There has been a rise in the use of strategic litigation related to seeking equality for lesbian, gay, and bisexual (LGB) persons. Such developments are taking place against the backdrop of active homophobia in Africa. The law and the general public should, argues the author, treat LGB persons in the same way that heterosexuals are treated. In the past two decades,30 strategic cases have been fi led by LGB activists in the Common Law African countries, namely in Botswana, Kenya, Nigeria, South Africa, and Uganda. While the majority of the cases have been successful, they have not resulted in significant social change in any of the countries. On the contrary, there have been active backlashes, counter-mobilisations, and violence against LGB persons, as well as the further criminalisation of same-sex relations and constitutional prohibitions on same-sex marriages in some of the jurisdictions. The author argues that activists in Common Law Africa have to design LGB strategic litigation in such a way as to fi t within the actual social and political conditions in their countries if strategic litigation is to spur social change.
Adrian Jjuuko is an exceptional scholar. A rare combination of intellectual brilliance, commitment and hard work. The book is born of this. It reflects his incisive analytical skills, anchored in solid knowledge of the law and jurisprudential developments in the field. His ventures into political theory, philosophy, and the social sciences give the analysis additional clarity and empirical grounding.
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Dr. Adrian Jjuuko is a Ugandan human rights lawyer, researcher and consultant. He is the founder and Executive Director of Human Rights Awareness and Promotion Forum (HRAPF). HRAPF operates the first and only specialised legal aid clinic for marginalized persons…
There has been a rise in the use of strategic litigation related to seeking equality for lesbian, gay, and bisexual (LGB) persons. Such developments are taking place against the backdrop of active homophobia in Africa. The law and the general public should, argues the author, treat LGB persons in the same way that heterosexuals are treated. In the past two decades,30 strategic cases have been fi led by LGB activists in the Common Law African countries, namely in Botswana, Kenya, Nigeria, South Africa, and Uganda. While the majority of the cases have been successful, they have not resulted in significant social change in any of the countries. On the contrary, there have been active backlashes, counter-mobilisations, and violence against LGB persons, as well as the further criminalisation of same-sex relations and constitutional prohibitions on same-sex marriages in some of the jurisdictions. The author argues that activists in Common Law Africa have to design LGB strategic litigation in such a way as to fi t within the actual social and political conditions in their countries if strategic litigation is to spur social change.
Adrian Jjuuko is an exceptional scholar. A rare combination of intellectual brilliance, commitment and hard work. The book is born of this. It reflects his incisive analytical skills, anchored in solid knowledge of the law and jurisprudential developments in the field. His ventures into political theory, philosophy, and the social sciences give the analysis additional clarity and empirical grounding.
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Fanon exhorted us (his posthumous comrades) to abandon Eurocentric thinking and to reconnect with dialectical thought in order as he puts it to “work out new concepts” and he insisted that “if we want humanity to advance a step farther […] then we must invent and we must make discoveries”. I propose to take Fanon at his word and to return to the dialectic as subjective thought rather than as motion of history; as a specific political subjectivity rather than as an objective development. Dialectical thought should be considered as the core feature of any politics of emancipation, a politics that is founded on what is common to humanity, an egalitarian alternative to the existing neocolonial racist capitalist organisation of society.
This book seeks to outline and assess the thinking of emancipatory politics in Africa as it changed in different historical periods. It also contrasts such politics to state political subjectivities which, by their very nature, reproduce given social placements or stated differently the allocation of people to hierarchical locations in society. Emancipatory politics always affirms a rejection of the place allocated to the oppressed and therefore contradicts and transcends the regular state subjectivities embodied in culture which ultimately attempt to justify such placement. Emancipatory politics is exceptional and therefore rare, and it is dialectical because it combines in a contradictory manner the culture of placement from which it emanates with the idea of universal freedom.
Dialectics is not the affirmation of historical necessity; it is a subjective political possibility opposed to (neo)colonial capitalism which has relegated the majority of our population to conditions of perennial impoverishment, oppression and gradual alienation from any Idea of being Human. This work illustrates the fact that dialectical thought has existed in Africa over millennia, with its earliest manifestation being in Ancient Egypt. The text also draws on the universalist content of African proverbs to show the possible dialectical content of African modes of thought, illustrating the emancipatory potential already in existence in some African cultures.
