hamas and Fatah has further deepened fragmentation and a sense of “strangeness” among Palestinians.A New Strategy: The Ethics of Resistance and Anarchic Programs
To counter this multifaceted crisis, the manifesto proposes a radical alternative: a “bottom-up resistance” grounded in a unified mode of ethics, a collective understanding of the cause, and consistent practices. This “ethics of resistance” is not a rigid dogma but an “emancipatory code” and a regulatory framework for all aspects of Palestinian daily life, directly confronting neoliberal values like profit-maximization. It is intertwined with the urgent need for a “cultural revolution” that aims to restructure social circumstances and foster a “revolutionary consciousness”. This cultural shift, implemented in successive waves, includes intensive education on human rights and rooting new “networking-elements” within Palestinian social and cultural life. The goal is to establish a “solid reference-point” that can unify Palestinians, whose power has been fragmented by internal divisions and external pressures.The manifesto champions “anarchic programs” as a strategic framework to dismantle subjugation. This involves collectively disengaging from oppressive laws and creating a vacuum for temporary self-management, thereby strengthening local grassroots power. It envisions an “anarchic rule” based on “organic units” and “free cooperation,” emphasizing self-management, direct worker control, and integrated agriculture and industry. This approach aims to organize Palestinians without the fear of division or surveillance that has plagued traditional political structures.
The Power of the Everyday
Crucially, the manifesto points to the already existing “affirmative, anarchic, and ethical politics” in fragments throughout Palestinian society. These are not found in the monopolies of NGOs or political parties, but in the “spontaneous and often-unrecognized social inventions of ordinary people”. Examples include mutual aid networks in Gaza during siege, informal community schooling, grassroots organizing, and the refusal to cooperate with surveillance. These acts of “everyday resistance”—like a student crossing a checkpoint or a mother going to work despite immense barriers—are seen as foundational for a new paradigm of collective ethics and political orientation.Toward a Horizon of Liberation
A Manifesto on Palestine is a bold call for “breakage,” arguing that “no gradual reform will bring freedom”. It is an “epistemological” task to unveil and amplify these lifeways and forms of knowledge, leading to an ethical reconstruction for a collective life that rejects domination in all forms. The manifesto asserts that the future of Palestine will not come from foreign beneficence or failed peace talks, but will be “constructed by the long disenfranchised of the political arithmetic: the dispossessed, the alienated, the uncredentialed, the everyday”. It invites all to engage in “a problem to be enjoyed more than an answer to be spewed back,” asserting that “freedom must be written by individuals who are living alternatively”.We encourage you to delve deeper into this profound manifesto and join the critical conversation about rethinking liberation from below.
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Unsilenced
From: USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageUnsilenced
From: USD $ 15.00Unsilenced: Poems for Palestine is a collection of poems that convey profound emotions and serious reflections on the ongoing situation in Gaza and Palestine since the Nakba. The anthology seeks to express the moral outrage felt by poets from around the world, highlighting the perceived double standards of the West regarding international law and the suffering of the Palestinian people. The poems examine the daily realities of life and philosophical perspectives on the human condition, using nature as a motif to articulate emotions and explore themes of homeland, childhood, exile, genocide, and war. All proceeds from the sale of the collection will be donated to Gaza, demonstrating the poets’ commitment to fostering positive change through their art. Contributors include diverse voices from various countries, each recognizing the urgency and necessity of addressing the inhumane actions perpetrated against Palestine.
Income from the sale of this title will be donated for Palestine.
Praise for Unsilenced
Haunting verses by poets fluent in the language of death and genocide. Each poem rings out as a piece of memory, a bridge and a dream. This elegy will stand as a testimonial, a witness, by brave voices exhausted by the deafening silence of a traumatized world. —Nnimmo Bassey, author of I See the Invisible (poems) and Laureate of the Right to Livelihood Award 2010
… the priceless value of an anthology of lyrics from yet another encircled, blitzed, strafed, and bombarded commune, ghetto, or kibbutz, is that it bears indelible witness to the unbreakable human spirit yearning for freedom, for peace, for bread and wine and water set amid an olive grove or a lemon orchard. That is what you will unfold in editor John P. Portelli’s Unsilenced: Poetry for Palestine. Poets—Jew and Arab, Muslim and Christian, Atheist and Surrealist—voice suffering, resilience, despair, and hope, speaking out of their fragile humanity to demand that vile atrocities cease. — George Elliott Clarke, author of Canticles I-III, 6 vols, MMXVI-MMXXIII (2016-2023)
Unsilenced shows how poetry is written to trigger and provoke, to bear witness, to look at the sky and shout, over and over, as loudly as necessary against injustice. Immanuel Mifsud, Associate Professor, University of Malta and winner of the European Union Prize for Literature (2011).
