Viyyukka – The Morning Star (Vol 2)
Voices of India's Women Revolutionaries
Edited by P. Aravinda and B. Anuradha
This second volume of Viyyukka continues the powerful anthology of stories written by women revolutionaries in India’s Maoist movement, translated from Telugu to English. The collection brings together narratives penned by guerrilla soldiers who document their lived experiences within the revolutionary struggle, offering rare insights into the intersection of armed resistance, gender politics, and Adivasi community life.
The stories span four decades of revolutionary movement history, capturing both tactical engagements and intimate human moments—love, loss, camaraderie, and daily existence in guerrilla squads. What distinguishes this volume is the inclusion of autobiographical sketches by Adivasi women, narrated in their own tongues, detailing the circumstances that led them to become guerrillas. These first-person accounts reveal how poverty, land dispossession, state repression, and patriarchal violence converge to shape revolutionary consciousness.
Set primarily in the Dandakaranya forest region spanning multiple Indian states, the narratives illuminate the movement’s efforts to build alternative structures of governance through Janatana Sarkars (people’s governments), which implemented collective farming, education, healthcare, and resistance to mining corporations. The stories confront the brutal reality of state counter-insurgency operations including Salwa Judum and Operation Green Hunt, while celebrating the resilience of women who constitute nearly half the guerrilla army.
The collection demonstrates how women revolutionaries perform multiple roles—soldiers, writers, historians, doctors, and teachers—documenting their own history while fighting for land, dignity, and self-determination. These are not conventional fictions but testimonies written under extreme duress, smuggled across regions and preserved against overwhelming odds, offering a window into one of India’s most significant contemporary resistance movements.
This is a powerful and timely book. Reading Viyyukka is to encounter history in its most urgent form: not as abstract doctrine, but as the lived, written, and too-often silenced testimony of women for whom the pen was as vital as the gun. This anthology does not simply add voices to a historical record; it fundamentally questions the record itself. By foregrounding the female guerrilla imaginary—with its profound complexities of comradeship, grief, motherhood, and even the critique of revolutionary justice—these stories exceed the boundaries of political propaganda to become essential documents of human endurance and creativity. In a time when their politics is declared defeated, the women of Viyyukka remind us that some struggles are not measured by victory alone, but by the indestructible insistence on bearing witness. — Sharmila Purkayastha, independent researcher, New Delhi
USD $ 5 – USD $ 26Price range: USD $ 5 through USD $ 26
| Book Format | Print Book, PDF |
|---|
Related products
-
Weaving Our Stories: Return To Belonging – An Anthology
USD $ 5 – USD $ 26Price range: USD $ 5 through USD $ 26Select options This product has multiple variants. The options may be chosen on the product pageWeaving Our Stories: Return To Belonging – An Anthology
USD $ 5 – USD $ 26Price range: USD $ 5 through USD $ 26Weaving Our Stories is a Hawaii-rooted abolitionist program that utilizes storytelling as a vehicle for liberation. Our mission revolves around teaching storytelling as an act of resistance, dismantling harmful existing narratives, and nurturing our ability to weave counter-narratives that acknowledge and celebrate the inherent beauty and brilliance within our storytellers. Through our stories, we advocate for justice and liberation.
This anthology follows the trail of esteemed works such as “This Bridge Called My Back: Writings of Radical Women of Color” and “Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization.” This anthology includes poetry, essays, visual art, and narratives penned by authors and artists who identify as Black, Indigenous, and people of color from Hawaii and beyond. While our contributors span a diverse spectrum of experiences and identities, they all share a common commitment to individual and collective well-being. Our contributors astutely showcase how their expressions of resistance and liberation, whether through visual art or written text, align with one or more of the central themes of Weaving Our Stories: resistance through cultural memory, accountability, resisting false binaries, and countering hegemony.
In tandem with the community collection of stories that revolve around resistance, this anthology also highlights the remarkable achievements of our six accomplished Black youth organizers. These young individuals dedicated a year to the Weaving Our Stories Youth Series during the pandemic, delving into the power and relevance of storytelling in our journey of resistance and liberation. Each of the six youth activists provides an overview of their Community Impact Design Projects.
These culminating endeavors addressed community issues by proposing interventions that harness our resistance themes and our three Pillars of Liberation—namely, institutions, structures/methodology, and people.
This anthology offers celebrations of our triumphs, our joys, and our unwavering resilience. Simultaneously, they advocate for our ongoing resistance, insisting on justice and a sincere confrontation with the often-overlooked lived experiences that deserve acknowledgement.
