Beneath the Hum of Drones

On Solidarity and the Courage of Gaza’s Students

The sound is always there. Hmmm. A low, continuous, mechanical hum that never stops. It is the sound of drones—circling above Gaza at all times, surveilling everything below, a permanent reminder that someone is always watching. It has been there since before the students could remember. Since childhood, when it disrupted their favourite cartoons. It is the backdrop against which Gaza’s students refused to stop learning.</p> Beneath the Hum of Drones tells the story of those students through their own words and paintings—and the story of how their voices reached the world.It begins with a single conversation over coffee in England. A young Gazan scholar asked: What can we do? Not governments. Not international bodies. We, the two of us, here, with what we have. What could be done for the students of Gaza, right now?What followed was a grassroots movement that nobody had planned. Seventy English teachers volunteered to teach through WhatsApp voice notes, listening to recordings made with the constant sound of surveillance overhead. Academics from across the UK delivered recorded lectures to medical students who walked miles through rubble for a signal. A community in Brighton and Hove raised funds for tuition fees and devices, sold student artwork as tote bags and stickers, and packed rooms for readings that left strangers weeping. A gallery in Hailsham hung the students’ paintings free of charge. A publisher brought out We Are Still Here, an anthology of poetry and prose by fifty-eight Gazan students writing from displacement tents and bombed-out neighbourhoods. But this book is not only about what was built. It is about who built it—and who they built it for.

Overview

Beneath the Hum of Drones: On Solidarity and the Courage of Gaza Students is a powerful testament by Professor Zahid Pranjol about his journey building educational solidarity with students and academics in Gaza during the ongoing genocide. The book documents how a simple question—”What can we do?”—sparked a movement that grew from one conversation over coffee into an international network of educators, students, and activists.


Thematic Breakdown

1. Educational Resistance Amid Genocide

The book chronicles the systematic destruction of Gaza’s higher education system—universities bombed, professors killed or displaced, laboratories destroyed—and the extraordinary determination of students and academics to continue learning against all odds. Palestinian educators rebuilt laboratories from rubble, taught from displacement shelters, and maintained academic continuity through will alone.

2. The “We Are Still Here” Initiative

What began as a WhatsApp group with 800 international academics grew into a comprehensive support network:

  • Teaching Materials: Recorded lectures and resources in medicine, applied sciences, engineering, and business, aligned to Gaza’s actual curricula

  • English Language Programme: 70 volunteer tutors teaching approximately 1,000 students via voice notes and Zoom

  • Mental Health Support: One-to-one and group sessions for students experiencing trauma, grief, and suicidal ideation

  • Tuition Fee Fundraising: Community campaigns ensuring students remained enrolled

  • Device Provision: Laptops and phones for students whose equipment was destroyed

3. The Book We Are Still Here

Students from Gaza contributed 108 poems and prose pieces—written from displacement, under drones, through hunger and grief. The collection features work from 58 named authors, translated into English, French, German, and Spanish. The book’s royalties support students’ education directly.

4. Art as Witness and Survival

Paintings created in Gaza—vivid with colour despite the destruction—were exhibited in Gallery North (Hailsham) and Sussex University Library. Artists like Hala Alshanti, Sara Kamal, Farah Ajour, and Lama Deeb created work that bore witness to displacement, famine, and loss while insisting on beauty and humanity.

5. Children’s Art Workshops

The initiative provided art workshops for children who had experienced two years without play, without safety, without childhood. Facilitators offered paint, paper, and attention—giving children afternoons of normalcy in the midst of genocide.

6. Community Solidarity in Brighton and Hove

A grassroots community—booksellers, venues, individual donors, Palestinian organisations, and volunteers—organized events, fundraised, and sustained engagement month after month. Every pound raised went directly to tuition fees and devices.


Key Voices

  • Mohammed Al-Ajez: The student whose question began everything

  • Saad Muhana: A mechanical engineering graduate who grew up under drones and contributed to We Are Still Here

  • Rula Ibrahim Abu ElKhair: A medical student who climbed rooftops for signal and described choosing to “live as a survivor not as a victim”

  • Obay Jouda: Inspired by murdered poet Refaat Alareer, he helped bring the book to life

  • Hala Alshanti: Painted “We Are Still Here”—a family pulling a handcart forward while a bombed building stands behind them

  • Lama Deeb: Drew a starving child from life, rendering every rib with devastating precision

  • Hind Rajab: A five-year-old killed in Gaza, whose story haunts the book as a symbol of thousands of children lost


Core Themes

  1. Education as Survival: Learning is not a secondary concern but an existential act—a refusal to accept erasure

  2. Dignity Over Pity: Solidarity means standing beside people, not above them; respecting agency rather than offering charity

  3. The Sound of Drones: The constant, inescapable hum of surveillance that has been the backdrop of Gaza’s children’s entire lives

  4. Scholasticide: The systematic destruction of educational infrastructure as a strategy of genocide

  5. Palestinian Leadership: The work was always Palestinian-led—internationals only amplified and supported

  6. The Right to Be Ordinary: Every child deserves a childhood free from fear—this is the minimum, not a luxury


Call to Action

The book concludes with a chapter challenging educators and institutions to “decolonise our silence”—to:

  • Use precise language: genocideoccupationapartheid

  • Centre Palestinian voices in academic and public discourse

  • Rebuild Gaza’s educational system on Palestinian terms

  • Advocate for Palestinian freedom of movement and academic participation

  • Normalise the conversation about Palestine in every institution


Endorsements

The book features powerful endorsements from:

  • Norman Finkelstein and Deborah Maccoby: “We were partners in a teaching collaboration that happened to be operating across a genocide.”

  • Ilan Pappé: “This book testifies to the resilience of Gaza’s younger generation.”

  • Caroline Lucas: “An inspiring story of what happens when individuals decide to make a difference.”

  • Vusi Madonsela (South Africa’s ICJ Agent): Describes the work as an inspiring story of individuals making a difference.

  • Professor Dr. Omar Kh. Melad (President of Al-Azhar University, Gaza): A “remarkable testament to the enduring power of education, compassion, and courage.”


The Final Message

The book ends with this: They are still teaching. They are still painting. They are still hoping. They are still here.

The work continues. The genocide continues. But so does the determination of Gaza’s students and the solidarity of those who choose to stand with them.

“The people of Gaza were never waiting to be saved. They were already doing the work. They asked only that the rest of us not leave them to do it alone.”

Royalties from this book go to the students in Gaza.

ISBN Print: 9781997742463
Publication Date: July 2026
Page Count: 218
Binding Type: Soft cover
Trim Size: 6in x 9in
Language: English
Colour: Black and White

Professor Zahid Pranjol is Professor in Biomedical Sciences at the University of Sussex. He is a leading voice in inclusive science education and curriculum reform, leading efforts to decolonise the biosciences curriculum by challenging Eurocentric biases and diversifying reading lists.…

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