Thaer Husien
THAER HUSIEN is a Palestinian living in the United States. He is a co-founder of The Posterity Alliance, a Returned Peace Corps Volunteer who served in the Republic of Georgia, a Fulbright scholar in Amman, Jordan, and holds an MFA…
Beside the Sickle Moon is an original work of fiction based on Israel’s occupation of Palestine. Set in the year 2065, the story tells a first person narrative through Laeth Awad, a Palestinian who lives above his convenience store experiencing days pass through smoke clouds with his cousin Aylul. One night upon returning to their village from Ramallah they encounter an Israeli checkpoint within the buffer zone that hadn’t been there before. It isn’t long until the two stumble upon Israel’s plans to construct a luxury hotel for incoming settlers, Ma’al Luz. Demolition crews and military personnel are due to fulfill this contract in the months to come and with them as overseer is the infamous Meir Cohen, a Mossad operative who played a key role in the fall of Gaza.
Aylul believes from their father, a Hamas militant who died in the battle for Jericho, that only the threat of annihilation breeds the best of human action. They use their contacts to connect with Ibn Walid, leader of the now destitute organization that hides in tunnels throughout the country. A deal is struck but first they must prove themselves by stealing from thieves. Aylul double-crosses Ibn Walid in favor of the far more powerful Fatah, who grant them strength to defend their village from occupation. With these resources in hand Aylul forms Al Mubarizun, a group crowning themselves Palestine’s final resistance.
Laeth doubts the existence of a future, lost in philosophical ambivalence as he follows his cousin into the depths of guerrilla warfare. He questions the futility of resistance when all former allies have normalized relations with Israel. And what of the innocents on the other side of the Wall who had no say in where they were born? Though a minority of the population, he is not alone in this sentiment. Palestinian youth begin to empathize with this logic enough to create a new social movement, the Forgotten Ones. Coining the derogatory term that their critics slung, the grassroots NGO advocates for a peaceful transition to Israel’s one-state conquest where most Palestinians hear whimpers of surrender
THAER HUSIEN is a Palestinian living in the United States. He is a co-founder of The Posterity Alliance, a Returned Peace Corps Volunteer who served in the Republic of Georgia, a Fulbright scholar in Amman, Jordan, and holds an MFA…
Categories: | Forthcoming, Novel, Palestine |
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As the world grapples with the legacy of crimes of enslavement, colonialism, genocide and mass killings, imprisonment and murder of children, attempts at eliminating cultures and history of Indigenous peoples, looting and other crimes against humanity, the performance of public atonement has become increasingly prevalent. Apologies from state actors and institutions are issued in solemn ceremonies, often acknowledging the collective guilt for historical atrocities. Despite the solemnity of these events, there is a growing scepticism surrounding the sincerity of these apologies, particularly when they are not accompanied by tangible reparations, healing, reconciliation or systemic change. This scepticism is rooted in a perception that these acts of contrition are sometimes less about making amends to the aggrieved and more about assuaging the guilt of the aggressors and maintaining the status quo, providing the illusion of progress without the substance.
In this compelling work, Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism, the authors unveil the complex interplay between public apologies, social justice and popular mobilisations. They argue that these acts of contrition while heralding unresolved histories into the public eye, serve as battlegrounds where the definitions of truth and the contours of historical memory are fiercely contested. This collection of essays illuminates the paradoxical nature of these rituals, positing that rather than catalysing transformative change, they simply cement the prevailing societal structures, emboldening states to persist in their destructive paths under the guise of remorse. Such apologies often precede an expected forgetfulness, rendering truth a malleable tool to compartmentalise the past as a distant occurrence, not an ongoing narrative. The discourse laid out in these essays emphasizes the tension inherent in the act of forgiveness—an act that, within the established framework, demands that the state remain unchallenged, wielding the power to decree what should or should not be forgiven.
The editors of this book did not intend this to be a comprehensive treatise on the rituals of forgiveness: the chapters are devoted primarily to the experiences of Latin America, particularly of Mexico, Guatemala, Chile, and Brazil. But there is also a chapter on the struggles for Palestine — so relevant in the face of the current genocidal invasion by the Zionist State of Israel into Gaza, the world’s largest and most densely populated concentration camp. Nithya Nagarajan explores the ongoing plight of Palestinians since the Nakba in 1948, and event that, for over 75 years, has not only subjected Palestinians to severe hardships but has also seen their resistance and struggle for liberation being ideologically effaced by Israeli and mainstream media efforts, portraying Palestinians as victims rather than agents of revolution.
