
I Survived by Mistake
This deeply personal and introspective work explores survival—not merely physical survival, but emotional and spiritual endurance through love, war, and loss. Written by a Palestinian author against the backdrop of the Gaza conflict, the book weaves together reflections on love, betrayal, war, displacement, and the search for meaning in a world stripped of stability.
The narrative oscillates between intimate romantic relationships and the brutal realities of life under bombardment. The author chronicles a turbulent love affair marked by passion, jealousy, betrayal, and eventual dissolution, examining how relationships fracture under the weight of pride, misunderstanding, and external pressures. Simultaneously, he documents the devastating experience of war in Gaza: displacement, hunger, the loss of loved ones, the daily struggle for survival, and the erosion of human dignity.
Central themes include the nature of survival—questioning whether mere existence constitutes living, and whether those who survive emerge intact or fundamentally altered. The author grapples with grief over the death of his grandmother, the loss of his beloved, and the collective trauma of a people under siege. He explores the tension between hope and despair, the betrayal of humanitarian aid systems, the corruption of values in times of crisis, and the profound loneliness of carrying unspoken pain.
Writing serves as both confession and catharsis—an attempt to staunch internal bleeding and make sense of chaos. The prose is poetic, fragmented, and emotionally raw, reflecting the author’s belief that true survivors do not write; they simply endure. Ultimately, the book is a testament to the impossibility of returning unchanged from love or war, and the quiet dignity of continuing despite everything.
| Categories: | Biography, Colonialism, Forthcoming, Gaza, Palestine, West Asia / Middle East |
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Ghostlines – Re-Drawing the LAPSSET Corridor in Kenya
Ghostlines is a graphic novel that describes the journey of the author and three Kenyan artists along the LAPSSET development corridor, a braid of roads, pipelines, and resort cities that promises to bring development to Kenya’s marginalized north. It mixes conceptual and empirical insights into the human geography of infrastructure with the narrative flexibility and depth afforded by the medium graphic novel – a geo-graphic novel.
They meet Peter, a retired pilot who had previously worked for a conservancy and can tell stories about the LAPSSET from high above and from the ground. He understands how everyone involved is seeking to benefit from the corridor in their own way, even if that means building uninhabited “ghost huts” that manifest the presence of pastoral communities and thus qualify them for compensation. Jane is an activist for a women’s and Indigenous rights organization. She’s been fighting invisible monsters her entire life: stalking hyenas (metaphorical and real), corrupt politicians, and the patriarchy itself. The spectre of the LAPSSET is only the last one of these hidden monsters. They meet Joseph, a herder, who hopes that the LAPSSET might connect him to far places but worries that it will instead cut him off of the grazing grounds that are essential for the survival of his family. What is the LAPSSET – a road or a fence? In Oldonyoro they meet Rashid, a poet, who writes about the long history of the corridor. In his mind, it reaches far back to colonial times. “My grandfather suffered greatly,” he writes, “Is it my turn to face the worst? I wonder, a tricky treasure”. In the last village on their journey, they meet a group of women who have come together to support each other. Their position on the LAPSSET is more optimistic. The real connections of solidarity they forged contrast with the imaginary ghostlines of the LAPSSET. The narrative structure of the geo-graphic novel draws connections between the narrators, that is, the team of researchers and artists and the interviewees. They seek to unravel the idea of the omniscient or unbiased narrator and to reveal how storytellers bring their own ghosts into stories. By connecting all of these narratives along their journey, they challenge the single, universalist story that planners tell about large-scale infrastructure projects. Instead, they invite the reader to embrace the often-contradictory multiplicity of infrastructural relations, to see the ostensibly solid lines on maps for what they are: a messy, ever-changing braiding of multitudes.
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Cinema of Unfinished Witnessing
This is not a book about films in the conventional sense. It is a book about the conditions under which films become legible, forgettable, weaponised, or necessary.
Across essays that move between review and reportage, festival and platform, myth and documentary, Narendra Pachkhédé reads global cinema as a moral technology of the present. He follows the contemporary attention regime, the coercions of watchability, the choreography of awards and public virtue, and the quiet ways propaganda teaches a society what to feel plausible. The question is not only what we watch, but how we have been conditioned to watch: how viewing is trained by ideological settings, how sensibility is numbed by repetition and spectacle, how attention is corralled into habits that feel like choice.
This is a book about the world of cinema and its assemblages. It attends to cinema’s extended life in media ecologies: streaming interfaces and festival circuits, platform logics and institutional gatekeeping, the politics of narrative and the global circulation of stories. It returns repeatedly to the politics of reception, where a work is domesticated or rejected, where controversy polices a field, where filmmakers bond, quarrel, protect, and betray, and where institutions decide what counts as witness. Cinema, here, is not only an art form but a system of mediation that defines the political terms under which stories are consumed.
The book crosses geographies and film worlds, tracing how nations dream through genre and how history is refashioned into culture, suspended between memory and forgetting. From the seductions of nostalgia to the endurance of Béla Tarr, from Korean modernity’s neutralised ruptures to Palestinian cinema’s custody under pressure, these essays insist that cinema is never only an image. It is an argument about reality, and a rehearsal for what a public can bear to know.
