Tariq Mehmood
Tariq Mehmood is an award winning novelist and documentary film-maker. His first novel, Hand On the Sun (London: Penguin Books, 1983), dealt with the experience of the resistance to racism by young migrant to the UK of the 1970s and…
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British army’s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
http://socialistreview.org.uk/438/youre-not-here
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019
Tariq Mehmood is an award winning novelist and documentary film-maker. His first novel, Hand On the Sun (London: Penguin Books, 1983), dealt with the experience of the resistance to racism by young migrant to the UK of the 1970s and…
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Categories: | Fasihi, Fiction, Imperialism, Political Freedom & Security, USA, Young Adults |
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À rebours des thèses soutenant que la migration contribue au développement ou que l’in- vestissement dans le développement réduit la croissance de la migration « irrégulière », ce livre marque une rupture tonifiante avec les idées communes abondamment véhiculées dans la littérature sur les liens entre migration, mobilités et développement en Afrique. Il accorde un intérêt manifeste pour la plus grande part des mobilités africaines, lesquelles se situent à l’intérieur du continent, et à la formation des diasporas en dehors des fron- tières nationales et continentales. Cette considération conjointe des mobilités « Sud-Sud » et « Sud-Nord » permet de remettre en cause l’hypothèse selon laquelle il existe des diffé- rences fondamentales entre elles.
Cet ouvrage examine les fluctuations ordinaires des mouvements de populations – à travers l’Afrique, comme dans le reste du monde –, qui étendent les familles, génèrent de nouvelles relations, reconfigurent les connexions économiques et politiques, et sont intégrées dans l’expérience quotidienne des millions de personnes qui y prennent part.
The in-depth knowledge of the mostly African authors adds to the quality of a research field, which was for long far too Eurocentric. – Ilke ADAM, Vrije Universiteit Brussel (Belgium)
Il était temps de mettre en lumière ce que migration et mobilité représentent en Afrique. L’ouvrage offre une perspective originale et décoloniale sur le sujet. – Eric HAHONOU, Roskilde Universitet (Denmark)
Christian Bouquet, « Quelques éclairages nouveaux sur les migrations africaines », EspacesTemps.net [En ligne], Books, 2020 | Mis en ligne le 20 November 2020, consulté le 20.11.2020. URL : https://www.espacestemps.net/en/articles/quelques-eclairages-nouveaux-sur-les-migrations-africaines/ ; DOI : 10.26151/esapcestemps.net-jc2a-6b03
Avec la participation de John O. IGUE, Saydou KOUDOUGOU, Pierre-Joseph LAURENT, Bassirou MALAM SOULEY, Hamidou MANOU NABARA, Marème NIANG NDIAYE, Amadou SARR DIOP, Sadio SOUKOUNA , Eric Stève TAMO MBOUYOU et Astadjam YAOUBA.
The value of this brilliant, thoroughly researched, and vigorously written book extends far beyond Makerere University and the case study of its academic union that is a central feature. The authors raise questions applicable to universities worldwide: the meaning of “democracy” for members of the academy, the relationship of the university to government, and the responsibility of academics and the media to the society that they ostensibly serve. Makerere’s failure to advance gender equity is the main focus of one chapter and a leitmotif in several others. A probing and sometimes personal analysis of the Law School, with which all the authors are associated, complements its contribution to the cause of democracy in Uganda. At once reflective and challenging, the authors invite further exploration by academics and policy-makers around the world.
— Carol Sicherman author of Becoming an African University: Makerere, 1922-2000 (2005), Professor Emerita, Lehman College, City University of New York
Penned by brilliant legal academics, this anthology about that African academic giant—Makerere University—takes the reader on a fascinat- ing and engaging journey about the history of the organizational expression of African intellectuals and their links to the democratic struggles in Uganda. Arguably the best text on academia I have read in a long time, the book provides a deeply examined and superbly chronicled account of the manner in which Makerere University has been a thorn in the side of successive dictatorial governments, while also unpacking the warts that threaten to blight the academy; simply magnificent!
— Dr. Willy Mutunga, Chief Justice & President of Supreme Court, Republic of Kenya, 2011-2016
This is a very valuable and a timely contribution to our understanding of sites of struggle in African countries. It focuses on Makerere University as a site of struggle for democratisation. The authors have done a marvellous job. If the sister universities of Dar es Salaam and Nairobi were to produce studies, we would have a veritable trilogy of struggles at our universities in East Africa.
— Issa G Shivji, Professor Emeritus of Public Law & First Julius Nyerere Professor of Pan-African Studies, University of Dar es Salaam, Tanzania
Alma mater to presidents, public intellectuals and pundits of all disciplines, Makerere University has attracted considerable scholarly and popular attention, both in respect of its prominence and achievements, as well as with regard to its failures and foibles. As the oldest (and arguably best-known) university in Uganda and the wider eastern and central Africa region, Makerere looms large in the history of higher education on the continent.
