Tariq Mehmood
Tariq Mehmood is an award winning novelist and documentary film-maker. His first novel, Hand On the Sun (London: Penguin Books, 1983), dealt with the experience of the resistance to racism by young migrant to the UK of the 1970s and…
You’re Not Here
Categories: Fiction, Imperialism, Political Freedom & Security, USA, Young Adults
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British army’s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
http://socialistreview.org.uk/438/youre-not-here
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019
ISBN Print: 978-1-988832-07-4
ISBN eBook: 978-1-988832-08-1
Publication Date: 1 April 2018
Page Count: 239
Binding Type: Soft cover
Trim Size: 6in x 9in
Language: English
Colour: B&W
| Book Format | Print Book, PDF |
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Love after Babel and other poems
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.
Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.
surajyengde@surajyengdeHad an honor to introduce this extremely riveting collection of humanity-filled radical lines “Love After Babel” told by the incomparable art form—Dalit Poetry. Chandramohan is confidently flirtatious with his words. by
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Aporias de Moçambique pós-colonial: Estado, Sociedade e Capital
CAD $ 33.00Este livro escrutina o impacto significativo da independência em diferentes sectores da sociedade moçambicana. Quarenta e cinco anos após a independência, Moçambique conheceu várias transformações. O Moçambique pós-colonial é hoje, em muitos aspectos, diferente do Moçambique colonial. No entanto, existem muitas questões permanentes relativas a essas transformações e ao seu impacto na maioria do povo moçambicano.
Ao salientar as contradições de todos os processos políticos e sociais em Moçambique pós-colonial, neste livro levantamos questões que visam desconstruir alguns mitos sobre o país.
Temas como estado, desenvolvimento, política, cultura, nação, políticas públicas, políticas agrárias e outros são questionados em abordagens teóricas inovadoras e progressivas, a fim de compreender o passado, o presente e o futuro de Moçambique numa perspectiva crítica. Por conseguinte, cada tema do livro é tratado de uma perspectiva crítica para melhor captar as aporias dos últimos quarenta e cinco anos de independência.
A liberalização política que deveria permitir mais partilha de poder e mais respeito pelos direitos políticos e cívicos consolidou, pelo contrário, um regime autoritário que utiliza a ajuda internacional e os benefícios da indústria extractiva não para transformar o país, mas para construir a sua hegemonia política, económica e social em todo o país.
Defendemos neste livro a tese de que é impossível compreender a verdadeira dinâmica social, política, económica e cultural sem considerar o “povo” como uma categoria essencial de análise.
Apesar de muitas transformações positivas que ocorreram após a independência, Moçambique ainda preserva muitas heranças coloniais e, portanto, várias transformações estão ainda por implementar.
Neste trabalho afirmamos que Moçambique é governado por elites que são incapazes de descolonizar o projecto de desenvolvimento que ainda está ancorado na agenda da capital internacional.
O objectivo deste livro é dar uma melhor compreensão do que tem sido o processo de independência em Moçambique e porque é que o país pós-colonial ainda é colonial na sua estrutura política e económica. Assim, são dados muitos exemplos para dar ao leitor a possibilidade de confrontar as perspectivas teóricas aqui utilizadas com os casos concretos.
Todos os estudos deste livro mostram que quarenta anos de independência não foram vividos da mesma forma pelas elites que governam o país e pelas populações que vivem sob o seu domínio. Por um lado, as elites no poder e os seus parentes beneficiaram, e ainda beneficiam dos recursos do país, enquanto que uma grande parte da população continua à espera das promessas da independência.
De um ponto de vista político a económico, os estudos que compõem o livro destacam como o “desenvolvimento” em Moçambique tem estado em contradição com as necessidades do país. Significa que o actual modelo de desenvolvimento responde muito mais à capital internacional do que à transformação social de Moçambique. -
A region in revolt: Mapping the recent uprisings in North Africa and West Asia
A wave of mass protest movements has spread across North Africa and West Asia, including Sudan, Algeria, Iraq, Lebanon and Iran. The mass protests have much in common, from opposing authoritarian regimes and worsening economic situations to demanding radical changes in social relations. Despite their similarities, each protest movement operates under different conditions that cannot be ignored. The specific historic, political and economic contexts of each country have determined who the key actors of the uprisings are and their location across old and new divides. This book elaborates on these similarities and differences to paint a clearer picture of these movements and draw out lessons to inform future struggles.
Sam Salour summarizes A Region in Revolt: Mapping the Recent Uprisings in North Africa and West Asia, edited by Jade Saab. A collection of essays that provides a comprehensive review of the 2018-2019 wave of struggle in the region. In the third part of this multi-part series, Salour provides an introduction to the book and then outlines the essay “The Revolutionizing Nature of the Lebanese Uprising” by Jade Saab and Joey Ayoub.
Edited by Jade Saab, a Lebanese/Canadian researcher at the University of Glasgow, the contributors include Azza Mustafa and Sara Abbas (on Sudan); Hamza Hamouchene and Selma Oumari (on Algeria); Zeidon Alkinani (on Iraq); Jade Saab and Joey Ayoub (on Lebanon); and Frieda Afary (on Iran).
