Tariq Mehmood is an award winning novelist and documentary film-maker. His first novel, Hand On the Sun (London: Penguin Books, 1983), dealt with the experience of the resistance to racism by young migrant to the UK of the 1970s and 1980s. His second novel, While There is Light (Manchester: Carcanet, 2003), was set against the backdrop of the case of the ‘Bradford 12’, where 12 young men who defended their community were charged with conspiracy offences. His young adult novel, You’re Not Proper, a story of two girls struggling in a town seething with Islamophobia (London: Hope Road, 2015), won the Francis Lincoln Diverse Voices Children’s Book Award. He is the co-director of the multiple award-winning documentary Injustice, a story about people who have died in British police custody. He is also co-director of other documentaries including Defeat of the Champions and Who Polices the Police. Tariq teaches at the American University of Beirut (AUB), Lebanon. He blogs at: https://tmehmood.wordpress.com
Reviews and articles
http://www.theguardian.com/childrens-books-site/2015/sep/22/muslim-teenage-identity-tariq-mehmood?CMP=share_btn_tw
http://www.huffingtonpost.co.uk/dr-claire-chambers/book-review-tariq-mehmood_b_6978978.html
Review
http://www.middle-east-online.com/english/?id=72495
Dunia Magazine INTERVIEW: http://www.duniamagazine.com/2015/02/award-winning-writer-film-maker-tariq-mehmood-talks-race-religion-new-book-youre-not-proper/
Hand On the Sun, Penguin, London, 1983 – out of print
While There Is light, Comma, Manchester, 2003 – out of print
https://www.theguardian.com/books/2003/dec/27/featuresreviews.guardianreview10
Courageous Ali and the Heartless King, Satchel, 2006.
Major film – Injustice – story of the families of those killed in British Police custody.
http://www.theguardian.com/film/movie/88286/injustice
Homepage of Injustice Film http://www.injusticefilm.co.uk
The Second Coming
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In the remnants of a fractured UK, England is on the brink of collapse where far-right militias rise to power. As Islamophobia and English nationalism ignite brutal violence, 19-year-old Marah Sultana is thrust into a fight for survival. Hunted by forces seeking control, she carries a secret powerful enough to change the course of the war—and the future of the world. In a world in which America’s reign as a superpower has crumbled, its mercenaries now rule in its shadow,In The Second Coming, Tariq Mehmood delivers a searing, unflinching narrative that mirrors his own lifelong struggle for justice. This novel is not just fiction—it’s a reflection of real-world battles. Mehmood’s powerful storytelling compels readers to confront uncomfortable truths while offering a gripping, emotional journey of resistance and survival.
A dystopian desi mash-up of The Handmaid’s Tale, Clockwork Orange, and V for Vendetta. The Second Coming warns of the dangers of right-wing nationalism and white supremacy and imagines where such hate could take England if it is not, somehow, nipped in the bud. — Paul Cochrane, journalist, Middle East Eye
A must-read dystopian fantasy about race, religion, and love. Unmissable – Melvin Burgess, novelist, winner of the Carnegie Medal and the LA prize for Teenage Fiction
An unforgettable novel, both vivid and nightmarishly plausible. — Peter Kalu, novelist, storyteller, playwright and poet.
A story of resilience and hope told against the brutal realities of patriarchy and colonial violence.
— Amrit Wilson, activist, feminist, and author of Finding a Voice: Asian Women in Britain (Daraja Press)Select options This product has multiple variants. The options may be chosen on the product page
Hand On The Sun: A passionate and powerful novel of race and class
USD $ 5.00 USD $ 18.00Price range: USD $ 5.00 through USD $ 18.00Select options This product has multiple variants. The options may be chosen on the product page Hand On The Sun: A passionate and powerful novel of race and class
USD $ 5.00 USD $ 18.00Price range: USD $ 5.00 through USD $ 18.00This was Tariq Mehmood’s first novel, published by Penguin Books in 1983, charting the experience of the second generation migrants to the UK. Set in the declining textile industry of the North of England, it is a raw story of pain and anger at the relentlessness of British racism, from the street to the state – a story of an unquenchable desire for justice, and reclaiming human dignity. A dignity that is wrapped around new questions of Identity, a crossroad between religion, language, history and resistance. It is a little big story, that talks to the extremities of social, political and literary issues today? Can stories of a generation be appropriated? How important is religion in identity? If all you have is a story to tell, who should you tell it? Are the issues of today, just the issues of today or can we learn something from the past? In these stories, friendship is not defined by religion or colour, but by humanity. And racism is much more than skin deep. It is an exhilarating read that bears witness to the urgent 80’s battles against state and popular racism. As important now as then. In this new edition, Mehmood provides a Foreword that describes how the novel came to be written and the lives of real people on whom the characters were created. In the Afterword, Mehmood revisits some of the characters who are now 40-years older, and reflects on how the book would have been written today where the conditions of mass mobilizations no longer exist in neoliberal Britain.
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You’re Not Here
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USD $ 5.00 USD $ 20.00Price range: USD $ 5.00 through USD $ 20.00One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British army’s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
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Lines of Fire (2nd Edition)
USD $ 50.00Lines of Fire: Recovering the Lost Arsenal of Anti-Colonial Poetry
Born in Tashkent , forged in clandestine presses, and echoing in today’s streets—this is the recovered front line of a global poetic resistance.
