Showing 1–20 of 38 results
COVID-19 has exposed the racialized nature of food systems, but also potentially grants opportunities to build anew. Maywa Montenegro explores a series of breakdowns, from fractured supply chains to uncontrolled infection among essential food workers, among Black, Brown, and Indigenous communities scythed through by the virus along old grooves of race and class oppression.
She traces the likely origins of COVID-19 to spillover sites forged by agroindustrial expansion into forested regions where pathogens spring free and infect humans. Industrial animal agriculture drives these ecological changes that incubate future outbreaks. Pandemics have their roots in the violent separation of communities from their territories, seeds, knowledge and wealth. Racism enables such theft as fundamental to capitalist expansion.
To tackle pandemics and food injustices, Montenegro calls for an abolitionist agroecology. No anti-capitalist alternative can ignore the racism that is central to transnational food system. Scholars including Angela Davis, Ruth Wilson Gilmore, and Mariame Kaba have argued that although abolition is frequently seen as an oppositional strategy — to eradicate, for example, prisons and police — abolition is equally propositional. An abolitionist agroecology cracks open multiple possibilities that respond to the exigencies of a pandemic planet — there is no ‘normal’ to which we can safely return.
For all the official historiographic efforts at forging a mythologised image of Vladimir Ilyich Ulyanov as the austere, no-nonsense, professional revolutionary, the really existing flesh and blood Lenin understood and appreciated that the most materialist action an individual must carry out without fault to metabolise the struggle for communism is to breathe. Not just biologically respire but consciously breathe. Breathe for oneself and breathe for and with others. If it is indeed our desire to breathe new life into the long choking red star, a new oxygenic Communist politics of walking and breathing is what we must aspire to, inspire, respire and encourage.
Lenin150 (Samizdat) seeks to contribute to the re-kindling of the communist attractor by engaging, in the spirit of critical solidarity, with Vladimir Ilyich Ulyanov in the year of his 150th anniversary. Conceived out of the former Soviet republic of Kyrgyzstan, the book brings together contributions from all continents, ranging in style from the academic to the lyrical. As such, these compelling, and in some cases absolutely urgent, appropriations of (the spectre of) Lenin aspire to be of considerable use-value for the struggles ahead.
Chillin’ with Lenin: An interview with Hjalmar Jorge Joffre-Eichorn: Tribune‘s Owen Hatherley interviews Hjalmar Jorge Joffre-Eichorn about his edited collection ‘Lenin 150,’ and the many meanings of the Russian revolutionary in the present day.
LENIN150 Samizdat: Original and inspirational thoughts on man who changed the world
PUBLISHED to celebrate the 150th anniversary of Lenin’s birth and conceived in the former Soviet republic of Kyrgyzstan, Lenin 150 (Samizdat) is an outsanding collection of essays, poems and photos. … Lively, thought-provoking and informative, its roots are in the ideas of a group of young communists living and working in Kyrgyzstan, a country which has retained many of its Soviet-era buildings, statues and monuments, with Johann Salazar’s excellent photography providing a fitting complement to the text. … This book is a fantastically eclectic mix, yet the sheer quality of most of the writing enables a breadth of vision that’s a fitting tribute to someone who not only understood the world but was able to change it as well. — Morning Star, UK
“A fascinating and surprisingly uplifting intellectual endeavour – analytically sharp yet wide-ranging. This collection of essays and images invites readers to reflect, from a multitude of perspectives and approaches, on one of history’s central revolutionaries. More importantly, it encourages us to reflect on our own time in revolutionary ways. Its academic readership should also be inspired by its samizdat creation – there are ways to engage in intellectual conversations outside of the mainstream publication business.” – Rebecca Selberg, Lund University
“Wide-ranging, topical and sometimes provoking interpretations of Lenin reflecting different political standpoints.” – David Lane, Emeritus Fellow, Emmanuel College, Cambridge University.