Contributing Authors
Poems by: Raed Anis Al-Jishi (Kingdom of Saudi Arabia), Ridvan Ardic (Türkiye), Lil Blume (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Hasan Bozdaş (Türkiye), Norbert Bugeja (Malta), Tatev Chakhian (Armenia), Franca Colozzo (Italy), Lana Derkač (Croatia), Josie Di Sciascio-Andrews (Canada), Leanne Ellul (Malta), Marthese Fenech (Malta), Abigail George (South Africa), Joe Giampaolo (Canada), Elham Hamedi (Iran), Xanthi Handrou-Hill (Greece), Jennifer Hosein (Canada), Fady Joudah (USA), Sheema Kalbasi (Iran, Denmark, USA), Rula Kahil (Lebanon and Canada), Nibal Khalil (Palestine), Zeyneb Karaca (Türkiye), Yahia Lababidi (USA), Milica Jeftimijević Lilić (Serbia), Sonia Maddouri (Tunisia), Lisa Suhair Majaj (Palestine, U.S.A., and Cyprus), Marwan Makhoul (Palestine), Leila Marshy (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Ahmed Miqdad (Palestine), Maria Miraglia (Italy), Walid Nabhan (Malta, Jordan, Palestine), Mirela Necula (Romania), Mansour Noorbakhsh (Canada), Joseph C. Ogbonna (Nigeria), Muhammed Huseyin Ozer (Türkiye), John P. Portelli (Malta and Canada), Niloy Rafiq (Bangladesh), Shirani Rajapakse (Sri Lanka), Giovanna Riccio (Canada), Omar Sabbagh (Lebanon), Paul Salvatori (Canada), Eray Saricam (Türkiye), Zulal Sema (Türkiye), Cao Shui (China), Kadir Tepe (Türkiye), Graciela Noemi Villaverde (Argentina), Mirela Leka Xhava (France, Albania), Klara Vassallo (Malta), Anna Yin (Canada), Ghassan Zaqtan (Palestine)Select options This product has multiple variants. The options may be chosen on the product page -
Les héros de la révolution africaine Tome 2
USD $ 11.50United African Diaspora est une organisation panafricaine basée à Calgary, au Canada. Nous nous engageons à construire une communauté africaine forte et autonome capable de répondre aux besoins de son peuple et de contribuer à la lutte mondiale pour réaliser le panafricanisme : la libération et l’unification de l’Afrique.
Nous avons réalisé ce livre de coloriage afin d’exposer les enfants africains à leur histoire authentique. Malcolm X nous a dit il y a plusieurs décennies que nous devrons être responsable de l’éducation de nos enfants. Il avait compris que notre peuple est intentionnellement dépossédé de sa véritable histoire. Nous ne pouvons plus compter sur les institutions pour éduquer nos enfants et nous devrons prendre sur nous la responsabilité de leur transmettre la vérité afin qu’ils puissent apporter une contribution positive à la lutte de notre peuple pour la justice et la liberté. Ce livre met en lumière quelques-unes des figures clés de la lutte pour le panafricanisme, c’est-à-dire la libération et l’unification totales de l’Afrique. Toutes les femmes et tous les hommes courageux présents dans ce livre étaient des panafricanistes. Ils ont compris que les personnes descendantes africaines du monde entier étaient confrontées aux mêmes problèmes et qu’elles devaient donc s’unir pour les surmonter. Nous espérons que ce livre inspirera la prochaine génération d’enfants africains à devenir des panafricanistes et à se joindre à la lutte pour la libération et l’unification de l’Afrique.
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Les héros de la révolution africaine Tome 1
USD $ 11.50United African Diaspora est une organisation panafricaine basée à Calgary, au Canada. Nous nous engageons à construire une communauté africaine forte et autonome capable de répondre aux besoins de son peuple et de contribuer à la lutte mondiale pour réaliser le panafricanisme : la libération et l’unification de l’Afrique.