The contemporary attempts at achieving freedom on the African continent – the liberation struggles of the twentieth century – failed fundamentally because they rapidly abandoned any idea of universal humanity and held that emancipation was to be achieved through the medium of the state. It was the desire of the oligarchy that inherited independence to be accepted and integrated into the global capitalist economy for the purposes of state-led ‘development’. The effect, after a short nationalist interlude, was not an inclusive form of ‘nation-building’ but rather the building of a neocolonial state by a Western-oriented oligarchy unable or unwilling to meet the basic needs of its own people. To succeed in this endeavour, the newly independent state retained many oppressive features of its colonial predecessor remoulding them to suit its needs. The book shows how in an overwhelmingly neocolonial context, it is of little consequence to the oppressed masses in Africa whether their political system is formally labelled as ‘democratic’ or not. In fact, given the endemic corruption among the oligarchies in power, military dictatorships can garner mass popular support for shorter or longer periods if they are seen to resist (however mildly) neocolonial domination. The recent examples (early 2020s) of proto-nationalist military coups in Francophone West Africa (Guinea, Mali, Burkina Faso and Niger) are cases in point.
This book develops theoretical arguments that redirect intellectual thought away from Euro-American liberal conceptions as well as from neo-nativist fashions and vulgar Marxisms, so as to reassert the importance of latent ‘African potentials’ that are frequently embodied in collective popular statements for rethinking, dialectically, a true politics of emancipation on the African continent.
1) the Ancient World: Ancient Egypt (The Tale of the Eloquent Peasant – 4000 BCE) and Plato (as read by Alain Badiou);
2) Pre-colonial Africa and resistance to slavery: the Donsolu Kalikan (in the Manden/Mali, 1222), the Antonian Movement (in Kongo, 1684-1706) and its continuation in the Lemba Movement, and the Haitian Revolution (undertaken by slaves from Africa),
3) The National Liberation Struggles of the 1960s as thought by Fanon and Cabral, and
4) The mass popular struggles in South Africa during the 1980s.
Dispossessed is a poetic representation of life in three stages through the eyes of a poet. It shows, from the thematic interests of the poet; what he considers the crucial stages in life – Innocence, Transgression and Atonement.
Innocence offers a racy view of the picture gallery of the poet’s life as a child. The sensibilities of the poet shine through the foliage of his mind as he pines for self-definition; seeking open ears for his verses. But it is also a period of apprenticeship as the poet hones his skills for the artistic long journey that is inevitable. Clothed in the innocence of childhood, he learns to talk in metaphors and search for himself in the community of imaginative people. This search lights up the path into the poet’s aesthetic mindscape and the silent questions that keep him awake. Innocence is therefore a thirst for sunlight; a quest for utterance.
The unwary reader is beckoned into the quest through poems that evoke memories of their own childhood and conscript them into the ensuing communal experience. However, the human condition abhors inertia. But for any form of natural or artistic growth to occur, the poet must lose his innocence. So, Innocence and its poems of idyllic childhood soon give way to the unexpected — Transgression. Transgression is the coming of age segment of the collection. The poet discovers love. And slowly, he finds himself taking a dip in a pool of emotion that appears to serve as the ultimate sparkplug for his songs.
In essence, Transgression eases the reader into a rare observatory; from where the poet could be seen falling in and out of love and celebrating one of the most profound experiences known to man. It must be noted that in some instances, the love poems of Transgression are also not what they seem on the surface. In some instances, the poet addresses his troubled relationship with his country through poetry; mirroring his personal frustrations and disappointment in verses that come off as a voice of disenchantment. Caught in the firm grip of emotions, the poet changes like the English weather.
But after waves of emotional whirlwinds in Transgression, the poet faces the next logical step — Atonement. Atonement presents a poet who has undergone the rites of passage and weaned himself of self-doubts. He has washed his hands clean and must settle down to a fireside dinner with the elders. But as it turns out, the poet is not only seeking the ears of his genealogical ancestors and elders; he is also seeking the counsel of serious poets, past and present whose nod he needs to take on the weighty issues of his time. So, he comes with a “fistful of kolanuts” as is customary with his people who supplicate their elders and ancestors with kolanuts. In gaining entry into this conclave of his biological and artistic ancestors, he acquires the aesthetic authority to ask weighty questions about the world around him. He is incensed by what assails his sensibilities; a world that turns a blind eye to injustice and a humanity that needs an open heart surgery.