The Cinema of Unfinished Witnessing asks a simpler, harsher question: why do some stories become global vigils while others vanish into the feed? It is a book about how we come to believe what we believe, and what cinema has to do with that failure. It is also a wager that, by looking closely and naming the terms of looking, one can still be a form of care.
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Rooted in struggle
Edited by
Anne Harley and Jonathan LangdonWith
Edward Adeti, Coleman Agyeyomah, Sheena Cameron, Amanor Dzeagu, Leocadio Juracan Salome, Thapelo Mohapi, Zodwa Nsibande, Ro Paradela, Alhassan Shani, Wojciech Tokarz, & Nyeya YenThis book is the culmination of several years of partnership between social movements, social justice organizations and academics in Ghana, South Africa, Guatemala and Canada. Called the Translocal Learning Network, this partnership has generated a space for those facing the multiple and overlapping crises of our time to come together and share knowledge and mutually solidarize with each other’s struggles. This knowledge exchange and mutual solidarity has been non-hierarchical and collaborative in nature, and has taken the form of sharing and commenting on complex stories of these struggles through a participatory research methodology known as narrative restorying. As such, this book will focus on the stories each partner has shared, along with engagement with these stories by other members of the network. This interplay of knowledge sharing will provide a window into the social movement learning of network members.
The central argument of the book was best captured by Thapelo Mohapi from South Africa’s Abahlali baseMjondolo: “It is always assumed that when you are poor, when you are living in a shack, when you live in a rural area, when you are marginalized, that you cannot think for yourself, that you cannot be involved in development, because you are poor”; instead of this “People must make decisions and must be consulted, and they must have a voice to speak about their own development. It must be initiated and completed with the people.” This book is literally a space where those on the front line of struggles against land & livelihood dispossession, violent resource exploitation, climate-fueled emergencies, and the denigration of cultural and traditional indigenous knowledge share their experiences, learning, successes, and defeats, with those facing similar and related struggles but in different contexts.
In addition to the stories of these front-line voices, scholars working alongside these struggles also share some of their learnings and ideas that have emerged from the partnership in the book. Students supporting the partnership also share their learning in the book, as well as describing how their activism also provoked learning in the network. In other words, this book provides a window into a rich, ongoing dialogue of mutual learning and support that will speak to audiences in the activist and critical academic communities.
To that point, this translocal network uses the notion of translocality to push back on the capitalist, colonial, and neo-liberal agenda of a) maintaining divisions between people struggling against oppression in different parts of the world (through border controls, language divisions, and colonial racialized othering); and, b) maintaining a knowledge hierarchy that states, international institutions, intellectual institutions, and corporations are those best able to contend with the many crises we face, and even within activists, it is those movements and organizations with broad, multinational reach that can best speak for the affected. Translocality argues that it is those with local knowledge of crises and context that are best positioned to speak to what needs to change, and that local struggles meeting each other as equals, translocally, is the best way to learn from one another without imposing new forms of knowledge hierarchies. Everaldo Morales Baján, from Commité Campisino del Altiplano (CCDA) in Guatemala captures this sentiment well when he says: “This book captures the essence and importance of the different struggles that exist in various parts of the world, but which converge on always caring for the planet and human rights.”
Chapter Summaries
Introduction: Translocal social movement learning: building mutual solidarity and contesting development for social and environmental justice
Jonathan Langdon; Sheena Cameron; Rodrigo Paradela; Wojciech Tokarz
In an effort to encourage connection and mutual learning between local movements, the Translocal Learning Network (TLN) serves as an effective social justice framework that attempts to build and maintain local to local (i.e. translocal) non-hierarchical connections between movements. The overall goal of this research partnership is to catalyze and animate translocal learning as a means to build capacity among localized movements in their struggles for a climate just and anti-capitalist future, and in so doing trace the contours of a theory of translocal learning – learning based on local to local learning as opposed to top down learning that mimics the very problematic of global dominance these movements contest. Key to this process is an insistence that movements and groups rooted in local social change efforts are crucial authors and actors of a climate just and anti-capitalist future. The members of the TLN address ongoing and emergent injustices to claim rights, assert agency, and demand representation and the redistribution of resources for marginalized communities in South Africa, Ghana, Guatemala and Canada. Creating shared spaces for connection, support, and learning through the ongoing struggles of each social movement has provided continuous moments of solidarity and opportunities for reimagining being in the world. This book showcases the perspectives of our partners, providing rich accounts of their experiences that illuminate struggles, insights, and successes. It also includes academic reflections on intercultural exchanges and offers an in-depth analysis of the collaborative learning process.
‘Players change but the game remains the same’: current realities of the poor, particularly in KwaZulu Natal
Zodwa Nsibande, Church Land Programme
This phrase was used by one member of Abahlali baseMjondolo in a meeting where we were talking about elections and the impact it has on people on the ground, especially who are marginalized and yet they are still expected to participate in the upcoming elections. She cautions that we need to be mindful that even if we change the ruling party, the ‘game’, the electoral system, remains the same, producing elites. Apartheid system favored ‘white’ people. Now the current system favors the elite. The ones who are poor remain poor and left with hope that someday things will change; hope that is shattered yet renewed every five years.
