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Postcolonial critique deconstructs global inequality in its epistemic and material dimensions. This collective comic project illuminates everyday life’s coloniality as well as the decolonising potential of everyday struggles in the spaces, discourses and practices of so-called ‘global development’.
This book traces the little known history and recent contributions of Black anarchism, which aims to move beyond racial capitalism. With roots in the Black Radical Tradition, Black anarchism differs from the anarchisms shaped by white leadership in Europe and the United States. The book opens a crucial path forward during the coming transformation.
These poems were largely written during the first wave of the COVID-19 pandemic. The last poem in the collection was written at the start of the second wave in Africa. Most were circulated through What’s App voice notes, an intimate way of keeping distance while reaching out to touch.
“Think global, act local!” “Be the change you want to see in the world!” “Every little bit counts!” We can all get on board with such sentiments, right? That, of course, is exactly what corporate spin-masters across the world are banking on. By weaponizing such seemingly innocuous yet powerful narratives, change becomes a matter of personal choice, something each of us must slave away at day by day: switching off lightbulbs to save the environment or exercising to shed the weight we’ve gained from consuming junk food. All the while, the corporate welfare tap continues to flow, with over $6 trillion worth of annual subsidies dished out to industries that directly contribute to the deaths of over 5.5 million people each year through diabetes, road deaths, global warming, and other crises. But such framing is just the tip of the iceberg when it comes to the corporate disinformation playbook. This playbook is the dark matter of activist work: the unseeable element shaping harmful spin across all issues. It has never been reverse engineered – until now.
In Dark PR, Grant Ennis – drawing on his decades of experience working in the environmental, philanthropy, and public health sectors – reveals exactly how multinationals go about hoodwinking and manipulating us. In doing so, he lifts the lid on the nine devious frames contained within the cross-industry corporate disinformation playbook: through denialism, normalization, victim-blaming, multifactorialism, and a variety of other tried-and-tested tactics, corporations divert citizens’ attention away from the real causes of global problems, leading them into counter-productive blind-alley “solutions” like ethical consumerism and divestment. Sadly, though, buying Fair Trade chocolate has not and never will save the world. Only by collectively organizing to lobby our governments can we break this destructive cycle of lies and deadly incentives, and reclaim control of our lives.
Slave King recreates a major slave revolt in Sicily led by a Syrian magus turned leader, circa 140-132 BCE, decades before Spartacus. He forges a coalition of slaves, farmers and herders to defeat Roman armies and establish an egalitarian entity. The novel uses biased ancient sources but challenges them to speak for the oppressed and present alternative cultural-historical perspectives. Among its chapters are scenes of exorcism, ancient marriage customs and a play.
EXPELLED FROM UGANDA by Idi Amin in 1972, Mahmood Mamdani arrived in a cold and overcast London to join his compatriots in a camp run by the UK government’s resettlement board. As he recounts: ‘On the face of it, life in the camp, with its surface calm and order, presented a sharp and favourable contrast to the open terror of living in Uganda. But it was the Kensington camp, and not Amin’s Uganda, which was my first experience of what it would be like to live in a totalitarian society.’ In one of his first books, republished here with contemporary images, Mamdani begins to explore the theme of political identity – the colonial politicisation of racial identity and its reproduction after independence – which has been the concern of much of his subsequent work, notably the groundbreaking Citizen and Subject.
With a new preface written especially for this edition, Mamadani also touches on his personal and intellectual journey since From Citizen to Refugee was first published.
This gripping and highly readable story of the Asians’ last days in Uganda interweaves the stories of Mamdani’s friends and family with an examination of Uganda’s colonial history and the subsequent evolution of post-independence politics. The British colonial policy of divide and rule ensured that race coincided with class, effectively politicising the category of race.
This vivid autobiographical account is as pertinent now as when the book was first published in 1973 in its telling of a story that will be familiar to refugees and those seeking asylum in Britain today.
“Post capitalist philanthropy is a paradox in terms. A paradox is the appropriate starting place for the complex, entangled, messy context we find ourselves in as a species.” This is how long-time activists, political strategists, and accidental philanthropy advisors Alnoor Ladha and Lynn Murphy start their treatise on Post Capitalist Philanthropy. This book is a result of decades of practice and research, including a hundred plus interviews with leading activists, philanthropists, philosophers, social scientists, cosmologists and wisdom keepers.