This book explores the relationship between a public university of unique historical importance and the contestations over democratization that have taken place both within campus and beyond. It is pivoted around the late-20th century struggles by university staff and students for improved living conditions against the backdrop of the early programs of structural adjustment and economic reform pursued by the National Resistance Army/Movement (NRA/M) government adopted soon after taking power in 1986.
Although seemingly introverted in focus, in many respects these efforts represented the earliest forms of political resistance against a regime of governance that promised a great deal, but disappointingly delivered considerably less. Collectively, the chapters demonstrate that there is neither a single narrative nor a textbook formula about the relationship between the academy and democratic struggles. Instead of forcing an unsupported and false consensus on the definitive role of Academia in politics, the book seeks to stimulate a robust debate on the subject.
CONTENTS
Preface by Hon. Justice Solomy Balungi Bossa
1. Introduction: The Academy and Political Struggle in Uganda J. Oloka-Onyango
2. The Role of Academia in the Democratization Process Benson Tusasirwe
3. For whom doth the Academic bell really toll? Unpacking the engagement of Makerere University Academic Staff Association (MUASA) in Uganda’s Democratization struggles Maria Nassali
4. Intellectuals and the Fourth Estate: Analyzing the Coverage of Makerere University Academic Staff Association (MUASA) in the Ugandan Media (1989-2020) Ivan Okuda
5. Between Activism and “Hooliganism”: Civic Engagement and Democratic Struggles in Makerere University Students Guild Dan Ngabirano
6. Juggling the Personal and the Political: The Case of Female Academics at Makerere University Sylvia Tamale
7. Contending with the past and building for the future? The Paradoxical contribution of Makerere University School of Law to dictatorship and democratization in Uganda Busingye Kabumba
8. Conclusion: The Political Economy of University Education: Revisiting democratic alternatives for Makerere and Uganda Frederick W. Jjuuko
Contributing Authors
A piercing historical explanation of poverty and inequality in African societies today and the social impact of resource-driven growth, Extracting Profit explains why Africa, in the first decade and a half of the twenty-first century, has undergone an economic boom. Rising global prices in oil and minerals have produced a scramble for Africa’s natural resources, led by investment from U.S., European and Chinese companies, and joined by emerging economies from around the globe. African economies have reached new heights, even outpacing rates of growth seen in much of the rest of the world. Examined through the lens of case studies of the oil fields of the Niger River Delta, the Chad-Cameroon Pipeline and the East African infrastructure boom, this period of “Africa rising” did not lead to the creation of jobs, but has instead fueled the extraction of natural resources, profits accruing to global capital, and an increasingly wealthy African ruling class.
Extracting Profit argues that the roots of today’s social and economic conditions lie in the historical legacies of colonialism and the imposition of so-called “reforms” by global financial institutions such as the World Bank and International Monetary Fund. The chokehold of debt and austerity of the late twentieth century paved the way for severe assaults on African working classes through neoliberal privatization and deregulation. And while the scramble for Africa’s resources has heightened the pace of ecological devastation, examples from Somalia and the West African Ebola outbreak reveal a frightening surge of militarization on the part of China and the U.S.
Yet this “new scramble” has not gone unchallenged. With accounts of platinum workers’ struggles in South Africa, Nigerian labor organizing and pro-democracy upheavals in Uganda and Burkina Faso, Extracting Profit offers several narratives of grassroots organizing and protest, pointing to the potential for resistance to global capital and fundamental change, in Africa and beyond.
And in an updated Preface, the author analyses the implications of the Covid-19 pandemic and escalating climate emergency, as both the crises and resistance to extraction accelerate across the continent.