Nous avons réalisé ce livre de coloriage afin d’exposer les enfants africains à leur histoire authentique. Malcolm X nous a dit il y a plusieurs décennies que nous devrons être responsable de l’éducation de nos enfants. Il avait compris que notre peuple est intentionnellement dépossédé de sa véritable histoire. Nous ne pouvons plus compter sur les institutions pour éduquer nos enfants et nous devrons prendre sur nous la responsabilité de leur transmettre la vérité afin qu’ils puissent apporter une contribution positive à la lutte de notre peuple pour la justice et la liberté. Ce livre met en lumière quelques-unes des figures clés de la lutte pour le panafricanisme, c’est-à-dire la libération et l’unification totales de l’Afrique. Toutes les femmes et tous les hommes courageux présents dans ce livre étaient des panafricanistes. Ils ont compris que les personnes descendantes africaines du monde entier étaient confrontées aux mêmes problèmes et qu’elles devaient donc s’unir pour les surmonter. Nous espérons que ce livre inspirera la prochaine génération d’enfants africains à devenir des panafricanistes et à se joindre à la lutte pour la libération et l’unification de l’Afrique.
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Welfare for a Humane Future
Welfare for a Humane Future by David Matthews and Howard Waitzkin critiques the capitalist welfare state, emphasizing its role in sustaining racial capitalism’s exploitative structures. The authors argue that welfare under capitalism reinforces racial and class divisions, as seen in historical policies like the New Deal, which excluded Black workers. They envision a post-capitalist welfare system rooted in communal values—love, solidarity, and participatory democracy—drawing inspiration from global examples like Rojava’s democratic confederalism, Venezuela’s communes, and Cooperation Jackson’s solidarity economy. Key components include cooperative housing, community-controlled healthcare, and universal basic income, all managed through local assemblies. The book highlights mutual aid and grassroots organizing as pathways to transformative change, urging readers to build alternative institutions within capitalist societies. By prioritizing collective well-being over profit, the authors advocate for a welfare system that empowers communities and fosters equity.
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A Zone of Nonbeing
USD $ 12.00 USD $ 29.00Price range: USD $ 12.00 through USD $ 29.00Select options This product has multiple variants. The options may be chosen on the product pageA Zone of Nonbeing
USD $ 12.00 USD $ 29.00Price range: USD $ 12.00 through USD $ 29.00While racism in Western Europe has been extensively documented, the experiences of racism in Eastern Europe remain underexplored, particularly from the perspective of Black individuals born and raised in the region. This book, written by a Polish author of African descent, sheds light on the racial struggles in Poland, situating them within a broader global context.
The first part of the book delves into the historical dynamics of racial relationships between Black individuals and white Poles. It highlights the lives of Black Polish citizens and residents from the 18th century to the fall of communism in 1989, including figures like Katarzyna Rohoczewska and August Agbola O’Browne. It also celebrates the contributions of two prominent Polish anti-racists: General Tadeusz Kościuszko and the poet Cyprian Kamil Norwid. This section further examines Poland’s colonial ambitions, from Maurycy Beniowski’s attempt to colonize Madagascar in the late 18th century to colonial expeditions in the 1930s. Additionally, it analyzes the paradoxical nature of anti-racism in the People’s Republic of Poland, exploring the government’s official stance alongside the attitudes of its white citizens.
The second part offers a deeply personal account of the author’s experiences as both a student and a teacher, revealing the pervasive racism within Poland’s education system. It critiques the anti-migrant rhetoric propagated by Polish and European Union politicians, exposing their hypocrisy during the EU refugee crisis. A central chapter focuses on the tragic murder of Maxwell Itoya in May 2010, framing it within the global context of police brutality against Black individuals.
The final part of the book examines the racist undertones in Polish culture, particularly in literature and mass media, with a critical analysis of Henryk Sienkiewicz’s In Desert and Wilderness. It also pays tribute to James Baldwin, the author’s literary hero, exploring how Baldwin’s essays have profoundly influenced the author’s own writing and worldview. The book concludes with a reflection on the absence of a cohesive movement among Black Poles and poses the urgent question: What is to be done?
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Ghostlines – Re-Drawing the LAPSSET Corridor in Kenya
Ghostlines is a graphic novel that describes the journey of the author and three Kenyan artists along the LAPSSET development corridor, a braid of roads, pipelines, and resort cities that promises to bring development to Kenya’s marginalized north. It mixes conceptual and empirical insights into the human geography of infrastructure with the narrative flexibility and depth afforded by the medium graphic novel – a geo-graphic novel.