Forward by Firoze Manji
Introduction
One
Rituals of Forgiveness: The Performance of State Violence in the Context of Crisis by Panagiotis Doulos & Edith González Cruz
Two
From Forgiveness to Permission: The State and “the Indigenous” in the Face of Planetary Collapse by Ines Durán Matute.
Three
End(s) of Forgiveness by Minas Vlachos
Four
The Fierce Dispute for Memory, Truth and Justice in Guatemala by Carlos Figueroa Ibarra.
Five
Never Again? A Critique of Narratives of Forgiveness and Reconciliation in Post-dictatorial Chile by Roberto Longoni Martínez.
Six
Rituals of Forgiveness as a Political Strategy of the Capitalist State: The Brazilian Case of “O Amor Venceu” in Lula’s Victory in 2022 by Leonardo Carnut, Lúcia Dias da Silva Guerra & Áquilas Mendes.
Seven
The No-bodies: Between Forgiveness and Overflow. Notes Against Forgiveness as a Dispositive of Control in Times of Explicit Antagonism by Milena Rodríguez Aza.
Eight
The March of Return: Struggle for Palestinian Liberation in the Unfinished Nakba by Nithya Nagarajan.
Fanon exhorted us (his posthumous comrades) to abandon Eurocentric thinking and to reconnect with dialectical thought in order as he puts it to “work out new concepts” and he insisted that “if we want humanity to advance a step farther […] then we must invent and we must make discoveries”. I propose to take Fanon at his word and to return to the dialectic as subjective thought rather than as motion of history; as a specific political subjectivity rather than as an objective development. Dialectical thought should be considered as the core feature of any politics of emancipation, a politics that is founded on what is common to humanity, an egalitarian alternative to the existing neocolonial racist capitalist organisation of society.
This book seeks to outline and assess the thinking of emancipatory politics in Africa as it changed in different historical periods. It also contrasts such politics to state political subjectivities which, by their very nature, reproduce given social placements or stated differently the allocation of people to hierarchical locations in society. Emancipatory politics always affirms a rejection of the place allocated to the oppressed and therefore contradicts and transcends the regular state subjectivities embodied in culture which ultimately attempt to justify such placement. Emancipatory politics is exceptional and therefore rare, and it is dialectical because it combines in a contradictory manner the culture of placement from which it emanates with the idea of universal freedom.
Dialectics is not the affirmation of historical necessity; it is a subjective political possibility opposed to (neo)colonial capitalism which has relegated the majority of our population to conditions of perennial impoverishment, oppression and gradual alienation from any Idea of being Human. This work illustrates the fact that dialectical thought has existed in Africa over millennia, with its earliest manifestation being in Ancient Egypt. The text also draws on the universalist content of African proverbs to show the possible dialectical content of African modes of thought, illustrating the emancipatory potential already in existence in some African cultures.
The contemporary attempts at achieving freedom on the African continent – the liberation struggles of the twentieth century – failed fundamentally because they rapidly abandoned any idea of universal humanity and held that emancipation was to be achieved through the medium of the state. It was the desire of the oligarchy that inherited independence to be accepted and integrated into the global capitalist economy for the purposes of state-led ‘development’. The effect, after a short nationalist interlude, was not an inclusive form of ‘nation-building’ but rather the building of a neocolonial state by a Western-oriented oligarchy unable or unwilling to meet the basic needs of its own people. To succeed in this endeavour, the newly independent state retained many oppressive features of its colonial predecessor remoulding them to suit its needs. The book shows how in an overwhelmingly neocolonial context, it is of little consequence to the oppressed masses in Africa whether their political system is formally labelled as ‘democratic’ or not. In fact, given the endemic corruption among the oligarchies in power, military dictatorships can garner mass popular support for shorter or longer periods if they are seen to resist (however mildly) neocolonial domination. The recent examples (early 2020s) of proto-nationalist military coups in Francophone West Africa (Guinea, Mali, Burkina Faso and Niger) are cases in point.
This book develops theoretical arguments that redirect intellectual thought away from Euro-American liberal conceptions as well as from neo-nativist fashions and vulgar Marxisms, so as to reassert the importance of latent ‘African potentials’ that are frequently embodied in collective popular statements for rethinking, dialectically, a true politics of emancipation on the African continent.
