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Weaving Our Stories: Return To Belonging – An Anthology
USD $ 5.00 USD $ 26.00Price range: USD $ 5.00 through USD $ 26.00Select options This product has multiple variants. The options may be chosen on the product pageWeaving Our Stories: Return To Belonging – An Anthology
USD $ 5.00 USD $ 26.00Price range: USD $ 5.00 through USD $ 26.00Weaving Our Stories is a Hawaii-rooted abolitionist program that utilizes storytelling as a vehicle for liberation. Our mission revolves around teaching storytelling as an act of resistance, dismantling harmful existing narratives, and nurturing our ability to weave counter-narratives that acknowledge and celebrate the inherent beauty and brilliance within our storytellers. Through our stories, we advocate for justice and liberation.
This anthology follows the trail of esteemed works such as “This Bridge Called My Back: Writings of Radical Women of Color” and “Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization.” This anthology includes poetry, essays, visual art, and narratives penned by authors and artists who identify as Black, Indigenous, and people of color from Hawaii and beyond. While our contributors span a diverse spectrum of experiences and identities, they all share a common commitment to individual and collective well-being. Our contributors astutely showcase how their expressions of resistance and liberation, whether through visual art or written text, align with one or more of the central themes of Weaving Our Stories: resistance through cultural memory, accountability, resisting false binaries, and countering hegemony.
In tandem with the community collection of stories that revolve around resistance, this anthology also highlights the remarkable achievements of our six accomplished Black youth organizers. These young individuals dedicated a year to the Weaving Our Stories Youth Series during the pandemic, delving into the power and relevance of storytelling in our journey of resistance and liberation. Each of the six youth activists provides an overview of their Community Impact Design Projects.
These culminating endeavors addressed community issues by proposing interventions that harness our resistance themes and our three Pillars of Liberation—namely, institutions, structures/methodology, and people.
This anthology offers celebrations of our triumphs, our joys, and our unwavering resilience. Simultaneously, they advocate for our ongoing resistance, insisting on justice and a sincere confrontation with the often-overlooked lived experiences that deserve acknowledgement.
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I see the invisible
USD $ 5.00 USD $ 20.00Price range: USD $ 5.00 through USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageI see the invisible
USD $ 5.00 USD $ 20.00Price range: USD $ 5.00 through USD $ 20.00Truth be told, I never thought I would write another volume of poetry after the last, I will not Dance to Your Beat (2011). The reason was that my previous volumes were reactive to the circumstances of the times. Patriots and Cockroaches (1992) was a reaction to the socio-political corruption that had engulfed Africa and dimmed the enthusiasm that had been built by the years of struggle for independence. Whereas we thought we were stepping into a post-colonial era, what we stepped into was a vicious neo-colonial times. The next collection, Poems on the Run (1995) was a reaction to military autocracy and the repression that followed. The volume was literally written underground. This was followed by Intercepted (1998) all written while detained at Kalakuta Republic of Alagbon Close. We Thought it was Oil But it was Blood (2002) responded to two things primarily – extractivism and the accompanying human and environmental rights abuses in the Niger Delta and elsewhere. The massive erosion of biodiversity and attacks on food sovereignty through the introduction of genetically modified organisms (GMOs) into our agricultural system inspired I Will not Dance to your Beat.
What you have in your hands, or on your screens, is a compilation that is largely more meditative than the previous collections. There are moments of reflection on the colonial and neoliberal foundations that permit a willful disconnection from nature and the resultant destructive extractivism.
Some of the poems came through conversations and poetry writing sessions with Peter Molnar, Maryam al-Khawaja — Rafto Human Rights laureates and Salil Tripathi, a member of the board of PEN International, in August 2017. The sessions held at a beautifully rustic location in Celleno, Italy, were documented on celluloid by the duo of Maria Galliana Dyrvik and Anita Jonsterhaug Vedå of SMAU, a multimedia firm in Norway. Poetic relationship with Maria and Anita has continued over the years and their work continues to inspire more and more poems.