Insightful, timely analysis of the uprisings in Sudan, Algeria, Lebanon, Iraq and Iran. The book … demonstrates that the uprisings…carry the unyielding spirit of people’s resistance and struggle against both imperialism and local oppressive regimes.— Haifa Zangana, Iraqi novelist, author, artist, and political activist and author of Dreaming of Baghdad.
Whereas there is a plethora of books on the 2011 [Arab Spring] upsurge, this book is the only comprehensive overview of the second wave of revolt, which is here analysed from the standpoint of the popular struggle. — Gilbert Achcar, Professor at SOAS, University of London, author of The People Want: A Radical Exploration of the Arab Uprising
A rich and informed account of the popular uprisings that have emerged across the Middle East in recent years. … [T]his book is a powerful testament to the new generation of activists who continue to seek long-term revolutionary change in the region. – Adam Hanieh, author of Money, Markets, and Monarchies: The Gulf Cooperation Council and the Political Economy of the Contemporary Middle East (CUP 2018).
Last year a wave of militant protests spread across North Africa and West Asia, in a sustained, historic series of popular struggles. Emma Wilde Botta reviews A Region in Revolt: Mapping the Recent Uprisings in North Africa and West Asia edited by Jade Saab. A Region in Revolt: Mapping the Recent Uprisings in North Africa and West Asia edited by Jade Saab is the first and, to my knowledge, only comprehensive review of the uprisings that took place in Algeria, Sudan, Lebanon, Iraq, and Iran. Each chapter is written by activist-scholars from the respective country who provide an overview of each country’s specific political and economic conditions. They show that, far from being ahistoric spontaneous events, the 2019 uprisings built upon past struggles, by tracing the legacies of resistance in each country and showing how they have impacted the newly emerged movements.
A Region in Revolt captures all of the hope and inspiration of the 2019 uprisings. One of the most significant achievements of these movements is that, in the words of Hamouchene and Oumari, ‘people discovered their political will and realised they are in control of their own destiny.’ These were undeniably class revolts, fueled by anger over poverty, unemployment, austerity, and corruption. Yet, the people in the streets largely imagined themselves as citizens. The challenges of how to bring people into motion as workers, how to develop independent working-class organizations, and how to develop a political alternative to capitalism continue to be pressing. The COVID-19 pandemic has thrown another obstacle in the way. But there is no doubt that future struggles are on the horizon. A Region in Revolt helps us answer the question of what we can do now to prepare for them. – Emma Wilde Botta is a socialist activist and writer based in Oakland, California. She has written extensively on the Arab Spring, the Gulf States, Iran, and US imperialism. Her writing has appeared in TruthOut, the International Socialist Review, roape.net and Socialist Worker.
United we stand: anatomy of five revolutions: Mike Phipps reviews A Region in revolt: Mapping the recent uprisings in North Africa and West Asia, edited by Jade Saab, published by Daraja Press (Ottawa) & TNI (Amsterdam): We are nearly ten years on from the Arab Spring, a series of uprisings across the Middle East. When it began, argues Jade Saab in this important new book, it “was presented to the world through an orientalist lens… the awakening of the backwards Arab world.” For the west, it provided retroactive justification for the invasion of Iraq: “All democracy in the region needed was a nudge in the form of an illegal invasion and a million dead civilians.” This narrative allowed reactionary regimes in the region to paint the uprisings as western plots to destabilise their countries. Both these interpretations were bolstered by military interventions in Libya, Syria and Yemen. These military interventions upped the stakes considerably for any nascent popular uprising. If movements called for the fall of the regime, the regime could respond: “Do you want to become another Syria?” Yet the uprisings continued, and it is not too hyperbolic to refer to the last couple of years as a Second Arab Spring. This second wave is the focus of this book. The demands raised by these uprisings go beyond a change of political leadership: they call for a fundamental restructuring of society. The countries in question share similar political economies with an emphasis on extractivism and speculative investment. The spoils of these activities bypass ordinary people, fuelling the migration of skilled labour out of the region and massive rates of unemployment, especially among young people. They also share a common problem: “Debilitating national debt means that foreign finance has a vested interest in maintaining ‘stability’ in the region.” So unlike during the 2011 Arab Spring, “Western nations have refused to withdraw support from the various ruling classes in the region even though the intensity of protests has reached similar levels.” …
A Region in Revolt Edited by Jade Saab, Daraja Press If you’ve enjoyed [RED PEPPER’s] analysis of the ‘second wave’ of uprisings across some of North Africa and West Asia, then this book is a timely exploration of ground uncovered. Looking across Algeria, Sudan, Lebanon, Iran and Iraq, this collection of essays draws out the similarities and differences of the movements that are demanding radical social change under authoritarian regimes. One of the few books to explore the second wave of revolt, it is a fitting testament to a new generation of activists and their ongoing struggle for revolutionary change. RED PEPPER Winter 2020.