While there is less intense focus on South Africa now that apartheid is over, the sociological legacies continue and the fundamental nature or rules of the game remain intact. It points to the idea that regardless of who is involved, the main objectives, strategies, and overall dynamics of the game do not change. It emphasizes the notion that although the participants may alter, the essence of the game remains unchanged.
CLP will discuss the current realities of the poor, particularly in KwaZulu Natal, under the ongoing oppressive systems in South Africa, that permeates to all aspects of life, including the electoral system that favors the elites, the failing electricity system with load-sharing, and the improper stormwater drainage systems in townships and shack settlements, flood-prone areas (compounded by climate change) that results in loss of homes, food, and lives when it rains.
The Talensi-Nabdam Gold Rush: Local Complicity, Resource Exploitation, and the Crisis of Dignity
Coleman Agyeyomah Venceremos & Alhanssan Shani
This discussion will delve into the profound impact of multi-national mining activities on the communities of the Upper East Region in Ghana, specifically focusing on the alarming stories of dispossession of ancestral lands. The region, rich in cultural heritage and agricultural livelihoods, faces a growing threat as multi-national mining companies seek to exploit its abundant gold resources in collusion with State Institutions.
Through an exploration of real-life stories, light will be shed on the multifaceted consequences of multinational mining-induced dispossession of community lands. From the loss of cultural identity to the disruption of traditional farming practices and land degradation, this narrative will highlight the social, economic, and environmental toll on the affected communities.
The discussion will also provide a comprehensive overview of the mechanisms employed by multinational mining companies to acquire land and the subsequent displacement of local populations. Additionally, throws light on the challenges and complicity faced by these communities in seeking justice and recognition of their rights in the face of powerful corporate interests.
Gold Slavery in Talensi
Edward Adeti & Yen Nyeya, Savannah Research and Advocacy Network
Talensi is a small community in the Upper East Region of Ghana. The Upper East is one of the smallest regions in the country in terms of land size. The people of Talensi are predominantly subsistence farmers who rely on livestock and crop cultivation for their livelihoods.
Mining is one of the commercial activities that require huge parcels of land. Lands earmarked for mining are often fenced and are not available for any other activity even grazing of animals is often not allowed.
The people of Talensi stand the risk of losing their livelihoods due to the influx of a number of mining companies taking up almost 70% of lands earmarked for farming activities
The Río Negro massacre: The abandonment and criminalization of communities in Resistance by the State of Guatemala
Leocadio Juracan Salome, Commité Campisino del Altiplano (CCDA)
The water resource in the highlands of Guatemala, especially in the Verapaces region, has been the scene of large massacres against Indigenous peoples for the implementation of Hydroelectric Plants.
In the 70’s, resistance communities in the banks of Río Negro began facing persecution, dispossession, and criminalization. Río Negro is one of the great rivers that supply the largest Hydroelectric Plant in Guatemala called Chixoy. There were massacres, many disappeared, others forcibly displaced, exiled from their territories where they were born and others who remained in resistance.
With the largest hydroelectric plant in the country 4 kilometers away and despite suffering dispossession and criminalization, more than 500 families from the departments of Quiché, Alta and Baja Verapaz live in conditions of abandonment, without electricity, without development programs for health, housing, education etc.
Despite all the violations against humanity committed in the Río Negro Massacre, many Q’eqch’i’ Mayan families are still waiting for compliance with the resolutions of the Inter-American Court of Human Rights -IACHR-, which mandates the recognition of the violations of Human Rights, the compensation to the families and the legalization of some 1,500 caballerías of territory in favor of the families by the State of Guatemala.
We are not opposed to the energy transition, but respect for the lives of families, their development, respect for the life cycle of Rivers and Mother Nature.
Nothing about us without us – Everybody Thinks!
Thapelo Mohapi, Abahlali baseMjondolo
The dignity of the poor can only be achieved if they are part of their own development, becoming stewards and active participants on their own terms and by their own design. This must be a process undertaken from below, democratically, with people being consulted and making decisions, having a voice to speak about their own development. It must be initiated and completed with the people. “Nothing about us, without us”, the slogan used by many movements to demand that the full and direct participation of members must be integral to decision-making, grounds the work of Abahlali baseMjondolo, a shack dwellers movement in South Africa, with more than 180,000 members that was formed in 2005 to fight for, promote and advance the interests of the poor and marginalized.This contribution grows out of a critique of development and is grounded in the understanding that development is neo-colonial and neo-imperial and that is something that is imposed and done to poor people in the formerly colonized countries, with the backing and financial support of Western governments, aid agencies, companies, and local governments. It is always assumed that when you are poor, when you are living in a shack, when you live in a rural area, when you are poor and marginalized, that you cannot think for yourself, that you cannot be involved in development, because you are poor. AbM demonstrates that people and movements are capable of determining what is best for themselves and to ensure the dignity and rights of the poor.