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Mudarse Màs Allá de la Agricultura Capitalista
USD $ 5.00 USD $ 15.00Price range: USD $ 5.00 through USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageMudarse Màs Allá de la Agricultura Capitalista
USD $ 5.00 USD $ 15.00Price range: USD $ 5.00 through USD $ 15.00Los agentes patógenos surgen una y otra vez de un sistema agroalimentario global arraigado en la desigualdad, la explotación laboral y el extractivismo sin límites por el que se despoja a las comunidades de sus recursos naturales y sociales. Un sistema económico propenso a la crisis que prioriza la producción para obtener beneficios por encima de la satisfacción de las necesidades humanas y la preservación ecológica se organiza en torno a una intensa producción monocultural que, por el camino, permite la aparición de las enfermedades más mortíferas.
La Investigación sobre la Pandemia para el Pueblo (PReP) se centra en cómo la agricultura podría ser reimaginada por el tipo de intervención a nivel de la comunidad que podría detener la aparición del coronavirus y otros patógenos en primer lugar. Abordamos cómo la ciencia convencional apoya los mismos sistemas políticos y económicos que ayudaron a producir la aparición del coronavirus y otros patógenos en primer lugar.
Introducimos la agroecología, un ecologismo de los campesinos, los pobres y los indígenas, que existe desde hace mucho tiempo, y que trata la agricultura como una parte de la ecología de la que la humanidad cultiva sus alimentos. La agroecología -una ciencia, un movimiento y práctica- combina la ciencia ecológica, los conocimientos indígenas y campesinos y los movimientos sociales por la soberanía alimentaria y territorial para lograr sistemas alimentarios ambientalmente justos.
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“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
USD $ 5.00 USD $ 11.00Price range: USD $ 5.00 through USD $ 11.00Select options This product has multiple variants. The options may be chosen on the product page“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
USD $ 5.00 USD $ 11.00Price range: USD $ 5.00 through USD $ 11.00Written during the seventy-fifth anniversary celebrations of the publication of Frantz Fanon’s Peau noir, masques blancs (“Black Skin, White Masks”), “Not Bad for a N—, No?” offers reflections on the circumstances of the publication of this classic work with Fanon’s insights on what he called the attempted “murder of man” and the urgent need for humanity to become “actional.”
Écrit lors des célébrations du soixante-quinzième anniversaire de la publication de Frantz Fanon de Peau noir masques blancs, «Pas mal pour un N—, n’est-ce pas? » offre des réflexions sur les circonstances de la publication de cette œuvre classique avec les idées de Fanon sur ce qu’il a appelé la tentative de «meurtre de l’homme» et le besoin urgent que l’humanité devienne «actionnelle».
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Claim No Easy Victories: The Legacy of Amilcar Cabral
USD $ 26.00“Never has it been more certain that our victory depends principally on our own actions. Tell no lies, claim no easy victories . . .” —Amílcar Cabral On the centennial of Amílcar Cabral’s birth, and fifty years after his passing, Claim No Easy Victories brings to life the resonance of his thought for today’s freedom movements. World-renowned revolutionary, poet, liberation philosopher, and leader of the anticolonial independence movement of Guinea Bissau and Cape Verde, Amílcar Cabral’s legacy stretches well beyond the shores of West Africa. His profound influence on the pan-Africanist movement and the Black liberation movement in the United States and the English-speaking world spans the ages—and is only growing in an era of renewed anti-imperialist internationalist struggle. In this unique collection of essays, radical thinkers from across Africa, the United States, and internationally commemorate Cabral’s life and legacy and his relevance to contemporary struggles for self-determination and emancipation. Claim No Easy Victories serves equally as an introduction or reintroduction to a figure and militant history that the rulers and beneficiaries of global racial capitalism would rather see forgotten. Understanding Cabral then and now sheds light on the necessity of grounding radical change in the creation of theory based on the actual conditions within which movements develop. The depth and dimension of Cabral’s theoretical ideas and revolutionary practice of building popular movements for liberation are assessed by each of the authors and critically reanimated for a new generation of freedom fighters. The book features contributions by: Kali Akuno, Samir Amin, David Austin, Jesse Benjamin, Angela Davis, Bill Fletcher Jr, Mireille Fanon-Mendès France, Lewis Gordon, Firoze Manji, Asha Rodney, Patricia Rodney, Olúfémi Táíwò—and others.
