The poems here were written during the first wave of the COVID-19 pandemic. Most were circulated through What’s App voice notes, an intimate way of keeping distance while reaching out to touch. The poems speak to experiences and occurrences during the first wave in different parts of the world and the pressing need to make love as global and infectious as the novel corona virus. This collection is a prelude to “29 leads to love”, a collection that explores more fully the grand notion of love which began coming to the fore in the beginning of the COVID-19 pandemic, and has largely re-submerged.
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Salimah Valiani is a poet, activist and researcher. Her 2021 poetry collection, 29 leads to love, is the 2022 Winner of The International Book Award for Contemporary Poetry. She is also the author of four other poetry collections: breathing for…
The poems here were written during the first wave of the COVID-19 pandemic. Most were circulated through What’s App voice notes, an intimate way of keeping distance while reaching out to touch. The poems speak to experiences and occurrences during the first wave in different parts of the world and the pressing need to make love as global and infectious as the novel corona virus. This collection is a prelude to “29 leads to love”, a collection that explores more fully the grand notion of love which began coming to the fore in the beginning of the COVID-19 pandemic, and has largely re-submerged.
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The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. The research is based on collaborative work to research and screen Palestinian films involving Film Lab Palestine, Sheffield Palestine Cultural Exchange and Sheffield Hallam University as part of the Creative Interruptions research project (https://creativeinterruptions.com/palestiniancinema/). We explored the political, economic and cultural factors that impact on Palestinian film production and some of the barriers encountered in profiling and screening Palestinian films in Britain.
The volume includes two sections exploring nonviolence in the long Black freedom struggle within the US. From Ella Baker to Martin Luther King, Jr. and Fannie Lou Hamer, from Vincent Harding and Grace Lee Boggs to Colin Kaepernick, the two sections on the Black liberation movement highlight the theory of nonviolence in direct and indirect ways and foreground the relevance of these historic texts for the present moment of political uprisings on both the left and the right. Black strategies for survival and power are analyzed in terms of the ongoing US economic and epidemiological crises as well as the global climate crisis and ecological collapse. A section on revolutionary nonviolence in Africa presents a previously unpublished piece on the role of armed struggle by Franz Fanon, as well as essays by Amilcar Cabral, Barbara Deming, Graca Machel, Kenneth Kaunda, and Nozizwe Madlala-Routledge This section clearly contextualizes the continent’s anti-colonial struggles with the practical thinking about military and unarmed tactics which those movements faced over the course of a half-century.
The section on nonviolence and feminist struggle highlight the work of Grace Paley, Audre Lorde, and Arundhati Roy, along with a little-read piece by Johnnie Tilmon, a leader of the 1960s welfare rights movement. The section on resistance against empire tilts toward Latin American scholars/activists with essays by Maria Lugones, Anibla Quijano and Berta Caceres. This section includes pieces that draw from current debates about the role of state power in building towards radical change and the push to build holistic perspectives on what liberation means for all peoples. The final section on social change in the 21st Century reflects on specific aspects of organizing that are facing campaigns and movements of today and tomorrow. Our goal is to provide challenges and insights for building effectively against all forms of oppression! Though primarily compiling key texts not often seen or contextualized together, the book also provides new strategic commentaries from key leaders including Ela Gandhi, Ruby Sales, ecofeminist Ynestra King, Africa World Press’ Kassahun Checole, and Palestinian Quaker Joyce Ajlouney, Hakim Williams, and Mireille Fanon Mèndes-France.
This book is for all those—community workers, adult educators, social activists of every kind—who want to overcome pessimism and play a part in changing society in the direction of peace, justice and dignity for all human beings. As author Brian Murphy points out, many of us are pessimistic about our ability to change the world when confronted by the powerful forces of big corporations and big government. Murphy reveals the social and personal dilemmas which hold people back from social engagement, and argues that the various constraints we face can be overcome.
In this new edition, David Austin explains in his Introduction why this book, first published in 1999, is perhaps more relevant to our times than ever, offering insights from his own experiences of engaging critically with the book and with others. And in his Afterword, Brian Murphy reflects on the continued relevance of the original text, emphasizing how our humanity is being corroded and commodified. To reclaim our humanity, he argues, we must transform ourselves to transform the world.
