In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.
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Basem L. Raʿad, Professor (PhD, Toronto; BA and MA, American University of Beirut), has taught at universities in Canada, Bahrain, Lebanon, and for 15 years in Palestine. He initiated community and academic projects, organized international conferences, and published in major…
In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.
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Kitabu hiki kinaturudisha katika kipindi cha kusisimuwa cha miaka ya vita baridi, kipindi ambacho, sambamba na kipindi cha leo, madola ya kibeberu yamekuwa yakifanya njama za kubadilisha serikali zilizokuwepo na kuziweka madarakani zile zenye kufuata amri. Kwa kutumia kumbukumbu za picha za Johari, nyaraka za siri za Marekani na Uingereza, pamoja na mahojiano ya kina, kitabu kinatowa uchambuzi juu ya nafasi na satwa ya Chama cha Umma Party nchini Zanzibar na kiongozi wake mwenye upeo mkubwa wa mambo, Mwanamapinduzi mfuasi wa Itikadi ya Karl Marx, Abdulrahman Mohamed Babu. Kwa kuangalia kwa njia ya uwiano wa mifano inayokwenda sambamba ya wahka wa Marekani kuhusu Uchina ya Kikomunisti katika miaka ya 1960 na woga walionao hivi sasa kuhusu ushawishi wa Uchina, kitabu kinatafakari juu ya mivutano mipya iliyopo katika kupigania rasilmali za Afrika, kuundwa kwa kikosi cha AFRICOM, na jinsi Wanasiasa wa Afrika Mashariki wanavyoshiriki katika kuimarisha udhibiti wa Marekani katika nchi zao, na “Vita dhidi ya Ugaidi” katika ukanda wa Afrika Mashariki hivi sasa.
Now available from Mkuki Na Nyota Publishers, Tanzania: http://www.mkukinanyota.com
The pamphlet begins with two letters written by Paul the Apostle in which Christianity first acquires a universal address. The new religion came to exclude people who were not Christians from the count of the human. This became explicit around a thousand years later when Pope Urban II authorised the First Crusade.
In 1492 planetary history was split in to two. Muhammad XII of Granada conceded defeat to Isabella and Ferdinand, the Catholic monarchs of Portugal and Spain, who went on to expel the Jews from the territory under their control. Europe became a Christian project. In the same year Christopher Columbus arrived in the Caribbean and Europe also became an imperial project with a planetary reach.
The origins of the racial ideology can be seen in this period, in which ideas about religion came to be entangled with fantastical ideas about the imagined purity of blood. But it was in the English colony of Virginia in the seventeenth century that the legitimation for the exclusion from the count of the human began to move from claims made in the name of religion to claims made in the name of science. This is the point at which modern racism, rooted in the appearance of the body, began to cast its malignant shadow across the planet.
The author argues that the struggle to put an end to the epoch of world history that opened in 1492 will require new ideas, and new practices. It follows the Caribbean tradition that runs from Aimé Césaire to Frantz Fanon and Sylvia Wynter in affirming the need for a counter-humanism, a radical humanism, a humanism that, in Césaire’s famous phrases, is “made to the measure of the world”. There is a need for a shift in the ground of reason towards the lived experience and struggles of people rendered, in Wynter’s phrase, as ‘pariahs outside of the new order’.
In recent years southern Africa has aroused the interest of domestic and foreign investors targeting several sectors. Agrarian and extractive capital has been penetrating the countryside, causing land conflicts, displacement of local peasant communities and in worse cases, deaths. Rural people in general have not, been passive—alone or in alliance with non-governmental organizations and activists, they have organized raised their voices. Resistance movements to capital are taking place throughout the region, even when faced with repression. The book provides critical assessments of the dynamics of agrarian and extractive capital in southern Africa: with contributions from DRC, Namibia, Zambia, Malawi, Zimbabwe, Swaziland, Mozambique, Mauritius and Madagascar.
ONLY AVAILABLE IN EASTERN AND SOUTHERN AFRICA
We are pleased to announce that Daraja Press will soon be making Unearthing Justice, originally published by Between The Lines, available in Africa through our partners at Zand Graphics Ltd (throughout East Africa and the Horn) and Sherwood Books (South Africa, Namibia, Botswana, Lesotho, Mozambique and Swaziland).
Originally published in 2019, this new edition has an Introduction by Yao Graham, TWN-Africa. The author, Joan Kuyek, is a community-focused mining analyst and organizer living in Ottawa. She was the founding National Co-ordinator of MiningWatch Canada from 1999–2009 and continues to do work for MiningWatch and for a number of communities affected by mining.
The mining industry continues to be at the forefront of colonial dispossession around the world. It controls information about its intrinsic costs and benefits, propagates myths about its contribution to the economy, shapes government policy and regulation, and deals ruthlessly with its opponents.
Brimming with case studies, anecdotes, resources, and illustrations, Unearthing Justice exposes the mining process and its externalized impacts on the environment, Indigenous Peoples, communities, workers, and governments. But, most importantly, the book shows how people are fighting back. Whether it is to stop a mine before it starts, to get an abandoned mine cleaned up, to change laws and policy, or to mount a campaign to influence investors, Unearthing Justice is an essential handbook for anyone trying to protect the places and people they love.
irst published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British army’s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
This pamphlet tackles the question: how do we get from A to B, capitalism to post-capitalism?
It is critical reading to understand why:
* Capitalist-oriented industrial agriculture and its destruction of habitat are the upstream causes that led to the COVID-19 pandemic as well as other past and future pandemics of devastating, emerging viral pathogens.
* COVID-19 may trigger a collapse of the global capitalist system but it is not the cause.
* Health-care and public-health systems organized around capitalist principles don’t do well in pandemics, compared to those not organized around capitalist principles.
* The current economic collapse, triggered by a pandemic, opens a door for revolutionary transformation.
The pamphlet is also available in Spanish and Korean.
Michael Neocosmos
A fictionalized account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’s. As with the Messinian rebellion against Spartan oppression centuries earlier, the West has been slow to take such events seriously and reinstate their presence in popular culture as expressions of human spirituality and resistance. The role of seers as leaders is reminiscent of Ayi Kwei Armah’s The Healers on ancient Africa. This book is a fascinating and brilliant telling of popular struggle. It is a minor classic. — Michael Neocosmos, Emeritus Professor in Humanities, Rhodes University, South Africa, author of Thinking Freedom; Towards a Theory of Emancipatory Politics
Adrienne Mayor
I highly recommend Basem Ra’ad’s compelling and deeply researched historical novel about the fire-breathing Syrian slave who challenged Roman might in the second century BCE, seeking independence for his thousands of followers. This little-known story of resistance deserves wide attention. … an amazing and important story. — Adrienne Mayor, author, The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy
Tariq Mehmood
What Basem L. Ra’ad has done in this remarkable novel about slave uprisings against the Roman Empire is to demonstrate how ‘the history of all hitherto existing society is the history of class struggles.’ He shows why the dominant discourse needs to be revised.A moving story that casts light on many of the strifes in our times. — Tariq Mehmood, author, Song of Gulzarina, Associate Professor, American University of Beirut
Hilton Obenzinger
Slave King disrupts two millennia of malign stories about one of antiquity’s original slave revolts. Not cannibals, not demons, but slaves, farmers and herdsmen created a kingdom of equality and compassion. With deep knowledge, Ra’ad re-imagines freedom emerging from Mediterranean multicultural shores. It is a profound re-creation of history in thrilling fiction. —Hilton Obenzinger, author of Witness 2017-2020 and American Palestine: Melville, Twain, and the Holy Land Mania