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Fanon and the rationality of revolt
We inhabit extraordinary times: times in which we are acutely aware of the intensity of what revolutionary thinker Frantz Fanon called “the glare of history’s floodlights.” The velocity and scale at which the revolt against police murder that began in Minnesota after the death of George Floyd on May 25th and moved throughout the US, and then other parts of the world, was astonishing. It was impossible to predict, but then, in retrospect, it is George Floyd’s death becomes a nodal point: calling for action as well as rethinking and self-clarification. Thinking about this moment with the world revolutionary Frantz Fanon, we need to be aware of continuities and discontinuities — or, as he puts it, opacities — between the ages, his and ours. Fanon is always speaking to us, but often in ways we cannot hear. We have to work to listen to him and to understand the new contexts and meanings in relative opacity. It is this constant dialogue that helps illuminate the present and enable ongoing fidelity to Fanon’s call in the conclusion of The Wretched of the Earth the necessity to work out new concepts to confront one of Fanon’s greatest concerns, the betrayal of the revolutionary movement. In this pamphlet we consider how Fanon’s idea of liberation is connected with “the rationality of revolt.” The practice of engaging Fanon not only with revolt but with the reason or rationality of revolt connects with Fanon’s idea of how this liberated humanity is a product of a new consciousness of collectivity open to rethink everything.
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I am a man of peace: Writings inspired by the Maynooth University Ken Saro-Wiwa Collection
This book marks the 25th anniversary of the execution of Nigerian activist and written Ken Saro-Wiwa. The 21 essays, by international contributors, and 42 poems by new and established poets, are inspired by his ideals and activism.
The volume includes contributions by people intimately connected with Saro-Wiwa. His brother Dr Owens Wiwa recounts how his older brother awakened and nurtured his awareness of the tremendous damage Royal Dutch Shell was doing to their homeland, in collaboration with the then Nigerian military government. His firsthand account of the brutality of the military government and its impact; his unsuccessful efforts to save the life of his brother; his time in hiding and subsequent escape, with his family, from Nigeria and his efforts to retrieve the remains of his brother for burial, makes for very moving reading. Likewise, Noo Saro-Wiwa shares her story of growing up in England with strong links to family in Nigeria, and the trauma of hearing of her father’s execution while at University.
Maynooth University, where the editor works as Deputy Librarian, holds the death row correspondence from Ken Saro-Wiwa to Sister Majella McCarron. McCarron provides two personal essays. One, a reflection on the events that shaped her work with Saro-Wiwa in Nigeria and her subsequent efforts to save the lives of the Ogoni 9: the second essay explores her experience as a table observer of the Shell to Sea campaign, which strove to have gas, discovered off the west coast of Ireland, refined at sea rather than inland.
The damage that Shell has caused in Ogoni and the issue of redress are topics addressed in essays by experts including Mark Dummett, of Amnesty International, who investigated how Shell and other oil companies have caused or contributed to human rights abuses through their operations in the Niger Delta. Daniel Leader, a barrister and partner at Leigh Day’s international law department, the firm who have led a number of ground breaking human rights cases, including a series of cases against Shell on behalf of Nigerian communities, explores the issue of legal redress. Architect, environmental activist, author and poet Nnimmo Bassesy’s wide ranging essay presents Saro-Wiwa as activist and writer and creator of the Ogoni Bill of Rights, against the backdrop of the UNEP report of the Environmental Assessment of Ogoniland, which recorded that drinking water in Ogoni had benzene, a carcinogen, at over 900 times the level permitted
I welcome the publication of this volume which highlights the work of Trócaire and other people and organisations
to fight for a more just world. Trócaire campaigned strongly for the release of the Ogoni 9 and continues to campaign for justice in the face of state and corporate violations of human rights. The writings of Ken Saro-Wiwa and those inspired by his work keep the flame of justice lit.Dr Caoimhe De Barra, Chief Executive Officer, Trócaire.
The publication of I am a Man of Peace: Writings Inspired by the Maynooth University Ken Saro-Wiwa Collection highlights the shift towards peaceful protests as a means to a more sustainable end. It is a justification that one’s dreams for the greater good can still be attained without bloodshed. Ken preached, lived, and practiced peace in his search for justice even in the face of stiff opposition. Years after his death, Ken’s ideologies and philosophies have proved relevant today.
Dr Owens Wiwa, Executive Vice-President, Clinton Health Access Initiative (CHAI).
Sister Majella McCarron’s choice of Maynooth University for this unique donation was particularly appropriate, given the University’s long involvement with issues of inclusion and justice in Ireland and abroad. This deep-rooted commitment is today articulated in our University Strategic Plan, where a strategic goal is ‘to build on our achievements to date and become a model University for equality, diversity, inclusion and inter-culturalism, where social justice, addressing inequality and empowering people are central to our mission.’ This book makes a significant contribution to that goal.
Dr. Gemma Irvine, Vice-President of Equality & Diversity, Maynooth University.
