Soon after its publication in 1972, Walter Rodney’s How Europe Underdeveloped Africa gained global popularity among students, scholars, activists and people concerned with African affairs. His innovative application of the method of political economy transformed the paradigm for rendition of the continent’s past. Because it stridently took the traditional historians and the prevailing neo-colonial order to task, it was also pilloried by the defenders of the status quo. And, in these neoliberal times, mainstream scholars and pundits proclaim that it is no longer relevant for Africa.
In Walter Rodney: An Enduring Legacy, Karim Hirji makes a systematic case that, on the contrary, Rodney’s seminal work retains its singular value for understanding where Africa has come from, where it is going, and charting the path towards genuine development for its people. After giving a broad picture of Rodney and his times, Hirji examines in detail the criticisms levelled against his work, and conducts a focused review of modern day textbooks on African history. It is seen that most of the claims against Rodney lack a sound basis and that direct representations of his ideas are replete with distortions, unfair selectivity and political bias. Yet, the long term influence of Rodney on African history is unmistakable.
Hirji’s succinct, coherent defence of an intellectual giant who lived and died for humanity is an essential read for anyone with an interest in Africa and related regions.
Kate McDonnell
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the
world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating.
– Wendy Doniger, Mircea Eliade Distinguished Service Professor Emerita of the History of Religions; also in the Department of South Asian Languages and Civilizations, the Committee on Social Thought
Kate McDonnell
[Chandramohan S]’s poems reflect the socio-political struggles of the marginalized, the working class and the nomadic outcasts of the world who are victimized and then forgotten as nations clash and wage relentless war. His work has been profiled in New Asia Writing and Mascara Literary Review. Poet Chandramohan S defines a Dalit as “someone who is politically disenfranchised, culturally interiorised and economically impoverished,” but he also firmly believes that “being a Dalit poet endows one with a tremendous potential to turn one’s own experiences and unique perspectives on history into poetry. From Edex Live