1) the Ancient World: Ancient Egypt (The Tale of the Eloquent Peasant – 4000 BCE) and Plato (as read by Alain Badiou);
2) Pre-colonial Africa and resistance to slavery: the Donsolu Kalikan (in the Manden/Mali, 1222), the Antonian Movement (in Kongo, 1684-1706) and its continuation in the Lemba Movement, and the Haitian Revolution (undertaken by slaves from Africa),
3) The National Liberation Struggles of the 1960s as thought by Fanon and Cabral, and
4) The mass popular struggles in South Africa during the 1980s.
In mid-fourteenth century Fes, Zakaria is a gifted young scholar trying to make ends meet while committing to a rigid moral code. Refusing to be tempted by a life of power and fortune, he is writing a reform book about Islam to guide a society that has lost its moral compass. But Zakaria lives in a time of compromise—unsuited for idealists, especially those with modest means. Devastated by his inability to pay for the treatment of his sick daughter, he seeks a job at the palace through Ibn Khaldun, the sultan’s secretary
Zakaria joins the royal chancery and tries to nourish the idea that he could walk the thin line of serving the sultan without sacrificing his principles. Soon enough, however, a rumor spreads that the sultan has murdered twenty children from the royal family to consolidate his reign. Zakaria’s equally idealist childhood friend, Musa, gets involved in a related incident, accuses all who serve the sultan of complicity in this crime, and falls out with Zakaria for the first time in their lives. Unable to resign from his job because a palace official has acquired his “blasphemous” manuscript and is manipulating him, Zakaria spends a year tormented by his conscience and shunning public affairs. But the situation in Fes goes from bad to worse, Musa decides to take part in an attempt to topple the sultan, and the death of Zakaria’s proud grandmother, who was disappointed in how his life had turned out, pushes him to the brink of collapse. To save his protégé, Ibn Khaldun convinces the sultan that Zakaria should join Muhammad ibn Yusuf, the exiled king of Granada, on his journey to Andalusia to reclaim his throne.
During the expedition, Zakaria acquires the complete trust of Muhammad, who decides to make him a principal adviser. Zakaria develops ideas of grandeur, convinces himself this is his much-awaited chance to use his scholarship to help people, and persuades Muhammad against all counsel to withhold military activity to avoid a civil war. Zakaria’s purposefulness, however, is soon diverted by a mad obsession with Muhammad’s enchanting sister Aisha, and his insistence on withholding military activity backfires after a rebellion breaks out in Fes, leading to the withdrawal of the sultan’s army supporting Muhammad and leaving him exposed. On receiving news that his family has perished in a fire in the uprising in Fes, Zakaria suffers an emotional shock but follows Muhammad, whose fondness of Zakaria has turned into an abhorrence, in a failed attack on Granada. Muhammad escapes to his allies in Castile after sacrificing his loyal guards and vindictively assaulting Zakaria, who loses consciousness on the battlefield.
In Castile, Zakaria comes to his senses, recalls his family’s tragedy, develops an intense rage, cuts his relationship with Aisha, and contemplates killing Muhammad upon hearing he has accepted military help from the Castilians to reclaim his throne. Before executing this plan, Zakaria learns that his daughter has survived the fire and is in Granada with Musa. Zakaria sets out there, wishing the reunion with his daughter would spare him some of his agonies, but she shuns him, and after the war starts, he blames himself for leaving Castile without killing Muhammad, believing his death would have saved thousands. Muhammad and the Castilians move to attack a castle near Granada, and Zakaria joins the defending army along with Musa. In an ensuing battle, Zakaria slays a preacher supporting Muhammad, whom Zakaria has known since childhood and always considered corrupt, while Musa’s fierce resistance against the invaders inspires Muhammad to abdicate his throne. Zakaria returns to Granada in a shattered state as the Castilians continue their attacks with the pretext of reinstating Muhammad despite his withdrawal.