They meet Peter, a retired pilot who had previously worked for a conservancy and can tell stories about the LAPSSET from high above and from the ground. He understands how everyone involved is seeking to benefit from the corridor in their own way, even if that means building uninhabited “ghost huts” that manifest the presence of pastoral communities and thus qualify them for compensation. Jane is an activist for a women’s and Indigenous rights organization. She’s been fighting invisible monsters her entire life: stalking hyenas (metaphorical and real), corrupt politicians, and the patriarchy itself. The spectre of the LAPSSET is only the last one of these hidden monsters. They meet Joseph, a herder, who hopes that the LAPSSET might connect him to far places but worries that it will instead cut him off of the grazing grounds that are essential for the survival of his family. What is the LAPSSET – a road or a fence? In Oldonyoro they meet Rashid, a poet, who writes about the long history of the corridor. In his mind, it reaches far back to colonial times. “My grandfather suffered greatly,” he writes, “Is it my turn to face the worst? I wonder, a tricky treasure”. In the last village on their journey, they meet a group of women who have come together to support each other. Their position on the LAPSSET is more optimistic. The real connections of solidarity they forged contrast with the imaginary ghostlines of the LAPSSET. The narrative structure of the geo-graphic novel draws connections between the narrators, that is, the team of researchers and artists and the interviewees. They seek to unravel the idea of the omniscient or unbiased narrator and to reveal how storytellers bring their own ghosts into stories. By connecting all of these narratives along their journey, they challenge the single, universalist story that planners tell about large-scale infrastructure projects. Instead, they invite the reader to embrace the often-contradictory multiplicity of infrastructural relations, to see the ostensibly solid lines on maps for what they are: a messy, ever-changing braiding of multitudes.
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The Stories We Could Tell
USD $ 15.00 USD $ 36.00Price range: USD $ 15.00 through USD $ 36.00Select options This product has multiple variants. The options may be chosen on the product pageThe Stories We Could Tell
USD $ 15.00 USD $ 36.00Price range: USD $ 15.00 through USD $ 36.00This book is an effort to contribute to the preservation of El Salvador’s historical memory. It recounts the tragedy of a civil war that lasted nearly two decades and resulted in the loss of over 75,000 lives. It highlights the perspectives of significant figures from that era, a challenging endeavour for those unaccustomed to sharing their stories. The book also examines the Salvadoran people’s aspirations for a new nation and lasting peace.
The Stories We Could Tell is an attempt to push back against current strategies that distort and erase historical memory. It begins with the testimony of Rufina Amaya (to whom the book is dedicated), a poor peasant woman and the sole survivor of one of the worst civilian massacres in modern times, vilified, ridiculed, and discredited by both the Salvadoran and US governments in her desperate attempts to reveal the truth about the rape, torture, and slaughter of some 1,000 men, women, children, and the elderly in the village of El Mozote between December 11 and 12, 1981.
The book provides a concise overview of the war and its origins, highlighting how the United States contributed to the ongoing suffering and escalating costs for El Salvador and its citizens. It outlines the unwavering efforts of key figures striving for a peaceful resolution through a lengthy and challenging negotiation process. Inspiring and sometimes harrowing testimonies of bravery and hope from pivotal individuals in the fight for a fairer and more democratic nation showcase their dedication and resilience in a prolonged struggle.
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Spoon and Shrapnel: Verse and Wartime Recipes
USD $ 15.00 USD $ 17.00Price range: USD $ 15.00 through USD $ 17.00Select options This product has multiple variants. The options may be chosen on the product pageSpoon and Shrapnel: Verse and Wartime Recipes
USD $ 15.00 USD $ 17.00Price range: USD $ 15.00 through USD $ 17.00Spoon and Shrapnel uniquely combines poetry and recipes to explore the experience of surviving the Iran-Iraq War through a child’s eyes. As a survivor herself, Sheema Kalbasi brings forth raw memories of fear, loss, and resilience through verse, while accompanying these poignant moments with simple, nourishing recipes that sustained her family amidst scarcity and danger. Each poem is paired with a recipe, alternating between the emotional depth of poetry and the practical art of cooking traditions that offered hope during wartime. The poems deliver vivid, emotional insights into life during the conflict, while the recipes—crafted with scarce ingredients—represent moments of comfort and survival. Together, they form a narrative tapestry where food and poetry intertwine, reflecting how one family, and an entire culture, persevered.
