Love after Babel and other poems

Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).

Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.

ISBN Print: 978-1-988832-37-1
ISBN eBook: 978-1-988832-38-8
Publication Date: January 2020
Page Count: 110
Binding Type: Soft cover
Trim Size: 6in x 9in
Language: English
Colour: B&W

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Chandramohan S (Sathyanathan) is an Dalit Indian poet, short story writer and a social critique based in the south Indian state of Kerala. He is pursuing research in mathematics, apart from being a translator, editor and a social activist. Chandramohan…

    Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).

    Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.

    Book Format

    Print Book, PDF

    Customer Reviews

    1-5 of 2 reviews

    • Kate McDonnell

      Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the
      world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating.
      – Wendy Doniger, Mircea Eliade Distinguished Service Professor Emerita of the History of Religions; also in the Department of South Asian Languages and Civilizations, the Committee on Social Thought

      September 8, 2019
    • Kate McDonnell

      [Chandramohan S]’s poems reflect the socio-political struggles of the marginalized, the working class and the nomadic outcasts of the world who are victimized and then forgotten as nations clash and wage relentless war. His work has been profiled in New Asia Writing and Mascara Literary Review. Poet Chandramohan S defines a Dalit as “someone who is politically disenfranchised, culturally interiorised and economically impoverished,” but he also firmly believes that “being a Dalit poet endows one with a tremendous potential to turn one’s own experiences and unique perspectives on history into poetry. From Edex Live

      September 8, 2019

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