Writing can urge us to pause, to think, and to discover what we really want to say. Sharing that writing calls for courage and support. In this publication, as Jessica Traynor suggests, we see the evidence of a new generation of Irish and new Irish citizens engaging with complex issues through poetry. Reading their poems, we may begin to understand more about each other and ourselves. By bringing together these Irish and new Irish voices the book contributes to building a shared discourse which is essential for trust, community and hope.
Dr Alison Farrell, Founder of the Summer Writing Institute For Teachers (SWIFT) and Co-founder Irish Network for the Enhancement of Writing (INEW)
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People Resisting Xenophobic Violence: Understanding popular political responses to the South African identitarian crisis
The book is concerned with popular responses to the crisis of xenophobic violence in South Africa. It argues, that xenophobia itself is not primarily a reaction to poverty, inequality, or any other set of social conditions. Rather, xenophobia must be considered to be a collective political discourse which has arisen in post-apartheid South Africa from an exclusionary conception of state nationalism. Where this work may be distinguished from the majority of research on xenophobia in South Africa is in the fact that its particular focus is on instances where ‘ordinary’ South Africans have challenged and resisted xenophobic violence in their communities through collective political mobilisation. I suggest that these sites of resistance deserve careful consideration in their own right. I argue that they may demonstrate a subjective break with the oppressive politics of state nationalism through the affirmation of alternative political conceptions. Drawing on the political theory of Sylvain Lazarus, and his principal thesis that people are capable of thinking politics in ways which can subjectively think beyond the social and the extant (underscored by his political and methodological axiom, people think), the book will argue that these sites of resistance show that people – and especially those who are considered to be marginalised from the domain of legitimate politics – can and do think politically, and it is in the thought of people that new and potentially emancipatory visions of politics may emerge.
The first chapter of the book sets out empirically the rise of xenophobia in post-apartheid South Africa, with a focus on the ways in which state politics and practices have produced a hegemonic xenophobic discourse in the country. Chapter Two situates this discussion within a review of the academic literature, arguing that sociological explanations are by themselves unable to account for the phenomenon.
Chapter Three discusses three sites in which xenophobia has been effectively contested through collective political mobilisation: by Abahlali baseMjondolo (AbM) in Kwa-Zulu Natal, the Merafong Demarcation Forum (MDF) in Guateng in 2008, and in the Unemployed people’s Movement (UPM) in Grahamstown (now Makhanda) in 2015 (where I conducted fieldwork over a year). It is argued that the presence of collective political organisation before the outbreak of xenophobic violence provided the conditions for an effective challenge to xenophobic politics to occur.
Chapter Four is largely theoretical, drawing primarily on the work of Sylvain Lazarus, as well as Alain Badiou and Jacques Rancière. The chapter argues that it is essential to insist on politics as subjective, as it is only in the thought of people that emancipatory modes of politics which exceed socially located interests may emerge and be constituted through collective mobilisation into political praxis.
Chapter Five sets out the methodological approach to my own research with members of the Unemployed People’s Movement in Grahamstown. The aim of the approach is to aid in the investigation of what Sylvain Lazarus has called ‘subjective singularities’, or specific forms of thinking which characterize a political sequence. Put simply, the approach endeavours to try to understand people’s thinking on its own terms, through the categories and idioms which are specific to that subjective singularity, and which cannot be sociologically reduced to external explanatory referents such as class, race, power, or identity. The aim is to be able to identify and elucidate the specific prescriptive thought which may emerge as people think and articulate their own struggles.
Chapter Six sets out my discussions with 18 UPM activists. Based on the methodological approach indicated above, the purpose of this empirical chapter was not to provide any form of ethnography or sociology of the movement, but to try and elucidate, through the activists’ own categories, the subjective singularity which underpinned the movement’s anti-xenophobic politics during a particular sequence. The aim is not to extrapolate from the activists’ statements concepts, cases or types which might have broader application for the study of xenophobia generally, but only to try to understand and elucidate the forms of thinking which characterised this particular sequence in its subjective singularity. These forms of thinking, I argue, are notable and important in their own right.
[Note: Additional material from the interviews with the UPM members, which I was not able to include in the MA thesis, will be incorporated into the book manuscript to extend and develop the investigation into the political thinking of UPM members and to delineate the character of the political sequence].
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Extracting Profit: Imperialism, Neoliberalism and the New Scramble for Africa
A piercing historical explanation of poverty and inequality in African societies today and the social impact of resource-driven growth, Extracting Profit explains why Africa, in the first decade and a half of the twenty-first century, has undergone an economic boom. Rising global prices in oil and minerals have produced a scramble for Africa’s natural resources, led by investment from U.S., European and Chinese companies, and joined by emerging economies from around the globe. African economies have reached new heights, even outpacing rates of growth seen in much of the rest of the world. Examined through the lens of case studies of the oil fields of the Niger River Delta, the Chad-Cameroon Pipeline and the East African infrastructure boom, this period of “Africa rising” did not lead to the creation of jobs, but has instead fueled the extraction of natural resources, profits accruing to global capital, and an increasingly wealthy African ruling class.