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Lines of Fire: Poetry of the Afro-Asian Writers’ Movement
USD $ 35.00This collection of poems features some of the voices that were persecuted for the power of their words. The poetry cries out against the injustices and brutality of the colonial powers of their time, raging against tyranny and the festering wounds of racism, especially in Palestine. Many of the writers of the Afro-Asian Writers Movement faced torture, imprisonment, exile, and even death, but their words continue to call for a just world. These poets span the length and breadth of Africa and Asia, and their poems speak to all of humanity. Embedded in their verses is a spirit of resilience that knows loss, love, anger, and anguish yet insists on enduring hope.
Edited by Tariq Mehmood, this collection includes poems by:
Salah Abdel Sabour (1931-1981, Ali Ahmad Said Esber, also known as Adunis (1930- ), Mulk Raj Anand (1905-2004), Anar Rasul oghlu Rzayef (1938- ), Nobuo Ayukawa (1920-1986), Fadhil al-Azzawi (1940- ), Abd Al-Wahhab al-Bayati (1926-1999), Mahim Bora (1917- ), Bernard Binlin Dadié (1916- ), Mahmoud Darwish (1942-2008), Osamu Dazai (1909-1948), Mário Pinto de Andrade (1928-1990), D.B. Dhanapala (1905-1971), Mohammed Dib (1920-2003), Gevorg Emin (1918-1998), Sengiin Erdene (1929-2000), Faiz Ahmed Faiz (1911-1984), Rasul Gamzatov (1923-2003), Daniil Granin (1919- ), Colette Anna Gregoire, better known as Anna Greki (1931-1966), Malek Haddad (1927-1978), Pham Ba Ngoan, better known by his pen name Thanh Hai (1930-1980), Buland al-Haidari (1926-1996), Suheil Idris (1925-2008), Yusuf Idris (1927-1991), Fazil Iskander (1929- ), Zulfiya Isroilova (1915-1996), Ali Sardar Jafri (1913-2000), Ghassan Kanafani (1936-1972), Edward al-Kharrat (1926- 2015), Hajime Kijima (1928-2004), Mazisi Kunene (1930-2006), Alex La Guma (1925-1985), U Gtun Kyi, better known by his pen name Minn Latt Yekhaun (1925-1985), Abdul Hayee better known by his pen name Sahir Lundhianvi (1921-1980), Zaki Naguib Mahmoud (1905-1993), Nazik Al-Malaika (1923-2007), Mouloud Mammeri (1917-1989), Yuri Nagibin (1920-1994), Sergey Narovchatov (1919-1981), Dashdorjiin Natsagdorj (1906-1937), Hiroshi Noma (1915-1991), Gabriel jibaba Okara (1921- ), Amrita Pritam (1919-2005), Jean-Joseph Rabearivelo (1901-1937), Richard Rive (1931-1989), Rady Saddouk (1938-2010), Badr Shakir al-Sayyab (1926-1964), Ousmane Sembene (1923- 2007), Leopold Sedar Senghor (1906-2001), Yusuf al-Sibai (1917-1978), Fadwa Tuqan (1917-2003), Sonomyn Udval (1921-1991), Ramses Younan (1913-1966), and Tawfiq Ziad (1929-1994).