“Lee Wengraf’s Extracting Profit – Imperialism, Neoliberalism and The New Scramble for Africa is at once historical and contemporary. It unpacks ongoing resource crimes by analytically exposing its historical roots and pointing to ways by which the oppressed can cut off the bonds that lock in their subjugation.” —Nnimmo Bassey, Director, Health of Mother Earth Foundation
“Lee Wengraf provides an important reminder that Africa’s position within the world economy is heavily determined by its unequal insertion into the global capitalist system and ongoing manifestations of imperialism.” –James Chamberlain, Sheffield Political Economy Research Institute
“Lee Wengraf’s Extracting Profit provides a breathtakingly detailed account and analysis of some of the major socioeconomic ills that have been plaguing Africa for centuries. Amongst the host of issues she tackles, arguably the most consequential are mass poverty in African societies, their indefensible economic inequalities and the steady plundering of the continent’s resources, starting from the slave-trade era up till the present-day.” –Remi Adekoya, Review of African Political Economy
“Extracting Profit offers several narratives of grassroots organizing and protest, pointing to the potential for resistance to global capital and fundamental change, in Africa and beyond.” –Developing Economics
“Evidently, this book is well-researched and it contributes to the expansion of the frontiers of Marxist scholarship on Africa’s development dilemma within the global capitalist order. This book lends credence to the pioneering works of such notable radical scholars as Andre Gunder Frank, Walter Rodney, and Samir Amin among several others. It should be read by students and teachers of political economy, development studies, Marxism and philosophy.” –Marx & Philosophy Review of Books
“Extracting Profit provides a great arch of scutiny from the earliest carve-up of the African continent, through colonialism, war, imperialism, to the recent neoliberal takeover. The book demonstrates the continued importance of Marxist analysis on the continent, asserting the centrality of class analysis and a project of revolutionary change. Wengraf provides us with a major contribution, that highlights contemporary developments and the role of China on the African continent that has perplexed and baffled scholars. An indispensable volume.” —Leo Zeilig, author of Frantz Fanon: The Militant Philosopher of Third World Revolution
“The history of resource frontiers everywhere is always one of lethal violence, militarism, empire amidst the forcing house of capital accumulation. Lee Wengraf in Extracting Profit powerfully reveals the contours of Africa’s 21st century version of this history. The scramble for resources, markets, and investments have congealed into a frightening militarization across the continent, creating and fueling the conditions for further political instability. Wengraf documents how expanded American, but also Chinese, presence coupled with the War on Terror, point to both the enduring rivalry among global superpowers across the continent and a perfect storm of resource exploitation. Wengraf offers up a magisterial synopsis of the challenges confronting contemporary Africa.” —Michael Watts, University of California, Berkeley
“One of the most well-known stylized facts of Africa’s recent growth experience is that it has been inequality-inducing in ways that previous growth spurts were not. Lee Wengraf, in her new book Extracting Profit , expertly utilises the machinery of Marxian class analysis in making sense of this stylized fact. Along the way we learn much about Africa’s historical relationship with imperialism and its contemporary manifestations. This book should be required reading for all those who care about Africa and its future.” —Grieve Chelwa, Contributing Editor, Africa Is A Country
“In recent years countries in the African continent have experienced an economic boom—but not all have benefited equally. Extracting Profit is a brilliant and timely analysis that explodes the myth of “Africa Rising,” showing how neoliberal reforms have made the rich richer, while leaving tens of millions of poor and working class people behind. Lee Wengraf tells this story within the context of an imperial rivalry between the United States and China, two global superpowers that have expanded their economic and military presence across the continent. Extracting Profit is incisive, powerful, and necessary: If you read one book about the modern scramble for Africa, and what it means for all of us, make it this one.” —Anand Gopal, author, No Good Men Among the Living: America, the Taliban, and the War Through Afghan Eyes
“Thorough and thoughtful, Wengraf’s book has a radical depth that underscores its significance. It’s definitely a must-read for anyone who cherishes an advanced knowledge on the exploitation of Africa as well as the politics that undermines Africa’s class freedom.” —Kunle Wizeman Ajayi, Convener, Youths Against Austerity and General Secretary of the United Action for Democracy, Nigeria
“Extracting Profit is a very important book for understanding why the immense majority of the African population remain pauperised, despite impressive growth rates of mineral-rich countries on the continent. It continues the project of Walter Rodney’s How Europe Underdeveloped Africa. And in several ways, it also goes beyond it, capturing the changing dynamics of global capitalism 45 years after Rodney’s magnus opus.
In this book, Lee Wengraf debunks the myth of “Africa Rising” and the supposed expansion of an entrepreneurial middle-class, revealing “reforms” imposed by international financial institutions as mechanisms for fostering imperialism in an era of sharpening contradictions of the global capitalist economy. The adverse social, economic, political and environmental impact of these are elaborated on as a systemic whole, through the book’s examination of the sinews of capital’s expansion in the region: the extractive industries.
But, Wengraf does not stop at interrogating the underdevelopment of Africa. Her book identifies a major reason for the failures of national liberation projects: while the working masses were mobilised to fight against colonial domination, the leadership of these movements lay in the hands of aspiring capitalists, and intellectuals. The urgency of the need for a strategy for workers’ power internationally, she stresses correctly, cannot be overemphasized.
Reading Extracting Profit would be exceedingly beneficial for any change-seeking activist in the labour movement within and beyond Africa.” —Baba Aye, editor, Socialist Worker (Nigeria)
Under-Education in Africa: From Colonialism to Neoliberalism is a collection of essays on diverse aspects of educational systems that were written over a period of four and a half decades, written from the point of view of an activist educator.
With the focus on Tanzania, they cover education in the German colonial era, the days of Ujamaa socialism and the present neo-liberal times. Themes include the social function of education, the impact of external dependency on education, practical versus academic education, democracy and violence in schools, the role of computers in education, the effect of privatization on higher education, misrepresentation of educational history, good and bad teaching styles, book reading, the teaching of statistics to doctors and student activism in education.