Extracting Profit argues that the roots of today’s social and economic conditions lie in the historical legacies of colonialism and the imposition of so-called “reforms” by global financial institutions such as the World Bank and International Monetary Fund. The chokehold of debt and austerity of the late twentieth century paved the way for severe assaults on African working classes through neoliberal privatization and deregulation. And while the scramble for Africa’s resources has heightened the pace of ecological devastation, examples from Somalia and the West African Ebola outbreak reveal a frightening surge of militarization on the part of China and the U.S.
Yet this “new scramble” has not gone unchallenged. With accounts of platinum workers’ struggles in South Africa, Nigerian labor organizing and pro-democracy upheavals in Uganda and Burkina Faso, Extracting Profit offers several narratives of grassroots organizing and protest, pointing to the potential for resistance to global capital and fundamental change, in Africa and beyond.
And in an updated Preface, the author analyses the implications of the Covid-19 pandemic and escalating climate emergency, as both the crises and resistance to extraction accelerate across the continent.
Reviews-
“Lee Wengraf’s Extracting Profit – Imperialism, Neoliberalism and The New Scramble for Africa is at once historical and contemporary. It unpacks ongoing resource crimes by analytically exposing its historical roots and pointing to ways by which the oppressed can cut off the bonds that lock in their subjugation.” —Nnimmo Bassey, Director, Health of Mother Earth Foundation
“Lee Wengraf provides an important reminder that Africa’s position within the world economy is heavily determined by its unequal insertion into the global capitalist system and ongoing manifestations of imperialism.” –James Chamberlain, Sheffield Political Economy Research Institute
“Lee Wengraf’s Extracting Profit provides a breathtakingly detailed account and analysis of some of the major socioeconomic ills that have been plaguing Africa for centuries. Amongst the host of issues she tackles, arguably the most consequential are mass poverty in African societies, their indefensible economic inequalities and the steady plundering of the continent’s resources, starting from the slave-trade era up till the present-day.” –Remi Adekoya, Review of African Political Economy
“Extracting Profit offers several narratives of grassroots organizing and protest, pointing to the potential for resistance to global capital and fundamental change, in Africa and beyond.” –Developing Economics
“Evidently, this book is well-researched and it contributes to the expansion of the frontiers of Marxist scholarship on Africa’s development dilemma within the global capitalist order. This book lends credence to the pioneering works of such notable radical scholars as Andre Gunder Frank, Walter Rodney, and Samir Amin among several others. It should be read by students and teachers of political economy, development studies, Marxism and philosophy.” –Marx & Philosophy Review of Books
“Extracting Profit provides a great arch of scutiny from the earliest carve-up of the African continent, through colonialism, war, imperialism, to the recent neoliberal takeover. The book demonstrates the continued importance of Marxist analysis on the continent, asserting the centrality of class analysis and a project of revolutionary change. Wengraf provides us with a major contribution, that highlights contemporary developments and the role of China on the African continent that has perplexed and baffled scholars. An indispensable volume.” —Leo Zeilig, author of Frantz Fanon: The Militant Philosopher of Third World Revolution
“The history of resource frontiers everywhere is always one of lethal violence, militarism, empire amidst the forcing house of capital accumulation. Lee Wengraf in Extracting Profit powerfully reveals the contours of Africa’s 21st century version of this history. The scramble for resources, markets, and investments have congealed into a frightening militarization across the continent, creating and fueling the conditions for further political instability. Wengraf documents how expanded American, but also Chinese, presence coupled with the War on Terror, point to both the enduring rivalry among global superpowers across the continent and a perfect storm of resource exploitation. Wengraf offers up a magisterial synopsis of the challenges confronting contemporary Africa.” —Michael Watts, University of California, Berkeley
“One of the most well-known stylized facts of Africa’s recent growth experience is that it has been inequality-inducing in ways that previous growth spurts were not. Lee Wengraf, in her new book Extracting Profit , expertly utilises the machinery of Marxian class analysis in making sense of this stylized fact. Along the way we learn much about Africa’s historical relationship with imperialism and its contemporary manifestations. This book should be required reading for all those who care about Africa and its future.” —Grieve Chelwa, Contributing Editor, Africa Is A Country
“In recent years countries in the African continent have experienced an economic boom—but not all have benefited equally. Extracting Profit is a brilliant and timely analysis that explodes the myth of “Africa Rising,” showing how neoliberal reforms have made the rich richer, while leaving tens of millions of poor and working class people behind. Lee Wengraf tells this story within the context of an imperial rivalry between the United States and China, two global superpowers that have expanded their economic and military presence across the continent. Extracting Profit is incisive, powerful, and necessary: If you read one book about the modern scramble for Africa, and what it means for all of us, make it this one.” —Anand Gopal, author, No Good Men Among the Living: America, the Taliban, and the War Through Afghan Eyes
“Thorough and thoughtful, Wengraf’s book has a radical depth that underscores its significance. It’s definitely a must-read for anyone who cherishes an advanced knowledge on the exploitation of Africa as well as the politics that undermines Africa’s class freedom.” —Kunle Wizeman Ajayi, Convener, Youths Against Austerity and General Secretary of the United Action for Democracy, Nigeria
“Extracting Profit is a very important book for understanding why the immense majority of the African population remain pauperised, despite impressive growth rates of mineral-rich countries on the continent. It continues the project of Walter Rodney’s How Europe Underdeveloped Africa. And in several ways, it also goes beyond it, capturing the changing dynamics of global capitalism 45 years after Rodney’s magnus opus.
