Spanning decades and generations, Flames of the Cherry Tree is a sweeping, intimate portrait of a young woman’s coming-of-age against the backdrop of colonialism, rebellion, and the violent birth of today’s occupied Kashmir. At once tender and unflinching, it traces the story of one Kashmiri family through oppression and resistance, illuminating the forgotten histories that have shaped Kashmir and the hope that survives in its people.
This book is for readers of historical fiction that crave a deeper understanding of places too-often lost under the narrative of their tyrants. Flames of the Cherry Tree is a vivid, devastating, and ultimately life-affirming tale of the ties that bind us across time.
Leena A. Khan is an Arabic fellow at the Center for Arabic Study Abroad (CASA) in Amman, Jordan. She graduated from Georgetown University summa cum laude in May 2023 with a B.S. in International Politics and a certificate in Arab Studies. At…
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We are excited to share a summary of a truly transformative new work, A Manifesto on Palestine: Rethinking Liberation from Below, by Ibraheem Rasras. This manifesto offers a profound and challenging re-evaluation of the Palestinian struggle, urging us to look beyond conventional political and diplomatic frameworks to envision a radically different path to freedom and self-determination.
The Core Diagnosis: Beyond Material Occupation
Rasras argues that the Palestinian crisis is not merely a material one of occupation, dispossession, and statelessness, but also a deep “epistemological crisis”. The very structures intended for liberation, the manifesto asserts, have been “subverted, diverted, or rendered ineffective by the very forces they seek to fight”. This is evident in the recurrence of atrocities, reminiscent of past massacres, seen in Gaza from 2023 onwards. A central critique is leveled against the adoption of hierarchical, statist, and technocratic forms of liberation, which have come to tragically resemble the configuration of the oppressor, shedding their ethical and revolutionary essence. The Oslo Accords are cited as a prime example, transforming the language of liberation into one of “formalized managerial governance” and “conditional sovereignty”. This has contributed to a profound “void in the political contextualization and ethical framework of the political ruling”.
The Problem of “Stylistic” Resistance and Internalized Colonialism
The manifesto identifies how Palestinian resistance has, over decades, shifted from revolutionary, bottom-up rhetoric to institutionalized and compromised modes, particularly after the Oslo Accords. It introduces the concept of “stylistic” liberation, where leaders impose their imagined schemes rather than adapting to the realities on the ground, leading to an “alienus” leadership that lacks genuine popular allegiance. This “stylistic” approach also manifests when liberation is pursued through “tools of trivialization” that are external to the collective’s specific needs, such as placing prolonged peace negotiations *before* achieving liberation. This externalization, mirroring the colonizing process itself, leads to a form of alienation, obstructing collective self-control and, in many cases, resulting in the unconscious participation of the colonized in their own subjugation. Distrust stemming from unfulfilled promises by factions like Hamas and Fatah has further deepened fragmentation and a sense of “strangeness” among Palestinians.
A New Strategy: The Ethics of Resistance and Anarchic Programs
To counter this multifaceted crisis, the manifesto proposes a radical alternative: a “bottom-up resistance” grounded in a unified mode of ethics, a collective understanding of the cause, and consistent practices. This “ethics of resistance” is not a rigid dogma but an “emancipatory code” and a regulatory framework for all aspects of Palestinian daily life, directly confronting neoliberal values like profit-maximization. It is intertwined with the urgent need for a “cultural revolution” that aims to restructure social circumstances and foster a “revolutionary consciousness”. This cultural shift, implemented in successive waves, includes intensive education on human rights and rooting new “networking-elements” within Palestinian social and cultural life. The goal is to establish a “solid reference-point” that can unify Palestinians, whose power has been fragmented by internal divisions and external pressures.
The manifesto champions “anarchic programs” as a strategic framework to dismantle subjugation. This involves collectively disengaging from oppressive laws and creating a vacuum for temporary self-management, thereby strengthening local grassroots power. It envisions an “anarchic rule” based on “organic units” and “free cooperation,” emphasizing self-management, direct worker control, and integrated agriculture and industry. This approach aims to organize Palestinians without the fear of division or surveillance that has plagued traditional political structures.
The Power of the Everyday
Crucially, the manifesto points to the already existing “affirmative, anarchic, and ethical politics” in fragments throughout Palestinian society. These are not found in the monopolies of NGOs or political parties, but in the “spontaneous and often-unrecognized social inventions of ordinary people”. Examples include mutual aid networks in Gaza during siege, informal community schooling, grassroots organizing, and the refusal to cooperate with surveillance. These acts of “everyday resistance”—like a student crossing a checkpoint or a mother going to work despite immense barriers—are seen as foundational for a new paradigm of collective ethics and political orientation.
Toward a Horizon of Liberation
A Manifesto on Palestine is a bold call for “breakage,” arguing that “no gradual reform will bring freedom”. It is an “epistemological” task to unveil and amplify these lifeways and forms of knowledge, leading to an ethical reconstruction for a collective life that rejects domination in all forms. The manifesto asserts that the future of Palestine will not come from foreign beneficence or failed peace talks, but will be “constructed by the long disenfranchised of the political arithmetic: the dispossessed, the alienated, the uncredentialed, the everyday”. It invites all to engage in “a problem to be enjoyed more than an answer to be spewed back,” asserting that “freedom must be written by individuals who are living alternatively”.