“This wonderfully designed book provides an original and insightful contribution to academic discussions on Lenin, one that does justice to his legacy.” – Joe Pateman, University of Nottingham, UK
“A compelling volume for revolutionary-minded activists who are part of the radical ferment animating waves of dissent and protest sweeping the world – but also of genuine interest to anyone seeking information and ideas about one of the great political figures of the twentieth century.”– Paul LeBlanc, Professor of History, La Roche University, Author of Lenin and the Revolutionary Party and October Song: Bolshevik Triumph, Communist Tragedy, 1917-1924
“What an exciting culmination of the recent Lenin editorial revival! This explosive mix between images of Soviet relics and thoughtful insights about Leninism brilliantly dusts off the legacy of the October Revolution leader…” – Adrien Minard, Independent Researcher
“‘Consciousness not only reflects the objective world, but creates it,’ Lenin wrote before the revolution. In analogy we might say, like Patti Smith once did: ‘We created it, let’s take it over!’ This book is a tribute to revolutionary thought on the one hand and pure rock ‘n’ roll on the other!”
– Ronald Matthijssen, Lifetime communist voter and actor, social justice advocate and writer in the making
“I am not an admirer of Lenin. However, as a historian I believe that it is impossible to understand the contemporary world without a renewed effort to understand the emergence of the Soviet Union and its global legacy, including in the formation of “Western” Europe. This book pleasantly brings us memorial landscapes from Kyrgyzstan, both built and lyrical, originally articulating the latter with a diversity of scholarly and activist perspectives on the figure of Lenin. It is an important step towards a postcolonial debate on the history of the Soviet Union.”
– Tiago Castela, University of Coimbra
“…an inspiring book, which gives a thought-provoking, prismatic picture of Lenin, both as a historic figure and an actual theoretician of change and revolution…”
– Vesa Oittinen, University of Helsinki
“I acquired this very unusual samizdat (self-published) 150th birthday present for Lenin as soon as I heard of it, and enthusiastically endorse its second edition. Not least because it is the product of one of my favourite countries, Kyrgyzstan, with many colour photos of Stalinist representations of Lenin (and Marx) taken in 2019 in the “Switzerland of Central Asia”; 22 chapters by authors from 15 countries, 4 from the USA, but also from the global South and 3 from Kyrgyzstan; poetry from a Kyrgyz revolutionary poet; and ending with a new translation of Bertolt Brecht’s thrilling ‘To Those Born After (An die Nachgeborenen).’ Vladimir Ilich would have been delighted.” —Bill Bowring, Birkbeck College, University of London
“A great source of inspiration for those suffering from the corona dictatorships. Governments trying to freeze societies in their tracks will find revolution is around the corner.” – Kees van der Pijl, Prof of International Relations (retired), latest book, Flight MH17, Ukraine and the New Cold War. Prism of Disaster
“[The editors have] found exactly the right tone and the right team to bring Lenin into 21st century discussions. It is self-ironic, humorous, unpretentious, serious, wide-ranging, and well designed. As intended, the authors, of usually short pieces, come ‘from all continents, from people of colour, different sexual orientations and gender identities.’ Here we are almost as far away from the doxa of “Marxism-Leninism” as possible.” – Göran Therborn, Professor Emeritus of Sociology, Cambridge University
Hjalmar Jorge Joffre-Eichhorn, Preface to the 2nd Edition xi
The Politburo, About This Book xvii
Patrick Anderson, In Search of Meaning: A Note from the Translator xxiii
Hjalmar Jorge Joffre-Eichhorn, Introduction: The Kyrgyz Lenin – From Spectre to Attractor (and Back) 1
- Leon Trotsky, VI Lenin – On His Fiftieth Birthday11
- Alain Badiou, Lenin, Founder of the Modern Meaning of the Word ‘Politics’ 15
- Elvira Concheiro Bórquez, Lenin Does Not Mean Leninism23
- Michael Brie, Learning from Lenin – and Doing It Differently31
