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  • Twenty Years of Courage and Struggle
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    Twenty Years of Courage and Struggle

    Abahlali baseMjondolo (AbM) is the remarkable story of the South African shack dwellers movement, covering twenty years of courageous struggle. It is the largest movement to have emerged in South Africa after apartheid and one of the largest movements of the urban poor globally, boasting over 180,000 members across four provinces.

    AbM emerged from the margins of South Africa’s cities, where residents faced life-threatening conditions, including shack fires, poverty, and systemic betrayal by the democratic state regarding land and housing. The movement is firmly committed to ethical principles, fighting not only for the right to the city but for the right to collectively occupy land and build occupations collectively. Abahlali insists on a humanist philosophy—”no one is illegal, everyone thinks and everyone must be counted and heard”—and works to build democracy and socialism from below.

    Abahlali is abolition in action, seeking to interrupt capitalist logic by advocating for the total decommodification of land, recognizing it as a public good allocated based on human need. This commitment has led to significant victories, including securing land, providing services (like water and electricity), and winning a landmark Constitutional Court case against the unlawful Slums Act.

    However, this quest for dignity has come at a tremendous cost, marked by severe repression, police violence, and the assassination of many activists by state forces and party thugs. Despite these challenges, AbM has persisted, developing occupations into working communes (such as eKhenana) that feature collective production, community halls, and political schools. Their story is a map for movements fighting inequality and authoritarianism globally. The movement continues to build collective power and struggle for a world where land, wealth, and power are shared on an equal basis.

    “Your movement has shown the world that democracy extends beyond elections to a way of living together—through open assemblies and collective decision making. In doing so, you have advanced a vision grounded in humanity, solidarity, and courage. Your struggle has always been internationalist, and your solidarity with the people of Palestine, Swaziland, and the Congo, and the warm relations you have built with movements around the world, are exemplary.” Jeremy Corbyn in https://rajpatel.org/2025/10/13/4764/

    The movement continues to grow, discovering that more and more settlements function better not when they function as an association of residents but as a commune. Agroecology is cropping up in more and more settlements thanks to exchanges with the MST. It’s a demonstration that when the wretched of the earth organize themselves without mediation, without NGO managers or academic gatekeepers, they can survive what would destroy any formation dependent on elite patronage. … This is the lesson Abahlali offers the world: genuine democracy is possible, but only when everyone thinks, everyone counts, everyone cares, and everyone acts. Raj Patel Everybody Thinks, Everybody Counts, Everybody Cares, Everybody Acts: Twenty Years of Abahlalism

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  • Unsilenced

    Unsilenced

    From: USD $ 10.00
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    Unsilenced

    Unsilenced: Poems for Palestine is a collection of poems that convey profound emotions and serious reflections on the ongoing situation in Gaza and Palestine since the Nakba. The anthology seeks to express the moral outrage felt by poets from around the world, highlighting the perceived double standards of the West regarding international law and the suffering of the Palestinian people. The poems examine the daily realities of life and philosophical perspectives on the human condition, using nature as a motif to articulate emotions and explore themes of homeland, childhood, exile, genocide, and war. All proceeds from the sale of the collection will be donated to Gaza, demonstrating the poets’ commitment to fostering positive change through their art. Contributors include diverse voices from various countries, each recognizing the urgency and necessity of addressing the inhumane actions perpetrated against Palestine.

    Income from the sale of this title will be donated for Palestine.

    Praise for Unsilenced

    Haunting verses by poets fluent in the language of death and genocide. Each poem rings out as a piece of memory, a bridge and a dream. This elegy will stand as a testimonial, a witness, by brave voices exhausted by the deafening silence of a traumatized world. —Nnimmo Bassey, author of I See the Invisible (poems) and Laureate of the Right to Livelihood Award 2010

    … the priceless value of an anthology of lyrics from yet another encircled, blitzed, strafed, and bombarded commune, ghetto, or kibbutz, is that it bears indelible witness to the unbreakable human spirit yearning for freedom, for peace, for bread and wine and water set amid an olive grove or a lemon orchard. That is what you will unfold in editor John P. Portelli’s Unsilenced: Poetry for Palestine. Poets—Jew and Arab, Muslim and Christian, Atheist and Surrealist—voice suffering, resilience, despair, and hope, speaking out of their fragile humanity to demand that vile atrocities cease. — George Elliott Clarke, author of Canticles I-III, 6 vols, MMXVI-MMXXIII (2016-2023)

    Unsilenced shows how poetry is written to trigger and provoke, to bear witness, to look at the sky and shout, over and over, as loudly as necessary against injustice. Immanuel Mifsud, Associate Professor, University of Malta and winner of the European Union Prize for Literature (2011).

