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Fanon and the rationality of revolt
USD $ 5.00 – USD $ 12.00Select options This product has multiple variants. The options may be chosen on the product pageFanon and the rationality of revolt
We inhabit extraordinary times: times in which we are acutely aware of the intensity of what revolutionary thinker Frantz Fanon called “the glare of history’s floodlights.” The velocity and scale at which the revolt against police murder that began in Minnesota after the death of George Floyd on May 25th and moved throughout the US, and then other parts of the world, was astonishing. It was impossible to predict, but then, in retrospect, it is George Floyd’s death becomes a nodal point: calling for action as well as rethinking and self-clarification. Thinking about this moment with the world revolutionary Frantz Fanon, we need to be aware of continuities and discontinuities — or, as he puts it, opacities — between the ages, his and ours. Fanon is always speaking to us, but often in ways we cannot hear. We have to work to listen to him and to understand the new contexts and meanings in relative opacity. It is this constant dialogue that helps illuminate the present and enable ongoing fidelity to Fanon’s call in the conclusion of The Wretched of the Earth the necessity to work out new concepts to confront one of Fanon’s greatest concerns, the betrayal of the revolutionary movement. In this pamphlet we consider how Fanon’s idea of liberation is connected with “the rationality of revolt.” The practice of engaging Fanon not only with revolt but with the reason or rationality of revolt connects with Fanon’s idea of how this liberated humanity is a product of a new consciousness of collectivity open to rethink everything.
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소소한 혁명
어떻게 자본주의를 넘어설 것인가라는 질문에 대한 답을, 지금 우리가 “감히” 찾아보려고 한다. 이 소책자를 통해, 자본주의를 벗어나 생태사회주의로 향하는 길을 찾는 우리의 노력이 뚜렷해지길 바란다.
자본주의에 갇힌 우리는, 어떤 형태로든 행동 또는 비행동inaction에 관여하고 있다. 행동은, 자본주의를 직접 마주하기 보다는 자본주의가 초래하는 심각한 여러 문제를 개선하기 위한 투쟁에 참여하는 모습을 띈다. 즉, 우리의 행동은 원인이 아니라 결과에 초점을 맞추는 모순을 보인다.
반면, 비행동은 동의를 의미하게 된다. 우리는 자본주의 경제 체계를 영속시키는 경제 활동에 문제 제기를 하거나 변화를 요구하는 행동을 하지 않음으로써 자본주의에 [암묵적으로] 동의하고 있다. 결과적으로 평범한 우리가 자본주의에 봉사하는 자본가 역할을 계속하고 있는 것이다.
왜 자본주의 억압의 대상인 우리가 억압에 동의하는가? 그 이유가 단지 [외부의] 탄압 때문만은 아니라고, 이탈리아 파시즘 하의 감옥에서 그람시Antonio Gramci는 말했다. 즉, “헤게모니”를 장악하는 이념이 우리의 삶을 둘러싼 억압적인 환경을 설명하고 정당화하는 것이다.
“소소한 혁명”은, 개개인의 삶 속에서, 쉽고 안전하게, 엄청 근사하지는 않지만 일상적이고 실천가능한 행동과 비행동을 얘기한다. 지금까지의 혁명사는, 혁명을 가능하게 했던 전체 민중보다는 소수의 혁명가에 주목했었지만, 자본주의에 맞서는 “우리는” 마르크스나 엥겔스가 떠올렸던 주인공들보다 훨씬 다양하고 규모가 커졌다. 자본주의를 수호하기 위해 싸우는 “그들은” 전 세계 인구의 극소수일 뿐이다.
자본주의의 어떤 특징이 억압적이고 그래서 제거되어야 하는지, 또 반대로 어떤 사회경제구조의 특징이 억압적이지 않으며 그래서 남겨져야 하는지를 뚜렷이 설명하는 전략이 필요하다. 자본주의 이후 사회가 어떤 모습이어야 할지는 점점 명확해지고 있다. 소소한 혁명은, 자본주의의 영속과 발전에 필수적인 과정에 대한 우리의 동의를 거두는 데에서 시작하여, 수 백 만의 우리가, 여전히 적은 소수이긴 하지만, 건설적인 혹은 파괴적인 노력에 창의적으로 참여할 수 있는 방법 또한 포함한다.