- Mauricio Sandoval Cordero, Lenin from Latin America – Towards a Reactivation of the Marxism of Political Organisation and Strategy39
- Vashna Jagarnath, Peace! Land! Bread! – We are not going to die of Coronavirus, we are going to die of hunger! 51
- Atilio A Boron, Notes on “Left-Wing” Communism:
An Infantile Disorder 61
- Owen Hatherley, Dead Russians on the Wall 79
- Marcos Del Roio, Engels and Lenin in Latin America: Yesterday and Today 87
- Kevin B Anderson, A Note on Lenin and the Dialectic97
- Roland Boer, Lenin and Non-Antagonistic Contradictions 103
- Georgy Mamedov, How Is Internationalism to Be Understood? A Leninist Perspective on Identity Politics111
- Jodi Dean, Lenin’s Desire: Reminiscences of Lenin and the Desire of the Comrade 125
Poetic Interlude – Joomart Bokonbaev Three Communist Poems 134
- Ursina Lardi, Playing Lenin – A Conversation about Lenin and Theatre 143
- Oxana Timofeeva, What Lenin Teaches Us About Witchcraft 149
- Tora Lane, Lenin, the Revolution, and the Uncertainties of Communism in the Work of Platonov 163
- Thomas Rudhof-Seibert, Eleven Theses on Lenin in the Corona Era 171
- Matthieu Renault, On Revolutionary Prudence, or the Wisdom of Lenin 191
- Michael Neocosmos, Lenin’s ‘Turn to the Masses’ (1921-1923) 203
- Molaodi Wa Sekake, Lenin: A Man of Action and a Defender of the Integrity of Revolutionary Thought 213
- Matthew T Huber, Electric Communism: The Continued Importance of Energy to Revolution 225
- Mohira Suyarkulova, City of Lenin and the Social(ist) Life of a River 238
- Ronald Grigor Suny, A Whole River of Blood: Lenin and Stalin 255
- Wang Hui, The Revolutionary Personality and The Philosophy of Victory – Commemorating the 150th Anniversary of Lenin’s Birth 261
- Darko Suvin, In the Shadows of Never-Ending Warfare: On the Use-Value of Lenin today 279
- Slavoj Žižek, Lenin? – Which Lenin? 291
- Vijay Prashad, For Comrade Lenin on His 150th Birth Anniversary 295
- Johann Salazar, I Believe in Yesterday – A Photographer’s Note on Remembering an Alternative Future 303
Bertolt Brecht, To Those Born After 313
The Central Committee 319
The Politburo 327
People Resisting Xenophobic Violence: Understanding popular political responses to the South African identitarian crisis
The book is concerned with popular responses to the crisis of xenophobic violence in South Africa. It argues, that xenophobia itself is not primarily a reaction to poverty, inequality, or any other set of social conditions. Rather, xenophobia must be considered to be a collective political discourse which has arisen in post-apartheid South Africa from an exclusionary conception of state nationalism. Where this work may be distinguished from the majority of research on xenophobia in South Africa is in the fact that its particular focus is on instances where ‘ordinary’ South Africans have challenged and resisted xenophobic violence in their communities through collective political mobilisation. I suggest that these sites of resistance deserve careful consideration in their own right. I argue that they may demonstrate a subjective break with the oppressive politics of state nationalism through the affirmation of alternative political conceptions. Drawing on the political theory of Sylvain Lazarus, and his principal thesis that people are capable of thinking politics in ways which can subjectively think beyond the social and the extant (underscored by his political and methodological axiom, people think), the book will argue that these sites of resistance show that people – and especially those who are considered to be marginalised from the domain of legitimate politics – can and do think politically, and it is in the thought of people that new and potentially emancipatory visions of politics may emerge.
The first chapter of the book sets out empirically the rise of xenophobia in post-apartheid South Africa, with a focus on the ways in which state politics and practices have produced a hegemonic xenophobic discourse in the country. Chapter Two situates this discussion within a review of the academic literature, arguing that sociological explanations are by themselves unable to account for the phenomenon.