Select options This product has multiple variants. The options may be chosen on the product page -
Select options This product has multiple variants. The options may be chosen on the product page
Settler Colonialism
USD $ 5 – USD $ 10Price range: USD $ 5 through USD $ 10Settler Colonialism examines the genesis in the USA of the first full-fledged settler state in the world, which went beyond its predecessors in 1492 Iberia and British-colonized Ireland with an economy based on land sales and enslaved African labor, an implementation of the fiscal-military state. Both the liberal and the rightwing versions of the national narrative misrepresent the process of European colonization of North America. Both narratives serve the critical function of preserving the “official story” of a mostly benign and benevolent USA as an anticolonial movement that overthrew British colonialism. The pre-US independence settlers were colonial settlers just as they were in Africa and India or like the Spanish in Central and South America. The nation of immigrants myth erases the fact that the United States was founded as a settler state from its inception and spent the next hundred years at war against the Native Nations in conquering the continent. Buried beneath the tons of propaganda—from the landing of the English “pilgrims” (Protestant Christian evangelicals) to James Fenimore Cooper’s phenomenally popular The Last of the Mohicans claiming settlers’ “natural rights” not only to the Indigenous peoples’ territories but also to the territories claimed by other European powers—is the fact that the founding of the United States created a division of the Anglo empire, with the US becoming a parallel empire to Great Britain, ultimately overcoming it. From day one, as was specified in the Northwest Ordinance, which preceded the US Constitution, the new “republic for empire,” as Thomas Jefferson called the new United States, envisioned the future shape of what is now the forty-eight states of the continental US. The founders drew up rough maps, specifying the first territory to conquer as the “Northwest Territory.” That territory was the Ohio Valley and the Great Lakes region, which was already populated with Indigenous villages and farming communities thousands of years old. Even before independence, mostly Scots Irish settlers had seized Indigenous farmlands and hunting grounds in the Appalachians and are revered historically as first settlers and rebels, who in the mid-twentieth century began claiming indigeneity. Self-indigenizing by various groups of settlers is a recurrent theme in story of settler colonialism, white supremacy, and the history of erasure and exclusion about which I have written elsewhere.
Select options This product has multiple variants. The options may be chosen on the product page -
Some Of Us Are Brave (Vol 2): Interviews and Conversations with Sistas in Life and Struggle
USD $ 5 – USD $ 23Price range: USD $ 5 through USD $ 23Select options This product has multiple variants. The options may be chosen on the product pageSome Of Us Are Brave (Vol 2): Interviews and Conversations with Sistas in Life and Struggle
USD $ 5 – USD $ 23Price range: USD $ 5 through USD $ 23A society born of white supremacy and patriarchy must, by definition, ignore the voices of Black women. We know that unfortunately, such an attitude will also naturally seep into every stratum of that society
Part of the contribution to correct that was the centering and airing of Black women’s voices through Some of Us Are Brave: A Black Women’s Radio Program that aired on Pacifica’s Los Angeles radio station (KPFK) from 2003 until 2011.
The program covered a myriad of issues by amplifying the voices of a broad cross-section of Black women. Some of those voices have been preserved here in this volume. In addition to capturing various moments in time with a variety of women, this is also a means of taking the intellectual production of and about Black women out of the hands of institutions that are both fundamentally anti-Black and anti-woman.
Volume 1 contains interviews under the headings The Shoulders on Which We Stand and Black Lives Have Always Mattered.
Volume 2 covers Black Women’s Health, Bruthas on Sistas, and Sistas in Struggle.
Select options This product has multiple variants. The options may be chosen on the product page -
Select options This product has multiple variants. The options may be chosen on the product page
Class, gender, race and colonialism
USD $ 5 – USD $ 11Price range: USD $ 5 through USD $ 11Description (1600 / 2500)
It is important to see both Marx’s brilliant generalisations about capitalist society and the very concrete ways in which he examined not only class, but also gender, race, and colonialism, and what today would be called the intersectionality of all of these. His underlying revolutionary humanism was the enemy of all forms of abstraction that denied the variety and multiplicity of human experience, especially as his vision extended outward from Western Europe. For these reasons, no thinker speaks to us today with such force and clarity.It is clear today that the emancipation of labour from capitalist alienation and exploitation is a task that still confronts us. Marx’s concept of the worker is not limited to European white males, but includes Irish and Black super-exploited and therefore doubly revolutionary workers, as well as women of all races and nations. But, his research and his concept of revolution go further, incorporating a wide range of agrarian non-capitalist societies of his time, from India to Russia and from Algeria to the Indigenous peoples of the Americas, often emphasising their gender relations. In his last, still partially unpublished writings, he turns his gaze Eastward and Southward. In these regions outside Western Europe, he finds important revolutionary possibilities among peasants and their ancient communistic social structures, even as these are being undermined by their formal subsumption under the rule of capital. In his last published text, he envisions an alliance between these non-working-class strata and the Western European working class.