세상은 자본주의 그 이후로 이미 진행 중이다. 세계 곳곳에서 창의적인 모습의 공동체communal organization들이 생겨나 스스로 통치하고 구성원들의 생존과 안녕을 보장하기 위해 활동하고 있다. 복지 국가를 포함한 자본주의 국가를 넘어서는 것은 국가 자체를 넘어서는 결과로 이어진다. 연대 경제solidarity economy는 먼저, 소규모의 협동조합 성격을 띄는, 저렴하고 유쾌하고 편안한 주거 공간을 구성하는 방법을 모색하여, 착취적인 임대료, 빚, 세금, 보험에 대한 공동의 해결책을 제시한다. 또한 이러한 공동체는, 영양이 풍부한 먹거리를 지역에서 생산하여 유통하는 방법으로, 자본주의식 농업으로부터 독립을 꾀할 수 있다.
창조적 파괴는, 허가를 받아 하는 대규모의 시위가 아니라 자본주의가 순조롭게 기능할 수 없게 멈추거나 둔화시키는 직접 행동으로 가능하게 된다. 우리가 투자나 세금으로 흘러가게 내버려 두는 돈의 흐름을 비자본주의적인 연대경제에 돌리는 것도 창조적 파괴의 한 방법이다.
소소한 혁명은, 간단하고 안전하며, 자신의 삶을 조금이라도 바꾸고 싶은 의지가 있는 사람이라면 실천가능하다. 자본주의가 우리의 안녕과 행복을 파괴하는 체계라는 것을 알면서도, 부지불식간에 자본주의를 지지하고 동의하는 행동을 멈추는 즐거움을 누릴 수 있다. 놀랍게도 혁명을 위해 다치거나 죽지 않아도 되고, 심지어 큰 불편을 감수하지 않아도 된다. 우리가 해야 할 일은 단 하나. 어차피 하기 싫었던 여러 일들을 이제 정말 그만두는 것이다.
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Revolución Rinky-Dink: Yendo Más Allá del Capitalismo Negando Consentimiento, y Promoviendo Construcciones Creativas y Destrucciones Creativas
Este panfleto aborda la pregunta: ¿cómo podemos pasar de A a B, del capitalismo al poscapitalismo? La revolución de Rinky-dink involucra acciones e inacciones que son fáciles, seguras, mundanas, sin glamour y factibles dentro de la vida de cada persona.
Howard Waitzkin presenta una intervención clara y directa para el cambio revolucionario en el sistema económico capitalista global. Cubre mucho terreno, con sofisticación, mientras mantiene la discusión en tierra. Su enfoque en las formas de facilitar un desafío al capital y construir una mayor transformación revolucionaria es crucial en esta coyuntura histórica. Esta discusión sobre construcciones creativas y destrucciones creativas es particularmente útil.
— Brett Clark, profesor de sociología de la Universidad de Utah y autor De El Robo De La Naturaleza: Capitalismo Y Grieta Ecológica, The Robbery of Nature: Capitalism and Ecological Rift en inglés.
El fin del capitalismo es posible. Waitzkin nos lleva un paso más allá en el proceso creativo para esta transformación. A través de ejemplos específicos de grupos organizados dentro de los Estados Unidos y en el extranjero, este trabajo constituye una guía práctica para todos. Waitzkin alienta nuestra creatividad para actos organizados y seguros además de omisiones para trascender el capitalismo.
— Nylca J. Munoz Sosa, abogada, líder de salud pública y activista centrada en la justicia sanitaria y la descolonización en Puerto Rico.