In this book, Lee Wengraf debunks the myth of “Africa Rising” and the supposed expansion of an entrepreneurial middle-class, revealing “reforms” imposed by international financial institutions as mechanisms for fostering imperialism in an era of sharpening contradictions of the global capitalist economy. The adverse social, economic, political and environmental impact of these are elaborated on as a systemic whole, through the book’s examination of the sinews of capital’s expansion in the region: the extractive industries.
But, Wengraf does not stop at interrogating the underdevelopment of Africa. Her book identifies a major reason for the failures of national liberation projects: while the working masses were mobilised to fight against colonial domination, the leadership of these movements lay in the hands of aspiring capitalists, and intellectuals. The urgency of the need for a strategy for workers’ power internationally, she stresses correctly, cannot be overemphasized.
Reading Extracting Profit would be exceedingly beneficial for any change-seeking activist in the labour movement within and beyond Africa.” —Baba Aye, editor, Socialist Worker (Nigeria)
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Under-Education in Africa: From Colonialism to Neoliberalism
Under-Education in Africa: From Colonialism to Neoliberalism is a collection of essays on diverse aspects of educational systems that were written over a period of four and a half decades, written from the point of view of an activist educator.
With the focus on Tanzania, they cover education in the German colonial era, the days of Ujamaa socialism and the present neo-liberal times. Themes include the social function of education, the impact of external dependency on education, practical versus academic education, democracy and violence in schools, the role of computers in education, the effect of privatization on higher education, misrepresentation of educational history, good and bad teaching styles, book reading, the teaching of statistics to doctors and student activism in education.
Two essays provide a comparative view of the situation in Tanzania and the USA. Linking the state of the educational system with society as a whole, they explore the possibility of progressive transformation on both fronts. They are based on the author’s experience as a long-term educator, his original research, relevant books, newspaper reports and discussions with colleagues and students.
The author is a retired professor of medical statistics who has taught at colleges and universities in Tanzania and at universities in the USA and Norway.
Table of Contents:
– Abbreviations
– Preface
– Introduction
– Education and Colonialism
– Education and Ujamaa
– Education and Democracy
– Education and Dependency
– Education and Violence
– Education and Privatization
– Education and Computers
– Education and America
– Education and Debate
– Education and History – I
– Education and History – II
– Education and Reading
– Education and Educators
– Education and Activism – I
– Education and Activism – II
– Education and Liberation
– References
– Author ProfileA collection of essays from an educator-activist that takes us back to one of the richest periods of African intellectual debate about knowledge and colonization, the early 1970s at the University of Dar es Salaam, with valuable lessons for today.
– Budd L Hall, PhD, Professor Emeritus, UNESCO Co-chair in Community‑Based Research and Social Responsibility in Higher Education, University of Victoria, Canada
This is a timely, broad ranging, provocative series of essays about under-education in Africa. The author’s lived experiences, particularly in Tanzania, form a rich base for much of the critical contextual analysis. New generations of scholar-activists in Africa and elsewhere are urged to learn from history, to debate, to question and strive, with passion and hope, to attain a just, more egalitarian world.
– Shirley Walters, Professor Emerita, University of Western Cape, South Africa
An inspiring collection of vivid stories and profound critiques of education from a committed scholar-activist who draws upon a lifetime of engaged learning, teaching, research and debate. Revealing how under-education has been spawned by global capitalism, it also inspires hope and offers strategies for educational and social change in Africa and beyond.
– Pat Saul, UDSM graduate, teacher and community activist for social change, Toronto
A dedicated and passionate educator and scholar activist, Karim Hirji explores the connection between education and a dependent economy, and the systematic de-education of the Tanzanian and African masses during the colonial and post-colonial periods up to the present day. Broad structural analysis of underlying factors such as social and economic injustice, political accountability and neoliberal policy is combined with concrete investigation of the challenges facing students and teachers at all levels of the education system and ends on a positive note, “dare to dream.”
– Marjorie Mbilinyi, Professor of Education, University of Dar es Salaam (1968-2003), independent researcher and writer
Karim Hirji’s erudite yet accessible collection of essays is bound to become an essential companion and a classic for all concerned with the underdevelopment of Africa and its educational doppelganger, under-education. His dialectical, fine-grained and multi-scalar analysis of educational issues traverses the period of colonialism, the first flush of independence through neo-colonialism to present day capitalist neoliberalism. It is a milestone in connecting past and present struggles through the tools of political economy. While the essays focus on Tanzania, they have continental resonance and remain globally relevant.