Two essays provide a comparative view of the situation in Tanzania and the USA. Linking the state of the educational system with society as a whole, they explore the possibility of progressive transformation on both fronts. They are based on the author’s experience as a long-term educator, his original research, relevant books, newspaper reports and discussions with colleagues and students.
The author is a retired professor of medical statistics who has taught at colleges and universities in Tanzania and at universities in the USA and Norway.
Table of Contents:
– Abbreviations
– Preface
– Introduction
– Education and Colonialism
– Education and Ujamaa
– Education and Democracy
– Education and Dependency
– Education and Violence
– Education and Privatization
– Education and Computers
– Education and America
– Education and Debate
– Education and History – I
– Education and History – II
– Education and Reading
– Education and Educators
– Education and Activism – I
– Education and Activism – II
– Education and Liberation
– References
– Author Profile
A collection of essays from an educator-activist that takes us back to one of the richest periods of African intellectual debate about knowledge and colonization, the early 1970s at the University of Dar es Salaam, with valuable lessons for today.
– Budd L Hall, PhD, Professor Emeritus, UNESCO Co-chair in Community‑Based Research and Social Responsibility in Higher Education, University of Victoria, Canada
This is a timely, broad ranging, provocative series of essays about under-education in Africa. The author’s lived experiences, particularly in Tanzania, form a rich base for much of the critical contextual analysis. New generations of scholar-activists in Africa and elsewhere are urged to learn from history, to debate, to question and strive, with passion and hope, to attain a just, more egalitarian world.
– Shirley Walters, Professor Emerita, University of Western Cape, South Africa
An inspiring collection of vivid stories and profound critiques of education from a committed scholar-activist who draws upon a lifetime of engaged learning, teaching, research and debate. Revealing how under-education has been spawned by global capitalism, it also inspires hope and offers strategies for educational and social change in Africa and beyond.
– Pat Saul, UDSM graduate, teacher and community activist for social change, Toronto
A dedicated and passionate educator and scholar activist, Karim Hirji explores the connection between education and a dependent economy, and the systematic de-education of the Tanzanian and African masses during the colonial and post-colonial periods up to the present day. Broad structural analysis of underlying factors such as social and economic injustice, political accountability and neoliberal policy is combined with concrete investigation of the challenges facing students and teachers at all levels of the education system and ends on a positive note, “dare to dream.”
– Marjorie Mbilinyi, Professor of Education, University of Dar es Salaam (1968-2003), independent researcher and writer
Karim Hirji’s erudite yet accessible collection of essays is bound to become an essential companion and a classic for all concerned with the underdevelopment of Africa and its educational doppelganger, under-education. His dialectical, fine-grained and multi-scalar analysis of educational issues traverses the period of colonialism, the first flush of independence through neo-colonialism to present day capitalist neoliberalism. It is a milestone in connecting past and present struggles through the tools of political economy. While the essays focus on Tanzania, they have continental resonance and remain globally relevant.
The essays draw inspiration and critical lessons from many countries. Hirji’s education commentary is grounded in a dedicated praxis of over forty years. The collection reflects this breadth of experience and the depth of multifaceted struggles. It embraces many pertinent issues valuable for contemporaneous endeavours against miseducation as these relate to democracy, dependency, violence in schools, the privatisation and corporatisation of education, the uses and abuses of technology, cultural imperialism, academic dissent, publishing, reading and the qualities of an effective teacher.
Written in a register that exudes deep honesty, wisdom, self-critical reflection and borne out of collective struggle, the essays are indispensable to confront the current obfuscations, falsifications and the dominant right wing and indeed neo-fascist assaults on meaningful education and reason. The ideas and practices of Hirji and his fellow activist scholars such as Shivji, and the much missed AM Babu and Walter Rodney remain germane today and will leave a solid legacy for future generations to build on.
Despite these bleak, dire and precarious times, this remarkable collection is an antidote to despair. Hirji’s injunction, not to lose hope is also a clarion call to action and a firm belief that, to quote Hirji, “…the struggle is a long term one; there are bound to be ups and downs. But ultimately, Africa and its people will triumph.”