The killing of a soul makes Zakaria finally realize that all his attempts to live ethically have led to misfortunes because they were driven by pride—not empathy. This desire to love and excuse everyone is, however, challenged by witnessing a simple incident of domestic violence, where he finds himself neither able to justify it nor act to change it without compromising his new spiritual realization. Concluding that life is unbearable because living would always entail compromises, watching the Castilians closing in on Granada and Musa vowing to fight to the death, and judging that Muhammad’s abdication of the throne, despite his past failings, makes him the best possible ruler, Zakaria decides to sacrifice himself, save his childhood friend, and end the war. After impersonating Musa, Zakaria deceives Muhammad’s cousin, the king of Granada, into seeking the arbitration of the Castilians and sets out with him to Seville, where they are both executed.
Part I
Part II
Part III
Part IV
The Red Prophet
The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. It is based on collaborative research involving Film Lab Palestine, Sheffield Palestine Cultural Exchange and Sheffield Hallam University. We explore the political, economic and cultural contexts that impact on Palestinian film production and some of the barriers encountered in profiling and screening Palestinian films, to shed light on the complex terrain that is traversed to sustain and develop a film industry and film culture in historic Palestine and beyond.
Image credits
Introduction
The struggle to develop a national cinema
The experience of Filmlab Palestine
Visualising the Palestinian past
Roadblocks, borders and hostile environments
The screening and reception of Palestinian films
The Palestinian short film
Conclusion
Filmography
Appendix 1: Cinema of the Palestinian Revolution
Appendix 2: 70 Years of Nakba: Audience response
Appendix 3: Love and Desire in Palestine: Audience response
Appendix 4: Selection of leaflets from film screenings
About the authors
To so nimbly and elegantly traverse Palestinian time and space is itself a defiance of the occupation’s brutally enforced barriers. The authors’ unstintingly political examination of Palestinian cinema has much to offer both those in the know and readers new to this extraordinary body of work. — Kay Dickinson, Professor, Film Studies, Concordia University
Working extensively through primary sources, conducting research and interviews across generations of Palestinian filmmakers, the authors offer the reader an ambitious and wide-ranging essay which charts the development of a national Palestinian cinema, from an historical and critical perspective. By exploring the constellation of political, social and aesthetic concerns that shape this cinema, this authors challenge us to rethink the stakes behind the contemporary development of a Palestinian cinema industry, its audience reception, in historic Palestine and beyond.— Samia Labidi, cultural programmer & artistic curator
Illuminating and compelling, Struggling to be Seen lays bare the historical, enduring but also emerging (colonial and neocolonial) obstacles to the development of a film industry and film culture within the West Bank and Gaza. Though familiarly sobering (in its re-confirmation of the scale of injustice facing Palestinians), the book provides up-to-the-moment and an interdisciplinary account that provides rich, fresh terrain that reveals new and exciting progressions within Palestinian film culture. —Michele Aaron, Reader in Film and Television, University of Warwick, author of Death and the Moving Image: Ideology, Iconography and I (Edinburgh Univer- sity Press, 2014) Director, Screening Rights Film Festival.
Struggling to be Seen is a must read for those who are interested in under- standing the multilayered challenges that face Palestinian cinematography from its production phase to its screening phase. The book is a short read which takes the readers through the different stages which shaped the Palestinian film making enterprise. Struggling to be Seen shows the restrictions that Palestinian filmmakers face from the initial stages to funding and screening. The authors tell a story of a people whose sense of self-reflection is suppressed by the Israeli oppressive machine which con- stantly works at erasing the Palestinian peoplehood, detaching it from its past.— Nahed Habiballah, Assistant Professor and member of the Board of Directors of Policy and Conflict Resolution Studies Center, Arab American University, Ramallah, Palestine
This book features essays, speeches, and reflections from the 60th anniversary commemoration of the All-African People’s Conference (AAPC), an epochal event in the history of the emancipatory struggles of African people. The four-day conference was a collaboration between the Institute of African Studies, Trades Union Congress of Ghana, Socialist
Forum of Ghana, Lincoln University, and the Third World Network Africa.
The book consists of three sections. The first contains ten essays on some of the conference’s key themes – decolonising knowledge production, a new politics for substantive democracy and security, economic liberalisation and the crises of work, and Pan-Africanism yesterday, today, and tomorrow. The second section features speeches delivered at the Conference – the welcome and closing addresses, solidarity messages from prominent pan-Africanists as well as an interview with the last living delegate of the 1958 All-African People’s Conference. The last section contains the conference background documentation and the Statement of Issues and Recommendations adopted by the Conference. The bookends are two poems by pan-Africanist scholar-poets. The book offers valuable perspectives on Africa’s current predicaments and what a truly liberated Africa can offer to the world.