In 1958, at the Afro-Asian Writers’ Conference in Tashkent, a 90-year-old W.E.B. Du Bois stood before the decolonizing world and declared: “I am an American—I am an African.” It was a moment of radical, transnational self-definition.
From that conference emerged a literary movement and its journal, The Call—a direct line for poets from Algiers to Hanoi, Cairo to Beijing, to speak to one another, bypassing the languages and borders of their colonial masters. Though the movement later fractured under Cold War pressures, its two wings—The Call and the Soviet-backed Lotus—remained united in their stand against Zionism, racism, and empire.
Their poetry, often crafted under threat of torture, exile, and surveillance, became a clandestine weapon. Some of it was passed hand to hand, read aloud in underground meetings, and chanted at mass gatherings from Delhi to Ramallah, Cape Town to Gaza.
Now, for the first time, this vital corpus is restored. Lines of Fire, edited by Tariq Mehmood—former leading defendant in the landmark Bradford 12 case and now professor at the American University of Beirut—gathers these living weapons into a single, incendiary anthology. In an age of resurgent fascism and genocide, these voices speak with renewed, unyielding force: their anguish, rage, love, and hope are as urgent now as the day they were penned.
Why This Book Is Essential:
- A Lost Canon, Recovered: Features seminal, often inaccessible work by giants like Mahmoud Darwish, Faiz Ahmed Faiz, Leopold Senghor, Adunis, , Ousmane Sembène, and dozens more from across Africa and Asia.
- Drawn from Rare Sources: Poems curated from scarce issues of The Call and Lotus, long out of print and hidden in archives.
- A Groundbreaking Scholarly Frame: Includes a major introduction tracing the movement’s history, its surveillance by the CIA, the impact of the Sino-Soviet split, and a radical re-examination of solidarity.
- Built to Last & Teach: Published in archival-quality hardcover for libraries, scholars, and lifelong activists. An indispensable text for courses in Decolonial Studies, Global South Literatures, Cold War History, and Postcolonial Poetry.
A Call to Arms for a New Generation.
Edited by Tariq Mehmood, this collection includes poems by:
Salah Abdel Sabour (1931-1981, Ali Ahmad Said Esber, also known as Adunis (1930- ), Mulk Raj Anand (1905-2004), Anar Rasul oghlu Rzayef (1938- ), Nobuo Ayukawa (1920-1986), Fadhil al-Azzawi (1940- ), Abd Al-Wahhab al-Bayati (1926-1999), Mahim Bora (1917- ), Bernard Binlin Dadié (1916- ), Mahmoud Darwish (1942-2008), Osamu Dazai (1909-1948), Mário Pinto de Andrade (1928-1990), D.B. Dhanapala (1905-1971), Mohammed Dib (1920-2003), Gevorg Emin (1918-1998), Sengiin Erdene (1929-2000), Faiz Ahmed Faiz (1911-1984), Rasul Gamzatov (1923-2003), Daniil Granin (1919- ), Colette Anna Gregoire, better known as Anna Greki (1931-1966), Malek Haddad (1927-1978), Pham Ba Ngoan, better known by his pen name Thanh Hai (1930-1980), Buland al-Haidari (1926-1996), Suheil Idris (1925-2008), Yusuf Idris (1927-1991), Fazil Iskander (1929- ), Zulfiya Isroilova (1915-1996), Ali Sardar Jafri (1913-2000), Ghassan Kanafani (1936-1972), Edward al-Kharrat (1926- 2015), Hajime Kijima (1928-2004), Mazisi Kunene (1930-2006), Alex La Guma (1925-1985), U Gtun Kyi, better known by his pen name Minn Latt Yekhaun (1925-1985), Abdul Hayee better known by his pen name Sahir Lundhianvi (1921-1980), Zaki Naguib Mahmoud (1905-1993), Nazik Al-Malaika (1923-2007), Mouloud Mammeri (1917-1989), Yuri Nagibin (1920-1994), Sergey Narovchatov (1919-1981), Dashdorjiin Natsagdorj (1906-1937), Hiroshi Noma (1915-1991), Gabriel jibaba Okara (1921- ), Amrita Pritam (1919-2005), Jean-Joseph Rabearivelo (1901-1937), Richard Rive (1931-1989), Rady Saddouk (1938-2010), Badr Shakir al-Sayyab (1926-1964), Ousmane Sembene (1923- 2007), Leopold Sedar Senghor (1906-2001), Yusuf al-Sibai (1917-1978), Fadwa Tuqan (1917-2003), Sonomyn Udval (1921-1991), Ramses Younan (1913-1966), and Tawfiq Ziad (1929-1994).
#AfroAsianWritersMovement #Lotusjournal #TheCalljournal #NonAlignedMovement #BandungConference #Tashkent1958 #ColdWarculturalhistory #SinoSovietsplit #antiimperialism #anticolonialpoetry #resistanceliterature #resistancepoetry #revolutionarysolidarity #antiracism #antiZionism #settlercolonialism #racialviolence #genocide #GlobalSouthliterature #Africanpoetry #Asianpoetry #Arabpoetry #Palestinianliterature #SouthAsianliterature #AfricanLiterature #Arabpoets #Africanwriters #AfroAsiansolidarity #WEBDuBois #politicalpoetry #20thcenturypoetry
USD $ 60.00