Chapter Three discusses three sites in which xenophobia has been effectively contested through collective political mobilisation: by Abahlali baseMjondolo (AbM) in Kwa-Zulu Natal, the Merafong Demarcation Forum (MDF) in Guateng in 2008, and in the Unemployed people’s Movement (UPM) in Grahamstown (now Makhanda) in 2015 (where I conducted fieldwork over a year). It is argued that the presence of collective political organisation before the outbreak of xenophobic violence provided the conditions for an effective challenge to xenophobic politics to occur.
Chapter Four is largely theoretical, drawing primarily on the work of Sylvain Lazarus, as well as Alain Badiou and Jacques Rancière. The chapter argues that it is essential to insist on politics as subjective, as it is only in the thought of people that emancipatory modes of politics which exceed socially located interests may emerge and be constituted through collective mobilisation into political praxis.
Chapter Five sets out the methodological approach to my own research with members of the Unemployed People’s Movement in Grahamstown. The aim of the approach is to aid in the investigation of what Sylvain Lazarus has called ‘subjective singularities’, or specific forms of thinking which characterize a political sequence. Put simply, the approach endeavours to try to understand people’s thinking on its own terms, through the categories and idioms which are specific to that subjective singularity, and which cannot be sociologically reduced to external explanatory referents such as class, race, power, or identity. The aim is to be able to identify and elucidate the specific prescriptive thought which may emerge as people think and articulate their own struggles.
Chapter Six sets out my discussions with 18 UPM activists. Based on the methodological approach indicated above, the purpose of this empirical chapter was not to provide any form of ethnography or sociology of the movement, but to try and elucidate, through the activists’ own categories, the subjective singularity which underpinned the movement’s anti-xenophobic politics during a particular sequence. The aim is not to extrapolate from the activists’ statements concepts, cases or types which might have broader application for the study of xenophobia generally, but only to try to understand and elucidate the forms of thinking which characterised this particular sequence in its subjective singularity. These forms of thinking, I argue, are notable and important in their own right.
[Note: Additional material from the interviews with the UPM members, which I was not able to include in the MA thesis, will be incorporated into the book manuscript to extend and develop the investigation into the political thinking of UPM members and to delineate the character of the political sequence].
The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. It is based on collaborative research involving Film Lab Palestine, Sheffield Palestine Cultural Exchange and Sheffield Hallam University. We explore the political, economic and cultural contexts that impact on Palestinian film production and some of the barriers encountered in profiling and screening Palestinian films, to shed light on the complex terrain that is traversed to sustain and develop a film industry and film culture in historic Palestine and beyond.
Table of contents
The struggle to develop a national cinema
The experience of Filmlab Palestine
Visualising the Palestinian past
Roadblocks, borders and hostile environments
The screening and reception of Palestinian films
The Palestinian short film
Appendix 1: Cinema of the Palestinian Revolution
Appendix 2: 70 Years of Nakba: Audience response
Appendix 3: Love and Desire in Palestine: Audience response
Appendix 4: Selection of leaflets from film screenings
About the authors
Praise for Struggling to be seen
To so nimbly and elegantly traverse Palestinian time and space is itself a defiance of the occupation’s brutally enforced barriers. The authors’ unstintingly political examination of Palestinian cinema has much to offer both those in the know and readers new to this extraordinary body of work. — Kay Dickinson, Professor, Film Studies, Concordia University
Working extensively through primary sources, conducting research and interviews across generations of Palestinian filmmakers, the authors offer the reader an ambitious and wide-ranging essay which charts the development of a national Palestinian cinema, from an historical and critical perspective. By exploring the constellation of political, social and aesthetic concerns that shape this cinema, this authors challenge us to rethink the stakes behind the contemporary development of a Palestinian cinema industry, its audience reception, in historic Palestine and beyond.— Samia Labidi, cultural programmer & artistic curator
Illuminating and compelling, Struggling to be Seen lays bare the historical, enduring but also emerging (colonial and neocolonial) obstacles to the development of a film industry and film culture within the West Bank and Gaza. Though familiarly sobering (in its re-confirmation of the scale of injustice facing Palestinians), the book provides up-to-the-moment and an interdisciplinary account that provides rich, fresh terrain that reveals new and exciting progressions within Palestinian film culture. —Michele Aaron, Reader in Film and Television, University of Warwick, author of Death and the Moving Image: Ideology, Iconography and I (Edinburgh Univer- sity Press, 2014) Director, Screening Rights Film Festival.