TABLE OF CONTENTS
Invocation
Introduction- Back to the Future: The 1958 AAPC and the Power of Optimism
Section 1
Section 2
Section 3
Exhortation
Postcolonial critique deconstructs global inequality in its epistemic and material dimensions. This collective comic project illuminates everyday life’s coloniality as well as the decolonising potential of everyday struggles in the spaces, discourses and practices of so-called ‘global development’. |
It is entirely fitting that in this fine book, those engaged in the radical praxis of healing are movements that are subverting the institutions of private property as a path to an emancipated society. Fanon’s legacy today is kept alive in their struggle. Raj Patel, Frantz Fanon’s revolutionary spirit lives on
Coming sixty years after the publication of The Wretched of the Earth and his death from leukemia at the age of 36, Fanon Today: Reason and Revolt of the Wretched of the Earth, edited by activist and scholar Nigel Gibson, provides a solid overview of the relevance of Frantz Fanon to the work of those of us who still believe that a just and humane world is both necessary and possible. Throughout the volume the contributors provide space and examples of a Fanonist development of radical humanism, which provides for the psychological development of the person within the context of consciousness raising, collective action and structural change. Through a variety of examples, the book also clearly demonstrates the fact that the agents of change do not simply have to be the usual suspects of the industrial working class but includes – and must include – the peasantry and the various manifestations of the lumpenproletariat. As noted by Gibson, “Fanon’s new humanism is a politics of becoming, based on the fundamental transformation of paralyzed Black and colonized subjects into new human beings through the liberation struggle” (p. 300). Timothy Wild, Review of African Political Economy. Dec 6, 2021.
This monumental compendium of cosmopolitical provocations and decolonial insights does more than just correct the misreadings that have threatened recently to engulf and mystify Fanon’s work. These exhilarating essays and commentaries put his incendiary contribution back where it belongs: in the insurgent speculations and reconstructive efforts of creative thinkers struggling to transform the imperiled predicament of our planet. —Paul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College London
*This is a wonderful book. It succeeds in extracting Fanon’s thought (the Wretched/Damned of the Earth in particular) from the realms of academia, Cultural Studies and Afropessimism and to locate it squarely where it originally belonged: within the domain of political practice, outside of which it makes very little sense. In academic reading, one remains a prisoner of the limits of the text itself; in a political reading, the text becomes a vehicle for addressing the problems raised by active militancy. Gibson has succeeded in bringing together an international array of brilliant contributors who all prove to be eloquent witnesses to the continued relevance of Fanonian concepts—such as the Manichean character of (neo)colonialism and racism, the corrupt nature of the so-called ‘national bourgeoisie’ and the continued relevance of ‘national consciousness’—in the contemporary expanded reproduction of racial capitalism on a world scale. What is particularly fascinating is the way in which intense studies of Fanon’s writings within the United States carceral system and South African informal settlements among other locations have enabled the production of political thought that takes Fanonian dialectical categories beyond their original subjective context, into concrete political practices combining the necessary experiences of particular struggles with conceptions of universal freedom. This is a militant work for militant readers. —Michael Neocosmos, Emeritus Professor in Humanities, Rhodes University, South Africa.
