Bongoman lands a job as a reporter and his first assignment for the News Daily is to cover the ongoing war in Somalia between the Transitional Government of Somalia and militant groups in the war-torn country. Bongoman boards a plane to Jowar but due to bad weather the plane is forced to land in Mogadishu, the last place Bongoman wanted to find himself in. The lawless nature of the battle-scarred city catches up with him soon enough. He finds himself at the wrong end of a gun at every turn. He meets an old friend who has a penchant for attracting trouble. To his shock, he learns that she’s running guns for one of the main warlords in the city. He tries to extricate himself from her company but the situation escalates and they both end up in the hands of a regional warlord, who sees in them handsome ransom rewards. An old friend helps Bongoman and his companions escape from their dingy dungeon but they have to contend with a terrorist armed with an RPG. Bongoman has been shot at, blown up, kidnapped and buried in a landslide. It’s time to go back home… but will it be that easy?
USD $ 14.00
James Kamawira, who uses the pseudonym Kham, began his career in cartoons in 1988 when he joined the Kenya Times newspaper as a political commentator/illustrator. Before that, he worked in an advertising agency, Hill Ayton, where he honed his skills…
| Book Format | Print Book |
|---|
There are no reviews yet.
Only logged in customers who have purchased this product may leave a review.
This book examines citizenship, identity and belonging in Kenya through an analysis of literature, film, music, and theatre. Reflections on women, statelessness and refugees are central considerations.
This collection of essays explores the multifaceted nature of the Amílcar Cabral’s legacy with the specific goal of understanding his relevance to contemporary politics. Ranging from his philosophical arguments about culture and colonialism to more concrete historical explorations of his impact on African American movements in the United States, the book is an accessible and valuable introduction to Cabral’s thought. … As a collection it is a timely one and will be valuable for anyone seeking to be introduced or reacquainted with debates about revolution, colonialism and culture, nationalism, and pan-Africanism. Claudia Gastrow in Feminist Africa
2013 marked the 40th anniversary of the assassination of Amilcar Cabral, a revolutionary, poet, liberation philosopher, and leader of the independence movement of Guinea Bissau and Cap Verde. Cabral’s influence stretched well beyond the shores of West Africa. He had a profound influence on the pan-Africanist movement and the black liberation movement in the US. In this unique collection of essays, contemporary thinkers from across Africa and internationally commemorate the anniversary of Cabral’s assassination. They reflect on the legacy of this extraordinary individual and his relevance to contemporary struggles for self-determination and emancipation. The book serves both as an introduction, or reintroduction, to one whom global capitalism would rather see forgotten. Understanding Cabral sheds light on the necessity of grounding radical change in the creation of theory based on the actual conditions within which a movement is attempting to develop. Cabral’s theoretical ideas and revolutionary practice of building popular movements for liberation are assessed by each of the authors as critically relevant today. His well-known phrase “Claim no easy victories” resonates today no less than it did during his lifetime. The volume comprises sections on Cabral’s legacy; reflections on the relevance of his ideas; Cabral and the emancipation of women; Cabral and the pan-Africanists; culture and education; and Cabral’s contribution to African American struggles. A selected bibliography provides an overview of Cabral’s writings and of writings about Cabral.
Description (1711 / 2500)
Part of what is revealed is what is wrong and toxic – in ourselves, in our relations with others, and in our relation with the rest of non-human nature. But it’s also terribly important to listen for and to seek out what is revealed that is good and life-affirming. Both are vital. Our current situation is deeply structured by capitalism and as such has made all of our lives, livelihoods, relations and goods tied up with, and dependent on, reproducing that system. It is clear that the real catastrophe is the inevitable and accelerating spiral of death that flows from that logic of capital and of money. But new (and old too) forms of experimenting in radically different ways of doing/being/relating that flow from it are also revealed – the ways of thinking and doing that reject the logic of power-over, of competition or profit, of exploitation and humiliation. Can these be sustained beyond the immediate corona crisis?; shouldn’t we be encouraging people to identify these areas and think/act them as a present future, planning and imagining how to extend them forward in time?; and expanding them to growing spheres of life? At the level of values and principles, we do wonder whether kindness, social solidarity, and an appropriate scale of time, aren’t perhaps the most important of these?
We are much more likely to actually change the world when we listen and tap into all the many ways in which people’s own questions and thinking, their ways of relating and acting, refuse the logic of toxic power and monetised exchange for profit. Here, we will discover already-existing breaks and practices that, instead, embody and embrace the values and principles for a better way of reproducing life.
This book, originally published by AwaaZ in Kenya, provides insights into journalists of Indian origin who wrote about the struggles of Kenyan people.
There has been a rise in the use of strategic litigation related to seeking equality for lesbian, gay, and bisexual (LGB) persons. Such developments are taking place against the backdrop of active homophobia in Africa. The law and the general public should, argues the author, treat LGB persons in the same way that heterosexuals are treated. In the past two decades,30 strategic cases have been fi led by LGB activists in the Common Law African countries, namely in Botswana, Kenya, Nigeria, South Africa, and Uganda. While the majority of the cases have been successful, they have not resulted in significant social change in any of the countries. On the contrary, there have been active backlashes, counter-mobilisations, and violence against LGB persons, as well as the further criminalisation of same-sex relations and constitutional prohibitions on same-sex marriages in some of the jurisdictions. The author argues that activists in Common Law Africa have to design LGB strategic litigation in such a way as to fi t within the actual social and political conditions in their countries if strategic litigation is to spur social change.