Struggling to be Seen is a must read for those who are interested in under- standing the multilayered challenges that face Palestinian cinematography from its production phase to its screening phase. The book is a short read which takes the readers through the different stages which shaped the Palestinian film making enterprise. Struggling to be Seen shows the restrictions that Palestinian filmmakers face from the initial stages to funding and screening. The authors tell a story of a people whose sense of self-reflection is suppressed by the Israeli oppressive machine which con- stantly works at erasing the Palestinian peoplehood, detaching it from its past.— Nahed Habiballah, Assistant Professor and member of the Board of Directors of Policy and Conflict Resolution Studies Center, Arab American University, Ramallah, Palestine
We inhabit extraordinary times: times in which we are acutely aware of the intensity of what revolutionary thinker Frantz Fanon called “the glare of history’s floodlights.” The velocity and scale at which the revolt against police murder that began in Minnesota after the death of George Floyd on May 25th and moved throughout the US, and then other parts of the world, was astonishing. It was impossible to predict, but then, in retrospect, it is George Floyd’s death becomes a nodal point: calling for action as well as rethinking and self-clarification. Thinking about this moment with the world revolutionary Frantz Fanon, we need to be aware of continuities and discontinuities — or, as he puts it, opacities — between the ages, his and ours. Fanon is always speaking to us, but often in ways we cannot hear. We have to work to listen to him and to understand the new contexts and meanings in relative opacity. It is this constant dialogue that helps illuminate the present and enable ongoing fidelity to Fanon’s call in the conclusion of The Wretched of the Earth the necessity to work out new concepts to confront one of Fanon’s greatest concerns, the betrayal of the revolutionary movement. In this pamphlet we consider how Fanon’s idea of liberation is connected with “the rationality of revolt.” The practice of engaging Fanon not only with revolt but with the reason or rationality of revolt connects with Fanon’s idea of how this liberated humanity is a product of a new consciousness of collectivity open to rethink everything.
Revolución Rinky-Dink: Yendo Más Allá del Capitalismo Negando Consentimiento, y Promoviendo Construcciones Creativas y Destrucciones Creativas
Este panfleto aborda la pregunta: ¿cómo podemos pasar de A a B, del capitalismo al poscapitalismo? La revolución de Rinky-dink involucra acciones e inacciones que son fáciles, seguras, mundanas, sin glamour y factibles dentro de la vida de cada persona.
Howard Waitzkin presenta una intervención clara y directa para el cambio revolucionario en el sistema económico capitalista global. Cubre mucho terreno, con sofisticación, mientras mantiene la discusión en tierra. Su enfoque en las formas de facilitar un desafío al capital y construir una mayor transformación revolucionaria es crucial en esta coyuntura histórica. Esta discusión sobre construcciones creativas y destrucciones creativas es particularmente útil.
— Brett Clark, profesor de sociología de la Universidad de Utah y autor De El Robo De La Naturaleza: Capitalismo Y Grieta Ecológica, The Robbery of Nature: Capitalism and Ecological Rift en inglés.
El fin del capitalismo es posible. Waitzkin nos lleva un paso más allá en el proceso creativo para esta transformación. A través de ejemplos específicos de grupos organizados dentro de los Estados Unidos y en el extranjero, este trabajo constituye una guía práctica para todos. Waitzkin alienta nuestra creatividad para actos organizados y seguros además de omisiones para trascender el capitalismo.
— Nylca J. Munoz Sosa, abogada, líder de salud pública y activista centrada en la justicia sanitaria y la descolonización en Puerto Rico.