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There is not one time, not one aspect of the world’s experience, that does not give credence to Fanon’s precepts. Our collective human history has taught us that the human is bound to face attempts to crush her or his integrity, to condemn them to despicable exploitation, treacherous oppression. It is in the very nature of that experience that we have learned how Fanon shall never die. For his precepts and action remain always universally relevant. This is also what Fanon Today affirms. The book is fundamentally relevant and useful. It reminds us that in the face of exploitation and repression, the human and the humanist will always find ways to combat those. Dense and eclectic, strategically thought out and organized, critically stimulating, this book is as incisive as it is compelling. —Hanétha Véte-Congolo, President of the Caribbean Philosophical Association
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In this collective labor of love of the here and the now, voices of the damned—that pathologized, incarcerated, and evicted majority of the world’s population—rise! From Algeria to Brazil, Ireland to Kenya, Palestine to Portugal, South Africa to Trinidad and beyond, they are breathing life into and actively humanizing our precious and oh-so-fragile earth. Meeting brutal structural violence with the courageous construction of democratizing institutions that nurture mental health, well-being, and solidarity, Fanonian praxis emerges in each chapter. Evincing a thoughtful agency that questions everything, the volume forges new relations spanning generations and locales. Through it, sixty years since the publication of Les damnés de la terre, Fanon’s insights reach out to us, beckoning us to carry on the tireless work of building a world of the “we.” —Jane Anna Gordon, author of Statelessness and Contemporary Enslavement
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Coming out of the pandemic, the greatest challenge is how we express our anger, how we make it a digna rabia, a “dignified rage”, as the Zapatistas say. Fanon must be part of the answer. This magnificent collection of essays helps us to focus our minds on that challenge, to direct our anger to the task of making a different world. An important book, an exciting book. —John Holloway, author of We are the Crisis of Capital: A John Holloway Reader
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Fanon Today: Reason and Revolt of the Wretched of the Earth, edited and cordinated by Nigel C Gibson, gives the opportunity to several intellectuals and activists with different backgrounds from Brazil to Algeria, from Pakistan to South Africa, to tell how the struggle against injustice and racism inscribe itself into the continuity of the Fanonian visionary legacy. Not to be missed! —Hassane Mezine, Photographer, Film Director of Fanon hier, aujourd’hui
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This is an indispensable book. It brings together many among the overlooked communities for whom Fanon actually wrote—the dispossessed, the downtrodden, the organic voices rising from the depths of misery on the verge of despair. What better way to commemorate the six decades since the publication of Les damnés de la terre than to remind readers of that great work that the people in solidarity with whom its ideas were generated not only speak but also write? Read and learn from these voices as, in those proverbial revolutionary words, the struggle continues. —Lewis R. Gordon, author of Freedom, Justice, and Decolonization
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Fanon Today does not just bring Fanon into the immediate present, it also restores Fanon as a thinker of praxis, of organisation and struggle. There are a growing number of attempts to retrieve Fanon’s thought from its immediate historical context and put it to work in the present. But there are very few that show much interest in the fact that most of Fanon’s work was produced and grounded within struggle, within popular struggle. In keeping with Fanon’s own internationalism his thought is brought into struggles in Palestine, Pakistan, Ireland, South Africa, Kenya, the prisons in the United States and more. The worldliness of the work gathered here speaks, implicitly but lucidly, to the spirit of a thinker who was, always, in motion towards the world. Edited by Nigel Gibson, a leading Fanon scholar, including work by a group of exciting younger thinkers, and graced by a contribution from Ato Sekyi-Otu, also one of the best Fanon scholars, and a singular philosophical presence in the examination of the contemporary African condition, the book has real intellectual heft. It is essential reading for anyone who aims to engage Fanon as a comrade in struggle rather than solely as an interlocutor in more isolated and abstracted forms of academic theorizing. — Richard Pithouse, Editor, New Frame and author of Being Human After 1492
Fanon Today is a dense and rich text written by authors from across the world interested in examining societal unrest and oppression through the lens of Fanon’s ideas. In the introduction, Gibson notes that Fanon’s Les Damnés de la Terre still resonates, 60 years after publication, due to the multiple crises we face and the realities of ‘those struggling not only to survive but also be free’. … the focus on mental health is woven through- out, as it examines the impact that colonialism and imperialism have on the individual and collective psyches of oppressed communities. Fanon Today is helpfully divided into three parts: Fanonian Militants, Still Fanon and Fanonian Practices. —Kairo Maynard. Dramatherapy 42(1-3) 78-9
For many years, Oyunga has chronicled stories of life and death as both existential and ritual experience among the Luo community, Kenyans, and Africans at large. Since 2020, he has explored the themes of Living and Dying. Life exists in the midst of death and yet death remains one of the most disruptive affairs of our lives. The book revolves around the idea that the stories of death are the stories of life, and by focusing on how our loved ones died, we extract lessons for living fulfilled lives that prepare us for the inevitability of death. It focuses on how we can unravel the mystery of the separation, by accepting the reality of death and what it is meant to teach.
Contents.
Epilogue
The Ones We Lost, is an anthology that comprises a collection of short essays and curated obituaries drawn from a two decade career as a columnist and a participant-observer of Kenyan social reality. Each story is independent but also interconnected, weaving the common thread of using those stories of those who died as a mirror to raise awareness in how we take responsibility for our lives.