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Política e cultura no pensamento emancipatório africano
USD $ 5.00 USD $ 9.00Price range: USD $ 5.00 through USD $ 9.00Select options This product has multiple variants. The options may be chosen on the product pagePolítica e cultura no pensamento emancipatório africano
USD $ 5.00 USD $ 9.00Price range: USD $ 5.00 through USD $ 9.00Description (2132 / 2500)
A atual ausência de uma visão emancipatória para a África está no centro dos nossos problemas políticos relacionados à opressão racial capitalista e colonial. Qualquer tentativa de repensar a emancipação política no continente africano deve ser capaz de localizar uma concepção universal de liberdade no interior das experiências culturais singulares que as pessoas vivem. Quando esteve baseada nas tradições populares, a política emancipatória exibiu tais traços dialéticos, independentemente da maneira específica na qual cada luta pela liberdade foi pensada em diferentes contextos históricos. No entanto, apenas alguns intelectuais militantes compreenderam a importância dessa dialética no pensamento.O presente volume esboça e discute dois pontos de vista particularmente importantes sobre o papel e a relevância da cultura popular na política emancipatória em África. Cada um deles resulta de formas distintas de exploração capitalista e colonialista: o primeiro viu a luz do dia em um contexto colonial, enquanto o segundo é diretamente confrontado pelo estado neocolonial. Todas as políticas emancipatórias são desenvolvidas em confronto com o poder estatal, e todas começam com um processo de discussão e debate através do qual um sujeito coletivo começa a se formar. No continente africano, a construção de tal sujeito político coletivo tem sido informada, de maneira fundamental, pelas culturas populares.
Os dois autores cujos ensaios estão aqui incluídos entenderam isso e colocaram a cultura popular no centro de suas políticas. O primeiro, Amílcar Cabral, aborda o papel central da cultura popular na luta pela independência da Guiné-Bissau nos anos 1970; o segundo, Ernest Wamba-dia-Wamba, aborda a centralidade da cultura popular africana para uma política emancipatória endereçada à atual República Democrática do Congo. Apesar das décadas que os separam, tanto Cabral como Wamba-dia-Wamba desenvolvem, no centro de sua política, uma dialética que ativa os universais da cultura no presente. É essa característica que confere às suas visões uma importância central para o pensamento emancipatório contemporâneo.
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Politique et culture dans la pensée émancipatrice Africaine
USD $ 5.00 USD $ 9.00Price range: USD $ 5.00 through USD $ 9.00Select options This product has multiple variants. The options may be chosen on the product pagePolitique et culture dans la pensée émancipatrice Africaine
USD $ 5.00 USD $ 9.00Price range: USD $ 5.00 through USD $ 9.00Au cœur de nos problèmes politiques issus d’un capitalisme racial et d’une oppression (néo)coloniale en Afrique aujourd’hui se trouve l’absence de toute vision émancipatrice véritable. Toute tentative de repenser une politique émancipatrice en Afrique doit pouvoir situer une vision universaliste de la liberté parmi les expériences culturelles singulières que les gens vivent. Les politiques émancipatrices quand elles existaient, bien que pensées dans les luttes pour la liberté ayant lieu dans des contextes historiques particuliers, mettaient toujours en vue une dialectique de ce genre quand elles étaient vraiment basées parmi les traditions populaires. Cependant, seulement une minorité de dirigeants intellectuels et militants comprenait l’importance d’une telle dialectique pour la pensée et l’action.
Ce petit livre trace le contour et discute de deux points de vue très importants sur le rôle de la culture populaire dans la politique émancipatrice en Afrique. Chacun d’entre eux émane de formes d’exploitation capitalistes coloniales distinctes : le premier a vu le jour dans un contexte colonial classique tandis que le second est directement issu d’un contexte étatique néocolonial. Toute politique émancipatrice est développée vis-à-vis le pouvoir d’état et toutes commencent avec un processus de discussion ou est formé un sujet collectif. Un tel sujet politique doit être fondamentalement informé par et conçu en relation avec les cultures populaires.
