Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
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Chandramohan S (Sathyanathan) is an Dalit Indian poet, short story writer and a social critique based in the south Indian state of Kerala. He is pursuing research in mathematics, apart from being a translator, editor and a social activist. Chandramohan…
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
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Lenin150 (Samizdat) aims to contribute to the re-kindling of the communist attractor by engaging, in the spirit of critical solidarity, with Vladimir Ilyich Ulyanov in the year of his 150th anniversary. Conceived out of the former Soviet republic of Kyrgyzstan, the book brings together contributions from all continents, ranging in style from the academic to the lyrical. As such, these compelling, and in some cases absolutely urgent, appropriations of (the spectre of) Lenin aspire to be of considerable use-value for the struggles ahead.
Kitabu hiki kinaturudisha katika kipindi cha kusisimuwa cha miaka ya vita baridi, kipindi ambacho, sambamba na kipindi cha leo, madola ya kibeberu yamekuwa yakifanya njama za kubadilisha serikali zilizokuwepo na kuziweka madarakani zile zenye kufuata amri. Kwa kutumia kumbukumbu za picha za Johari, nyaraka za siri za Marekani na Uingereza, pamoja na mahojiano ya kina, kitabu kinatowa uchambuzi juu ya nafasi na satwa ya Chama cha Umma Party nchini Zanzibar na kiongozi wake mwenye upeo mkubwa wa mambo, Mwanamapinduzi mfuasi wa Itikadi ya Karl Marx, Abdulrahman Mohamed Babu. Kwa kuangalia kwa njia ya uwiano wa mifano inayokwenda sambamba ya wahka wa Marekani kuhusu Uchina ya Kikomunisti katika miaka ya 1960 na woga walionao hivi sasa kuhusu ushawishi wa Uchina, kitabu kinatafakari juu ya mivutano mipya iliyopo katika kupigania rasilmali za Afrika, kuundwa kwa kikosi cha AFRICOM, na jinsi Wanasiasa wa Afrika Mashariki wanavyoshiriki katika kuimarisha udhibiti wa Marekani katika nchi zao, na “Vita dhidi ya Ugaidi” katika ukanda wa Afrika Mashariki hivi sasa.
Now available from Mkuki Na Nyota Publishers, Tanzania: http://www.mkukinanyota.com
COVID-19 has exposed the racialized nature of food systems, but also potentially grants opportunities to build anew. Maywa Montenegro explores a series of breakdowns, from fractured supply chains to uncontrolled infection among essential food workers to Black, Brown, and Indigenous communities scythed through by the virus along old grooves of race-class oppression. She traces the likely origins of COVID-19 to spillover sites forged by agroindustrial expansion into forested regions where pathogens spring free and infect humans. Industrial animal agriculture drives these ecological changes that incubate future outbreaks. Pandemics have their roots in the violent separation of communities from their territories, seeds, knowledge and wealth. Racism enables such theft as fundamental to capitalist expansion.
To tackle pandemics and food injustices, Montenegro calls for an abolitionist agroecology. No anti-capitalist alternative can ignore the racism that is central to the transnational industrial food system. Scholars including Angela Davis, Ruth Wilson Gilmore, and Mariame Kaba have argued that although abolition is frequently seen as an oppositional strategy — to eradicate, for example, prisons and police — abolition is equally propositional. An abolitionist agroecology cracks open multiple possibilities that respond to the exigencies of a pandemic planet — there is no ‘normal’ to which we can safely return.
La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
Este panfleto aborda la pregunta: ¿cómo podemos pasar de A a B, del capitalismo al poscapitalismo? La revolución de Rinky-dink involucra acciones e inacciones que son fáciles, seguras, mundanas, sin glamour y factibles dentro de la vida de cada persona.
Howard Waitzkin presenta una intervención clara y directa para el cambio revolucionario en el sistema económico capitalista global. Cubre mucho terreno, con sofisticación, mientras mantiene la discusión en tierra. Su enfoque en las formas de facilitar un desafío al capital y construir una mayor transformación revolucionaria es crucial en esta coyuntura histórica. Esta discusión sobre construcciones creativas y destrucciones creativas es particularmente útil.
— Brett Clark, profesor de sociología de la Universidad de Utah y autor De El Robo De La Naturaleza: Capitalismo Y Grieta Ecológica, The Robbery of Nature: Capitalism and Ecological Rift en inglés.