– Salim Vally, Professor and Director, Centre for Education Rights and Transformation, University of Johannesburg, South Africa
“This book will be of interest to readers in search of critical perspectives on education in Tanzania and Africa more widely. It invites the policymakers, teachers and students of today to erase their ‘ideological blinders’. For fellow citizens and observers of Tanzania, it elucidates the ideology of ‘education for self-reliance’ in practice. And, as an authoritative text on under-education, it makes an important contribution to the debates on transformative education and knowledge production in Africa as a whole.” Ahmad Kipacha Senior Lecturer in the School of Business Studies and Humanities at the Nelson Mandela African Institution of Science and Technology in Arusha.
https://www.tzaffairs.org/2021/01/reviews-89/
It is entirely fitting that in this fine book, those engaged in the radical praxis of healing are movements that are subverting the institutions of private property as a path to an emancipated society. Fanon’s legacy today is kept alive in their struggle. Raj Patel, Frantz Fanon’s revolutionary spirit lives on
Coming sixty years after the publication of The Wretched of the Earth and his death from leukemia at the age of 36, Fanon Today: Reason and Revolt of the Wretched of the Earth, edited by activist and scholar Nigel Gibson, provides a solid overview of the relevance of Frantz Fanon to the work of those of us who still believe that a just and humane world is both necessary and possible. Throughout the volume the contributors provide space and examples of a Fanonist development of radical humanism, which provides for the psychological development of the person within the context of consciousness raising, collective action and structural change. Through a variety of examples, the book also clearly demonstrates the fact that the agents of change do not simply have to be the usual suspects of the industrial working class but includes – and must include – the peasantry and the various manifestations of the lumpenproletariat. As noted by Gibson, “Fanon’s new humanism is a politics of becoming, based on the fundamental transformation of paralyzed Black and colonized subjects into new human beings through the liberation struggle” (p. 300). Timothy Wild, Review of African Political Economy. Dec 6, 2021.
This monumental compendium of cosmopolitical provocations and decolonial insights does more than just correct the misreadings that have threatened recently to engulf and mystify Fanon’s work. These exhilarating essays and commentaries put his incendiary contribution back where it belongs: in the insurgent speculations and reconstructive efforts of creative thinkers struggling to transform the imperiled predicament of our planet. —Paul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College London
*This is a wonderful book. It succeeds in extracting Fanon’s thought (the Wretched/Damned of the Earth in particular) from the realms of academia, Cultural Studies and Afropessimism and to locate it squarely where it originally belonged: within the domain of political practice, outside of which it makes very little sense. In academic reading, one remains a prisoner of the limits of the text itself; in a political reading, the text becomes a vehicle for addressing the problems raised by active militancy. Gibson has succeeded in bringing together an international array of brilliant contributors who all prove to be eloquent witnesses to the continued relevance of Fanonian concepts—such as the Manichean character of (neo)colonialism and racism, the corrupt nature of the so-called ‘national bourgeoisie’ and the continued relevance of ‘national consciousness’—in the contemporary expanded reproduction of racial capitalism on a world scale. What is particularly fascinating is the way in which intense studies of Fanon’s writings within the United States carceral system and South African informal settlements among other locations have enabled the production of political thought that takes Fanonian dialectical categories beyond their original subjective context, into concrete political practices combining the necessary experiences of particular struggles with conceptions of universal freedom. This is a militant work for militant readers. —Michael Neocosmos, Emeritus Professor in Humanities, Rhodes University, South Africa.
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There is not one time, not one aspect of the world’s experience, that does not give credence to Fanon’s precepts. Our collective human history has taught us that the human is bound to face attempts to crush her or his integrity, to condemn them to despicable exploitation, treacherous oppression. It is in the very nature of that experience that we have learned how Fanon shall never die. For his precepts and action remain always universally relevant. This is also what Fanon Today affirms. The book is fundamentally relevant and useful. It reminds us that in the face of exploitation and repression, the human and the humanist will always find ways to combat those. Dense and eclectic, strategically thought out and organized, critically stimulating, this book is as incisive as it is compelling. —Hanétha Véte-Congolo, President of the Caribbean Philosophical Association
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In this collective labor of love of the here and the now, voices of the damned—that pathologized, incarcerated, and evicted majority of the world’s population—rise! From Algeria to Brazil, Ireland to Kenya, Palestine to Portugal, South Africa to Trinidad and beyond, they are breathing life into and actively humanizing our precious and oh-so-fragile earth. Meeting brutal structural violence with the courageous construction of democratizing institutions that nurture mental health, well-being, and solidarity, Fanonian praxis emerges in each chapter. Evincing a thoughtful agency that questions everything, the volume forges new relations spanning generations and locales. Through it, sixty years since the publication of Les damnés de la terre, Fanon’s insights reach out to us, beckoning us to carry on the tireless work of building a world of the “we.” —Jane Anna Gordon, author of Statelessness and Contemporary Enslavement
