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Post Capitalist Philanthropy
In Post Capitalist Philanthropy, Ladha and Murphy walk us through the deep logic of neoliberalism, the foundations of globalisation and the ideology of corporate free trade… [they] dissect philanthrocapitalism, and they indicate the possibilities of reclaiming the true, economics of the gift, of caring and sharing.— Vandana Shiva, from the Foreword to Post Capitalist Philanthropy.
Ladha and Murphy conduct a “sweeping and engaging ethnography of the archetypal, mythopoetic, institutional, and philosophical territories of capital as a worlding agent and as a carceral dynamic obscuring transformational possibilities…We would need to move and think with our feet again, experimenting beyond money as a paradigm of control. We’ve already begun. ~ Bayo Akomolafe ~ Author, These Wilds Beyond our Fences: Letters to My Daughter on Humanity’s Search for Home and founder of The Emergence Network
This book asks a daring question: can wealth be reappropriated to restore balance to our broken world? A key resource for anyone eager to rethink philanthropy and“ economics in the 21st century. ~ Jason Hickel ~ Visiting Senior Fellow at the London School of Economics, author of The Divide and Less is More
Each page contained in this text“is a reminder of what my heart already knows is true, with information and inspiration that lifts the sense of possibility for making deep change together.
~ Gail Bradbrook ~ Co-founder, Extinction Rebellion
Post Capitalist Philanthropy is an essential mystical revolutionary handbook that should be required reading for anyone involved in philanthropy.
V (formerly Eve Ensler) —Author of The Vagina Monologues
Transition Resource Circle thanks Daraja Press, the non-profit Pan-African publisher focused on social justice, for their collaboration in making this book a reality. All proceeds from the book are evenly split between Daraja Press and Transition Resource Circle’s solidarity fund.
Love Pandemic: Poems
These poems were largely written during the first wave of the COVID-19 pandemic. The last poem in the collection was written at the start of the second wave in Africa. Most were circulated through What’s App voice notes, an intimate way of keeping distance while reaching out to touch.
This publication is available in the following formats: a printed book, ePub, PDF and audiobook.
Transforming ourselves, Transforming the World: An open conspiracy for social change – Second Edition
You can watch / listen to a conversation between the author, Brian K Murphy, and David Austin here.
This is a new edition of the book originally published by Zed Books in 1999. The book includes an Introduction written by David Austin and an Afterword from the author, Brian Murphy.
This book is for all those – community workers, adult educators, social activists of every kind – who want to overcome pessimism and play a part in changing society in the direction of peace, justice and dignity for all human beings. As author Brian Murphy— the independent analyst, organizer, educator and writer, and former staff member of the social justice organization, Inter Pares—points out, many of us are pessimistic about our ability to change the world when confronted by destructive political and corporative forces and the destruction they wreak. Murphy reveals the social and personal dilemmas which hold people back from social engagement, and argues that the various constraints we face can be overcome.
In this new edition, David Austin explains in his Introduction why this book, first published in 1999, is perhaps more relevant to our times than ever, offering insights from his own experiences of engaging critically with the book and with others. (David Austin is author of Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal and the editor of Moving Against the System, The 1968 Congress of Black Writers and the Making of Global Consciousness.)
And in his new afterword, Brian Murphy reflects on the continued relevance of the original text, emphasizing how our humanity is being corroded and commodified. To reclaim our humanity, he argues, we must transform ourselves to transform the world.
Brian Murphy’s immensely inspiring book,Transforming Ourselves, Transforming the World, deeply challenges us to think and rethink everything we knew and thought we knew.—Nnimmo Bassey, Executive Director, Health of Mother Earth Foundation & Right Livelihood Award Laureate in 2010
We need more conversations like the one in this book, which are rooted in hope while honestly working through a foundational way of seeing and understanding ourselves in the bigger picture.— Christina Warner, Co-Executive Director and Director of Campaigns and Organising, Council of Canadians.
This is one of the coolest, enjoyable and important books I have read in recent years. Written from the heart as well as the head, it is a breathtakingly visionary, unique and insightful take on the life of the ultimate activist.—Hope Chigudu, Feminist activist
The republication of Transforming Ourselves, Transforming the World is a gift for our troubled times. All of us who share the drive to change our society will find encouragement and nourishment. This book offers a break from an all-too-common type of “activism” that demands harmful suppression of our individual creativity, freedom and health. What we have here is a celebration — and an entirely convincing validation — of a way of changing the world that is always nurturing and open-ended; a process of possibility and becoming, as we build on humanness to realise greater humanness. As Murphy puts it: “‘I will act, because it is sane, and healthy, and human to do so. We will act together, because it is sane, and healthy, and human, and more effective to do so. … This is how we can begin to develop an open conspiracy’”. I’m energised to sign up to this “open conspiracy”, and I’m sure many more readers will be too. — Mark Butler, co-author with Church Land Programme (South Africa) of in, against, beyond, corona
Table of Contents
Introduction to Second Edition: David Austin
Preface and Acknowledgements
1 The Courage to Be
2 The Dilemma of Action and the Psychology of Inertia
3 Confronting the Dilemmas: Beyond Inertia
Possibilities in Process
4 The Missing Link
5 The Individual, the Visionary
6 Challenging the Established Rationality
7 Imperatives for Modern Education
The Open Conspiracy
8 The Open Conspiracy: Allies for Health and Action
9 Theatres and Strategies: Embracing the Future
10 Education and the Open Conspiracy
Eclectic Notes on Knowledge and Action
Afterword to the Second Edition – Brian Murphy
in, against, beyond, corona
The corona crisis reveals what is wrong and toxic — in ourselves, in relation with others, and in relation with the rest of non-human nature. But we can also look for what is good and life-affirming. The authors argue that the future must be founded on ‘kindness, social solidarity and an appropriate scale of time’, a future that cherishes life and the connections that transcend borders. This pamphlet is a vital contribution to much needed reflections and discussion.
