USD $ 16.25
James Kamawira, who uses the pseudonym Kham, began his career in cartoons in 1988 when he joined the Kenya Times newspaper as a political commentator/illustrator. Before that, he worked in an advertising agency, Hill Ayton, where he honed his skills…
| Book Format | Print Book |
|---|
There are no reviews yet.
Only logged in customers who have purchased this product may leave a review.
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
Humanity faces existential crises driven by the persistence of neocolonial capitalism and a state form that continues to de-humanise the majority. In Beyond the Neocolonial, Michael Neocosmos argues that the failure to enable, let alone to realise the popular desire for freedom in post-independence Africa lies in the continuity of the colonial state and the dominance of analytical, statist thought over the transformative power of the dialectic.
Tracing the genealogy of emancipatory politics from the ancient wisdom of Egypt’s Ma’at and Ionia’s isonomia to the revolutionary theories of Lenin, Mao, Fanon, and Cabral, Neocosmos asserts that politics must be understood as a collective thought-practice of universal equality. He challenges the “stasis” of the current world order by recovering silenced histories of African popular inventiveness: from the egalitarian society constructed by the Bossales in Haiti to the mass democratic experiments of the United Democratic Front in South Africa.
Critiquing the exhausted “party form” and the myth of the “heroic liberator,” the book highlights the emancipatory potential within African popular culture, arguing that proverbs and the Palaver contain latent prescriptions for resolving contradictions and healing community. This work is a call to abandon the “epistemology of ignorance” and revive a dialectics of becoming, locating the agency for a truly human future not in the state, but in the masses who make history.
Three Poems by Bertolt Brecht, Okot p’Bitek, and Yannis Ritsos
Dedications and Acknowledgments
Prefatory Remark
In Lieu of a Foreword: some inspirational declarations and metaphors
Introduction: what is to be thought?
1. Politics as a Collective Thought-Practice and Human Emancipation as its Essence: thinking the common good
2. The Ancients and the Thought of Politics: arkhē and the dialectic of physis and nomos
3. Sourcing an Emancipatory Politics for Today: reviewing the classics
4. Thinking Emancipatory Politics through African Popular Culture
5. Resolving Contradictions among the People and the Dialectical Emancipatory Potential of Proverbial Metaphors
6. Haiti from Inventive Popular Sovereignty to Neocolonial State
7. Beyond the Party Form? An alternative political experiment and the figure of the heroic liberator
8. Democracy as Perverted Freedom: the anatomy of the African neocolonial state
Conclusion: silencing as analytical procedure in political theory and practice
References
Author bio
The Travails of a Tanzanian Teacher is a riveting account of the bumpy first decade of the work life of Karim F Hirji, a retired Professor of Medical Statistics. Filled with a distinctive variety of eye-opening episodes, it covers lecturing at the University of Dar es Salaam, the life of a political exile in a remote rural area and the challenges of setting up from scratch a one-of-a-kind educational institute in Africa. With a style that seamlessly combines the personal with the general, Hirji provides an illuminating description of different aspects of the Tanzanian political, educational, economic and rural landscape during the 1970s. Starting with a commentary on teacher training, he concludes with a critical comparison of modern university education in the nation with that of the earlier era.
Africa Matters: Cultural politics, political economies, & grammars of protest provides a sampling of insightful articles from the first five issues of Nokoko, journal of the Institute of African Studies, Carleton University, Ottawa, Canada. It brings together pieces that the journal’s editorial board felt were particularly perspicacious in their analysis and resonant in their crafting. Uniting them in this book permits a new dialogue to emerge around the key themes of cultural politics, political economies and grammars of protest. Their intersection here sheds light on important issues for Africans in the twenty-first century.
La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
The pamphlet begins with two letters written by Paul the Apostle in which Christianity first acquires a universal address. The new religion came to exclude people who were not Christians from the count of the human. This became explicit around a thousand years later when Pope Urban II authorised the First Crusade.