Les deux auteurs ci-inclus ont compris ce principe et mettent la culture populaire au centre de leur pensées politiques. Le premier, Amílcar Cabral se réfère au rôle principal de la culture dans la lutte contre le colonialisme au Guinée Bissau dans les années 1970 ; le second, Ernest Wamba-dia-Wamba insiste sur le rôle central de la culture populaire pour une politique émancipatrice dans la République Démocratique du Congo aujourd’hui. Malgré la distance temporelle qui les sépare, tous les deux développent au centre de leurs politiques distinctes, une pensée dialectique qui déclenche des pensées universalistes depuis la culture populaire dans le présent. C’est pour cela que leurs points de vue sont d’une importance capitale pour la pensée de la politique émancipatrice en Afrique aujourd’hui.
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Domains of politics and modes of rule/ Sphères politiques et contrôle étatique (en/fr)
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageDomains of politics and modes of rule/ Sphères politiques et contrôle étatique (en/fr)
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00This work consists of a brief attempt to orient the study of the neocolonial state in Africa through an assessment of the manner in which it rules its people. It is argued that the state produces different modes of rule by deploying different politics over different parts of the population. In this manner, it can combine a genuinely democratic rule in the image of the West over some while subjecting the majority to colonial forms of domination. Imported political subjectivities from the West and its obsession with human rights discourse are reserved largely for a sphere of civil society in which the right to have rights is conferred upon citizens. In the domains of uncivil society and traditional society, the right to rights is not observed by the state so that different subjectivities, regularly including violence, govern the manner political problems and solutions are addressed both by the state and by people. In consequence, distinct political subjectivities prevail in the conceptualization of popular resistance in all three domains, and it becomes difficult to rally such different concerns and conceptions within an overall anti-neocolonial struggle.
Il s’agit d’une brève tentative d’orienter l’étude de l’État néocolonial en Afrique à travers une évaluation de la manière dont il gouverne son peuple. On soutient que l’État produit différents modes de contrôle étatique en déployant différentes politiques sur différentes parties de la population. De cette manière, il peut combiner une règle véritablement démocratique à l’image de l’Occident sur certains tout en soumettant la majorité à des formes coloniales de domination. Les subjectivités politiques importées de l’Occident et son obsession du discours sur les droits de l’homme sont largement réservées à une sphère de la société civile dans laquelle le droit d’avoir des droits est conféré aux citoyens. Dans les domaines de la société incivile et de la société « traditionnelle », le droit aux droits n’est pas respecté par l’État, de sorte que différentes subjectivités, y compris régulièrement la violence, régissent la manière dont les problèmes politiques et leurs solutions sont abordés à la fois par l’État et par le peuple. En conséquence, des subjectivités politiques distinctes prévalent dans la conceptualisation de la résistance populaire dans chacun des trois domaines, et il devient difficile de rallier des préoccupations et des conceptions aussi différentes au sein d’une lutte anticoloniale nationSelect options This product has multiple variants. The options may be chosen on the product page -
Domains of politics and modes of rule : Political structures of the neocolonial state in Africa
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageDomains of politics and modes of rule : Political structures of the neocolonial state in Africa
USD $ 5.00 USD $ 10.00Price range: USD $ 5.00 through USD $ 10.00“A concise, dense and illuminating dissection of the workings of the post-independence African state that also charts a path towards imagining and working for a true politics of liberation.” — Ndongo Samba Sylla, Senior Researcher, Rosa Luxemburg Foundation.