The authors take us on a journey from the history of wealth accumulation to the current logic of late-stage capitalism to the lived possibilities of other ways of knowing, sensing and being that can usher in life-centric models. This “ontological shift”, as they call it, is at the heart of the text – creating new-ancient-emerging realities is not simply about how we redistribute wealth or “fight power”, but rather, how we perceive and embody our actions in relationship to a dynamic, animistic world and cosmos.
This book is made available here on behalf of the Transition Resource Circle.
Transition Resource Circle thanks Daraja Press, the non-profit Pan-African publisher focused on social justice, for their collaboration in making this book a reality. All proceeds from the book are evenly split between Daraja Press and Transition Resource Circle’s solidarity fund.
Settler Colonialism examines the genesis in the USA of the first full-fledged settler state in the world, which went beyond its predecessors in 1492. The text originates from Roxanne Dunbar-Ortiz (2021) “Not A Nation of Immigrants: Settler Colonialism, White Supremacy, and a History of Erasure and Exclusion.
This was Tariq Mehmood’s first novel, published by Penguin Books in 1983, charting the experience of the second generation migrants to the UK. Set in the declining textile industry of the North of England, it is a raw story of pain and anger at the relentlessness of British racism, from the street to the state – a story of an unquenchable desire for justice, and reclaiming human dignity. A dignity that is wrapped around new questions of Identity, a crossroad between religion, language, history and resistance. It is a little big story, that talks to the extremities of social, political and literary issues today? Can stories of a generation be appropriated? How important is religion in identity? If all you have is a story to tell, who should you tell it? Are the issues of today, just the issues of today or can we learn something from the past? In these stories, friendship is not defined by religion or colour, but by humanity. And racism is much more than skin deep.
An exhilarating read that bears witness to the urgent 80’s battles against state and popular racism. As important now as then.— Peter Kalu, novelist
The new edition has an introductory essay by Tariq Mehmood.
History is written by the victors of any war. But what happens when the victors forget to write down their history or omit the cog of the struggle? This is the untold story of Mathare Slum that has never been told to the world: of the role it played in anti-colonial struggle and the planning ground for the Mau Mau struggle which culminated with the fall of the British Colonial Empire in Kenya in the midnight of December 12th 1963. Mathare has also played a critical role in anti-oppression struggle against the four regimes that we’ve had since independence and continues to do so up to date. This history has not been documented and has only been done piecemeal. This has overtime eroded the rich history of Mathare and led to a distorted history of once a planning ground and a bulwark of Kenya Land and Freedom Army (KFLA). The current generation are not cognizant with the critical role Mathare played in the independence of our country.
Presently, Mathare is majorly known for all the negative reasons and its proximity to Mathari Mental Hospital has contorted its image to the outside world. My story tries to re-tell the history of Mathare from an informed insider perspective by threading the struggles from the colonial era to the present day and the role it has played in agitating for social justice.
My story brings to view the past history of this informal settlement in the heart of Nairobi, the present struggle and the promising future through community organizing.
Edited by Ronnie Kasrils with Muff Andersson and Oscar Marleyn.
First published by Jacana Media (Pty) Ltd in 2021, ISBN: 978-1-4314-3202-8, this Daraja Press edition is available in North America and East Africa
I thought I had a pretty good understanding of the global anti-apartheid movement until I read this extraordinary collection of essays. This book blew my mind!
—Robin D.G. Kelly
We hear for the first time from the international activists who worked secretly for the ANC’s armed wing, Umkhonto we Sizwe(MK), in the struggle to liberate South Africa from apartheid rule. They acted as couriers, provided safe houses in neighbouring states and within South Africa, helped infiltrate combatants across borders, and smuggled tonnes of weapons into the country in the most creative ways. Driven by a spirit of international solidarity, they were prepared to take huge risks and face great danger.
This is a biography of the life of Dr Eyad El Sarraj, Gaza’s pioneering psychiatrist and founder of the Gaza Community Mental Healthcare Programme, written by his son, Wasseem El Sarraj. It is also a history of Palestine with a focus on Gaza. Eyad’s life was intimately intertwined with Palestine’s struggles so his choices and reactions reflected many of the major historical moments of the last 70 years. The book is an effort to provide a perspective on how the forces around him impacted his life, and how he took control of what he could achieve in an intractable situation. The book is interspersed with Wasseem’s own reflections as a mixed-race Palestinian, and as someone who has lived under occupation in Gaza.