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Mau Mau From Within: The Story of the Kenya Land and Freedom Army
USD $ 12.00 – USD $ 30.00Select options This product has multiple variants. The options may be chosen on the product pageMau Mau From Within: The Story of the Kenya Land and Freedom Army
The inside story of the struggles of the Kenya Land and Freedom Army, referred to by British colonialism as the ‘Mau Mau rebellion’, is little known today. The autobiographical material written by Karari Njama (a senior leader in the Mau Mau hierarchy) and compiled by Donald L. Barnett was first published by Monthly Review Press in 1966 as Mau Mau From Within: An Analysis of Kenya’s Peasant Revolt. It was reprinted in 1970; it has remained out of print for many years. As the late Basil Davidson put it in his review of the first edition: “Njama writes of the forest leaders’ efforts to overcome dissension, to evolve effective tactics, to keep discipline, mete out justice … and to teach men how to survive in those merciless forests. His narrative is crowded with excitement. Those who know much of Africa and those who know little will alike find it compulsive reading. Some 10,000 Africans died fighting in those years . Here, in the harsh detail of everyday experience, are the reasons why.”
The book is an extraordinary story of courage, passion, heroism, combined with recounting of colonial terror, brutality and betrayal. It is a story of how the very idea of being ‘Kenyan’ was intimately linked to the idea of freedom, a connection that was destroyed not only by the firepower of the British, but also by those who collaborated and established themselves as the beneficiaries of neocolonial rule. Disconnecting notions of freedom from identity left only a caricature that rapidly descended into tribalism and ethnicity.
This momentous story of the struggle for freedom described here is relevant not only for a new generation of Kenyans but also for all those engaged in emancipatory struggles internationally. For so long as the experiences arising from the struggles described in this book are perceived as merely ‘African’ or ‘Kenyan’, it is not possible to fully grasp the contributions they have made to the struggle for a universalist humanity.
What is recounted in this publication is more than an ‘analysis of a peasant revolt’. It is, above all, a history of the Kenya Land and Freedom Army. As Ngūgī wa Thiong’o points out in his Preface to this new edition, ‘we don’t have to use the vocabulary of the colonial to describe our struggles.’ We were tempted to rename the book ‘Kenya Land and Freedom Army from Within.’ But because the original title has wide recognition, and one of the characteristics of movements of the oppressed is to appropriate derogatory terms
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Love after Babel and other poems
USD $ 5.00 – USD $ 15.30Select options This product has multiple variants. The options may be chosen on the product pageLove after Babel and other poems
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
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Strategic litigation and the struggle for Lesbian, Gay and Bisexual equality in Africa
USD $ 5.00 – USD $ 25.00Select options This product has multiple variants. The options may be chosen on the product pageStrategic litigation and the struggle for Lesbian, Gay and Bisexual equality in Africa
There has been a rise in the use of strategic litigation related to seeking equality for lesbian, gay, and bisexual (LGB) persons. Such developments are taking place against the backdrop of active homophobia in Africa. The law and the general public should, argues the author, treat LGB persons in the same way that heterosexuals are treated. In the past two decades,30 strategic cases have been fi led by LGB activists in the Common Law African countries, namely in Botswana, Kenya, Nigeria, South Africa, and Uganda. While the majority of the cases have been successful, they have not resulted in significant social change in any of the countries. On the contrary, there have been active backlashes, counter-mobilisations, and violence against LGB persons, as well as the further criminalisation of same-sex relations and constitutional prohibitions on same-sex marriages in some of the jurisdictions. The author argues that activists in Common Law Africa have to design LGB strategic litigation in such a way as to fi t within the actual social and political conditions in their countries if strategic litigation is to spur social change.
Adrian Jjuuko is an exceptional scholar. A rare combination of intellectual brilliance, commitment and hard work. The book is born of this. It reflects his incisive analytical skills, anchored in solid knowledge of the law and jurisprudential developments in the field. His ventures into political theory, philosophy, and the social sciences give the analysis additional clarity and empirical grounding.
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Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi
USD $ 5.00 – USD $ 22.00Select options This product has multiple variants. The options may be chosen on the product pageWreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi
Pius Adesanmi died in the doomed Ethiopian Airline flight 302 on March 10, 2019. Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi is an assemblage of 267 original poems written by 127 established and emerging African writers. While some of the poets celebrate Adesanmi, others reflect philosophically on existence, mortality, immortality and/or offer hope for the living. In this memorably textured collection, the poets – some who knew, and some who did not know Adesanmi – exorcise the pains of loss through provocative poems that pour out their beating hearts with passion.