Brian Murphy’s immensely inspiring book,Transforming Ourselves, Transforming the World, deeply challenges us to think and rethink everything we knew and thought we knew.—Nnimmo Bassey, Executive Director, Health of Mother Earth Foundation & Right Livelihood Award Laureate in 2010
We need more conversations like the one in this book, which are rooted in hope while honestly working through a foundational way of seeing and understanding ourselves in the bigger picture.— Christina Warner, Co-Executive Director and Director of Campaigns and Organising, Council of Canadians.
This is one of the coolest, enjoyable and important books I have read in recent years. Written from the heart as well as the head, it is a breathtakingly visionary, unique and insightful take on the life of the ultimate activist.—Hope Chigudu, Feminist activist
Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity. This is a work of Reclamation. The author, Nikesha Breeze, has slowly, page by page, reclaimed the text of the book Heart of Darkness by Joseph Conrad. This racist turn-of-the-19th-century book was pivotal in the continued dehumanization of Black people and in particular of African people, as it painted an image of bestiality on the Congo people and the continent. It is laced with racist imagery and language. The author has reappropriated the book, page by page, making “BlackOut” poetry for each page, isolating methodically the words to create new poems of power and black voice within the text —stealing the language and reappropriating the power.
Spoon and Shrapnel uniquely combines poetry and recipes to explore the experience of surviving the Iran-Iraq War through a child’s eyes. As a survivor herself, Sheema Kalbasi brings forth raw memories of fear, loss, and resilience through verse, while accompanying these poignant moments with simple, nourishing recipes that sustained her family amidst scarcity and danger. Each poem is paired with a recipe, alternating between the emotional depth of poetry and the practical art of cooking traditions that offered hope during wartime. The poems deliver vivid, emotional insights into life during the conflict, while the recipes—crafted with scarce ingredients—represent moments of comfort and survival. Together, they form a narrative tapestry where food and poetry intertwine, reflecting how one family, and an entire culture, persevered.
Kalbasi’s work goes beyond her personal experience to present a universal story of resilience, illustrating how, even in the harshest conditions, humanity finds strength in the simple rituals of cooking, eating, and storytelling. Spoon and Shrapnel is a tribute to both physical and emotional survival, offering readers a rare glimpse into everyday life during war.
“Post capitalist philanthropy is a paradox in terms. A paradox is the appropriate starting place for the complex, entangled, messy context we find ourselves in as a species.” This is how long-time activists, political strategists, and accidental philanthropy advisors Alnoor Ladha and Lynn Murphy start their treatise on Post Capitalist Philanthropy. This book is a result of decades of practice and research, including a hundred plus interviews with leading activists, philanthropists, philosophers, social scientists, cosmologists and wisdom keepers.
The authors take us on a journey from the history of wealth accumulation to the current logic of late-stage capitalism to the lived possibilities of other ways of knowing, sensing and being that can usher in life-centric models. This “ontological shift”, as they call it, is at the heart of the text – creating new-ancient-emerging realities is not simply about how we redistribute wealth or “fight power”, but rather, how we perceive and embody our actions in relationship to a dynamic, animistic world and cosmos.
This book is made available by Daraja Press on behalf of the Transition Resource Circle.
Renowned aphorist Yahia Lababidi’s Palestine Wail writes alongside a catastrophe beyond words, trying to shelter in words what remains of our humanity. To be a Minister of Loneliness and Lightkeeper, tending to the light. — Philip Metres, author of Fugitive/Refuge
Palestine is personal for writer, Yahia Lababidi. His Palestinian grandmother, Rabiha Dajani — educator, activist & social worker — was forced to flee her ancestral home in Jerusalem, at gunpoint, some eighty years ago.
As an Arab-American, Lababidi feels deeply betrayed by the USA’s blind support of Israel’s genocide of Palestinians.
In Palestine Wail, he reminds us that religion is not politics, Judaism is not Zionism, and to criticize the immoral, illegal actions of Israel is not antisemitism — especially since, as an Arab, Lababidi is a Semite, himself.