This is a brief attempt to orient the study of the neocolonial state in Africa through an assessment of the manner in which it rules its people. It is argued that the state produces different modes of rule by deploying different politics over different parts of the population. In this manner, it can combine a genuinely democratic rule in the image of the West over some while subjecting the majority to colonial forms of domination. Imported political subjectivities from the West and its obsession with human rights discourse are reserved largely for a sphere of civil society in which the right to have rights is conferred upon citizens. In the domains of uncivil society and ‘traditional’ society, the right to rights is not observed by the state so different subjectivities, regularly including violence, govern the manner political problems and solutions are addressed both by the state and by people. In consequence, distinct political subjectivities prevail in the conceptualization of popular resistance in all three domains, and it becomes difficult to rally such different concerns and conceptions within an overall anti-neocolonial struggle.∴Select options This product has multiple variants. The options may be chosen on the product page -
Hindutva and its relationship with Zionism
USD $ 5.00 USD $ 11.00Price range: USD $ 5.00 through USD $ 11.00Select options This product has multiple variants. The options may be chosen on the product pageHindutva and its relationship with Zionism
USD $ 5.00 USD $ 11.00Price range: USD $ 5.00 through USD $ 11.00Written in December 2022, this text is based on a lecture given earlier at the invitation of the Institute of Palestine Studies. Since then, the relationship between Israel and India has deepened further and atrocities have skyrocketed in both countries. On 5 April 2023, Israeli forces stormed Al Aqsa Mosque compound in occupied East Jerusalem and attacked worshippers inside. At the same time, Israel is facing internal turmoil in a battle between a diverse group, including those who think the current settler colony is a democratic nation and want things to remain as they are, and those who stand even further to the right. Significantly, the BJP, India’s ruling party, supports the latter. This book is about Hindutva, the ideology which drives the Hindu-supremacist Bharatiya Janata Party (BJP) regime of Prime Minister Narendra Modi, and Zionism, the ideology of the Israeli apartheid state. In this era of rising fascism, these two remarkably similar ideologies are crucially important in cementing the economic and military alliance between two of the world’s most repressive right-wing states – while helping to legitimize them in cultural arenas. Israel is, of course, a settler colonial state, but it is also, like India, a fascist state, not only because of ‘the extremist parties that [are] part of the government’ but also because of ‘their enablers – Netanyahu and his chauvinistic Likud party which long strove for a Jewish state dominating both sides of the Jordan River.’ In the words of Marwan Bishara, Netanyahu is ‘the godfather of modern Israeli fascism.’
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Black Anarchism and the Black Radical Tradition: Moving Beyond Racial Capitalism
USD $ 5.00 USD $ 18.00Price range: USD $ 5.00 through USD $ 18.00Select options This product has multiple variants. The options may be chosen on the product pageBlack Anarchism and the Black Radical Tradition: Moving Beyond Racial Capitalism
USD $ 5.00 USD $ 18.00Price range: USD $ 5.00 through USD $ 18.00This work is an important achievement in clarifying the history and current importance of Black anarchism. The information that the book presents will be new to many readers. For instance, one important component involves the explanations of how hierarchical principles within the Black Panther Party and Black Liberation Army helped generate the emergence of Black anarchism among key party members who later developed their ideas and strategies while in prison. Likewise, the book breaks new ground in demonstrating that Black anarchism has emerged not from the European/ North American anarchist traditions but rather from roots in Pan-Africanism, the Black radical tradition focusing on racial capitalism and the work of Cedric Robinson, and grassroots struggles partly in the U.S. South. An in-depth analysis of the somewhat different but complementary focuses within the two generations of Black anarchism also is very helpful. Finally, the book highlights concrete, contemporary implications for revolutionary strategy, including a perceptive analysis of the compatibilities between socialist and Black anarchist approaches to current transformative struggles. This publication will become widely known and used because it brings enlightening new ways to understand and act on the intertwined structures of racial capitalism and the capitalist state.
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Slave King: Rebels against empire: A Novel
USD $ 5.00 USD $ 26.00Price range: USD $ 5.00 through USD $ 26.00Select options This product has multiple variants. The options may be chosen on the product pageSlave King: Rebels against empire: A Novel
USD $ 5.00 USD $ 26.00Price range: USD $ 5.00 through USD $ 26.00In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.