Pius Adesanmi died in the doomed Ethiopian Airline flight 302 on March 10, 2019. Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi is an assemblage of 267 original poems written by 127 established and emerging African writers. While some of the poets celebrate Adesanmi, others reflect philosophically on existence, mortality, immortality and/or offer hope for the living. In this memorably textured collection, the poets – some who knew, and some who did not know Adesanmi – exorcise the pains of loss through provocative poems that pour out their beating hearts with passion.
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dispossessed: poetry of innocence, transgression and atonement
USD $ 5.00 – USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pagedispossessed: poetry of innocence, transgression and atonement
Dispossessed is a poetic representation of life in three stages through the eyes of a poet. It shows, from the thematic interests of the poet; what he considers the crucial stages in life – Innocence, Transgression and Atonement.
Innocence offers a racy view of the picture gallery of the poet’s life as a child. The sensibilities of the poet shine through the foliage of his mind as he pines for self-definition; seeking open ears for his verses. But it is also a period of apprenticeship as the poet hones his skills for the artistic long journey that is inevitable. Clothed in the innocence of childhood, he learns to talk in metaphors and search for himself in the community of imaginative people. This search lights up the path into the poet’s aesthetic mindscape and the silent questions that keep him awake. Innocence is therefore a thirst for sunlight; a quest for utterance.
The unwary reader is beckoned into the quest through poems that evoke memories of their own childhood and conscript them into the ensuing communal experience. However, the human condition abhors inertia. But for any form of natural or artistic growth to occur, the poet must lose his innocence. So, Innocence and its poems of idyllic childhood soon give way to the unexpected — Transgression. Transgression is the coming of age segment of the collection. The poet discovers love. And slowly, he finds himself taking a dip in a pool of emotion that appears to serve as the ultimate sparkplug for his songs.
In essence, Transgression eases the reader into a rare observatory; from where the poet could be seen falling in and out of love and celebrating one of the most profound experiences known to man. It must be noted that in some instances, the love poems of Transgression are also not what they seem on the surface. In some instances, the poet addresses his troubled relationship with his country through poetry; mirroring his personal frustrations and disappointment in verses that come off as a voice of disenchantment. Caught in the firm grip of emotions, the poet changes like the English weather.
But after waves of emotional whirlwinds in Transgression, the poet faces the next logical step — Atonement. Atonement presents a poet who has undergone the rites of passage and weaned himself of self-doubts. He has washed his hands clean and must settle down to a fireside dinner with the elders. But as it turns out, the poet is not only seeking the ears of his genealogical ancestors and elders; he is also seeking the counsel of serious poets, past and present whose nod he needs to take on the weighty issues of his time. So, he comes with a “fistful of kolanuts” as is customary with his people who supplicate their elders and ancestors with kolanuts. In gaining entry into this conclave of his biological and artistic ancestors, he acquires the aesthetic authority to ask weighty questions about the world around him. He is incensed by what assails his sensibilities; a world that turns a blind eye to injustice and a humanity that needs an open heart surgery.
Atonement could also be seen as the poet’s personal admission that serious poetry ought to speak to the dominant issues of the day; the anxieties and insomnia of the age. He muses about these issues; posing rhetorical questions in about them in some instances.
In the end, dispossessed is one man’s journey that finally assumes all the attributes of a communal voyage. Treading in the imagined interstices between the personal and the communal, dispossessed leads us to a clearing in the woods where our awareness of our world heightens with the turning of every page.
James Eze was born in Enugu, southeast Nigeria, shortly after the Biafran War. He was the pioneer Literary Editor of Sunday Sun. As Head of External Communications at Fidelity Bank, he worked in partnership with the novelist Chimamanda Adichie to begin her popular International Creative Writing Workshop series. He is the curator of Under African Skies which hosts A Flutter in the Woods; a yearly evening of poetry and songs in Awka, Anambra State. He also co-founded The Return to Idoto, a poetry festival in honour of Christopher Okigbo. His poems have appeared in Camouflage: Best of Contemporary Writing from Nigeria.
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Poems for the Penniless
USD $ 5.00 – USD $ 18.00Select options This product has multiple variants. The options may be chosen on the product pagePoems for the Penniless
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
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