The book identifies three key moments in Nigeria’s experience with federalism and makes the argument that a complex and socially-diverse country like Nigeria can only be successfully governed by a truly federal arrangement, and not the present unitary contraption that has only delivered poverty, social unrest and the powerful centrifugal forces that are now threatening the very existence of the country itself. The time has come, write Ike Okonta, to convene a conference with sovereign powers to design a federal constitution for the country. The current process of amending the 1999 Constitution by the National Assembly will not suffice. The document is so hopelessly flawed that only its discarding and a fresh effort at constitution-making will suffice.
Ike Okonta was, until recently, a Leverhulme Early Career Fellow in the Department of Politics at the University of Oxford. Currently, he is Coordinating Fellow of the New Centre for Social Research, Abuja, Nigeria. He is author of Where Vultures Feast: Shell, Human Rights and Oil (2003) Paperback; When Citizens Revolt: Nigerian Elites, Big Oil and the Ogoni Struggle for Self-Determination (2008); Biafran Ghosts: The Massob Ethnic Militia and Nigeria’s Democratisation Process (2012); The Failure of Leadership in Africa’s Development (2020)
Table of Contents
1. Nigeria’s Flawed Federalism: The Colonial Roots, 2. Killing Federalism: The Soldiers Step In, 3. Consolidating Centralism: The Second Republic and After, Challenging Centralism or the Spirit of Ken Saro-Wiwa, 5. Conclusion: Bringing Back Federalism. 6. Acknowledgements.
BISAC and KeywordsPOLITICAL SCIENCE / Colonialism & Post-ColonialismPOLITICAL SCIENCE / ConstitutionsPOLITICAL SCIENCE / World / AfricanKeywords: Nigeria, Federalism, Sovereignty, National Assembly, biafra, Ogoni, Ken Saro-WiwaAudienceGeneral/Trade – Adult fiction and nonfiction
[Spanish edition of Jackson Rising]
Mississipi; el estado más pobre de los EEUU, el que tiene el porcen- taje más alto de población Negra y con una historia dramática de terror racial y de resistencia Negra. Este es el contexto de la resistencia presentada en este recopilatorio de escritos.
Sin desanimarse por la incertidumbre, el miedo y la an- siedad causadas por el constante deterioro del orden ne- oliberal, la respuesta de las activistas Negras de Jackson ha sido organizarse. Inspiradas por la rica historia de lucha y resistencia en Mississipi y comprometidas con la Estra- tegia Jackson-Kush, construyen instituciones arreladas en el poder comunitario, que combinan política y desarrollo económico y que satisfacen necesidades reales de la gente para crear un model social alternativo.
Las experiencias y análisis recogidas reflejan el poder creativo que se genera cuando la lucha política se basa en una visión del mundo liberada de las contradicciones y li- mitaciones inherentes al liberalismo. Esta es, en definitiva, una historia sobre un porceso decolonial y socialista, orga- nizado y dirigido por personas Negras.
The current absence of any emancipatory vision for Africa lies at the heart of our political problems of racial capitalist and colonial oppression. Any attempt to rethink political emancipation on the African continent must be able to locate a universal conception of freedom within singular cultural experiences where people live. Irrespective of the specific manner in which such struggles for freedom were thought within different historical contexts, emancipatory politics always exhibited such a dialectic when it was based within popular traditions. Yet only some militant intellectual leaders understood the importance of this dialectic in thought.
The present volume outlines and discusses two particularly important views concerning the role and importance of popular culture in emancipatory politics in Africa. Each is the product of distinct forms of colonial capitalist exploitation: the former saw the light of day within a colonial context while the latter is directly confronted by the neocolonial state. All emancipatory politics are developed in confrontation with state power, and all begin with a process of discussion and debate whereby a collective subject begins to be formed. The formation of such a collective political subject has been fundamentally informed by popular cultures on the African continent.
The two authors whose essays are included here understood this and posit popular culture at the centre of their politics. The first, Amílcar Cabral, addresses the central role of popular culture in the independence struggle of Guinea Bissau in the 1970s; the second, Ernest Wamba-dia-Wamba, addresses the centrality of African popular culture in an emancipatory politics for the current Democratic Republic of Congo. Despite the distance in time that separates them, both Cabral and Wamba-dia-Wamba develop a dialectics at the core of their politics which activates the universals of culture in the present. It is this that makes their views of central importance to emancipatory thought today.
Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity.
The violent, scathing white supremacy of Joseph Conrad’s Heart of Darkness is traversed page by page and word by word in this brilliant prayer/poem—a work of reclamation, redemption, rescue, and repossession. — Wende Marshall, co-editor Insurrectionary Uprisings: A Reader in Revolutionary Nonviolence and Decolonization