Atonement could also be seen as the poet’s personal admission that serious poetry ought to speak to the dominant issues of the day; the anxieties and insomnia of the age. He muses about these issues; posing rhetorical questions in about them in some instances.
In the end, dispossessed is one man’s journey that finally assumes all the attributes of a communal voyage. Treading in the imagined interstices between the personal and the communal, dispossessed leads us to a clearing in the woods where our awareness of our world heightens with the turning of every page.
James Eze was born in Enugu, southeast Nigeria, shortly after the Biafran War. He was the pioneer Literary Editor of Sunday Sun. As Head of External Communications at Fidelity Bank, he worked in partnership with the novelist Chimamanda Adichie to begin her popular International Creative Writing Workshop series. He is the curator of Under African Skies which hosts A Flutter in the Woods; a yearly evening of poetry and songs in Awka, Anambra State. He also co-founded The Return to Idoto, a poetry festival in honour of Christopher Okigbo. His poems have appeared in Camouflage: Best of Contemporary Writing from Nigeria.
Kitabu hiki kinaturudisha katika kipindi cha kusisimuwa cha miaka ya vita baridi, kipindi ambacho, sambamba na kipindi cha leo, madola ya kibeberu yamekuwa yakifanya njama za kubadilisha serikali zilizokuwepo na kuziweka madarakani zile zenye kufuata amri. Kwa kutumia kumbukumbu za picha za Johari, nyaraka za siri za Marekani na Uingereza, pamoja na mahojiano ya kina, kitabu kinatowa uchambuzi juu ya nafasi na satwa ya Chama cha Umma Party nchini Zanzibar na kiongozi wake mwenye upeo mkubwa wa mambo, Mwanamapinduzi mfuasi wa Itikadi ya Karl Marx, Abdulrahman Mohamed Babu. Kwa kuangalia kwa njia ya uwiano wa mifano inayokwenda sambamba ya wahka wa Marekani kuhusu Uchina ya Kikomunisti katika miaka ya 1960 na woga walionao hivi sasa kuhusu ushawishi wa Uchina, kitabu kinatafakari juu ya mivutano mipya iliyopo katika kupigania rasilmali za Afrika, kuundwa kwa kikosi cha AFRICOM, na jinsi Wanasiasa wa Afrika Mashariki wanavyoshiriki katika kuimarisha udhibiti wa Marekani katika nchi zao, na “Vita dhidi ya Ugaidi” katika ukanda wa Afrika Mashariki hivi sasa.
Now available from Mkuki Na Nyota Publishers, Tanzania: http://www.mkukinanyota.com
These letters and poems are invaluable fragments of a living conversation that portrays the indomitable power in humans to stay alive in the face of certain death – to stay alive even in death.
Reading through the treasure trove of the letters and poems compiled here as The Last Writings of Ken Saro-Wiwa evokes intense memories of his resolute struggles against an oil behemoth and a deaf autocratic government. His crusade frames one of the most tumultuous periods of Nigeria’s history; his tragic story evokes anger and demands action to resolve the crises that first led the Ogoni people to demand that Shell clean up Ogoni lands or clear out of the territory.
This book, originally published by AwaaZ in Kenya, provides insights into journalists of Indian origin who wrote about the struggles of Kenyan people.