We encourage you to delve deeper into this profound manifesto and join the critical conversation about rethinking liberation from below.
In thirty chapters, the narrative develops the incredible story of how a boy (Younis/Eunus/Euno) captured as a slave in Afamia, Syria challenges the Roman Empire in Sicily, circa 140-132 BCE. The chapters dramatize the circumstance of his capture, his experiences as a tutor, the growth of his prophetic and magical abilities, events that fomented the uprising (cruelties, rapes, crucifixions), the role of female characters, connections to other historical events (e.g., the destruction of Carthage), as well as scenes of an exorcism, an ancient marriage ceremony, a play performed outside a besieged city, and several battles against the Roman legions. An epilogue by an imagined contemporary narrator, who explains why she wrote the novel, ends the work. In the chapters and epilogue, while using ancient sources to some extent (sparse and biased as they are), the work departs from them to resolve contradictions, fill in gaps, and present an alternative narrative of historical and cultural issues. It’s intended to remedy the neglect of this story in both ancient and modern sources, reverse the demonization explicit and implicit in them, and remedy the imbalance in the dominant constructs. It promotes the event as significant, certainly just as important as (if not more than) the Spartacus rebellion seven decades afterwards, or others that are commonly recounted. A significant aspect of this revolt comes from the fact that Younis was able to forge a coalition of slaves, farmers and herders that defeated Roman armies and established an independent entity on more egalitarian principles. The novel also touches on a range of topics, such as prophecy, magic, languages, the construct of Western civilization, representation of regional cultures, customs, and mythologies. An idealized statue of this rebel stands today in Enna, Sicily, along with an inscription that seems designed to appeal to tourists, yet Younis’ rebellion contradicts the dominant notions promoted in Italy and throughout the West, especially the identification with imperial Rome. This novel is intended to remedy his legacy. A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’.
In the remnants of a fractured UK, England is on the brink of collapse where far-right militias rise to power. As Islamophobia and English nationalism ignite brutal violence, 19-year-old Marah Sultana is thrust into a fight for survival. Hunted by forces seeking control, she carries a secret powerful enough to change the course of the war—and the future of the world. In a world in which America’s reign as a superpower has crumbled, its mercenaries now rule in its shadow,
In The Second Coming, Tariq Mehmood delivers a searing, unflinching narrative that mirrors his own lifelong struggle for justice. This novel is not just fiction—it’s a reflection of real-world battles. Mehmood’s powerful storytelling compels readers to confront uncomfortable truths while offering a gripping, emotional journey of resistance and survival.
A dystopian desi mash-up of The Handmaid’s Tale, Clockwork Orange, and V for Vendetta. The Second Coming warns of the dangers of right-wing nationalism and white supremacy and imagines where such hate could take England if it is not, somehow, nipped in the bud. — Paul Cochrane, journalist, Middle East Eye
A must-read dystopian fantasy about race, religion, and love. Unmissable – Melvin Burgess, novelist, winner of the Carnegie Medal and the LA prize for Teenage Fiction
An unforgettable novel, both vivid and nightmarishly plausible. — Peter Kalu, novelist, storyteller, playwright and poet.
A story of resilience and hope told against the brutal realities of patriarchy and colonial violence.
— Amrit Wilson, activist, feminist, and author of Finding a Voice: Asian Women in Britain (Daraja Press)
Morocco, 1359. The people of Fes are living in deprivation under the rule of an unjust sultan. Zakaria is a young Muslim scholar trying to sustain his family while committing to a rigid moral code. To provide for his sickly daughter, he sacrifices his principles and seeks a job at the palace, where he gradually becomes entangled in a web of intrigue, his conscience tormented by serving the sultan. In the hope of fleeing from the constraints of his world, he joins the quest of Muhammad ibn Yusuf, the exiled king of Granada, and his enchanting sister, Aisha, to reclaim their throne. Together, they set out to Andalusia on a journey that will call into question all of Zakaria’s beliefs and change the history of the Iberian Peninsula for decades to come.
Then He Sent Prophets is a story about the suffering of young idealists in a world of inevitable compromise. Throughout his journey, Zakaria faces internal struggles that are timeless and universal, strives to reconcile his faith with the world, doubts the motives behind his desire to live morally, and ends up wondering whether a life consisting of one compromise after another is one worth living.
Then He Sent Prophets is a novel for our moment. Set around the political struggles of fourteenth-century Granada, it is a deeply sympathetic and passionately human look at how one might make—or fail to make—moral, decent choices when living in a violent, indecent world.
— Marcia Lynx Qualey, founding editor of ArabLit
Circumstances present Zakaria with a position at the palace. […] Can someone critical of the sultan and conscious of his corruption maintain integrity while serving at the palace? And what’s the line between complete innocence and partial complicity? These are the questions at the crux of his ethical dilemma. […] It’s easy to make connections between Zakaria’s inner dilemmas and those many of us grapple with today.