Ada Songor Lagoon; Our Heartbeat!
Amanor Dzeagu, Radio Ada
November 6, 2023 has become another taboo day for the local salt producers in Ada, just as the police confrontation with community members that led to the death of a pregnant woman in 1985. The Story of the Songor Lagoon: Who Killed Maggie?
Mr. John Korletey Agormedah, a 52 year old salt winner died of bullet wounds after he has been shot three times during an attempt to protect his salt winning business. His killing occurred when a joint taskforce and state police sent by Electrochem Ghana Limited, a private company awarded the entire Ada Songor Lagoon in a monopoly lease by the government and some local chiefs to destroy the community members salt winning equipment in the lagoon communities. Local chiefs fail to condemn the barbaric killing of their subject after three months, rather, they quickly reacted and condemn a political candidate for his comments which has been deemed, uncultured language in a viral video. He has been fined 30,000 Ghana cedis, 4 Rams, 4 foreign schnapps or face a ban in the elections. The police continue to arrest, detain and prosecuting community members including chiefs with the offence of inciting community members against the private company.
Translation, Care, and Political Commitment in the Translocal Learning Network
Ro Paradela; Wojciech Tokarz
This chapter examines translation within the Translocal Learning Network as political infrastructure that shapes collaborative knowledge production. Through translator Ro Paradela’s work – employing gender-inclusive Spanish, strategic domestication, and simultaneous interpretation – translation emerges as relational labor that negotiates power, affirms identities, and fosters belonging across linguistic boundaries, transforming communication into an act of care and solidarity.
Research Assistant Learning from Social Movements (Pending)
Sheena Cameron; Ro Paradela
Cameron and Paradela add another dimension of learning in their chapter, sharing their own learnings and reflections from their participation in this network as research assistants, in relation to the changing context and expressed learnings of other former research assistants over the last twelve years, while simultaneously engaged in their own studies – Paradela as an undergraduate honours student, and Cameron as a PhD student.
Learning from subaltern social movements
Anne Harley; Jonathan Langdon
As engaged scholars, with a long interest in social movements, we have been working with some of the social movements who form part of this group over a number of years. We have learned a great deal from our interaction with them, and have worked together to begin to theorize this learning. In this contribution, we discuss what we mean by the concept ‘subaltern social movement’, and why we feel that the learning from such social movements is critical in current times.
Concluding Chapter
Translocal Learning Network
This chapter emerges from the collective reflections of the network on the process of creating the book, and what we have learned along the way. It will respond to the emergent themes and interlinkages identified in the opening chapter, but also highlight the ways in which we have all responded to each other’s stories, comments and analyses.
Author Bios
Edward Adeti, is a Ghanaian-born investigative journalist widely known for his anti-corruption work and courageous journalism despite facing threats. He was named Ghana’s best journalist in 2024 and won the best investigative journalist award the same year. Some of his notable works include: exposing Ghana’s justice system, leading to a judge’s recusal and a minister’s resignation; the documentary “Cash for Justice”, which led to a senior state attorney’s dismissal; “Stealing from the Sick”, an investigative piece exposing medicine theft at a government hospital, leading to arrests and prosecution of some members of a syndicate; and “Blood Gold”, a series he co-authored with Eryk Bagshaw, an Australian investigative journalist, on human rights violations by mining companies in Ghana, winning multiple international awards in 2023. He is a member of SRAN.
Coleman Agyeyomah formerly of Venceremos Development Consult is currently the Director, of Innovation Development Alternatives (IDEAs), a devolvement and organizational change NGO. Agyeyomah has over 20 years in facilitating and the mobilizing of Community Based Organizations/leaders for social change in poor and vulnerable communities of northern Ghana. Above all, he also teaches and provides field-based experiential learning support for students from Universities of Trent and St. Francis Xavier Canada.
Sheena Cameron is a Lecturer at St. Francis Xavier University (Canada) as well as a Research Coordinator of the Translocal Learning Network. She brings decades of community work in West Africa, Guatemala and Canada and community radio and podcasting experience to the writing of her chapter. She holds a Masters in Communication and Social Justice and she is currently completing a PhD in Social Justice Education at the Ontario Institute for the Study of Education (OISE) at the University of Toronto.
Amanor Dzeagu is a community radio practitioner and development communicator working with Radio Ada, a community radio station in the Greater Accra Region of Ghana. He works closely with local communities to tell their stories, document their traditions, and advocate for inclusive development through radio and community engagement. With a deep respect for the Dangme culture and indigenous systems, Amanor uses the community radio as a bridge between tradition, development, and the voices of the people. He brings more than two decades of community broadcasting experience to the writing of this chapter.
Anne Harley is a senior lecturer in adult education at the University of KwaZulu-Natal (Pietermaritzburg) in South Africa. Working within the radical adult education tradition, she is particularly interested in informal adult education/learning in/through/with struggle, and her work focuses on counter-hegemonic learning and theorising, particularly in subaltern social movements, and is thus related to issues of emancipatory politics, the notion of civil society, and discourses of ‘development’ in South Africa and beyond.