This collection of essays explores the multifaceted nature of the Amílcar Cabral’s legacy with the specific goal of understanding his relevance to contemporary politics. Ranging from his philosophical arguments about culture and colonialism to more concrete historical explorations of his impact on African American movements in the United States, the book is an accessible and valuable introduction to Cabral’s thought. … As a collection it is a timely one and will be valuable for anyone seeking to be introduced or reacquainted with debates about revolution, colonialism and culture, nationalism, and pan-Africanism. Claudia Gastrow in Feminist Africa
2013 marked the 40th anniversary of the assassination of Amilcar Cabral, a revolutionary, poet, liberation philosopher, and leader of the independence movement of Guinea Bissau and Cap Verde. Cabral’s influence stretched well beyond the shores of West Africa. He had a profound influence on the pan-Africanist movement and the black liberation movement in the US. In this unique collection of essays, contemporary thinkers from across Africa and internationally commemorate the anniversary of Cabral’s assassination. They reflect on the legacy of this extraordinary individual and his relevance to contemporary struggles for self-determination and emancipation. The book serves both as an introduction, or reintroduction, to one whom global capitalism would rather see forgotten. Understanding Cabral sheds light on the necessity of grounding radical change in the creation of theory based on the actual conditions within which a movement is attempting to develop. Cabral’s theoretical ideas and revolutionary practice of building popular movements for liberation are assessed by each of the authors as critically relevant today. His well-known phrase “Claim no easy victories” resonates today no less than it did during his lifetime. The volume comprises sections on Cabral’s legacy; reflections on the relevance of his ideas; Cabral and the emancipation of women; Cabral and the pan-Africanists; culture and education; and Cabral’s contribution to African American struggles. A selected bibliography provides an overview of Cabral’s writings and of writings about Cabral.
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
Ce livre est un apport précieux pour demander à changer de focale et de perspective au sujet des migrations à l’intérieur du continent africain. Celles-ci sont bien plus importantes quan- titativement, mais aussi économiquement et historiquement, que les migrations de l’Afrique vers l’Europe. Elles sont beaucoup plus silencieuses et infiniment moins étudiées que celles du Sud vers le Nord. Ces migrations sont vitales, tant pour les pays de départ que pour ceux d’arrivée. Ainsi, des millions de jeunes partent chaque année pour les pays de la côte, et cela sans susciter les mêmes résistances, fantasmes et peurs qu’en Europe.
Cet ouvrage a le grand mérite d’intégrer les migrations dans la perspective plus large des mobilités, puis d’en examiner les liens avec le développement. Il est rédigé par de jeunes chercheurs africains, qui produisent à partir de leurs terrains spécifiques des analyses à valeur générale sur les sociétés contemporaines. Ils contribuent ainsi au renouvellement des sciences sociales à partir des pays africains.
On peut en revanche souligner que l’ouvrage a relevé un défi important : celui d’éclairer à la fois les dynamiques de l’expérience migratoire, des trajectoires suivies par les migrants et des espaces migratoires à l’intérieur de l’Afrique. — Sylvie Ayimpam, « Mobilités, circulations et frontières. Migrations, mobilités et développement en Afrique », Anthropologie & développement [En ligne], 51 | 2020, mis en ligne le 01 décembre 2020, consulté le 23 février 2021. URL : http://journals.openedition.org/anthropodev/1068 ; DOI : https://doi.org/10.4000/anthropodev.1068
These companion volumes are refreshing because they introduce us to many less well- known instances which amply illustrate just how mobile African populations really are at the regional, intra-regional and global scales. – Paul NUGENT, University of Edinburgh (United Kingdom)
Un ouvrage d’une grande actualité qui aborde la question des migrations sous un angle radicalement nouveau et original : l’articulation dynamique entre la migration, la mobilité et le développement en Afrique de l’Ouest. Ces deux volumes bilingues renouvellent le débat sur les migrations : de quoi faire réfléchir ensemble l’Afrique et l’Europe. – Marie-Caroline SAGLIO-YATZIMIRSKY, INALCO, CESSMA Paris (France)
Christian Bouquet, « Quelques éclairages nouveaux sur les migrations africaines », EspacesTemps.net [En ligne], Books, 2020 | Mis en ligne le 20 November 2020, consulté le 20.11.2020. URL : https://www.espacestemps.net/en/articles/quelques-eclairages-nouveaux-sur-les-migrations-africaines/ ; DOI : 10.26151/esapcestemps.net-jc2a-6b03
Avec la participation de Naluwembe BINAISSA, Alimou DIALLO, Nyalo Barkissa DRABO, Sylvester KOHOL, A. Aziz MOSSI, Loppa NGASSOU, Lawrence Rafaih OKELLO, Mutiat Titilope OLADEJO, Zakaria SORÉ, Astadjam YAOUBA et Irissa ZIDNABA.