    Contributing Authors

    Poems by: Raed Anis Al-Jishi (Kingdom of Saudi Arabia), Ridvan Ardic (Türkiye), Lil Blume (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Hasan Bozdaş (Türkiye), Norbert Bugeja (Malta), Tatev Chakhian (Armenia), Franca Colozzo (Italy), Lana Derkač (Croatia), Josie Di Sciascio-Andrews (Canada), Leanne Ellul (Malta), Marthese Fenech (Malta), Abigail George (South Africa), Joe Giampaolo (Canada), Elham Hamedi (Iran), Xanthi Handrou-Hill (Greece), Jennifer Hosein (Canada), Fady Joudah (USA), Sheema Kalbasi (Iran, Denmark, USA), Rula Kahil (Lebanon and Canada), Nibal Khalil (Palestine), Zeyneb Karaca (Türkiye), Yahia Lababidi (USA), Milica Jeftimijević Lilić (Serbia), Sonia Maddouri (Tunisia), Lisa Suhair Majaj (Palestine, U.S.A., and Cyprus), Marwan Makhoul (Palestine), Leila Marshy (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Ahmed Miqdad (Palestine), Maria Miraglia (Italy), Walid Nabhan (Malta, Jordan, Palestine), Mirela Necula (Romania), Mansour Noorbakhsh (Canada), Joseph C. Ogbonna (Nigeria), Muhammed Huseyin Ozer (Türkiye), John P. Portelli (Malta and Canada), Niloy Rafiq (Bangladesh), Shirani Rajapakse (Sri Lanka), Giovanna Riccio (Canada), Omar Sabbagh (Lebanon), Paul Salvatori (Canada), Eray Saricam (Türkiye), Zulal Sema (Türkiye), Cao Shui (China), Kadir Tepe (Türkiye), Graciela Noemi Villaverde (Argentina), Mirela Leka Xhava (France, Albania), Klara Vassallo (Malta), Anna Yin (Canada), Ghassan Zaqtan (Palestine)
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  • Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism

    As the world grapples with the legacy of crimes of enslavement, colonialism, genocide and mass killings, imprisonment and murder of children, attempts at eliminating cultures and history of Indigenous peoples, looting and other crimes against humanity, the performance of public atonement has become increasingly prevalent. Apologies from state actors and institutions are issued in solemn ceremonies, often acknowledging the collective guilt for historical atrocities. Despite the solemnity of these events, there is a growing scepticism surrounding the sincerity of these apologies, particularly when they are not accompanied by tangible reparations, healing, reconciliation or systemic change. This scepticism is rooted in a perception that these acts of contrition are sometimes less about making amends to the aggrieved and more about assuaging the guilt of the aggressors and maintaining the status quo, providing the illusion of progress without the substance.
    In this compelling work, Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism, the authors unveil the complex interplay between public apologies, social justice and popular mobilisations. The chapters are devoted primarily to the experiences of Latin America, particularly of Mexico, Guatemala, Chile, and Brazil. But there is also a chapter on the struggles for Palestine — so relevant in the face of the current genocidal invasion by the Zionist State of Israel into Gaza, the world’s largest and most densely populated concentration camp.

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  • Insurgent Feminisms: Writing War

    Insurgent Feminisms: Writing War

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    Insurgent Feminisms: Writing War

    War is never just the war itself, it’s not the event or the epoch. War is the impossible and unending afterlife, the struggle to breathe after being bludgeoned, and the re-situating of one’s self and of one’s place after displacement and fragmentation.