Leocadio Juracan Salome is one of the leaders of the Comité Campasino del Altiplano (CCDA), a large movement of peasant farmers in Guatemala. Leocadio brings decades of political and community organizing experience to CCDA’s contribution to the book.
Jonathan Langdon is a Professor at St. Francis Xavier University (Canada) in Development Studies and Adult Education. Langdon has over 20 years of community engagement, activist organizing and facilitation work, as well as being the convener of the Translocal Learning Network for the last 3 years.
Thapelo Mohapi was born in Matatiele in the Eastern Cape and raised in Durban, KwaZulu Natal. He is the current elected General Secretary of Abahlali baseMjondolo Movement SA, the movement of informal settlements in South Africa, numbering over 180,000 members. Prior to that, he was the chairperson of the Briardene branch in Durban within the movement. He also served as the Provincial Secretary of KwaZulu Natal. AbM is a movement that fights for land, housing and the dignity of the poor in South Africa.
Zodwa Nsibande is a social justice advocate and community leader from Durban, South Africa. She served as General Secretary of the Abahlali baseMjondolo youth league in 2009, she spoke out against the harmful effects of the FIFA 2010 World Cup on shack settlements , leading to threats that forced her into hiding. In 2011, she joined the South African delegation to the Ecumenical Accompaniment Programme in Israel and Palestine (EAPPI), spending three months advocating for peace and human rights. Since 2013, Zodwa has served as a Programme Activist at the Church Land Programme, supporting marginalized communities in securing land rights and dignified living conditions in both rural and urban areas. Most recently, she was a visiting scholar at the University of Sheffield’s School of Law in the United Kingdom from June 24 to July 26, 2024.
Ro Paradela (they/she) is a transfeminist activist from Mexico City. They graduated St. Francis Xavier University with Honours in Sociology and a Subsidiary in Women’s and Gender Studies. They are currently organizing in the fight against the crisis of transfemicidal violence in Mexico.
Alhassan Shani is a development practitioner and works with IDEAs, Northern-Ghana. He has over nine (9) years of experience in development research, community mobilization, social accountability, monitoring and evaluation of projects and development planning process. Alhassan’s development orientation is firmly rooted in participatory development. Additionally, he is passionate about research that encourages community participation, learning and action.
Wojciech Tokarz is a scholar and administrator serving as Associate Professor of Spanish and Interim Dean of the Faculty of Arts at St. Francis Xavier University (Canada). His research examines post-dictatorship Argentine literature, Indigenous representation, and translation theory, in particular how translation facilitates negotiation of Indigenous and LGBTQ+ identities, fostering belonging and advancing decolonial ethics. More information: https://wojciechtokarz.academia.edu
Nyeya Yen is a lifelong social justice activist with over 50 years of advocacy in Ghana and Africa. Exiled in 1982 under the Rawlings regime, he lived in Togo and the UK while campaigning for political justice. Returning in 2014, he continues to fight marginalization in mining-affected communities in Ghana’s Upper East Region.
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Kidnapped on the Global Sumud Lifeline to Gaza 2026
USD $ 5.00 – USD $ 16.99Price range: USD $ 5.00 through USD $ 16.99Select options This product has multiple variants. The options may be chosen on the product pageKidnapped on the Global Sumud Lifeline to Gaza 2026
USD $ 5.00 – USD $ 16.99Price range: USD $ 5.00 through USD $ 16.99Kidnapped on the Global Sumud Lifeline to Gaza 2026 is the first-person account of Fra Hughes, a Belfast activist who sailed with the Global Sumud Flotilla in April 2026 on a humanitarian mission to break Israel’s siege of Gaza. Carrying food, medicine, and an unshakeable conviction that another world is possible, Hughes and his comrades were intercepted in international waters by Israeli commandos. What followed were three days of kidnapping, imprisonment, and deliberate degradation—from a metal shipping container in the Mediterranean to the high-security Ketziot Prison in the Negev desert.Told with unflinching honesty and dark Irish humour, this memoir spans three decades of activism. Hughes traces his journey from the streets of Belfast during the Troubles—where solidarity with Palestine was forged in the shadow of British occupation—through fifteen years of campaigns, convoys, and protests in Brussels, Barcelona, Cairo, and beyond. He documents the first Gaza convoys of 2010, the slow-burning solidarity movement that kept faith through years of failure, and the 2026 flotilla aboard the Alma: the preparations, the dangers, the extraordinary community of international activists who risked everything together on the water.The book weaves together multiple voices, including Tadhg Hickey’s account of a separate vessel in the same flotilla, and bears witness to atrocities—beatings, sexual assaults, mass arrests—documented in Istanbul medical centres and activist testimony. Against the normalisation of Gaza’s genocide, Hughes insists on naming what he saw.Returning to a hero’s welcome in Dublin and Belfast, his message is unambiguous: international solidarity is not charity but resistance. Kidnapped on the Global Sumud Lifeline to Gaza 2026 is a testament to sumud—steadfast endurance—and a call to action for everyone who refuses to look away.Select options This product has multiple variants. The options may be chosen on the product page -
El Precio de la Dignidad
Este libro narra la conmovedora historia de Patrocinia Polanco Rivas, una campesina salvadoreña que personifica la lucha por la dignidad en medio de la adversidad. A través de su testimonio y el análisis del autor Andrés McKinley, la obra recorre su vida, desde una infancia marcada por la pobreza extrema y la opresión de la oligarquía cafetalera, hasta su participación en la guerra civil como operadora de radio del FMLN tras el asesinato de su mentor, el padre Rutilio Grande. La guerra le arrebata a su padre, pero forja en ella una resistencia inquebrantable.