In 1492 planetary history was split in to two. Muhammad XII of Granada conceded defeat to Isabella and Ferdinand, the Catholic monarchs of Portugal and Spain, who went on to expel the Jews from the territory under their control. Europe became a Christian project. In the same year Christopher Columbus arrived in the Caribbean and Europe also became an imperial project with a planetary reach.
The origins of the racial ideology can be seen in this period, in which ideas about religion came to be entangled with fantastical ideas about the imagined purity of blood. But it was in the English colony of Virginia in the seventeenth century that the legitimation for the exclusion from the count of the human began to move from claims made in the name of religion to claims made in the name of science. This is the point at which modern racism, rooted in the appearance of the body, began to cast its malignant shadow across the planet.
The author argues that the struggle to put an end to the epoch of world history that opened in 1492 will require new ideas, and new practices. It follows the Caribbean tradition that runs from Aimé Césaire to Frantz Fanon and Sylvia Wynter in affirming the need for a counter-humanism, a radical humanism, a humanism that, in Césaire’s famous phrases, is “made to the measure of the world”. There is a need for a shift in the ground of reason towards the lived experience and struggles of people rendered, in Wynter’s phrase, as ‘pariahs outside of the new order’.
This collection of essays explores the multifaceted nature of the Amílcar Cabral’s legacy with the specific goal of understanding his relevance to contemporary politics. Ranging from his philosophical arguments about culture and colonialism to more concrete historical explorations of his impact on African American movements in the United States, the book is an accessible and valuable introduction to Cabral’s thought. … As a collection it is a timely one and will be valuable for anyone seeking to be introduced or reacquainted with debates about revolution, colonialism and culture, nationalism, and pan-Africanism. Claudia Gastrow in Feminist Africa
2013 marked the 40th anniversary of the assassination of Amilcar Cabral, a revolutionary, poet, liberation philosopher, and leader of the independence movement of Guinea Bissau and Cap Verde. Cabral’s influence stretched well beyond the shores of West Africa. He had a profound influence on the pan-Africanist movement and the black liberation movement in the US. In this unique collection of essays, contemporary thinkers from across Africa and internationally commemorate the anniversary of Cabral’s assassination. They reflect on the legacy of this extraordinary individual and his relevance to contemporary struggles for self-determination and emancipation. The book serves both as an introduction, or reintroduction, to one whom global capitalism would rather see forgotten. Understanding Cabral sheds light on the necessity of grounding radical change in the creation of theory based on the actual conditions within which a movement is attempting to develop. Cabral’s theoretical ideas and revolutionary practice of building popular movements for liberation are assessed by each of the authors as critically relevant today. His well-known phrase “Claim no easy victories” resonates today no less than it did during his lifetime. The volume comprises sections on Cabral’s legacy; reflections on the relevance of his ideas; Cabral and the emancipation of women; Cabral and the pan-Africanists; culture and education; and Cabral’s contribution to African American struggles. A selected bibliography provides an overview of Cabral’s writings and of writings about Cabral.
Pius Adesanmi died in the doomed Ethiopian Airline flight 302 on March 10, 2019. Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi is an assemblage of 267 original poems written by 127 established and emerging African writers. While some of the poets celebrate Adesanmi, others reflect philosophically on existence, mortality, immortality and/or offer hope for the living. In this memorably textured collection, the poets – some who knew, and some who did not know Adesanmi – exorcise the pains of loss through provocative poems that pour out their beating hearts with passion.
Pius Adesanmi died in the doomed Ethiopian Airline flight 302 on March 10, 2019. Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi is an assemblage of 267 original poems written by 127 established and emerging African writers. While some of the poets celebrate Adesanmi, others reflect philosophically on existence, mortality, immortality and/or offer hope for the living. In this memorably textured collection, the poets – some who knew, and some who did not know Adesanmi – exorcise the pains of loss through provocative poems that pour out their beating hearts with passion.