    Insurgent Feminisms: Writing War advances a new paradigm of war writing by focusing on gender. War is always fought upon the backs of women, often under the pretense of saving them. Yet, along the way, the brutalities unleashed on women during wartime remain relentless. In this collection, insurgency emerges in the raw and meticulous language of witnessing, and in the desire to render the space of conflict in radically different ways. These feminist and queer perspectives on war come out of regions and positions that disobey the rules of war writing. Comprising reportage, fiction, memoir, poetry, and conversations from over sixty writers, the collection includes contributions by Chika Unigwe, Nathalie Handal, Ubah Cristina Ali Farah, Suchitra Vijayan, Bélen Fernández, Uzma Falak, Otoniya Juliane Okot Bitek, Sarah Ladipo Manyika, Lara Pawson, Gaiutra Bahadur, Robtel Neajai Pailey, Sumana Roy and Lina Mounzer, among several others.

    Bhakti Shringarpure co-founded Warscapes magazine in November 2011 and it has now transitioned into the Radical Books Collective.

    Veruska Cantelli is a writer, translator, editor, and Associate Professor of Interdisciplinary Studies at Champlain College in Vermont, USA.

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  • Anticapitalist Economy in Rojava: The Contradictions of Revolution in the Kurdish Struggles

    Anticapitalist Economy in Rojava: The Contradictions of Revolution in the Kurdish Struggles

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    Anticapitalist Economy in Rojava: The Contradictions of Revolution in the Kurdish Struggles

    This book looks at the anti-capitalist economy and the organization of social relations in the context of the revolution and autonomy of Rojava (Kurdistan-Syria). It questions both the limitations and the historical problems of the phenomenon of revolution, and the conflicts and contradictions that emerge in this process. It also draws from the conflicts and contradictions the author has consistently felt as a “political subject” who wants to change the world, especially through her experience in the Kurdish struggle and the Kurdish Movement. For this reason, every question she raises and attempts to answer in this book—about the Kurds, Rojava, and the world in general, involves what she says is her own subjectivity.
    The idea and dreams of revolution have existed since humans created systems of domination. Indeed, revolution, meaning the liberation from systems of domination, has undoubtedly been one of the most discussed subjects in history. There have been moments when the possibility of revolution has been clearer, and there have also been certain agreements on what it is and how to get there, but it has never been something completely definable. This continues to be true today. This book does not intend to define this great phenomenon, rather it looks at the revolutionary practices that create emancipating realities and embraces revolution as an undefined, contradictory and dynamic process. Although the rulers have traditionally written history, the history of social struggles has been and is still being created by many revolutionary and transformational processes. The future is being shaped based on desired revolutions and the struggles that, in turn, transform their actors, the people. Therefore, the desire and quest of the Kurdish people for liberation from the colonial rule of the nation-states of the Middle East—the subject of this book—has always been directly linked to the phenomenon of revolution.

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  • The Unfinished Business of Liberation and Transformation: Revisiting The 1958 All-African People’s Conference

    This book features essays, speeches, and reflections from the 60th-anniversary commemoration of the All-African People’s Conference (AAPC), an epochal event in the history of Africa’s fight for liberation. The four-day conference was a collaboration between the Institute of African Studies, the Trades Union Congress of Ghana, the Socialist Forum of Ghana, Lincoln University, and the Third World Network Africa. The stories, essays, speeches, and poems featured in this book are not simply a reflection of the past – they are a call to action for the present and future generations of Pan‑Africanists. May this book serve as a reminder that our liberation is intertwined with the liberation of others and that we must work together toward building a more just and equitable world. Let us continue to inspire the next generation of Pan-Africanists and keep the spirit of the All‑African People’s Conference alive. The book offers valuable perspectives on Africa’s current predicaments and what a truly liberated Africa can offer to the world.

    The Unfinished Business of African Liberation is a path‐breaking collection of proceedings commemorating the 1958 landmark All African People’s Conference. The volume is essential reading for all those interested in pursuing African decolonization and liberation in the 21st century.
    Amina Mama, Professor, Gender, Sexuality & Women’s Studies, University of California, Davis, former Kwame Nkrumah Chair in African Studies at the University of Ghana

    It is a must‐read for all who care about the contemporary plight of African people.
    Sylvia Tamale, Decolonial feminist & Professor of Law, School of Law, Makerere University, Uganda

    This collection presents critical thinking by a wide spectrum of Pan‐African workers, youth, women, students, intellectuals, businesspeople, activists, academics, and politicians.
— Adotey Bing-Pappoe, Senior Lecturer, Department of Economics and International Business, University of Greenwich

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  • Heroes of the African Revolution Volume 2

    We made this coloring book in order to expose African children to their authentic history. Malcolm X told us decades ago that we had to take responsibility for our children’s education because he understood that our people had been intentionally robbed of their true history. We can no longer rely on institutions to educate our children and must take it upon ourselves to equip our children with the truth so that they can bring a positive contribution to our people’s struggle for justice and freedom.