Adrian Jjuuko is an exceptional scholar. A rare combination of intellectual brilliance, commitment and hard work. The book is born of this. It reflects his incisive analytical skills, anchored in solid knowledge of the law and jurisprudential developments in the field. His ventures into political theory, philosophy, and the social sciences give the analysis additional clarity and empirical grounding.
The pamphlet begins with two letters written by Paul the Apostle in which Christianity first acquires a universal address. The new religion came to exclude people who were not Christians from the count of the human. This became explicit around a thousand years later when Pope Urban II authorised the First Crusade.
In 1492 planetary history was split in to two. Muhammad XII of Granada conceded defeat to Isabella and Ferdinand, the Catholic monarchs of Portugal and Spain, who went on to expel the Jews from the territory under their control. Europe became a Christian project. In the same year Christopher Columbus arrived in the Caribbean and Europe also became an imperial project with a planetary reach.
The origins of the racial ideology can be seen in this period, in which ideas about religion came to be entangled with fantastical ideas about the imagined purity of blood. But it was in the English colony of Virginia in the seventeenth century that the legitimation for the exclusion from the count of the human began to move from claims made in the name of religion to claims made in the name of science. This is the point at which modern racism, rooted in the appearance of the body, began to cast its malignant shadow across the planet.
The author argues that the struggle to put an end to the epoch of world history that opened in 1492 will require new ideas, and new practices. It follows the Caribbean tradition that runs from Aimé Césaire to Frantz Fanon and Sylvia Wynter in affirming the need for a counter-humanism, a radical humanism, a humanism that, in Césaire’s famous phrases, is “made to the measure of the world”. There is a need for a shift in the ground of reason towards the lived experience and struggles of people rendered, in Wynter’s phrase, as ‘pariahs outside of the new order’.
Dispossessed is a poetic representation of life in three stages through the eyes of a poet. It shows, from the thematic interests of the poet; what he considers the crucial stages in life – Innocence, Transgression and Atonement.
Innocence offers a racy view of the picture gallery of the poet’s life as a child. The sensibilities of the poet shine through the foliage of his mind as he pines for self-definition; seeking open ears for his verses. But it is also a period of apprenticeship as the poet hones his skills for the artistic long journey that is inevitable. Clothed in the innocence of childhood, he learns to talk in metaphors and search for himself in the community of imaginative people. This search lights up the path into the poet’s aesthetic mindscape and the silent questions that keep him awake. Innocence is therefore a thirst for sunlight; a quest for utterance.
The unwary reader is beckoned into the quest through poems that evoke memories of their own childhood and conscript them into the ensuing communal experience. However, the human condition abhors inertia. But for any form of natural or artistic growth to occur, the poet must lose his innocence. So, Innocence and its poems of idyllic childhood soon give way to the unexpected — Transgression. Transgression is the coming of age segment of the collection. The poet discovers love. And slowly, he finds himself taking a dip in a pool of emotion that appears to serve as the ultimate sparkplug for his songs.
In essence, Transgression eases the reader into a rare observatory; from where the poet could be seen falling in and out of love and celebrating one of the most profound experiences known to man. It must be noted that in some instances, the love poems of Transgression are also not what they seem on the surface. In some instances, the poet addresses his troubled relationship with his country through poetry; mirroring his personal frustrations and disappointment in verses that come off as a voice of disenchantment. Caught in the firm grip of emotions, the poet changes like the English weather.
But after waves of emotional whirlwinds in Transgression, the poet faces the next logical step — Atonement. Atonement presents a poet who has undergone the rites of passage and weaned himself of self-doubts. He has washed his hands clean and must settle down to a fireside dinner with the elders. But as it turns out, the poet is not only seeking the ears of his genealogical ancestors and elders; he is also seeking the counsel of serious poets, past and present whose nod he needs to take on the weighty issues of his time. So, he comes with a “fistful of kolanuts” as is customary with his people who supplicate their elders and ancestors with kolanuts. In gaining entry into this conclave of his biological and artistic ancestors, he acquires the aesthetic authority to ask weighty questions about the world around him. He is incensed by what assails his sensibilities; a world that turns a blind eye to injustice and a humanity that needs an open heart surgery.
Atonement could also be seen as the poet’s personal admission that serious poetry ought to speak to the dominant issues of the day; the anxieties and insomnia of the age. He muses about these issues; posing rhetorical questions in about them in some instances.
In the end, dispossessed is one man’s journey that finally assumes all the attributes of a communal voyage. Treading in the imagined interstices between the personal and the communal, dispossessed leads us to a clearing in the woods where our awareness of our world heightens with the turning of every page.
James Eze was born in Enugu, southeast Nigeria, shortly after the Biafran War. He was the pioneer Literary Editor of Sunday Sun. As Head of External Communications at Fidelity Bank, he worked in partnership with the novelist Chimamanda Adichie to begin her popular International Creative Writing Workshop series. He is the curator of Under African Skies which hosts A Flutter in the Woods; a yearly evening of poetry and songs in Awka, Anambra State. He also co-founded The Return to Idoto, a poetry festival in honour of Christopher Okigbo. His poems have appeared in Camouflage: Best of Contemporary Writing from Nigeria.
The industrial food system is a major driver of climate change. Food sovereignty is critical to any lasting and just solution. The Great Climate Robbery shows readers how the industrial food system causes climate change, how food and agribusiness corporations are getting away with it and what can be done to turn things around.
