Life Histories from the Revolution: Three militants from the Kenya Land and Freedom Army tell their stories
In the early 1970s, Donald Barnett — who worked with Karari Njama to produce Mau Mau From Within (published by Daraja Press) — also worked with three militants of the Kenya Land and Freedom Army to enable them to tell the story of their experience in fighting for freedom and against British colonialism.
These rarely acknowledged militants were Karigo Muchai, Ngugi Kabiru and Mohamed Mathu. Their stories were published in 1973 by LSM Information Center (Richmond, British Columbia, Canada) as part of a series entitled Life Histories of the Revolution, as The Hardcore: The Story of Karigo Muchai; The Man in the Middle by Ngugi Kabiro; and The Urban Guerrilla by Mohamed Mathu.
As part of its mission of Nurturing reflection, sheltering hope and inspiring audacity, Daraja Press is pleased to republish the three booklets as a single volume that will help a new generation of activists — Kenyan and international — reflect on a history that might inspire audacious struggles to continue the struggle for freedom that was the goal of the Kenya Land and Freedom Army.
Donald Barnett wrote the foreword to each of the booklets as follows:
One of our objectives in launching this series of LIFE HISTORIES FROM THE REVOLUTION is to provide a medium through which individual members of these classes-in-motion within the revolution can speak. We also believe it important that they be heard by those of us who comprise imperialism’s privileged and literate metropolitan minority. Their recounted lives throw our own into sharp relief, while at the same time they offer us fresh perspectives on the processes of repression and revolution from a unique vantage point: from below. Their life stories provide us with a window into the qualitative—as distinct from the merely statistical and quantitative—aspects of class conflict, thus enabling us to better understand and weigh the various factors at work in transforming oppressed masses into revolutionary classes. Again, their remembered life experiences can provide us with significant insights into the dialectical relationships between material and subjective conditions which shape the revolutionary situation, embrace the revolutionary transformation of individuals and classes alike, and move humanity forward toward a new international social formation.
Not all of the individuals whose life histories are included in this series are illiterate peasants or workers. Some are educated defectors from petty bourgeois classes who have joined the revolution and identified their interests with those of the oppressed masses in a very concrete way. They constitute a very important part of the revolutionary vanguard—i.e., the middle cadres who articulate the relationship between leadership and base, who carry forward the military and civilian programs in day-to-day contact with the armed militants and popular masses. The selfless dedication, integrity, comportment and skill of the middle cadres is an essential ingredient within any successful revolutionary process.
The life histories in this series have been recorded and prepared as historical documents from the revolutionary struggles of our time. The techniques and methods employed at each stage of the process, from initial contact to final editing, have therefore been chosen or fashioned with the purpose of guaranteeing the authenticity and integrity of the life history concerned. These stories, then, to the best of our ability to make them so, constitute a body of data and testimony as revealed by a few of those history-makers normally condemned to silence while others speak on their behalf.
We would like to express our thanks to Ole Gjersta, Steve Goldfield and others involved in the LSM Information Centre for making these booklets available.
SKU: | N/A |
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Categories: | Autobiography, Civics & Citizenship, Decolonisation, Imperialism, Kenya, Political Freedom & Security, Political Science, Politics, Protest, Racism, Revolutions |
Book Format | Print Book, PDF |
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Sam Salour summarizes A Region in Revolt: Mapping the Recent Uprisings in North Africa and West Asia, edited by Jade Saab. A collection of essays that provides a comprehensive review of the 2018-2019 wave of struggle in the region. In the third part of this multi-part series, Salour provides an introduction to the book and then outlines the essay “The Revolutionizing Nature of the Lebanese Uprising” by Jade Saab and Joey Ayoub.
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In this book, Lee Wengraf debunks the myth of “Africa Rising” and the supposed expansion of an entrepreneurial middle-class, revealing “reforms” imposed by international financial institutions as mechanisms for fostering imperialism in an era of sharpening contradictions of the global capitalist economy. The adverse social, economic, political and environmental impact of these are elaborated on as a systemic whole, through the book’s examination of the sinews of capital’s expansion in the region: the extractive industries.
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Reading Extracting Profit would be exceedingly beneficial for any change-seeking activist in the labour movement within and beyond Africa.” —Baba Aye, editor, Socialist Worker (Nigeria)
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Recent Political Developments in West Africa
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Love after Babel and other poems
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.
Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.surajyengde@surajyengdeHad an honor to introduce this extremely riveting collection of humanity-filled radical lines “Love After Babel” told by the incomparable art form—Dalit Poetry. Chandramohan is confidently flirtatious with his words. by