Kalbasi’s work goes beyond her personal experience to present a universal story of resilience, illustrating how, even in the harshest conditions, humanity finds strength in the simple rituals of cooking, eating, and storytelling. Spoon and Shrapnel is a tribute to both physical and emotional survival, offering readers a rare glimpse into everyday life during war.Select options This product has multiple variants. The options may be chosen on the product page -
Bongoman vs Mother-In-Law
USD $ 19.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman vs Mother-In-Law
USD $ 19.00Bongoman’s ill-tempered mother-in-law arrives for a visit. Bongoman is far from thrilled as he doesn’t see eye-to-eye with the old lady. She never has a kind word for him, calling him a good-for-nothing bum. The tranquillity of the Bongoman household is turned upside down as the old lady imposes her uncompromising will, harassing Bongoman at every given opportunity, especially his evening forays to the neighbourhood pub. With no peace of mind, Bongoman pushes back and devises a series of tricks to force her out of his house. None of the tricks works out, and Bongoman finds life unbearable in his own house. He reports an assault against him by his mother-in-law to the police but finds himself in jail as the perpetrator of the assault Bongoman storms out of his house in protest after a brief interlude in jail, taking up residence in the local park, where he has to contend with some unsavoury night-time characters for rights to the more comfortable sleeping spaces and has to fight to assert his position in the pecking order. How will Bongoman rid himself of this terrible relative? Does he have any more tricks up his sleeve?
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Bongoman Strikes Gold
USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman Strikes Gold
USD $ 20.00Bongoman bumps into his perpetually broke friend, Rastafasta, driving a flashy car. Rastafasta discloses the secret to his new-found wealth; he is involved in the gold trade. There is a thriving gold business in the mines of Ikolomani, a bustling little town about 350 km from the city. Bongoman embarks on an epic journey to this Eldorado, with dreams of making big money. Halfway through the journey, the bus breaks down and impatient to get to his destination, he disembarks and continues the journey on foot. He jogs through hills and valleys, hour after hour and finally, thirsty and exhausted he finds himself in a dingy bar where he ingests a potent alcoholic brew unknowingly. Shaken but unfazed he continues his journey which is cut short after a gang of robbers posing as passengers hijack the passenger van he is travelling in. After a decisive reckoning with Bongoman, the robbers find themselves behind bars as Bongoman walks away with a hefty bounty derived from their capture. This windfall quickly evaporates after the crafty van driver spikes his drink. He finally arrives at the gold mines of Ikolomani and to his utter dismay, finds that all is not a bed of roses…
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Bongoman and the Warlords
USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman and the Warlords
USD $ 20.00Bongoman lands a job as a reporter and his first assignment for the News Daily is to cover the ongoing war in Somalia between the Transitional Government of Somalia and militant groups in the war-torn country. Bongoman boards a plane to Jowar but due to bad weather the plane is forced to land in Mogadishu, the last place Bongoman wanted to find himself in. The lawless nature of the battle-scarred city catches up with him soon enough. He finds himself at the wrong end of a gun at every turn. He meets an old friend who has a penchant for attracting trouble. To his shock, he learns that she’s running guns for one of the main warlords in the city. He tries to extricate himself from her company but the situation escalates and they both end up in the hands of a regional warlord, who sees in them handsome ransom rewards. An old friend helps Bongoman and his companions escape from their dingy dungeon but they have to contend with a terrorist armed with an RPG. Bongoman has been shot at, blown up, kidnapped and buried in a landslide. It’s time to go back home… but will it be that easy?
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Bongoman and the Pirates
USD $ 19.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman and the Pirates
USD $ 19.00Bongoman wins the lottery and believes this is the answer to all his financial woes. He plans to get into the transport industry by purchasing a ‘matatu’ (passenger van). He seeks a vehicle dealer to assist him import a van but a few days later, Bongoman learns that the ship importing his vehicle has been hijacked by Somali pirates in the Indian Ocean off the coast of Kenya. With nowhere to turn to for help, Bongoman decides to take matters into his hands. He must travel to Somalia and get back his vehicle! As he embarks on his mission, he unearths the allies of the hijackers who lay a trap for him. He finds himself stranded in the middle of the Indian Ocean where he has to battle sharks, thirst and exposure. He overcomes these obstacles but falls into the hands of the hijackers, who consequently imprison him. Bongoman worms his way into the hearts of his captors after preparing a delicious meal for them and even accept his offer to join them as cook and soldier. The pirate boss orders him to accompany them to hijack another ship and after the attack goes awry, Bongoman miraculously manages to escape capture by an international anti-piracy force. Will Bongoman get back his vehicle? Will his transport business become a reality?