    In Volume 2 of the coloring book, new African revolutionaries are introduced. Some well-known figures, such as Patrice Lumumba and Amilcar Cabral, but we’ve also brought to light lesser-known freedom fighters, such as Fatima Ahmed Ibrahim of Sudan and Elma Francois of Trinidad and Tobago.
    We have also introduced some games, such as a word search and a maze, both with a Pan-Afican theme. Finally, we included a glossary (with Swahili translations ) highlighting the kind of vocabulary we wish to instill in our youth
    USD $ 11.50
  • Heroes of the African Revolution: Colouring Book: Volume 1

    We made this coloring book in order to expose African children to their authentic history. Malcolm X told us decades ago that we had to take responsibility for our children’s education because he understood that our people had been intentionally robbed of their true history. We can no longer rely on institutions to educate our children and must take it upon ourselves to equip our children with the truth so that they can bring a positive contribution to our people’s struggle for justice and freedom. This book highlights some of the key figures within the struggle to achieve Pan-Africanism which is the total liberation and unification of Africa. All of the brave women and men featured in this book were Pan-Africanists. They understood that people of African descent throughout the world faced the same issues and therefore had to unite in order to overcome those issues. We hope this book can inspire the next generation of African children to become Pan-Africanists and to join the struggle to liberate and unite Africa.

     

    USD $ 11.50
  • Some of Us Are Brave (Volume 1): Interviews and Conversations with Sistas in Life and Struggle
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    Some of Us Are Brave (Volume 1): Interviews and Conversations with Sistas in Life and Struggle

    This is the literature of liberation! The truth. It waters the roots of a strong and timeless tree and bears the fruit of freedom. In the tradition of Ida B. Wells, Thandisizwe Chimurenga writes for the people because she is the people, and she loves the people. The interviews and conversations in Some Of Us Are Brave include Black women and Black men on Black women. This book will educate, inspire and strengthen the mind and spirit of Black women and those that love them. —Dr. Alice Nicholas, Africologist, Assistant Professor, Poet

    Some of Us Are Brave is a courageous exploration of Black feminism within the Black left, offering invaluable insights and igniting much-needed conversations. It is a must-read for anyone seeking a deeper understanding of this vital aspect of our history and the transformative power of Black feminist thought. In a media landscape that often falls short when it comes to representing the voices of Black feminists, this series is a breath of fresh air. — Piper Carter, Detroit-based Arts & Culture Organizer
    Host of “Beyond Breaking Barriers” podcast on Black Power Media

    A society born of white supremacy and patriarchy must, by definition, ignore the voices of Black women. We know that unfortunately, such an attitude will also naturally seep into every stratum of that society

    Part of the contribution to correct that was the centering and airing of Black women’s voices through Some of Us Are Brave: A Black Women’s Radio Program that aired on Pacifica’s Los Angeles radio station (KPFK) from 2003 until 2011.

    The program covered a myriad of issues by amplifying the voices of a broad cross-section of Black women. Some of those voices have been preserved here in this volume. In addition to capturing various moments in time with a ­variety of women, this is also a means of taking the intellec­tual production of and about Black women out of the hands of institutions that are both fundamentally ­anti-Black and anti-woman.

    Volume 1 contains interviews under the headings The Shoulders on Which We Stand and Black Lives Have ­Always Mattered.

    Volume 2 covers Black Women’s Health, Bruthas on ­Sistas, and Sistas in Struggle.