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Filantropia Poscapitalista
«La filantropía poscapitalista es una paradoja en sí misma. Una paradoja es el punto de partida adecuado para el complejo contexto enredado y caótico en el que nos encontramos como especie.» Así es como Alnoor Ladha y Lynn Murphy comienzan este tratado llamado Filantropía poscapitalista. Ambos son activistas veteranos, estrategas políticos y asesores filantrópicos por accidente, y este libro es el resultado de décadas de práctica e investigación que abarcan más de un centenar de entrevistas con guardianes de la sabiduría y con figuras relevantes del activismo, la filantropía, las ciencias sociales y la cosmogonía.
Los autores nos guían en un viaje que recorre la historia de la acumulación de la riqueza, la lógica actual del capitalismo tardío y las posibilidades vividas que pueden abrir paso a otras formas de conocer, sentir y ser en sistemas orientados hacia la vida. Este «giro ontológico», tal y como lo denominan, es la clave del texto. Crear realidades neo-antiguas-emergentes no es solo una cuestión de redistribuir la riqueza o «luchar contra los poderosos», sino de cómo percibimos y somos coherentes con nuestras acciones en nuestra relación con un mundo y un universo dinámicos y animistas.
Véase también la edición en inglés: https://darajapress.com/publication/post-capitalist-philanthropy
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Post Capitalist Philanthropy
“Post capitalist philanthropy is a paradox in terms. A paradox is the appropriate starting place for the complex, entangled, messy context we find ourselves in as a species.” This is how long-time activists, political strategists, and accidental philanthropy advisors Alnoor Ladha and Lynn Murphy start their treatise on Post Capitalist Philanthropy. This book is a result of decades of practice and research, including a hundred plus interviews with leading activists, philanthropists, philosophers, social scientists, cosmologists and wisdom keepers.
The authors take us on a journey from the history of wealth accumulation to the current logic of late-stage capitalism to the lived possibilities of other ways of knowing, sensing and being that can usher in life-centric models. This “ontological shift”, as they call it, is at the heart of the text – creating new-ancient-emerging realities is not simply about how we redistribute wealth or “fight power”, but rather, how we perceive and embody our actions in relationship to a dynamic, animistic world and cosmos.
This book is made available by Daraja Press on behalf of the Transition Resource Circle.
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Episodes From a Colonial Present
Editors and Authors: Daniel Bendix, Chandra-Milena Danielzik, Franziska Müller, Lata Narayanaswamy, Juan Telleria, Miriam friz Trzeciak, Aram Ziai
Artists: Hangula Werner, Roshni Vyam, Michel Esselbrügge, Qi Zhou, RotmInas – Rotmi Enciso & Ina Riaskov, Maite Mentxaka Tena, Lena Ziyal
Postcolonial critique reveals the traces of the colonial past in every corner of our present lives and exposes the colonial violence inherent in global inequality. This collective comic project illuminates the coloniality of everyday life as well as the decolonising potential of everyday struggles in the spaces, discourses and practices of so-called global development.
Reviews
What an absolute impertinence! My lawyers are already involved. It’s just as well that I was able to use tax money for the purchase.
—Queen Elizabeth III love true crime books, but this one got a bit boring after a while. It could do with more bloodshed.
—Lothar von TrothaI added this book to my list to burn. Just saying.
—Diego de LandaA waste of time. So glad I didn’t buy it, but stole my copy.
—Christopher ColumbusI didn’t get it. Are they suggesting colonialism is not quite over?
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Love Pandemic: Poems
USD $ 5.99 USD $ 10.00Price range: USD $ 5.99 through USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageLove Pandemic: Poems
USD $ 5.99 USD $ 10.00Price range: USD $ 5.99 through USD $ 10.00The poems here were written during the first wave of the COVID-19 pandemic. Most were circulated through What’s App voice notes, an intimate way of keeping distance while reaching out to touch. The poems speak to experiences and occurrences during the first wave in different parts of the world and the pressing need to make love as global and infectious as the novel corona virus. This collection is a prelude to “29 leads to love”, a collection that explores more fully the grand notion of love which began coming to the fore in the beginning of the COVID-19 pandemic, and has largely re-submerged.
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