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Bongoman and the Magic Potion
USD $ 22.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman and the Magic Potion
USD $ 22.00Bongoman’s old friend, ‘Prof’, invents a potion that gives that gives someone superhuman strength when ingested, but his assistant, seeking personal benefit, steals a few vials for sale to some shadowy underworld boss. After the gang boss kidnaps the professor’s assistant to get hold of the magic potion’s formula, the professor seeks Bongoman’s assistance to get back his assistant from the crook’s clutches. One of the gang boss’s minions has taken the stolen magic potion and now possesses prodigious strength, wreaking havoc in the neighborhood and imposing a siege on the population. Bongoman must employ all his wits to outsmart his new nemesis. Bongoman finds himself in a full-scale war with an organized criminal gang. He must fight for the soul of his cherished neighborhood. The helpless police also appeal for his assistance in taking down the gang of cutthroats threatening the peace and turning Eastlands into a battleground. This is going to be a bare-knuckle brawl where no prisoners will be taken.
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Bongoman and the Golden Boots
USD $ 23.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman and the Golden Boots
USD $ 23.00Bongoman stumbles upon a pair of magical football boots that have the ability to transform the wearer into a football wizard. His legendary love for football induces him to try out the boots, with spectacular results. With his new incredible ability, he suddenly becomes a maestro on the pitch. His brilliant dribbling and scoring tactics attracts international attention and several international premier football teams start seeking him with handsome offers for his services. Bongoman comes to face with the ugly face of game fixing and dirty practices, leading to threats to his life and family. After a series of unsettling incidents, including the kidnap of his nephew, Bongoman decides to play for his local team, but the malpractices run deeper than he had imagined and the mandarins controlling the game he so loves will give him no peace. He has no place in the game if he does not do as they say, but he cannot give up his strong principles for money or fame. Bongoman is in a quandary. Does he abandon his passion for good? Should he take the fall? That is out of the question! His only option is to take the criminals controlling football in the country out of the equation.
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Bongoman and the Aliens
USD $ 23.00Select options This product has multiple variants. The options may be chosen on the product pageBongoman and the Aliens
USD $ 23.00There have been a series of mysterious disappearances within Bongoman’s tranquil Eastlands Estate in Nairobi’s urban sprawl. The missing persons reappear days later with no recollection of where they have been and with altered personalities. In the course of his investigations, Bongoman bumps into an alien being who is also looking for him to enlist his services to help in fighting another alien race, building a force to annihilate humankind and take over the earth. Bongoman’s scepticism about the existence of aliens is tested as he finds himself forming an alliance of convenience with a star-hopper from a race that can move through dimensions and journey across space at will. Bongoman and his alien partner find themselves in a desperate race against time as they take on an aggressive race of aliens with seemingly invincible powers as they seek to undo what has been done and rid the world of this super race of invaders. In the war to save the world, the duo has to deal with aliens who have taken over the ‘essence’ of human beings and have mingled with the population. Bongoman must single them out and expel the alien within to save the poor souls.Select options This product has multiple variants. The options may be chosen on the product page -
Night Settles Upon The City
USD $ 22.00 USD $ 23.00Price range: USD $ 22.00 through USD $ 23.00Select options This product has multiple variants. The options may be chosen on the product pageNight Settles Upon The City
USD $ 22.00 USD $ 23.00Price range: USD $ 22.00 through USD $ 23.00Written with urgency out of a war-time Beirut, this poetry collection registers the griefs and the heroism of the Lebanese, under siege yet again. Sabbagh lends his lyrical voice here, to give a voice to the voiceless, trying to find some harmonic sense out of catastrophe. This book will compel readers, both Lebanese and those with any kind of human heart. While much of the work was written swiftly, on impulse, and almost like, as one of the poem’s title’s has it, a ‘War Diary,’ in verse, this work aims nonetheless to last in its significance and resonance at a time when the world as a whole (let alone Lebanon herself) has become so unpredictable, so fickle and so perilous. Night Settles Upon The City aims to be a worthwhile addition to the contemporary literature of war and, more specifically, to the literary representations of the modern Lebanese reality and experience.