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Coming out of the pandemic, the greatest challenge is how we express our anger, how we make it a digna rabia, a “dignified rage”, as the Zapatistas say. Fanon must be part of the answer. This magnificent collection of essays helps us to focus our minds on that challenge, to direct our anger to the task of making a different world. An important book, an exciting book. —John Holloway, author of We are the Crisis of Capital: A John Holloway Reader
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Fanon Today: Reason and Revolt of the Wretched of the Earth, edited and cordinated by Nigel C Gibson, gives the opportunity to several intellectuals and activists with different backgrounds from Brazil to Algeria, from Pakistan to South Africa, to tell how the struggle against injustice and racism inscribe itself into the continuity of the Fanonian visionary legacy. Not to be missed! —Hassane Mezine, Photographer, Film Director of Fanon hier, aujourd’hui
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This is an indispensable book. It brings together many among the overlooked communities for whom Fanon actually wrote—the dispossessed, the downtrodden, the organic voices rising from the depths of misery on the verge of despair. What better way to commemorate the six decades since the publication of Les damnés de la terre than to remind readers of that great work that the people in solidarity with whom its ideas were generated not only speak but also write? Read and learn from these voices as, in those proverbial revolutionary words, the struggle continues. —Lewis R. Gordon, author of Freedom, Justice, and Decolonization
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Fanon Today does not just bring Fanon into the immediate present, it also restores Fanon as a thinker of praxis, of organisation and struggle. There are a growing number of attempts to retrieve Fanon’s thought from its immediate historical context and put it to work in the present. But there are very few that show much interest in the fact that most of Fanon’s work was produced and grounded within struggle, within popular struggle. In keeping with Fanon’s own internationalism his thought is brought into struggles in Palestine, Pakistan, Ireland, South Africa, Kenya, the prisons in the United States and more. The worldliness of the work gathered here speaks, implicitly but lucidly, to the spirit of a thinker who was, always, in motion towards the world. Edited by Nigel Gibson, a leading Fanon scholar, including work by a group of exciting younger thinkers, and graced by a contribution from Ato Sekyi-Otu, also one of the best Fanon scholars, and a singular philosophical presence in the examination of the contemporary African condition, the book has real intellectual heft. It is essential reading for anyone who aims to engage Fanon as a comrade in struggle rather than solely as an interlocutor in more isolated and abstracted forms of academic theorizing. — Richard Pithouse, Editor, New Frame and author of Being Human After 1492
Fanon Today is a dense and rich text written by authors from across the world interested in examining societal unrest and oppression through the lens of Fanon’s ideas. In the introduction, Gibson notes that Fanon’s Les Damnés de la Terre still resonates, 60 years after publication, due to the multiple crises we face and the realities of ‘those struggling not only to survive but also be free’. … the focus on mental health is woven through- out, as it examines the impact that colonialism and imperialism have on the individual and collective psyches of oppressed communities. Fanon Today is helpfully divided into three parts: Fanonian Militants, Still Fanon and Fanonian Practices. —Kairo Maynard. Dramatherapy 42(1-3) 78-9
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.
The inside story of the struggles of the Kenya Land and Freedom Army, referred to by British colonialism as the ‘Mau Mau rebellion’, is little known today. The autobiographical material written by Karari Njama (a senior leader in the Mau Mau hierarchy) and compiled by Donald L. Barnett was first published by Monthly Review Press in 1966, as Mau Mau From Within: An analysis of Kenya’s Peasant Revolt. It was reprinted in 1970; it has remained out of print for many years. As the late Basil Davidson put it in his review of the first edition: “Njama writes of the forest leaders’ efforts to overcome dissension, to evolve effective tactics, to keep discipline, mete out justice … and to teach men how to survive in those merciless forests. His narrative is crowded with excitement. Those who know much of Africa and those who know little will alike find it compulsive reading. Some 10,000 Africans died fighting in those years . Here, in the harsh detail of everyday experience, are the reasons why.”
The book is an extraordinary story of courage, passion, heroism, combined with recounting of colonial terror, brutality and betrayal. It is a story of how the very idea of being ‘Kenyan’ was intimately linked to the idea of freedom, a connection that was destroyed not only by the firepower of the British, but also by those who collaborated and established themselves as the beneficiaries of neocolonial rule. Disconnecting notions of freedom from identity left only a caricature that rapidly descended into tribalism and ethnicity.
This momentous story of the struggle for freedom described here is relevant not only for a new generation of Kenyans but also for all those engaged in emancipatory struggles internationally. For so long as the experiences arising from the struggles described in this book are perceived as merely ‘African’ or ‘Kenyan’, it is not possible to fully grasp the contributions they have made to the struggle for a universalist humanity.
What is recounted in this publication is more than an ‘analysis of a peasant revolt’. It is above all a history of the Kenya Land and Freedom Army. As Ngūgī wa Thiong’o points out in his Preface to this new edition, ‘we don’t have to use the vocabulary of the colonial to describe our struggles.’ We were tempted to rename the book ‘Kenya Land and Freedom Army from Within.’ But because the original title has wide recognition, and and as one of the characteristics of movements of the oppressed is to appropriate derogatory terms used by their oppressors and repurpose them as an expression of pride in their own experiences, this book retains the original title, but with a change in the subtitle as ‘The Story of the Kenya Land and Freedom Army.’
