-
I see the invisible
USD $ 5.00 – USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageI see the invisible
Truth be told, I never thought I would write another volume of poetry after the last, I will not Dance to Your Beat (2011). The reason was that my previous volumes were reactive to the circumstances of the times. Patriots and Cockroaches (1992) was a reaction to the socio-political corruption that had engulfed Africa and dimmed the enthusiasm that had been built by the years of struggle for independence. Whereas we thought we were stepping into a post-colonial era, what we stepped into was a vicious neo-colonial times. The next collection, Poems on the Run (1995) was a reaction to military autocracy and the repression that followed. The volume was literally written underground. This was followed by Intercepted (1998) all written while detained at Kalakuta Republic of Alagbon Close. We Thought it was Oil But it was Blood (2002) responded to two things primarily – extractivism and the accompanying human and environmental rights abuses in the Niger Delta and elsewhere. The massive erosion of biodiversity and attacks on food sovereignty through the introduction of genetically modified organisms (GMOs) into our agricultural system inspired I Will not Dance to your Beat.
What you have in your hands, or on your screens, is a compilation that is largely more meditative than the previous collections. There are moments of reflection on the colonial and neoliberal foundations that permit a willful disconnection from nature and the resultant destructive extractivism.
Some of the poems came through conversations and poetry writing sessions with Peter Molnar, Maryam al-Khawaja — Rafto Human Rights laureates and Salil Tripathi, a member of the board of PEN International, in August 2017. The sessions held at a beautifully rustic location in Celleno, Italy, were documented on celluloid by the duo of Maria Galliana Dyrvik and Anita Jonsterhaug Vedå of SMAU, a multimedia firm in Norway. Poetic relationship with Maria and Anita has continued over the years and their work continues to inspire more and more poems.
Select options This product has multiple variants. The options may be chosen on the product page -
“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
USD $ 5.00 – USD $ 11.00Select options This product has multiple variants. The options may be chosen on the product page“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
Written during the seventy-fifth anniversary celebrations of the publication of Frantz Fanon’s Peau noir, masques blancs (“Black Skin, White Masks”), “Not Bad for a N—, No?” offers reflections on the circumstances of the publication of this classic work with Fanon’s insights on what he called the attempted “murder of man” and the urgent need for humanity to become “actional.”
Écrit lors des célébrations du soixante-quinzième anniversaire de la publication de Frantz Fanon de Peau noir masques blancs, «Pas mal pour un N—, n’est-ce pas? » offre des réflexions sur les circonstances de la publication de cette œuvre classique avec les idées de Fanon sur ce qu’il a appelé la tentative de «meurtre de l’homme» et le besoin urgent que l’humanité devienne «actionnelle».
Select options This product has multiple variants. The options may be chosen on the product page -
International Brigade Against Apartheid: Secrets of the People’s War That Liberated South Africa
USD $ 27.00Select options This product has multiple variants. The options may be chosen on the product pageInternational Brigade Against Apartheid: Secrets of the People’s War That Liberated South Africa
We hear for the first time from the internationalist secretly working for the ANC’s armed wing, Umkhonto we Sizwe (MK), in the struggle to liberate South Africa from apartheid rule. They acted as couriers, provided safe houses in neighbouring states and within South Africa, helped infiltrate combatants across borders, and smuggled tons of weapons into the country in the most creative ways. Driven by a spirit of international solidarity, they were prepared to take huge risks and face great danger. The internationalists reveal what motivated them as volunteers, not mercenaries: they gained nothing for their endeavours save for the self-esteem in serving a just cause. Against such clandestine involvement, the book includes contributions from key people in the international Anti-Apartheid Movement and its public mobilisation to isolate the apartheid regime. These include worldwide campaigns like Stop the Sports Tours, boycotting of South African products and black American solidarity. The Cuban, East German and Russian contributions outlined those countries’ support for the ANC and MK. The public, global Anti-Apartheid Movement campaigns provide the dimensions from which internationalists who secretly served MK emerged. Edited by Ronnie Kasrils. First published by Jacana Media (Pty) Ltd in 2021, ISBN: 978-1-4314-3202-8, this Daraja Press edition is available in North America and East Africa.
Select options This product has multiple variants. The options may be chosen on the product page -
A Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
USD $ 5.00 – USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageA Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity. This is a work of Reclamation. The author, Nikesha Breeze, has slowly, page by page, reclaimed the text of the book Heart of Darkness by Joseph Conrad. This racist turn-of-the-19th-century book was pivotal in the continued dehumanization of Black people and in particular of African people, as it painted an image of bestiality on the Congo people and the continent. It is laced with racist imagery and language. The author has reappropriated the book, page by page, making “BlackOut” poetry for each page, isolating methodically the words to create new poems of power and black voice within the text —stealing the language and reappropriating the power.
Select options This product has multiple variants. The options may be chosen on the product page