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  • Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

    Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

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    Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

    Student activism and cultural activism go hand in hand on Indian campuses. Over the last few years, especially after 2014, student movements in the country against social injustice have increased in numbers and tenacity. Cultural modes of expressing dissent have played a key role within this new wave of student movements that have gripped the nation. This book takes the reader through a journey into the ways cultural activists analyse cultural modes of protest, especially in the context of student movements in the Global South. The book delves into the political and ideological contours set by organisations such as the Indian Progressive Theatre Association (IPTA) and the Progressive Writers’ Association (PWA), and by figures such as Faiz Ahmed Faiz, Habib Jalib, Hemanga Biswas and Safdar Hashmi. The book locates them within the contemporary wave of cultural protests, analyses their continued relevance and argues for a revival of theoretical and practical engagement with the early progenitors of the progressive cultural movement in India.

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  • Partitions of the Heart: Unmaking the Idea of India
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    Partitions of the Heart: Unmaking the Idea of India

    In Partitions of the Heart: Unmaking the Idea of India, human rights and peace worker Harsh Mander takes stock of whether the republic has upheld the values it set out to achieve and offers painful, unsparing insight into the contours of hate violence. Through vivid stories from his own work, Mander shows that hate speech, communal propaganda and vigilante violence are mounting a fearsome climate of dread, that targeted crime is systematically fracturing our community, and that the damage to the country’s social fabric may be irreparable. At the same time, he argues that hate can indeed be fought, but only with solidarity, reconciliation and love, and when all of these are founded on fairness.

    ‘At last a book that turns a powerful searchlight on the evil tide of hatred and violence stalking our country, where our minorities live in fear, and Muslims among us are killed under a government that has declared war on Islam.’ —Nayantara Sahgal, journalist, author of Day of Reckoning: Stories (2015).

    ‘Harsh Mander’s is the voice of Kabir come alive in our violent times. We can hear it to our redemption, ignore it to our peril.’ —Gopalkrishna Gandhi, former administrator and diplomat, Governor of West Bengal 2004-2009

    This book is absolutely mandatory reading. You owe it to the much-vaunted “motherland” which is being abused so shamelessly.’—Kiran Nagarkar, novelist, playwright, film critic and screenwriter.

    USD $ 18.00
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  • “Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”

    “Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”

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    “Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”

    Escrito durante as comemorações do septuagésimo quinto aniversário da publicação de Black Skin, White Masks (“Pele Negra, Máscaras Brancas”), de Frantz Fanon, “Not Bad for a N—, No?” oferece reflexões sobre as circunstâncias da publicação desta obra clássica com os insights de Fanon sobre o que ele chamou de tentativa de “assassinato do homem” e a necessidade urgente de a humanidade se tornar “acional”.

    Escrito durante las celebraciones del septuagésimo quinto aniversario de la publicación de Black Skin, White Masks (“Piel negra, máscaras blancas”) de Frantz Fanon, “Not Bad for a N—, No?” ofrece reflexiones sobre las circunstancias de la publicación de esta obra clásica con las ideas de Fanon sobre lo que llamó el intento de “asesinato del hombre” y la urgente necesidad de que la humanidad se vuelva “acción”.

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  • Domains of politics 
and modes of rule
: Political structures of the 
neocolonial state in Africa

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    Domains of politics 
and modes of rule
: Political structures of the 
neocolonial state in Africa


    “A concise, dense and illuminating dissection of the workings of the post-independence African state that also charts a path towards imagining and working for a true politics of liberation.”Ndongo Samba Sylla, Senior Researcher, Rosa Luxemburg Foundation.


    This is a brief attempt to orient the study of the neocolonial state in Africa through an assessment of the manner in which it rules its people.  It is argued that the state produces different modes of rule by deploying different politics over different parts of the population.  In this manner, it can combine a genuinely democratic rule in the image of the West over some while subjecting the majority to colonial forms of domination.  Imported political subjectivities from the West and its obsession with human rights discourse are reserved largely for a sphere of civil society in which the right to have rights is conferred upon citizens.  In the domains of uncivil society and ‘traditional’ society, the right to rights is not observed by the state so different subjectivities, regularly including violence, govern the manner political problems and solutions are addressed both by the state and by people.  In consequence, distinct political subjectivities prevail in the conceptualization of popular resistance in all three domains, and it becomes difficult to rally such different concerns and conceptions within an overall anti-neocolonial struggle.