We were delighted that Karari Njama was able to provide us with a Prologue to the new edition (Kamoji Wachiira, a former political prisoner, connected us with Karari and translated the text of the Prologue). Shujaa Hon Dr Gitu wa Kahengeri, Secretary-General of the Mau Mau War Veterans Association reminds us how the veterans of the liberation movement, like Karari Njama, continue to live in extreme poverty today despite the enormous contribution that they made to the struggle for freedom.
Kenya’s leading writer and academic, Ngūgī wa Thiong’o, points out in the Preface, how so much of the narratives about the Kenya Land and Freedom Army has been written from ‘without’, emphasizing the importance of a book that speaks to the personal testimony from within the movement. We are honoured to have Mīcere Gīthae Mugo, Emerita Professor of Literature at Syracuse University, provide reflections on the importance of the republication of this historical text. There are many who, as children, lived through the terrifying events of the Emergency during which so many were tortured and killed by the British (and their local collaborators) and whose psyche remains deeply affected by what they witnessed. Kamoji Wachiira describes some of these experiences vividly in his Introduction to the new edition. He highlights the extent of betrayal by successive post-independence governments, and the development of the post-independence revival of resistance which he was a central part of. He also emphasizes the importance for a new generation of Kenyans “to gain not only a deep understanding of Kenya’s revolutionary history but also to reflect on what lessons may be drawn for the struggle to achieve real freedom.”
The original publication had no biographical information about Don Barnett. Few are aware of the extent of Don’s political engagement with the cause of liberation, of which Mau Mau From Within was only one aspect. He was a founder of the Liberation Support Movement in Canada, and had close contact with the MPLA (Popular Movement for the Liberation of Angola). Don sadly joined the ancestors in 1975. We are fortunate, however, that Don and Daphne’s son and daughter, Michael Barnett and Dawn Barnett, were able to provide, together with Ole Gjerstad, a revealing biography.
We have endeavoured to retain the content of the original book (but for a few minor corrections) including the original Selected Bibliography. An updated Further Reading list is provided.
Insurrectionary Uprisings is a compendium of essays that explore what it will take to win a world based on love and justice. From historical writing, including Thoreau, Gandhi and Arendt, to essays that address the multiple crises we face in the 21st century, the volume brings together authors and thinkers from around the globe. With an emphasis on the quotidian violence of racial monopoly capitalism and Western imperialism, Insurrectionary Uprisings insists that the possibility of revolutionary nonviolence rests, in part, on decolonization and decoloniality and a thorough analysis of the deep and violent roots of racial capitalism, settler colonialism and heteropatriarchy. Fannie Lou Hamer’s testimony at the 1964 Democratic Convention underscores the inherent violence that saturates life in the U.S., while Cabral’s “Message to the People of Portugal” challenges the working class of imperial Portugal to recognize their kinship and to form alliances with the people of Guinea-Bissau. The very different strands of activist thinkers who comprise the book centre it on the experience of the global majority.
Daraja Press
http://socialistreview.org.uk/438/youre-not-here
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
Daraja Press
Tariq Mehmood’s new novel is uncompromising but hopeful in its portrait of the impact of the war in Afghanistan on a northern city in Britain, finds Sarbjit Johal
https://www.counterfire.org/articles/book-reviews/20045-you-re-not-here-book-review
Sarbjit Johal December 20, 2018
mehmood_novel.jpg
Tariq Mehmood, You’re Not Here (Daraja Press 2018), 238pp.
‘I feel her words more than I hear them’.
Tariq Mehmood’s latest novel, You’re Not Here, is set in Boarhead, an imaginary town in the North of England where the main character, seventeen-year-old Jake, lives and works with his Dad, who is a traditional white working-class carpenter. However, Boarhead is a place where people defy all stereotypes and devise creative ways to survive, a place where people
who have for too long been left to their own devices, to defend, protect and look after themselves. So, when the British Army goes into Afghanistan and starts killing Muslims, and destroying their homes, while the bodies of dead soldiers start coming back home, the tensions in Boarhead erupt out into the open. Young Muslims become angry and upset, and the white youth start giving their support to this horrific war, and start calling the Muslim youth ‘traitors’ for not supporting the British Soldiers.
While Jake’s brother, Dexy, goes to fight in Afghanistan, Jake falls in love with Leila Khan, an Afghan girl living in Boarhead. It is through this contradictory thread that Tariq Mehmood explores what it means to have a national identity, to be a real man and to really belong in a country which is always waging wars. From the name of the town Boarhead (pig’s head) to the names of roads and buildings (St Enoch’s Road, the Queen Victoria statue, and the cafe where the menu lists Vindaloo Porky to Trotter Tikka (opened by Curly, who can neither read nor write, and spent most of his life on the dole), Boarhead is a place facing economic decline where race, racism and present-day war shapes everything.