Tras los Acuerdos de Paz de 1992, la esperanza de una vida digna se desvanece ante la persistente pobreza y las políticas neoliberales que mantienen a las familias campesinas en la miseria. Para sobrevivir, Patrocinia trabaja incansablemente cortando caña de azúcar, mientras la falta de oportunidades lleva a su esposo y, posteriormente, a sus seis hijos a emprender el peligroso viaje migratorio hacia Estados Unidos. El libro documenta los horrores de este periplo: el abandono, la extorsión, el secuestro y la constante amenaza de la muerte.
Una vez en el norte, los hijos de Patrocinia se enfrentan a la dura realidad de la vida indocumentada y a la maquinaria represiva del ICE, especialmente bajo la administración de Donald Trump. La autora establece un poderoso paralelismo entre la violencia de los escuadrones de la muerte en El Salvador y la persecución sistemática de los migrantes.
El Precio de la Dignidad es un testimonio de la resiliencia humana, mostrando que la dignidad no reside en el éxito de la lucha, sino en la propia lucha, un legado que Patrocinia heredó de su padre. El libro se erige como un recordatorio urgente de las consecuencias humanas de la guerra, de la injusticia económica y de las políticas migratorias despiadadas.
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Nos rehusamos a ser borrados
USD $ 16.00Con desgarro, con dolor, pero sobre todo con enorme dignidad, porfía y convicción, un grupo de estudiantes de Gaza nos hace sentir y escuchar su voz urgente y afirmativa en una frase valiente e inquebrantable: Nos rehusamos a ser borrados.
Con la universidad en ruinas, con la ciudad y el país transformado en escombros, con sus familias diezmadas por el éxodo incierto y un genocidio llevado adelante por el Estado de Israel, un conjunto de estudiantes gazatíes levanta un testimonio coral que documenta con un pulso literario desgarrador la ruptura absoluta de la cotidianidad civil a partir de octubre de 2023.
Con un tono profundamente descriptivo y despojado de eufemismos, los narradores exponen la caída de los hospitales, la precarización en claustrofóbicas tiendas de campaña y la instauración de una hambruna fabricada como táctica bélica, donde el intento de conseguir un simple saco de harina se convierte en un acto de inmolación.
Al documentar el asedio, los textos evidencian cómo el resguardo de la identidad y la educación emergen también como formas de resistencia. Estudiantes que buscan captar señal de internet en los tejados bajo el constante zumbido de los drones demuestran que mantener viva la necesidad de comunicar es el único antídoto contra la aniquilación sistemática.
La sección poética sublima el trauma físico, ofreciendo una exploración visceral sobre la pérdida, la orfandad cíclica y la culpa del sobreviviente. Más que un recuento de atrocidades, este libro es un imperativo ético contra el silencio del mundo.
Select options This product has multiple variants. The options may be chosen on the product page -
Select options This product has multiple variants. The options may be chosen on the product page
Beneath the Hum of Drones
Royalties from this book go to the students in Gaza.
The Gazan students who refused to stop learning
Beneath the Hum of Drones: On Solidarity and the Courage of Gaza’s Students, a new book by Professor Zahid Pranjol, tells the story of how students in Gaza continued to learn through war, displacement and siege, and how an extraordinary network of volunteers from the UK came together to support them, drawing on first-hand testimony from Gaza, stories from inside the atrocities and personal reflection.
The new book follows students who continued to study, write, paint and organise while their universities and homes were being destroyed around them. Alongside their stories, it traces a grassroots movement that connected academics, teachers and communities across the UK with students in Gaza, providing teaching, financial support and opportunities for the students’ artwork and poetry to be seen and heard outside of the walls of Gaza and for their voices to be carried to the world. This book is about the author’s journey with a community of students in Gaza built together, across an impossible distance and in the middle of a genocide.
“This is not a book I set out to write. It began as a question asked over coffee by a scholarship student from Gaza who wanted to know what the two of us, in a university in the south of England, could actually do in the face of annihilation of the people of Palestine.” Professor Pranjol writes.
What followed was an extraordinary international effort. University academics, more than 70 volunteer English teachers, artists, healthcare professionals and hundreds of ordinary people came together, united by the belief that they could not stand by while Gaza’s students were denied their education. Together, they built a network of solidarity with members centred around the University of Sussex and communities across East Sussex, UK. Among those involved were English teachers, doctors, artists and university lecturers from across the UK who volunteered hundreds of hours to teach students in Gaza remotely.