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  • Politics of Turbulent Waters
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    Politics of Turbulent Waters: Reflections on Ecological, Environmental and Climate Crises in Africa

    For the past 10 years, the Health of Mother Earth Foundation (HOMEF) has been on the front line of the struggle for environmental justice, climate justice and food sovereignty in Africa and the globe. It has been a decade of non-stop probing of the exploitation of resources, peoples and nations, which has given rise to numerous environmental and climate injustices. HOMEF has had a decade of witnessing and standing against the injustice, the powers and structures (industries and policies) suffocating the rights of the people to a healthy environment and standing with the neglected to take charge of their once self-managed food and agricultural systems. The struggle has necessitated the reawakening of communities’ consciousness to the injustices that besiege them and to their ‘people power’ – power to be utilized in seeking the desired change.mPolitics of Turbulent Waters is a compendium of selected articles in the 36 issues of the Eco-instigator published from 2013 to 2022. The Eco-instigator is yet another tool used by HOMEF to pull together thoughts and reports of activities that advance environmental justice and food sovereignty. Issue by issue, these thoughts and reports flow from within HOMEF and other environmental/climate justice and food sovereignty advocates from across Africa and the globe.They form this rich assemblage (Politics of turbulent waters) to commemorate HOMEF’s 10th anniversary. The title of the book is one of Nnimmo Bassey’s (the director of HOMEF) numerous articles that have graced some pages of the different issues of the Eco-instigator. The article cum title encapsulates the messages that the book intends to convey to you, the reader. It crystallizes the dire condition of Africa and its waters and the power imbalance together with the spatial disposition that plunged the continent into the calamitous environmental situation it faces. It speaks of the politics of economic development and market fundamentalism that avows to maintain the status quo in terms of destructive exploitation of Africa’s marine and other natural resources.

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  • Política e cultura no pensamento emancipatório africano

    Política e cultura no pensamento emancipatório africano

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    Política e cultura no pensamento emancipatório africano

    Description (2132 / 2500)
    A atual ausência de uma visão emancipatória para a África está no centro dos nossos problemas políticos relacionados à opressão racial capitalista e colonial. Qualquer tentativa de repensar a emancipação política no continente africano deve ser capaz de localizar uma concepção universal de liberdade no interior das experiências culturais singulares que as pessoas vivem. Quando esteve baseada nas tradições populares, a política emancipatória exibiu tais traços dialéticos, independentemente da maneira específica na qual cada luta pela liberdade foi pensada em diferentes contextos históricos. No entanto, apenas alguns intelectuais militantes compreenderam a importância dessa dialética no pensamento.

    O presente volume esboça e discute dois pontos de vista particularmente importantes sobre o papel e a relevância da cultura popular na política emancipatória em África. Cada um deles resulta de formas distintas de exploração capitalista e colonialista: o primeiro viu a luz do dia em um contexto colonial, enquanto o segundo é diretamente confrontado pelo estado neocolonial. Todas as políticas emancipatórias são desenvolvidas em confronto com o poder estatal, e todas começam com um processo de discussão e debate através do qual um sujeito coletivo começa a se formar. No continente africano, a construção de tal sujeito político coletivo tem sido informada, de maneira fundamental, pelas culturas populares.

    Os dois autores cujos ensaios estão aqui incluídos entenderam isso e colocaram a cultura popular no centro de suas políticas. O primeiro, Amílcar Cabral, aborda o papel central da cultura popular na luta pela independência da Guiné-Bissau nos anos 1970; o segundo, Ernest Wamba-dia-Wamba, aborda a centralidade da cultura popular africana para uma política emancipatória endereçada à atual República Democrática do Congo. Apesar das décadas que os separam, tanto Cabral como Wamba-dia-Wamba desenvolvem, no centro de sua política, uma dialética que ativa os universais da cultura no presente. É essa característica que confere às suas visões uma importância central para o pensamento emancipatório contemporâneo.

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  • Aufbruch in Jackson [German edition of Jackson Rising: Black self-management and solidarity economy]

    Translated from English by Michael Halfbrodt & Michael Schiffmann, with a foreword by Mason Herson-Hord

     

    How black activists are building liberation practically from below: Departure in Jackson documents the history of one of the most exciting revolutionary experiments in the USA Present.