Select options This product has multiple variants. The options may be chosen on the product page -
Select options This product has multiple variants. The options may be chosen on the product page
I see the invisible
USD $ 5 – USD $ 20Price range: USD $ 5 through USD $ 20Truth be told, I never thought I would write another volume of poetry after the last, I will not Dance to Your Beat (2011). The reason was that my previous volumes were reactive to the circumstances of the times. Patriots and Cockroaches (1992) was a reaction to the socio-political corruption that had engulfed Africa and dimmed the enthusiasm that had been built by the years of struggle for independence. Whereas we thought we were stepping into a post-colonial era, what we stepped into was a vicious neo-colonial times. The next collection, Poems on the Run (1995) was a reaction to military autocracy and the repression that followed. The volume was literally written underground. This was followed by Intercepted (1998) all written while detained at Kalakuta Republic of Alagbon Close. We Thought it was Oil But it was Blood (2002) responded to two things primarily – extractivism and the accompanying human and environmental rights abuses in the Niger Delta and elsewhere. The massive erosion of biodiversity and attacks on food sovereignty through the introduction of genetically modified organisms (GMOs) into our agricultural system inspired I Will not Dance to your Beat.
What you have in your hands, or on your screens, is a compilation that is largely more meditative than the previous collections. There are moments of reflection on the colonial and neoliberal foundations that permit a willful disconnection from nature and the resultant destructive extractivism.
Some of the poems came through conversations and poetry writing sessions with Peter Molnar, Maryam al-Khawaja — Rafto Human Rights laureates and Salil Tripathi, a member of the board of PEN International, in August 2017. The sessions held at a beautifully rustic location in Celleno, Italy, were documented on celluloid by the duo of Maria Galliana Dyrvik and Anita Jonsterhaug Vedå of SMAU, a multimedia firm in Norway. Poetic relationship with Maria and Anita has continued over the years and their work continues to inspire more and more poems.
Select options This product has multiple variants. The options may be chosen on the product page -
Finding A Voice
USD $ 20First published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
-
Anticapitalist Economy in Rojava: The Contradictions of Revolution in the Kurdish Struggles
USD $ 9.99 – USD $ 22Price range: USD $ 9.99 through USD $ 22Select options This product has multiple variants. The options may be chosen on the product pageAnticapitalist Economy in Rojava: The Contradictions of Revolution in the Kurdish Struggles
USD $ 9.99 – USD $ 22Price range: USD $ 9.99 through USD $ 22This book looks at the anti-capitalist economy and the organization of social relations in the context of the revolution and autonomy of Rojava (Kurdistan-Syria). It questions both the limitations and the historical problems of the phenomenon of revolution, and the conflicts and contradictions that emerge in this process. It also draws from the conflicts and contradictions the author has consistently felt as a “political subject” who wants to change the world, especially through her experience in the Kurdish struggle and the Kurdish Movement. For this reason, every question she raises and attempts to answer in this book—about the Kurds, Rojava, and the world in general, involves what she says is her own subjectivity.
The idea and dreams of revolution have existed since humans created systems of domination. Indeed, revolution, meaning the liberation from systems of domination, has undoubtedly been one of the most discussed subjects in history. There have been moments when the possibility of revolution has been clearer, and there have also been certain agreements on what it is and how to get there, but it has never been something completely definable. This continues to be true today. This book does not intend to define this great phenomenon, rather it looks at the revolutionary practices that create emancipating realities and embraces revolution as an undefined, contradictory and dynamic process. Although the rulers have traditionally written history, the history of social struggles has been and is still being created by many revolutionary and transformational processes. The future is being shaped based on desired revolutions and the struggles that, in turn, transform their actors, the people. Therefore, the desire and quest of the Kurdish people for liberation from the colonial rule of the nation-states of the Middle East—the subject of this book—has always been directly linked to the phenomenon of revolution.Select options This product has multiple variants. The options may be chosen on the product page -
A Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
USD $ 5 – USD $ 15Price range: USD $ 5 through USD $ 15Select options This product has multiple variants. The options may be chosen on the product pageA Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
USD $ 5 – USD $ 15Price range: USD $ 5 through USD $ 15Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity. This is a work of Reclamation. The author, Nikesha Breeze, has slowly, page by page, reclaimed the text of the book Heart of Darkness by Joseph Conrad. This racist turn-of-the-19th-century book was pivotal in the continued dehumanization of Black people and in particular of African people, as it painted an image of bestiality on the Congo people and the continent. It is laced with racist imagery and language. The author has reappropriated the book, page by page, making “BlackOut” poetry for each page, isolating methodically the words to create new poems of power and black voice within the text —stealing the language and reappropriating the power.
Select options This product has multiple variants. The options may be chosen on the product page