The inside story of the struggles of the Kenya Land and Freedom Army, referred to by British colonialism as the ‘Mau Mau rebellion’, is little known today. The autobiographical material written by Karari Njama (a senior leader in the Mau Mau hierarchy) and compiled by Donald L. Barnett was first published by Monthly Review Press in 1966, as Mau Mau From Within: An analysis of Kenya’s Peasant Revolt. It was reprinted in 1970; it has remained out of print for many years. As the late Basil Davidson put it in his review of the first edition: “Njama writes of the forest leaders’ efforts to overcome dissension, to evolve effective tactics, to keep discipline, mete out justice … and to teach men how to survive in those merciless forests. His narrative is crowded with excitement. Those who know much of Africa and those who know little will alike find it compulsive reading. Some 10,000 Africans died fighting in those years . Here, in the harsh detail of everyday experience, are the reasons why.”
The book is an extraordinary story of courage, passion, heroism, combined with recounting of colonial terror, brutality and betrayal. It is a story of how the very idea of being ‘Kenyan’ was intimately linked to the idea of freedom, a connection that was destroyed not only by the firepower of the British, but also by those who collaborated and established themselves as the beneficiaries of neocolonial rule. Disconnecting notions of freedom from identity left only a caricature that rapidly descended into tribalism and ethnicity.
This momentous story of the struggle for freedom described here is relevant not only for a new generation of Kenyans but also for all those engaged in emancipatory struggles internationally. For so long as the experiences arising from the struggles described in this book are perceived as merely ‘African’ or ‘Kenyan’, it is not possible to fully grasp the contributions they have made to the struggle for a universalist humanity.
What is recounted in this publication is more than an ‘analysis of a peasant revolt’. It is above all a history of the Kenya Land and Freedom Army. As Ngūgī wa Thiong’o points out in his Preface to this new edition, ‘we don’t have to use the vocabulary of the colonial to describe our struggles.’ We were tempted to rename the book ‘Kenya Land and Freedom Army from Within.’ But because the original title has wide recognition, and and as one of the characteristics of movements of the oppressed is to appropriate derogatory terms used by their oppressors and repurpose them as an expression of pride in their own experiences, this book retains the original title, but with a change in the subtitle as ‘The Story of the Kenya Land and Freedom Army.’
We were delighted that Karari Njama was able to provide us with a Prologue to the new edition (Kamoji Wachiira, a former political prisoner, connected us with Karari and translated the text of the Prologue). Shujaa Hon Dr Gitu wa Kahengeri, Secretary-General of the Mau Mau War Veterans Association reminds us how the veterans of the liberation movement, like Karari Njama, continue to live in extreme poverty today despite the enormous contribution that they made to the struggle for freedom.
Kenya’s leading writer and academic, Ngūgī wa Thiong’o, points out in the Preface, how so much of the narratives about the Kenya Land and Freedom Army has been written from ‘without’, emphasizing the importance of a book that speaks to the personal testimony from within the movement. We are honoured to have Mīcere Gīthae Mugo, Emerita Professor of Literature at Syracuse University, provide reflections on the importance of the republication of this historical text. There are many who, as children, lived through the terrifying events of the Emergency during which so many were tortured and killed by the British (and their local collaborators) and whose psyche remains deeply affected by what they witnessed. Kamoji Wachiira describes some of these experiences vividly in his Introduction to the new edition. He highlights the extent of betrayal by successive post-independence governments, and the development of the post-independence revival of resistance which he was a central part of. He also emphasizes the importance for a new generation of Kenyans “to gain not only a deep understanding of Kenya’s revolutionary history but also to reflect on what lessons may be drawn for the struggle to achieve real freedom.”
The original publication had no biographical information about Don Barnett. Few are aware of the extent of Don’s political engagement with the cause of liberation, of which Mau Mau From Within was only one aspect. He was a founder of the Liberation Support Movement in Canada, and had close contact with the MPLA (Popular Movement for the Liberation of Angola). Don sadly joined the ancestors in 1975. We are fortunate, however, that Don and Daphne’s son and daughter, Michael Barnett and Dawn Barnett, were able to provide, together with Ole Gjerstad, a revealing biography.
We have endeavoured to retain the content of the original book (but for a few minor corrections) including the original Selected Bibliography. An updated Further Reading list is provided.
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.surajyengde@surajyengde