The essays draw inspiration and critical lessons from many countries. Hirji’s education commentary is grounded in a dedicated praxis of over forty years. The collection reflects this breadth of experience and the depth of multifaceted struggles. It embraces many pertinent issues valuable for contemporaneous endeavours against miseducation as these relate to democracy, dependency, violence in schools, the privatisation and corporatisation of education, the uses and abuses of technology, cultural imperialism, academic dissent, publishing, reading and the qualities of an effective teacher.
Written in a register that exudes deep honesty, wisdom, self-critical reflection and borne out of collective struggle, the essays are indispensable to confront the current obfuscations, falsifications and the dominant right wing and indeed neo-fascist assaults on meaningful education and reason. The ideas and practices of Hirji and his fellow activist scholars such as Shivji, and the much missed AM Babu and Walter Rodney remain germane today and will leave a solid legacy for future generations to build on.
Despite these bleak, dire and precarious times, this remarkable collection is an antidote to despair. Hirji’s injunction, not to lose hope is also a clarion call to action and a firm belief that, to quote Hirji, “…the struggle is a long term one; there are bound to be ups and downs. But ultimately, Africa and its people will triumph.”
– Salim Vally, Professor and Director, Centre for Education Rights and Transformation, University of Johannesburg, South Africa
“This book will be of interest to readers in search of critical perspectives on education in Tanzania and Africa more widely. It invites the policymakers, teachers and students of today to erase their ‘ideological blinders’. For fellow citizens and observers of Tanzania, it elucidates the ideology of ‘education for self-reliance’ in practice. And, as an authoritative text on under-education, it makes an important contribution to the debates on transformative education and knowledge production in Africa as a whole.” Ahmad Kipacha Senior Lecturer in the School of Business Studies and Humanities at the Nelson Mandela African Institution of Science and Technology in Arusha.
REVIEWS
Daraja Press
http://socialistreview.org.uk/438/youre-not-here
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
Daraja Press
Tariq Mehmood’s new novel is uncompromising but hopeful in its portrait of the impact of the war in Afghanistan on a northern city in Britain, finds Sarbjit Johal
https://www.counterfire.org/articles/book-reviews/20045-you-re-not-here-book-review
Sarbjit Johal December 20, 2018
mehmood_novel.jpg
Tariq Mehmood, You’re Not Here (Daraja Press 2018), 238pp.
‘I feel her words more than I hear them’.
Tariq Mehmood’s latest novel, You’re Not Here, is set in Boarhead, an imaginary town in the North of England where the main character, seventeen-year-old Jake, lives and works with his Dad, who is a traditional white working-class carpenter. However, Boarhead is a place where people defy all stereotypes and devise creative ways to survive, a place where people
who have for too long been left to their own devices, to defend, protect and look after themselves. So, when the British Army goes into Afghanistan and starts killing Muslims, and destroying their homes, while the bodies of dead soldiers start coming back home, the tensions in Boarhead erupt out into the open. Young Muslims become angry and upset, and the white youth start giving their support to this horrific war, and start calling the Muslim youth ‘traitors’ for not supporting the British Soldiers.
While Jake’s brother, Dexy, goes to fight in Afghanistan, Jake falls in love with Leila Khan, an Afghan girl living in Boarhead. It is through this contradictory thread that Tariq Mehmood explores what it means to have a national identity, to be a real man and to really belong in a country which is always waging wars. From the name of the town Boarhead (pig’s head) to the names of roads and buildings (St Enoch’s Road, the Queen Victoria statue, and the cafe where the menu lists Vindaloo Porky to Trotter Tikka (opened by Curly, who can neither read nor write, and spent most of his life on the dole), Boarhead is a place facing economic decline where race, racism and present-day war shapes everything.
The novel raises questions about what is culture? What is Asian, and what is English? What happens when people do not fit their stereotypes? And how to create a people’s culture of resistance? It shows how war strengthens racism, how it affects who dies, who lives, who gets a job and who doesn’t, who belongs, who doesn’t and what happens when people dare to defy orders, refuse to follow the duty forced on them and decide to determine their own lives.
Surviving destruction and loss
It reveals the struggle of people whose lives once destroyed by war are again wiped out in the West, like the maths professor from Iraq, who is a taxi driver in Boarhead. His university in Iraq was bombed to bits and in Boarhead he is seen as a Pakistani, when in actual fact he is a Christian Arab. You’re Not Here refers to all those loved ones who are gone or missing, and in Jake’s case it refers to his mother, brother and the longing he feels for Leila. You’re Not Here shows the things people hold on to when everything else is falling apart and nothing makes sense. For example, Jake’s father starts reading the Bible when he loses his job.
The people in Boarhead have cast and recast themselves in a constantly changing backdrop. This is a place where old Victorian mills have been knocked down to be replaced by shops like Asda and new private flats for sale, and the only place where you can have any privacy is a graveyard in an unused church.