— Hafsa Lodi in The New Arab
Since its first edition in 2005, Global Health Watch (GHW) – the flagship publication of the People’s Health Movement (PHM) – has been critically reporting on the state of the world’s health. Published every three or four years, it comments on developments in global health while focusing on continuities with past popular struggles.
As with previous editions, GHW7 comes to life with contributions from over one hundred activists around the world, sharing experiences and analysis on issues affecting people’s health in the contexts they live in and efforts to progress towards greater health justice. This process was energized by the fifth People’s Health Assembly (PHA5), the global gathering of PHM, that took place in Argentina in April 2024 under the motto “Making ‘Health for All’ our struggle for ‘Buen Vivir”.
Political contributions from Latin America are manifest in the first GHW7 section, dedicated to “The global political and economic architecture”, where an up-to-date analysis of current health crises is followed by contributions that frame them in an eco-feminist perspective, showing how alternatives can be rooted in ancestral wisdoms and the practice of ‘Buen Vivir’. The second section addresses old and new challenges for public and global health systems through the critical lenses of gender justice and decoloniality. The third section, “Beyond Healthcare,” addresses key social and environmental determinants of health, while the “Watching” section critically apprises the state of global governance for health with a focus on several key institutions. The final section, “Resistance, struggles and alternatives,” highlights areas of transformative change by health activists in a global context of increasing repression. The book ends with a chapter on PHA5, highlighting how collective action is the most powerful medicine against ill health and health inequality at the human and planetary levels.
Global Health Watch 7 will include the following chapters
Chapters A2 and A3 have been translated from Spanish by Lila Esther Silgado Villadiego.
Summaries of the chapters that are currently available can be viewed by scrolling down and clicking on the “Description” tab. You can also download the chapters highlighted below.
Introduction
A1. From a Political Economy of Disease to a Political Economy for Wellbeing
A2. Life at the Center: Ecofeminisms and Ecoterritorial Feminisms in the Struggle for Life
A3. Ancestral and Popular Knowledge for Buen Vivir
B1. Privatization and Financialization of Health Systems: Challenges and Public Alternatives
B2. Artificial Intelligence, Digital Technologies, and Health
B3. Building Equitable Health Systems: A Transformative Proposal from an Intersectional Gender Perspective
B4. Abolition Medicine as a Tool for Health Justice
B5. Decolonizing Global Health
C1. War, Conflict and Displacement
C2. People on the Move
C3. Putting the Right to Health to Work
C4. Tax Justice: A Pathway to Better Health
C5. Commercial/Corporate Determination of Health
D1. WHO’s Compromised Role in Global Health Leadership
D2. Unpacking Our Pandemic Failures for Future Pandemic Prevention, Preparedness, and Response
D3. Financing Pandemic Recovery, Prevention, Preparedness and Response
E1. National Struggles for the Right to Health
E2. Taking Extractives to Court
E3. Fear and Hope in ‘Speaking Truth to Power’: Struggles for Health in Times of Repression and Shrinking Spaces
E4. 5th People’s Health Assembly: Advancing in the Struggle for Liberation and Against Capitalism
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British army’s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
This was Tariq Mehmood’s first novel, published by Penguin Books in 1983, charting the experience of the second generation migrants to the UK. Set in the declining textile industry of the North of England, it is a raw story of pain and anger at the relentlessness of British racism, from the street to the state – a story of an unquenchable desire for justice, and reclaiming human dignity. A dignity that is wrapped around new questions of Identity, a crossroad between religion, language, history and resistance. It is a little big story, that talks to the extremities of social, political and literary issues today? Can stories of a generation be appropriated? How important is religion in identity? If all you have is a story to tell, who should you tell it? Are the issues of today, just the issues of today or can we learn something from the past? In these stories, friendship is not defined by religion or colour, but by humanity. And racism is much more than skin deep. It is an exhilarating read that bears witness to the urgent 80’s battles against state and popular racism. As important now as then. In this new edition, Mehmood provides a Foreword that describes how the novel came to be written and the lives of real people on whom the characters were created. In the Afterword, Mehmood revisits some of the characters who are now 40-years older, and reflects on how the book would have been written today where the conditions of mass mobilizations no longer exist in neoliberal Britain.
Ancestral Daughter is a poignant collection of free-verse poetry by Palestinian writer Zeina Jhaish, exploring themes of diaspora, identity, resistance, and love. Through vivid imagery and raw emotion, Jhaish navigates her dual existence as a Palestinian woman from Gaza living in the diaspora, weaving personal and collective histories into her verses. The book is divided into two parts: “Ancestral,” which delves into exile, land, and the trauma of occupation, and “Daughter,” which reflects on womanhood, heartbreak, and rebirth. Poems like “Haifa on 85th Avenue” and “Godforsaken Homes” juxtapose longing for homeland with the alienation of displacement, while “Being a Palestinian Woman: A Guide” celebrates resilience. Jhaish honors her heritage, mourns ongoing violence, and clings to hope, dedicating the work to Gaza and Palestinian martyrs. Blending English and Arabic, her poetry is a testament to ancestral love and the unyielding spirit of her people.