Omar Sabbagh is a poet who is privileged to write about war and destruction from the relative safety of his study. But this double-edged illusion is insidious — mental and emotional inwardly, and physical for those who are directly under attack. It is visceral, political, heart-wrenching — yet the poet seeks out light and hope through the act of writing, for the sake of ownership and sharing. He may say that “I cannot read minds and nor / will I ever wish to”, but he writes for the importance of record-keeping, seeking solace, both private and public — as the Night Settles Upon The City of Beirut.
— Sudeep Sen, Winner of the Rabindranath Tagore Literary PrizeOmar Sabbagh has long brought us a world in which personal experience stitches a hyphen between the eastern Mediterranean and the northerly British archipelago. Now he makes the tension inherent within that richness explicit, in a love-letter to his family and home city of Beirut. Written while the ‘night’ of war ‘settles upon the city’, his introductory ‘Thoughts’ show us how unthinkable war remains, even when it arrives on the doorstep. This is a book of witness to what cannot happen, and yet does.
– Fiona Sampson, Professor Fiona Sampson MBE FRSL.Two-Way Mirror: The Life of Elizabeth Barrett Browning WW Norton 2022 – Washington Post Book of the Year, New York Times Editors’ Choice, finalist Plutarch Prize, finalist PEN Jacqueline Bograd Award, Sunday Times Paperback of the year.The poet Omar Sabbagh lives in Beirut. His voice is playful, almost surreal at times. He talks of ‘the hairbrained monocle of war’ and suggests that if you live long enough in a place like Beirut ‘laughter becomes a lover’s distance-giving kiss’. Night Settles Upon the City offers us a poetry that is neither ideological nor partisan, not of the frontline but of a deeply threatened warzone. Its terms are easy-going, sorrowful, humane, formally intelligent and tinged with apprehension. It is humanity being human. Reading it is relief and hope.’
— George Szirtes FRSL, Eliot Prize winner.Night Settles Upon the City by Omar Sabbagh is a profoundly reflective and evocative collection that blends personal experience with the brutal realities of life in a war-torn Beirut. Through a tapestry of poems, essays, and prose, Sabbagh explores the intersections of love, grief, intellectual contemplation, and the relentless backdrop of violence. The writing oscillates between moments of tender introspection and stark depictions of societal collapse, embodying a kind of philosophical meditation on suffering and survival. Sabbagh’s voice is distinctively lyrical, capturing both the intimacy of individual loss and the broader existential weight of conflict. His reflections on war and its aftermath are imbued with a sense of historical consciousness, yet deeply grounded in the immediacy of personal anguish and resilience. The collection is not just about bearing witness to destruction, but also about finding fragments of humanity amidst the ruins. A haunting and powerful work that invites readers into the fragile space between beauty and despair.—Dr. Pamela Chrabieh, Kulturnest Co-founder & Managing Director
The Arabic term for poet means the one who feels, unlike the Greek origin of poetry, which describes the craft itself. Omar Sabbagh is the quintessential poet in the Arabic sense. In this collection, he vibrates with Beirut, where he now lives, at a time when the city’s famous cultural vibrations are overwhelmed by murderous quakes caused by the Israeli war machine.
—Gilbert Achcar, Professor of Development Studies and International Relations at SOAS University of London.Beirut’s Omar Sabbagh, lover of beauty, poet of lush lyrical power, addresses the spirit of the great Dr. Edward W. Said in one poem, saying these troubled seasons make him “restless now in (his) resting place.” I’m captivated by a further description of Said, “living paper, breathing ink of one whose thoughts still seem to think.” There is healing in such sensitive recognition. Wise voices we always needed are suddenly needed desperately. Sabbagh invokes his love for a precious home frequently under siege and his care for all the people who made and surround him. Gratitude for the wisdom, kindness and rich affections of Night Settles Upon the City.—Naomi Shihab Nye, recipient Lifetime Achievement in Poetry Award, the Wallace Stevens prizeIn Night Settles on the City, Omar Sabbagh gives voice to the bewilderment, fear, rage, and despair so many of us in the Middle East are currently feeling. His eloquent, tender poems grapple with the impossibility—yet absolute necessity—of language at a moment when words otherwise fail. Like all the best poems, Sabbagh’s challenge, soothe, haunt, and rehumanize us, ultimately arousing our better selves.
