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  • Aufbruch in Jackson [German edition of Jackson Rising: Black self-management and solidarity economy]

    Translated from English by Michael Halfbrodt & Michael Schiffmann, with a foreword by Mason Herson-Hord

     

    How black activists are building liberation practically from below: Departure in Jackson documents the history of one of the most exciting revolutionary experiments in the USA Present.

    Since the 1970s, black liberation movements in majority-black Mississippi have taken change into their own hands. The Deep South should become the center of their independence – “Free the Land!” In the 2010s, the election of Chokwe Lumumba as mayor in the capital Jackson took an important step towards implementing the vision of assembly democracy, solidarity economy and an end to racial inequality. Lumumba dies unexpectedly in 2014, but his son Antar and the Cooperation Jackson continue to move forward.

    We learn about the pitfalls of radical local politics and struggles for housing and land, democratic economic models and ecology, internationalist solidarity and the parallels to the Rojava Revolution and the Zapatistas, about encouraging experiences in which different concerns go hand in hand.

    USD $ 24.00
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    Insurgent Feminisms: Writing War

    War is never just the war itself, it’s not the event or the epoch. War is the impossible and unending afterlife, the struggle to breathe after being bludgeoned, and the re-situating of one’s self and of one’s place after displacement and fragmentation.

    Insurgent Feminisms: Writing War advances a new paradigm of war writing by focusing on gender. War is always fought upon the backs of women, often under the pretense of saving them. Yet, along the way, the brutalities unleashed on women during wartime remain relentless. In this collection, insurgency emerges in the raw and meticulous language of witnessing, and in the desire to render the space of conflict in radically different ways. These feminist and queer perspectives on war come out of regions and positions that disobey the rules of war writing. Comprising reportage, fiction, memoir, poetry, and conversations from over sixty writers, the collection includes contributions by Chika Unigwe, Nathalie Handal, Ubah Cristina Ali Farah, Suchitra Vijayan, Bélen Fernández, Uzma Falak, Otoniya Juliane Okot Bitek, Sarah Ladipo Manyika, Lara Pawson, Gaiutra Bahadur, Robtel Neajai Pailey, Sumana Roy and Lina Mounzer, among several others.

    Bhakti Shringarpure co-founded Warscapes magazine in November 2011 and it has now transitioned into the Radical Books Collective.

    Veruska Cantelli is a writer, translator, editor, and Associate Professor of Interdisciplinary Studies at Champlain College in Vermont, USA.

    USD $ 5.00USD $ 35.00
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    Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

    Student activism and cultural activism go hand in hand on Indian campuses. Over the last few years, especially after 2014, student movements in the country against social injustice have increased in numbers and tenacity. Cultural modes of expressing dissent have played a key role within this new wave of student movements that have gripped the nation. This book takes the reader through a journey into the ways cultural activists analyse cultural modes of protest, especially in the context of student movements in the Global South. The book delves into the political and ideological contours set by organisations such as the Indian Progressive Theatre Association (IPTA) and the Progressive Writers’ Association (PWA), and by figures such as Faiz Ahmed Faiz, Habib Jalib, Hemanga Biswas and Safdar Hashmi. The book locates them within the contemporary wave of cultural protests, analyses their continued relevance and argues for a revival of theoretical and practical engagement with the early progenitors of the progressive cultural movement in India.

    USD $ 5.00USD $ 16.00
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  • Lines of Fire: Poetry of the Afro-Asian Writers’ Movement

    This collection of poems features some of the voices that were persecuted for the power of their words. The poetry cries out against the injustices and brutality of the colonial powers of their time, raging against tyranny and the festering wounds of racism, especially in Palestine. Many of the writers of the Afro-Asian Writers Movement faced torture, imprisonment, exile, and even death, but their words continue to call for a just world. These poets span the length and breadth of Africa and Asia, and their poems speak to all of humanity. Embedded in their verses is a spirit of resilience that knows loss, love, anger, and anguish yet insists on enduring hope.

    Edited by Tariq Mehmood, this collection includes poems by:

    Salah Abdel Sabour (1931-1981, Ali Ahmad Said Esber, also known as Adunis (1930- ), Mulk Raj Anand (1905-2004), Anar Rasul oghlu Rzayef (1938- ), Nobuo Ayukawa (1920-1986), Fadhil al-Azzawi  (1940- ), Abd Al-Wahhab al-Bayati (1926-1999), Mahim Bora (1917- ), Bernard Binlin Dadié (1916- ), Mahmoud Darwish (1942-2008), Osamu Dazai (1909-1948), Mário Pinto de Andrade (1928-1990), D.B. Dhanapala (1905-1971), Mohammed Dib (1920-2003), Gevorg Emin (1918-1998), Sengiin Erdene (1929-2000), Faiz Ahmed Faiz (1911-1984), Rasul Gamzatov (1923-2003), Daniil Granin (1919- ), Colette Anna Gregoire, better known as Anna Greki (1931-1966), Malek Haddad (1927-1978), Pham Ba Ngoan, better known by his pen name Thanh Hai (1930-1980), Buland al-Haidari (1926-1996),  Suheil Idris (1925-2008), Yusuf Idris (1927-1991), Fazil Iskander (1929- ), Zulfiya Isroilova (1915-1996), Ali Sardar Jafri (1913-2000), Ghassan Kanafani (1936-1972), Edward al-Kharrat (1926- 2015), Hajime Kijima (1928-2004), Mazisi Kunene (1930-2006), Alex La Guma (1925-1985), U Gtun Kyi, better known by his pen name Minn Latt Yekhaun (1925-1985), Abdul Hayee better known by his pen name Sahir Lundhianvi (1921-1980), Zaki Naguib Mahmoud (1905-1993), Nazik Al-Malaika (1923-2007), Mouloud Mammeri (1917-1989), Yuri Nagibin (1920-1994), Sergey Narovchatov (1919-1981), Dashdorjiin Natsagdorj (1906-1937), Hiroshi Noma (1915-1991), Gabriel jibaba Okara (1921- ), Amrita Pritam (1919-2005), Jean-Joseph Rabearivelo (1901-1937), Richard Rive (1931-1989), Rady Saddouk (1938-2010), Badr Shakir al-Sayyab (1926-1964), Ousmane Sembene (1923- 2007), Leopold Sedar Senghor (1906-2001), Yusuf al-Sibai (1917-1978), Fadwa Tuqan (1917-2003), Sonomyn Udval (1921-1991), Ramses Younan (1913-1966), and Tawfiq Ziad (1929-1994).

  • Heroes of the African Revolution: Colouring Book

    We made this coloring book in order to expose African children to their authentic history. Malcolm X told us decades ago that we had to take responsibility for our children’s education because he understood that our people had been intentionally robbed of their true history. We can no longer rely on institutions to educate our children and must take it upon ourselves to equip our children with the truth so that they can bring a positive contribution to our people’s struggle for justice and freedom. This book highlights some of the key figures within the struggle to achieve Pan-Africanism which is the total liberation and unification of Africa. All of the brave women and men featured in this book were Pan-Africanists. They understood that people of African descent throughout the world faced the same issues and therefore had to unite in order to overcome those issues. We hope this book can inspire the next generation of African children to become Pan-Africanists and to join the struggle to liberate and unite Africa.

     

    USD $ 11.50
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    Slave King: Rebels against empire: A Novel

    In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.

    USD $ 5.00USD $ 26.00
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