    Since the 1970s, black liberation movements in majority-black Mississippi have taken change into their own hands. The Deep South should become the center of their independence – “Free the Land!” In the 2010s, the election of Chokwe Lumumba as mayor in the capital Jackson took an important step towards implementing the vision of assembly democracy, solidarity economy and an end to racial inequality. Lumumba dies unexpectedly in 2014, but his son Antar and the Cooperation Jackson continue to move forward.

    We learn about the pitfalls of radical local politics and struggles for housing and land, democratic economic models and ecology, internationalist solidarity and the parallels to the Rojava Revolution and the Zapatistas, about encouraging experiences in which different concerns go hand in hand.

    USD $ 24.00
  • Slave King: Rebels against empire: A Novel

    Slave King: Rebels against empire: A Novel

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    Slave King: Rebels against empire: A Novel

    In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.

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  • Lines of Fire: Poetry of the Afro-Asian Writers' Movement
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    Lines of Fire: Poetry of the Afro-Asian Writers’ Movement

    This collection of poems features some of the voices that were persecuted for the power of their words. The poetry cries out against the injustices and brutality of the colonial powers of their time, raging against tyranny and the festering wounds of racism, especially in Palestine. Many of the writers of the Afro-Asian Writers Movement faced torture, imprisonment, exile, and even death, but their words continue to call for a just world. These poets span the length and breadth of Africa and Asia, and their poems speak to all of humanity. Embedded in their verses is a spirit of resilience that knows loss, love, anger, and anguish yet insists on enduring hope.

    Edited by Tariq Mehmood, this collection includes poems by:

    Salah Abdel Sabour (1931-1981, Ali Ahmad Said Esber, also known as Adunis (1930- ), Mulk Raj Anand (1905-2004), Anar Rasul oghlu Rzayef (1938- ), Nobuo Ayukawa (1920-1986), Fadhil al-Azzawi  (1940- ), Abd Al-Wahhab al-Bayati (1926-1999), Mahim Bora (1917- ), Bernard Binlin Dadié (1916- ), Mahmoud Darwish (1942-2008), Osamu Dazai (1909-1948), Mário Pinto de Andrade (1928-1990), D.B. Dhanapala (1905-1971), Mohammed Dib (1920-2003), Gevorg Emin (1918-1998), Sengiin Erdene (1929-2000), Faiz Ahmed Faiz (1911-1984), Rasul Gamzatov (1923-2003), Daniil Granin (1919- ), Colette Anna Gregoire, better known as Anna Greki (1931-1966), Malek Haddad (1927-1978), Pham Ba Ngoan, better known by his pen name Thanh Hai (1930-1980), Buland al-Haidari (1926-1996),  Suheil Idris (1925-2008), Yusuf Idris (1927-1991), Fazil Iskander (1929- ), Zulfiya Isroilova (1915-1996), Ali Sardar Jafri (1913-2000), Ghassan Kanafani (1936-1972), Edward al-Kharrat (1926- 2015), Hajime Kijima (1928-2004), Mazisi Kunene (1930-2006), Alex La Guma (1925-1985), U Gtun Kyi, better known by his pen name Minn Latt Yekhaun (1925-1985), Abdul Hayee better known by his pen name Sahir Lundhianvi (1921-1980), Zaki Naguib Mahmoud (1905-1993), Nazik Al-Malaika (1923-2007), Mouloud Mammeri (1917-1989), Yuri Nagibin (1920-1994), Sergey Narovchatov (1919-1981), Dashdorjiin Natsagdorj (1906-1937), Hiroshi Noma (1915-1991), Gabriel jibaba Okara (1921- ), Amrita Pritam (1919-2005), Jean-Joseph Rabearivelo (1901-1937), Richard Rive (1931-1989), Rady Saddouk (1938-2010), Badr Shakir al-Sayyab (1926-1964), Ousmane Sembene (1923- 2007), Leopold Sedar Senghor (1906-2001), Yusuf al-Sibai (1917-1978), Fadwa Tuqan (1917-2003), Sonomyn Udval (1921-1991), Ramses Younan (1913-1966), and Tawfiq Ziad (1929-1994).

    USD $ 35.00
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