—Mai Al-Nakib, author of An Unlasting Home and The Hidden Light of ObjectsBoth erudite and demotic, felt through the body and ‘guided by ear’ Omar Sabbagh’s voice powers through the remote attacks on Beirut – the city in which he currently lives – the hourly atrocities and unspeakable suffering to reach us and to speak for us. ‘What’s to understand?’ he asks ‘That murder can be finessed?’ In his seminal new collection, Night Settles Upon the City, night becomes a ‘dark and violent animal’ with its ‘panther’s pelt’ of terror ‘slowly curving round us’ through which we hear the voice of the aggressor reflecting that ‘…each murderous attack/ I order seems to drain this world of innocence.’ Yet Sabbagh’s own voice remains measured, balanced, especially in the portraits he paints of his beloved father…‘It gets worse each day watching him/ ageing’ (‘The Old Man and his Walking Stick’). This poem ends with the lines ‘an old man and his son, fighting a war/ in a warzone we all must visit’. Alongside unimaginable horror we are shown the ordinary griefs and losses that we all suffer – of ageing, of failing, of being human; and it’s the humanity and compassion with which Sabbagh bears witness that will secure this book’s future among the handful of classics that will come to define our era.
— Jenny Lewis, MA Oxon., MPhil., PhD, Tutor for Poetry, Oxford UniversitySelect options This product has multiple variants. The options may be chosen on the product page -
Elsewhereness: Antipoetry
USD $ 10.00 USD $ 22.00Price range: USD $ 10.00 through USD $ 22.00Select options This product has multiple variants. The options may be chosen on the product pageElsewhereness: Antipoetry
USD $ 10.00 USD $ 22.00Price range: USD $ 10.00 through USD $ 22.00The book is a literary project with extra-literary objectives and implications. The texts combine various original writing styles to provoke the reader’s creative imagination and make auratic social space attainable. For realizing its main goal, through its creative aesthetics, the book debases normalized forms of social violence, exclusionism, and tribalism. It is meant to be universally relatable by an average reader regardless of her perceived and proclaimed identities. In a way, it is an embodiment of postnihilism, which is a philosophical theory that emphasizes the significance of negativity in the face of unspoken social rules of exclusionism. Postnihilism has been theorized in Revolutionary Hope After Nihilism (Bloomsbury 2022). “Auratic space” is a concept advanced in Totalitarian Space and the Destruction of Aura(SUNY Press 2019) and The Death of Home (De Gruyter 2024).
S. Bahozde’s (Saladdin Ahmed) Elsewhereness antipoetry actualizes its stated marching orders via forceful dialectical serial logic and keen humor (hilarity, really). This book is an “act of attacking the unimaginability of a better world. The Bikonian-Fanonian bursts of anti-poetics, their counter-measures break past the givens to model how such—proper name, place, political calculus—engender and resist, repel and authorize cunning sequences of anti-capitalist trespass. An (anti-) poetics that playfully negates its aesthetic medium of refusal and choice, all the while setting its sights on its key mark: encroaching nihilism in the face of brutal displacement. S. Bahozde’s work dismantles claims in favor of negations, clearing forth space for open-ended, future liberatory claims. Its poetry as propositional logic’s meditations on completion, works, and absence is shudderingly smart. This is poetry as food fueling revolutionary exilic work.”
— Jeremy Matthew Glick, Professor African Diasporic Literature and Modern Drama. Hunter College, English Department, City University of New York, author of The Black Radical TragicA voice speaks here which is at once profoundly Kurdish and cosmopolitan. While tracing the melancholy of the spaces of exile, its loneliness and longing, Bahozde takes the reader into spaces where the disillusionment with history does not lead to nihilism. Here the brevity of aphorism tackles the tangled metaphysics of absence and existence. Here is a foreignness that take us away from “pickled banalities” and disturbs our complacent belonging to places, nations, and histories
— Rohit Dalvi, professor of philosophy, Brock University, author of Deleuze and Guattari ExplainedThis is a passionate and bold set of works that range over topics and concerns widely with an almost febrile intensity. Bahozde’s poetic negations of “normalcy” gain their strength both from rich philosophical insights and from a searching, provocative imagination. Even when set in moments of apparent languor, they have an evident, restless energy.
— Gaurav Majumdar, Whitman College; author, Illegitimate Freedom: Informality in Modernist Literature, 1900-1940Select options This product has multiple variants. The options may be chosen on the product page




















