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  • Inutabada o iiuhadabadadara sade era samaraka (হিন্দুত্ববাদ ও ইহুদী জাতীয়তাবাদ : একটি ক্রমবর্ধমান সম্পর্ক)

    This is a Bengali translation of Hindutva and its relationship with Zionism, by Amrit Wilson: ISBN 978-1-990263-76-7. Written in December 2022, this text is based on a lecture given earlier at the invitation of the Institute of Palestine Studies. Since then, the relationship between Israel and India has deepened further and atrocities have skyrocketed in both countries. On 5 April 2023, Israeli forces stormed Al Aqsa Mosque compound in occupied East Jerusalem and attacked worshippers inside. At the same time, Israel is facing internal turmoil in a battle between a diverse group, including those who think the current settler colony is a democratic nation and want things to remain as they are, and those who stand even further to the right. Significantly, the BJP, India’s ruling party, supports the latter. This book is about Hindutva, the ideology which drives the Hindu-supremacist Bharatiya Janata Party (BJP) regime of Prime Minister Narendra Modi, and Zionism, the ideology of the Israeli apartheid state. In this era of rising fascism, these two remarkably similar ideologies are crucially important in cementing the economic and military alliance between two of the world’s most repressive right-wing states – while helping to legitimize them in cultural arenas. Israel is, of course, a settler colonial state, but it is also, like India, a fascist state, not only because of ‘the extremist parties that [are] part of the government’ but also because of ‘their enablers – Netanyahu and his chauvinistic Likud party which long strove for a Jewish state dominating both sides of the Jordan River.’ In the words of Marwan Bishara, Netanyahu is ‘the godfather of modern Israeli fascism.’ This essay focuses primarily on Hindutva, discussing Zionism mainly to highlight its similarities, links and increasing alliances with Hindutva.

  • Partitions of the Heart: Unmaking the Idea of India

    In Partitions of the Heart: Unmaking the Idea of India, human rights and peace worker Harsh Mander takes stock of whether the republic has upheld the values it set out to achieve and offers painful, unsparing insight into the contours of hate violence. Through vivid stories from his own work, Mander shows that hate speech, communal propaganda and vigilante violence are mounting a fearsome climate of dread, that targeted crime is systematically fracturing our community, and that the damage to the country’s social fabric may be irreparable. At the same time, he argues that hate can indeed be fought, but only with solidarity, reconciliation and love, and when all of these are founded on fairness.

    ‘At last a book that turns a powerful searchlight on the evil tide of hatred and violence stalking our country, where our minorities live in fear, and Muslims among us are killed under a government that has declared war on Islam.’ —Nayantara Sahgal, journalist, author of Day of Reckoning: Stories (2015).

    ‘Harsh Mander’s is the voice of Kabir come alive in our violent times. We can hear it to our redemption, ignore it to our peril.’ —Gopalkrishna Gandhi, former administrator and diplomat, Governor of West Bengal 2004-2009

    This book is absolutely mandatory reading. You owe it to the much-vaunted “motherland” which is being abused so shamelessly.’—Kiran Nagarkar,ovelist, playwright, film critic and screenwriter.

    A riveting documentation of the unmaking of India.’—K.R. Meera, Indian author and journalist, who writes in Malayalam

    ‘Harsh Mander chillingly unravels the grotesqueness of today’s India. If this book does not awaken you to the horrors of divisive politics propagated, nothing can.’—T.M. Krishna — Indian Carnatic vocalist, writer, activist, author and Ramon Magsaysay awardee

    USD $ 24.00
  • Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

    Student activism and cultural activism go hand in hand on Indian campuses. Over the last few years, especially after 2014, student movements in the country against social injustice have increased in numbers and tenacity. Cultural modes of expressing dissent have played a key role within this new wave of student movements that have gripped the nation. This book takes the reader through a journey into the ways cultural activists analyse cultural modes of protest, especially in the context of student movements in the Global South. The book delves into the political and ideological contours set by organisations such as the Indian Progressive Theatre Association (IPTA) and the Progressive Writers’ Association (PWA), and by figures such as Faiz Ahmed Faiz, Habib Jalib, Hemanga Biswas and Safdar Hashmi. The book locates them within the contemporary wave of cultural protests, analyses their continued relevance and argues for a revival of theoretical and practical engagement with the early progenitors of the progressive cultural movement in India.

    It would be difficult to capture in mere words the … joy of seeing young faces beaming with excitement and joy, the sense of community and togetherness as people sing together. The myth of a people so bamboozled by religion that they could not appreciate poetry, music, and performing arts lay shattered before our feet. And the myth that the people were too ground down by poverty to appreciate art and literature proved to be nothing but an elitist prejudice. We sang, we laughed, we danced, we joked with the people. We felt the walls of class, caste, privilege and hatred crumble in those moments of ecstasy. — Taimur Rahman, Associate Professor, Lahore University of Management Sciences and Lead Guitarist and Spokesperson of the Marxist Band ‘Laal’

    This book is a reminder that we need to turn towards each other in revolutionary siblinghood. It is a call to revive a rich tradition of cultural activism across India and a celebration of emergent critical vibrant grassroots, people-centered student movements. Very importantly, this is also a book in the art of revolutionary dreaming, of embracing new possibility. —Ndindi Kitonga, Professor, Longy School of Music of Bard College, New York


    Singing to Liberation is a highly provocative and timely work by Suddhabrata Deb Roy. The struggles, crises, violence, and resistant movements inside the university campuses in India have been openly spoken out without any unnecessary jargon and rhetoric. Each and every page of this book is a powerful archive of sociopolitical crises, censorships, and bloodshed that India is currently experiencing” – Sayan Dey, Author, Green Academia (Routledge) and Performing Memories and Weaving Archives (Anthem Press)