Since early 2024, the initiative has grown into a wide-ranging programme of educational, creative and psychological support for students in Gaza. Its work includes English language teaching delivered by volunteer teachers, art therapy for children, specialist psycho-trauma therapy delivered remotely through Zoom and WhatsApp, and medical and psycho-trauma training for healthcare professionals working in Gaza. The wider initiative documented in the book has supported an estimated 4,000 to 5,000 students through educational programmes, financial assistance and wellbeing support.
The initiative has been shaped by listening to students in Gaza themselves to understand what their needs are. Organisers asked them to identify their most urgent priorities, time and again, they told of their immediate need for access to emergency medical training and mental health training, alongside financial support.
This new book tells their story. Rather than focusing on governments or institutions, Beneath the Hum of Drones centres the experiences of Gaza’s students themselves. Through essays, paintings, poems and personal testimony, the book presents young people determined to continue learning despite extraordinary circumstances.
Professor Pranjol says the students of Gaza became his teachers.
“I was not the teacher in this story. I was the student. The young people of Gaza, studying under bombardment, writing from the side of the road, painting the sea from rooftops beneath the drones, were the ones with something to teach, and this book is mostly a record of what they taught me.”
Since October 2023, universities across Gaza have been devastated, every school has been damaged or destroyed, and hundreds of thousands of students have seen their education disrupted. Palestinian academics have described the destruction of the higher education system as ‘scholasticide’, the systematic destruction of educational institutions and knowledge itself.
While much has been written about the destruction of Gaza, few books tell the story through the eyes of its students, or document the international community that emerged to support them. Beneath the Hum of Drones documents not only that destruction, but also the determination of students and educators to continue learning, and the communities around the world that chose to stand beside them.
“I have tried to write this book without looking away, and without reducing anyone person to a number or a symbol. The people in these chapters have names, and tastes, and ambitions. They argue and they make jokes. They are still hoping. They are, against years of siege and horror, still here.” Professor Pranjol remarks.
All author royalties from Beneath the Hum of Drones will go directly to supporting students in Gaza. By purchasing the book, readers are helping to fund educational opportunities and ensure that young people can continue learning despite the ongoing destruction of Gaza’s education system.
Professor Zahid Pranjol is Professor of Biomedical Sciences at the University of Sussex and a leading voice in inclusive science education and curriculum reform. He is also the co-author, with Dr Jacob Norris, of We Are Still Here, the 2025 anthology bringing together the voices of 58 university students writing from Gaza during the destruction of their universities and homes. Beneath the Hum of Drones tells the story behind that project and the wider movement it inspired.
Endorsements
“An extraordinary and inspiring story of the effort by global solidarity activists to keep Gaza’s students learning against near-impossible odds.” — Norman Finkelstein and Deborah Maccoby
“Testifies to the resilience of Gaza’s younger generation, whose determination should humble us all.” — Ilan Pappé
“A fellowship of endeavour proving that the truest bonds of humanity acknowledge neither distance nor siege.” — Vusi Madonsela
“An inspiring story of what happens when individuals decide to make a difference.” — Caroline Lucas
“Heart wrenching and inspiring, a model of what humanity can do in the rubble of the inhuman.” — Lila Abu-Lughod
“A remarkable testament to the enduring power of education, compassion, and courage.” — Professor Dr. Omar Kh. Melad
“In the face of scholasticide, Palestinian students give us hope.” — Neve Gordon
Closing
The genocide continues. Yet so does the extraordinary courage of Gaza’s students, and the growing network of solidarity that stands beside them. They are still teaching. They are still writing. They are still painting. They are still dreaming of a future. They are still here.
“The people of Gaza were never waiting to be saved. They were already doing the work. They asked only that the rest of us not leave them to do it alone.”
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Night Settles Upon The City
USD $ 15.00 – USD $ 16.00Price range: USD $ 15.00 through USD $ 16.00Written with urgency out of a war-time Beirut, this poetry collection registers the griefs and the heroism of the Lebanese, under siege yet again. Sabbagh lends his lyrical voice here, to give a voice to the voiceless, trying to find some harmonic sense out of catastrophe. This book will compel readers, both Lebanese and those with any kind of human heart. While much of the work was written swiftly, on impulse, and almost like, as one of the poem’s title’s has it, a ‘War Diary,’ in verse, this work aims nonetheless to last in its significance and resonance at a time when the world as a whole (let alone Lebanon herself) has become so unpredictable, so fickle and so perilous. Night Settles Upon The City aims to be a worthwhile addition to the contemporary literature of war and, more specifically, to the literary representations of the modern Lebanese reality and experience.
Omar Sabbagh is a poet who is privileged to write about war and destruction from the relative safety of his study. But this double-edged illusion is insidious — mental and emotional inwardly, and physical for those who are directly under attack. It is visceral, political, heart-wrenching — yet the poet seeks out light and hope through the act of writing, for the sake of ownership and sharing. He may say that “I cannot read minds and nor / will I ever wish to”, but he writes for the importance of record-keeping, seeking solace, both private and public — as the Night Settles Upon The City of Beirut.