Whether it’s food, clothes, language, looks, nothing here conforms to any static idea of culture. The chapter, ‘Doris’s Kebabs’, where Jake meets Leila’s father, is absolutely hilarious. Leila’s father, who has green eyes, introduces himself as Peter but Jake finds it difficult to see him as a ‘Peter’ and keeps calling him ‘Sir’. Reading this reminded me of a close uncle who used to be a wrestler in Punjab. After coming to Britain and working in farms and factories in West London, he would insist on being called Peter Singh when his actual name is Pritam Singh.
Jake is also surprised to see Peter drinking alcohol, drinking so much, and drinking it so fast. Whereas Jake, who is expected to drink, doesn’t drink alcohol at all. Peter’s comments on the kebabs he eats, ‘Even my wife can’t make them like Doris’, the way he speaks a mix of English and his own language, give space to a dynamic culture. Peter’s words even challenge the Hindutva fascists in India who portray Muslims as people who kill cows. Peter laments the large number of animals killed in war and expresses his sorrow at the murder of a cow in his village in Afghanistan. A cow which Peter himself had named, a cow whose mother his father had raised, a cow which had been the envy of the village.
Resistance and dissent, great and small
The book is littered with laugh-out-loud moments. The challenge to conventional right-wing culture comes from unconventional places. In one chapter, Abu Khalid, a religious leader criticises the owner of a shop called ‘Paradise Foods’ for displaying his tomatoes and cucumbers in a ‘rude’ way. He asks: ‘How can you do this when there are sisters around,’ and then goes on to accuse the shop keeper of ‘promoting sex and temptation’. Abu Khalid is then confronted by an old Pakistani woman who picks up a cucumber and asks him, ‘Shall I show you what I can do with this?’ Later in the story we learn that this religious leader is linked to some ‘powerful people in high places.’
The story of another character, Ali, is of an Asian shopkeeper who is determined to keep going despite the daily onslaught of racist abuse and armed raids, in an area where there are very few non-white people left. He has even opened a photo-booth inside his off-licence to keep the business alive. Ali is tall, has a six pack and owns a huge Alsatian dog called Twinkle with whom he speaks in Punjabi.
Jake goes to ‘Ali’s Offy’ to get a photo for a visa to Pakistan and to buy a bottle of whisky for his dad. Jake’s dad either drowns his emotions in alcohol, or in his work. When he’s working, Jake’s dad looks like a totally different person, much younger and full of energy and when times get tough, his solution is to work even harder.
For Jake’s father, this pride in the work ethic, this pride in a respectable ‘soldiering’ family is also tied up with how he sees himself as a man. For example, at home, when he cooks, Jake’s dad always manages to burn the food. His opinions of what he thinks of men who cook are made clear in his comments to Jake, who enjoys cooking: ‘You’ll make someone a good wife one day’.
Leila and Jake are both outsiders in their own way. Leila is very articulate and confident in public and constantly challenges Jake, but she comes across as being more deferential in the family. However, Leila does not aspire to be a ‘respectable’ Muslim woman, and Jake does not want to be a ‘respectable’ working-class man. He doesn’t drink, smoke, and is not ‘macho’.
Dexy is the older, protective brother who has Rambo posters in his bedroom, who’s ‘all emotion one minute and off his head the next’. He wears gold rings, hates Muslims and refers to hijabs as tents. But everything is never black and white, and that’s what makes this book interesting. Some soldiers come back from the war with very different perspectives than with which they departed. The novel has a hopeful aspect, even as it highlights destruction and suffering, as some of the characters find unexpected connections and solidarities in growing disillusion and opposition to imperialist war.
The ending is great, but just like real life, it is not a ‘happy ever after’ ending. It would have been interesting to hear more about Ali and his background as well as about Leila’s brothers and mother. Another criticism is that, at times, Jake, the central character, just seems ‘too perfect’. However, the story, the characters, the way the novel is structured, all makes this a really brilliant read.
There are so many powerfully realistic scenes. For example, the passage where Jake goes to find out why his friends have turned against him, really made me empathise with Jake’s pain. This is a singular feature of this novel, the ability to bring together people who are supposed never to meet. Then there is the section where Jake is cooking a stew and you follow the whole process from the chopping stage up to the eating stage, and the tension builds right up. Then there is the bus journey with its details of bus tickets and bus stops along with the ‘policing’ of young people by drivers, which all comes alive as you read it.
There are also some very interesting facts too, like the link between a Scotch Whiskey Brewery and Pakistan, or that there are the soldiers who go to fight wars, and when they die no one ever hears about them. An important and unforgettable feature of this novel is the way in which Tariq Mehmood uses language. There are the funny names like the Mucky Duck pub, Go-East Go West travel agency, and Kurly’s Kurry Kabin. Then there is the technique of joining old words to create new ones like the ‘ohgoddoIhaveto’ look or the ‘Pleasepleaseplease’ and the ‘dontyouworryson’ smile.
Although the novel is aimed at young readers, this book speaks to adults too. It dares to give space to that humanity which connects us all. And it screams out loud:
‘No to Racism,
No to Poverty,
No to War!’
Daraja Press
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019