Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).

Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.

—Babitha Marina Justin, poet, artist and academician

Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities.   The poems are by turns shocking, moving, and exhilarating.  —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.

Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best.  No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.

 

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  • ISBN print: 978-1-988832-38-8
  • ISBN ebook: 978-1-988832-38-8
  • Publication date: December 2019
  • Page count: 110
  • Binding type: Soft cover
  • Trim size: 6in x 9in
  • Language: English
  • Colour: B7W

CAD $ 19.99

Author Chandramohan S

Chandramohan S (Sathyanathan) is an Dalit Indian poet, short story writer and a social critique based in the south Indian state of Kerala. He is pursuing research in mathematics, apart from being a translator, editor and a social activist. Chandramohan is a member of the P.K. Rosi foundation, a cultural collective (named after the legendary, pioneering Dalit actress) that seeks to demarginalise Dalit-Bahujans. His poetry collections Warscape Verses (2014) and Letters to Namdeo Dhasal (2016), were shortlisted for the Srinivas Rayaprol Poetry Prize and the Harish Govind Memorial Prize. Chandramohan coordinates English-language poetry readings in Kerala as well as a subaltern cultural collective there; in 2016 Outlook Magazine listed him as Dalit Achiever of the Year.