— Sudeep Sen, Winner of the Rabindranath Tagore Literary PrizeOmar Sabbagh has long brought us a world in which personal experience stitches a hyphen between the eastern Mediterranean and the northerly British archipelago. Now he makes the tension inherent within that richness explicit, in a love-letter to his family and home city of Beirut. Written while the ‘night’ of war ‘settles upon the city’, his introductory ‘Thoughts’ show us how unthinkable war remains, even when it arrives on the doorstep. This is a book of witness to what cannot happen, and yet does.
– Fiona Sampson, Professor Fiona Sampson MBE FRSL.Two-Way Mirror: The Life of Elizabeth Barrett Browning WW Norton 2022 – Washington Post Book of the Year, New York Times Editors’ Choice, finalist Plutarch Prize, finalist PEN Jacqueline Bograd Award, Sunday Times Paperback of the year.The poet Omar Sabbagh lives in Beirut. His voice is playful, almost surreal at times. He talks of ‘the hairbrained monocle of war’ and suggests that if you live long enough in a place like Beirut ‘laughter becomes a lover’s distance-giving kiss’. Night Settles Upon the City offers us a poetry that is neither ideological nor partisan, not of the frontline but of a deeply threatened warzone. Its terms are easy-going, sorrowful, humane, formally intelligent and tinged with apprehension. It is humanity being human. Reading it is relief and hope.’
— George Szirtes FRSL, Eliot Prize winner.Night Settles Upon the City by Omar Sabbagh is a profoundly reflective and evocative collection that blends personal experience with the brutal realities of life in a war-torn Beirut. Through a tapestry of poems, essays, and prose, Sabbagh explores the intersections of love, grief, intellectual contemplation, and the relentless backdrop of violence. The writing oscillates between moments of tender introspection and stark depictions of societal collapse, embodying a kind of philosophical meditation on suffering and survival. Sabbagh’s voice is distinctively lyrical, capturing both the intimacy of individual loss and the broader existential weight of conflict. His reflections on war and its aftermath are imbued with a sense of historical consciousness, yet deeply grounded in the immediacy of personal anguish and resilience. The collection is not just about bearing witness to destruction, but also about finding fragments of humanity amidst the ruins. A haunting and powerful work that invites readers into the fragile space between beauty and despair.—Dr. Pamela Chrabieh, Kulturnest Co-founder & Managing Director
The Arabic term for poet means the one who feels, unlike the Greek origin of poetry, which describes the craft itself. Omar Sabbagh is the quintessential poet in the Arabic sense. In this collection, he vibrates with Beirut, where he now lives, at a time when the city’s famous cultural vibrations are overwhelmed by murderous quakes caused by the Israeli war machine.
—Gilbert Achcar, Professor of Development Studies and International Relations at SOAS University of London.Beirut’s Omar Sabbagh, lover of beauty, poet of lush lyrical power, addresses the spirit of the great Dr. Edward W. Said in one poem, saying these troubled seasons make him “restless now in (his) resting place.” I’m captivated by a further description of Said, “living paper, breathing ink of one whose thoughts still seem to think.” There is healing in such sensitive recognition. Wise voices we always needed are suddenly needed desperately. Sabbagh invokes his love for a precious home frequently under siege and his care for all the people who made and surround him. Gratitude for the wisdom, kindness and rich affections of Night Settles Upon the City.—Naomi Shihab Nye, recipient Lifetime Achievement in Poetry Award, the Wallace Stevens prizeIn Night Settles on the City, Omar Sabbagh gives voice to the bewilderment, fear, rage, and despair so many of us in the Middle East are currently feeling. His eloquent, tender poems grapple with the impossibility—yet absolute necessity—of language at a moment when words otherwise fail. Like all the best poems, Sabbagh’s challenge, soothe, haunt, and rehumanize us, ultimately arousing our better selves.
—Mai Al-Nakib, author of An Unlasting Home and The Hidden Light of ObjectsBoth erudite and demotic, felt through the body and ‘guided by ear’ Omar Sabbagh’s voice powers through the remote attacks on Beirut – the city in which he currently lives – the hourly atrocities and unspeakable suffering to reach us and to speak for us. ‘What’s to understand?’ he asks ‘That murder can be finessed?’ In his seminal new collection, Night Settles Upon the City, night becomes a ‘dark and violent animal’ with its ‘panther’s pelt’ of terror ‘slowly curving round us’ through which we hear the voice of the aggressor reflecting that ‘…each murderous attack/ I order seems to drain this world of innocence.’ Yet Sabbagh’s own voice remains measured, balanced, especially in the portraits he paints of his beloved father…‘It gets worse each day watching him/ ageing’ (‘The Old Man and his Walking Stick’). This poem ends with the lines ‘an old man and his son, fighting a war/ in a warzone we all must visit’. Alongside unimaginable horror we are shown the ordinary griefs and losses that we all suffer – of ageing, of failing, of being human; and it’s the humanity and compassion with which Sabbagh bears witness that will secure this book’s future among the handful of classics that will come to define our era.
— Jenny Lewis, MA Oxon., MPhil., PhD, Tutor for Poetry, Oxford UniversitySelect options This product has multiple variants. The options may be chosen on the product page