El fin del capitalismo es posible. Waitzkin nos lleva un paso más allá en el proceso creativo para esta transformación. A través de ejemplos específicos de grupos organizados dentro de los Estados Unidos y en el extranjero, este trabajo constituye una guía práctica para todos. Waitzkin alienta nuestra creatividad para actos organizados y seguros además de omisiones para trascender el capitalismo.
— Nylca J. Munoz Sosa, abogada, líder de salud pública y activista centrada en la justicia sanitaria y la descolonización en Puerto Rico.
Dictators as Gatekeepers for Europe is a detailed journalistic account of how the EU is attempting to limit mobility within the African continent as a matter of the EU’s domestic policy agenda, hence the title hinting at the many agreements (with Turkey, Libya, Sudan) aimed at blocking migrants from approaching the European continent. The new “Berlin Wall” not only encircles Europe, but also generates a proliferation of militarised borders in Africa. …To summarise, the authors argue, Europe desires protected borders and open markets. The novelty is the amount of material that this book contains about African desires and strategies, both as a continent and as single states. This, in particular, makes the work a collection of extremely valuable directions of research. In fact, Africa, if one were to simplify the continent’s intentions, is depicted as aspiring to the exact opposite of Europe, namely open borders (with the African Union aspiring to free movement within the continent) and protected markets (protected from Western corporate predatory strategies). Moreover, contrary to the narrative of aid according to which the West “helps develop” Africa, the figures quoted by the authors suggest the opposite: while Sub-Saharan Africa receives $134 billion a year in development funding, $192 billions flow out of Africa, with $46 billion in profit for major corporations and another $35 billion vanishing in tax havens (218). https://www.law.ox.ac.uk/research-subject-groups/centre-criminology/centreborder-criminologies/blog/2022/02/double-book by Oana Pârvan.
The engaging and wide-ranging discussions published here explore contemporary political realities in Africa through a ‘social movement’ lens.
Detailing the nuances of social movement politics in 12 West African countries during the 2010-2013 period, they present a chronicle of the socio-political struggles that have taken place in the region. In so doing, this volume answers key questions related to these movements. What logic drives them? What forms do they take? What has been their political impact? Can we speak of a resurgence of social movements? If so, are these a response to the crisis of ‘representative democracy’? Did they give rise to new forms of expression and democratic participation? What challenges do they bring?
Discontent vis-à-vis liberalism in its political and economic dimensions seems to be the trigger of the numerous popular uprisings and protests that occur in the region. In spite of their ambiguities and limitations, these struggles currently seek to remove a double disconnect: that between citizens and the ‘representatives’ and that between the economy and society, between what capital wants and what the people aspire to.
Ndongo Samba Sylla, the editor of this volume, is a Senegalese economist, programme and research manager at the West Africa Office of the Rosa Luxemburg Foundation. Author of The Fair Trade Scandal. Marketing poverty to benefit the Rich (translated from French by Pluto Press 2014), he is the editor of “Rethinking Development” (Rosa Luxemburg Foundation 2014). His recent research work deals with the history of the word ‘democracy’.
The essays here contribute to developing and deepening an understanding of the ecological challenges ravaging Nigeria, Africa and our world today. They illustrate the global nature of these terrors. These essays are not meant just to enable for coffee table chatter: they are intended as calls to action, as a means of encouraging others facing similar threats to share their experiences.
Set out in seven sections, this book of 54 essays deals with deep ecological changes taking place primarily in Nigeria but with clear linkages to changes elsewhere in the world. The essays are laid out with an undergird of concerns that characterise the author’s approach to human rights and environmental justice advocacy. The first section rightly presents broad spectrum ecological wars manifesting through disappearing trees, spreading desertification, floods, gas flaring and false climate solutions.
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Kate McDonnell
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the
world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating.
– Wendy Doniger, Mircea Eliade Distinguished Service Professor Emerita of the History of Religions; also in the Department of South Asian Languages and Civilizations, the Committee on Social Thought
Kate McDonnell
[Chandramohan S]’s poems reflect the socio-political struggles of the marginalized, the working class and the nomadic outcasts of the world who are victimized and then forgotten as nations clash and wage relentless war. His work has been profiled in New Asia Writing and Mascara Literary Review. Poet Chandramohan S defines a Dalit as “someone who is politically disenfranchised, culturally interiorised and economically impoverished,” but he also firmly believes that “being a Dalit poet endows one with a tremendous potential to turn one’s own experiences and unique perspectives on history into poetry. From Edex Live