Using both poetry and prose, Lababidi reflects on how we are neither our corrupt governments, nor our compromised media. Rather, we are partners in humanity, members of one human family. Not in Our Name will the unholy massacres of innocent Palestinians be committed (two-thirds of whom are women and children) nor in the false name of ‘self-defense’.
In turn, Lababidi reminds us that starvation as a weapon of war is both cruel and criminal, as is collective punishment.
Palestine Wail invites us to bear witness to this historical humanitarian crisis, unfolding in real-time, while not allowing ourselves to be deceived, intimidated or silenced. We are made aware of the basic human truths that no lasting peace can be founded upon profound injustice and that the jailor is never Free…
Yahia Lababidi, an Arab-American writer of Palestinian background, has crafted a poignant collection which serves as a heartfelt tribute to the Palestinian people, their struggles, and their resilience in the face of an ongoing genocide and ethnic cleansing.
The collection, described as a love letter to Gaza, draws inspiration from the rich literary tradition of Palestinian resistance literature. Lababidi, known for his critically-acclaimed books of aphorisms, essays, and poetry, brings his unique voice to this personal, political and spiritual work.
Palestine Wail addresses us in a variety of voices: outrage, lamentation and pity, in attempting to honor the pain of the oppressed Palestinian people, while also celebrating their enduring spirit.
Lababidi’s Wail, ultimately, is a prayerful work seeking peace, healing and reconciliation—a testament to the transformative power of literature to keep hope alive in the face of seemingly insurmountable odds.
These are necessary and truthful poems. Yahia Lababidi powerfully illuminates this heartbreaking time and terrible season in the history of our world. This book, like a lantern in darkness, brings to light the truth of lives we must learn to honor and remember. — James Crews, author of Unlocking the Heart: Writing for Mindfulness, Creativity, and Self-Compassion
Yahia Lababidi’s stunning and resonant collection, Palestine Wail, addresses the outrage felt by many of the oppressed Palestinian supporters and more. He also speaks of the lamentations of his people and the show of pity, compassion, and empathy from many members of the human family from all around the world. — The Indefatigable Longing For Peace And Rapprochement In Yahia Lababidi’s Palestine Wail By Michael Parker.
This is the literature of liberation! The truth. It waters the roots of a strong and timeless tree and bears the fruit of freedom. In the tradition of Ida B. Wells, Thandisizwe Chimurenga writes for the people because she is the people, and she loves the people. The interviews and conversations in Some Of Us Are Brave include Black women and Black men on Black women. This book will educate, inspire and strengthen the mind and spirit of Black women and those that love them. —Dr. Alice Nicholas, Africologist, Assistant Professor, Poet
Some of Us Are Brave is a courageous exploration of Black feminism within the Black left, offering invaluable insights and igniting much-needed conversations. It is a must-read for anyone seeking a deeper understanding of this vital aspect of our history and the transformative power of Black feminist thought. In a media landscape that often falls short when it comes to representing the voices of Black feminists, this series is a breath of fresh air. — Piper Carter, Detroit-based Arts & Culture Organizer
Host of “Beyond Breaking Barriers” podcast on Black Power Media
A society born of white supremacy and patriarchy must, by definition, ignore the voices of Black women. We know that unfortunately, such an attitude will also naturally seep into every stratum of that society
Part of the contribution to correct that was the centering and airing of Black women’s voices through Some of Us Are Brave: A Black Women’s Radio Program that aired on Pacifica’s Los Angeles radio station (KPFK) from 2003 until 2011.
The program covered a myriad of issues by amplifying the voices of a broad cross-section of Black women. Some of those voices have been preserved here in this volume. In addition to capturing various moments in time with a variety of women, this is also a means of taking the intellectual production of and about Black women out of the hands of institutions that are both fundamentally anti-Black and anti-woman.
Volume 1 contains interviews under the headings The Shoulders on Which We Stand and Black Lives Have Always Mattered.
Volume 2 covers Black Women’s Health, Bruthas on Sistas, and Sistas in Struggle.