This is a fabulous book. Usually a blurb or endorsement like this is supposed to enhance the book, but in this case the flow is in the other direction. For me it is a huge honour to be associated with it. Like many others, I have been trying for months to get my head around what is happening, trying to formulate my ideas, and then here it is, in these pages, so clear, so understanding, so challenging. How we now go on to shape the interconnectedness between people and between people and other forms of life will determine the future of humanity. The best, most sensitive, most realistic, strongest thing that I’ve read on the Corona Crisis. — John Holloway, Professor, Institute for Humanities and Social Sciences, Autonomous University of Puebla, Mexico, and author of In, Against, and Beyond Capitalism:
The San Francisco Lectures
This pamphlet, part of Daraja Press’s Thinking Freedom Series, is written by Mark Butler with his colleagues at the Church Land Programme, a small independent non-profit organisation based in KwaZulu-Natal province, South Africa, that seek to distill learnings that emerge from the work of militants on the ground.
Love after Babel and other poems
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.surajyengde@surajyengde
Had an honor to introduce this extremely riveting collection of humanity-filled radical lines “Love After Babel” told by the incomparable art form—Dalit Poetry. Chandramohan is confidently flirtatious with his words. by
dispossessed: poetry of innocence, transgression and atonement
Dispossessed is a poetic representation of life in three stages through the eyes of a poet. It shows, from the thematic interests of the poet; what he considers the crucial stages in life – Innocence, Transgression and Atonement.
Innocence offers a racy view of the picture gallery of the poet’s life as a child. The sensibilities of the poet shine through the foliage of his mind as he pines for self-definition; seeking open ears for his verses. But it is also a period of apprenticeship as the poet hones his skills for the artistic long journey that is inevitable. Clothed in the innocence of childhood, he learns to talk in metaphors and search for himself in the community of imaginative people. This search lights up the path into the poet’s aesthetic mindscape and the silent questions that keep him awake. Innocence is therefore a thirst for sunlight; a quest for utterance.
The unwary reader is beckoned into the quest through poems that evoke memories of their own childhood and conscript them into the ensuing communal experience. However, the human condition abhors inertia. But for any form of natural or artistic growth to occur, the poet must lose his innocence. So, Innocence and its poems of idyllic childhood soon give way to the unexpected — Transgression. Transgression is the coming of age segment of the collection. The poet discovers love. And slowly, he finds himself taking a dip in a pool of emotion that appears to serve as the ultimate sparkplug for his songs.
In essence, Transgression eases the reader into a rare observatory; from where the poet could be seen falling in and out of love and celebrating one of the most profound experiences known to man. It must be noted that in some instances, the love poems of Transgression are also not what they seem on the surface. In some instances, the poet addresses his troubled relationship with his country through poetry; mirroring his personal frustrations and disappointment in verses that come off as a voice of disenchantment. Caught in the firm grip of emotions, the poet changes like the English weather.
But after waves of emotional whirlwinds in Transgression, the poet faces the next logical step — Atonement. Atonement presents a poet who has undergone the rites of passage and weaned himself of self-doubts. He has washed his hands clean and must settle down to a fireside dinner with the elders. But as it turns out, the poet is not only seeking the ears of his genealogical ancestors and elders; he is also seeking the counsel of serious poets, past and present whose nod he needs to take on the weighty issues of his time. So, he comes with a “fistful of kolanuts” as is customary with his people who supplicate their elders and ancestors with kolanuts. In gaining entry into this conclave of his biological and artistic ancestors, he acquires the aesthetic authority to ask weighty questions about the world around him. He is incensed by what assails his sensibilities; a world that turns a blind eye to injustice and a humanity that needs an open heart surgery.
Atonement could also be seen as the poet’s personal admission that serious poetry ought to speak to the dominant issues of the day; the anxieties and insomnia of the age. He muses about these issues; posing rhetorical questions in about them in some instances.
In the end, dispossessed is one man’s journey that finally assumes all the attributes of a communal voyage. Treading in the imagined interstices between the personal and the communal, dispossessed leads us to a clearing in the woods where our awareness of our world heightens with the turning of every page.
James Eze was born in Enugu, southeast Nigeria, shortly after the Biafran War. He was the pioneer Literary Editor of Sunday Sun. As Head of External Communications at Fidelity Bank, he worked in partnership with the novelist Chimamanda Adichie to begin her popular International Creative Writing Workshop series. He is the curator of Under African Skies which hosts A Flutter in the Woods; a yearly evening of poetry and songs in Awka, Anambra State. He also co-founded The Return to Idoto, a poetry festival in honour of Christopher Okigbo. His poems have appeared in Camouflage: Best of Contemporary Writing from Nigeria.