The novel raises questions about what is culture? What is Asian, and what is English? What happens when people do not fit their stereotypes? And how to create a people’s culture of resistance? It shows how war strengthens racism, how it affects who dies, who lives, who gets a job and who doesn’t, who belongs, who doesn’t and what happens when people dare to defy orders, refuse to follow the duty forced on them and decide to determine their own lives.
Surviving destruction and loss
It reveals the struggle of people whose lives once destroyed by war are again wiped out in the West, like the maths professor from Iraq, who is a taxi driver in Boarhead. His university in Iraq was bombed to bits and in Boarhead he is seen as a Pakistani, when in actual fact he is a Christian Arab. You’re Not Here refers to all those loved ones who are gone or missing, and in Jake’s case it refers to his mother, brother and the longing he feels for Leila. You’re Not Here shows the things people hold on to when everything else is falling apart and nothing makes sense. For example, Jake’s father starts reading the Bible when he loses his job.
The people in Boarhead have cast and recast themselves in a constantly changing backdrop. This is a place where old Victorian mills have been knocked down to be replaced by shops like Asda and new private flats for sale, and the only place where you can have any privacy is a graveyard in an unused church.
Whether it’s food, clothes, language, looks, nothing here conforms to any static idea of culture. The chapter, ‘Doris’s Kebabs’, where Jake meets Leila’s father, is absolutely hilarious. Leila’s father, who has green eyes, introduces himself as Peter but Jake finds it difficult to see him as a ‘Peter’ and keeps calling him ‘Sir’. Reading this reminded me of a close uncle who used to be a wrestler in Punjab. After coming to Britain and working in farms and factories in West London, he would insist on being called Peter Singh when his actual name is Pritam Singh.
Jake is also surprised to see Peter drinking alcohol, drinking so much, and drinking it so fast. Whereas Jake, who is expected to drink, doesn’t drink alcohol at all. Peter’s comments on the kebabs he eats, ‘Even my wife can’t make them like Doris’, the way he speaks a mix of English and his own language, give space to a dynamic culture. Peter’s words even challenge the Hindutva fascists in India who portray Muslims as people who kill cows. Peter laments the large number of animals killed in war and expresses his sorrow at the murder of a cow in his village in Afghanistan. A cow which Peter himself had named, a cow whose mother his father had raised, a cow which had been the envy of the village.
Resistance and dissent, great and small
The book is littered with laugh-out-loud moments. The challenge to conventional right-wing culture comes from unconventional places. In one chapter, Abu Khalid, a religious leader criticises the owner of a shop called ‘Paradise Foods’ for displaying his tomatoes and cucumbers in a ‘rude’ way. He asks: ‘How can you do this when there are sisters around,’ and then goes on to accuse the shop keeper of ‘promoting sex and temptation’. Abu Khalid is then confronted by an old Pakistani woman who picks up a cucumber and asks him, ‘Shall I show you what I can do with this?’ Later in the story we learn that this religious leader is linked to some ‘powerful people in high places.’
The story of another character, Ali, is of an Asian shopkeeper who is determined to keep going despite the daily onslaught of racist abuse and armed raids, in an area where there are very few non-white people left. He has even opened a photo-booth inside his off-licence to keep the business alive. Ali is tall, has a six pack and owns a huge Alsatian dog called Twinkle with whom he speaks in Punjabi.
Jake goes to ‘Ali’s Offy’ to get a photo for a visa to Pakistan and to buy a bottle of whisky for his dad. Jake’s dad either drowns his emotions in alcohol, or in his work. When he’s working, Jake’s dad looks like a totally different person, much younger and full of energy and when times get tough, his solution is to work even harder.
For Jake’s father, this pride in the work ethic, this pride in a respectable ‘soldiering’ family is also tied up with how he sees himself as a man. For example, at home, when he cooks, Jake’s dad always manages to burn the food. His opinions of what he thinks of men who cook are made clear in his comments to Jake, who enjoys cooking: ‘You’ll make someone a good wife one day’.
Leila and Jake are both outsiders in their own way. Leila is very articulate and confident in public and constantly challenges Jake, but she comes across as being more deferential in the family. However, Leila does not aspire to be a ‘respectable’ Muslim woman, and Jake does not want to be a ‘respectable’ working-class man. He doesn’t drink, smoke, and is not ‘macho’.
Dexy is the older, protective brother who has Rambo posters in his bedroom, who’s ‘all emotion one minute and off his head the next’. He wears gold rings, hates Muslims and refers to hijabs as tents. But everything is never black and white, and that’s what makes this book interesting. Some soldiers come back from the war with very different perspectives than with which they departed. The novel has a hopeful aspect, even as it highlights destruction and suffering, as some of the characters find unexpected connections and solidarities in growing disillusion and opposition to imperialist war.
The ending is great, but just like real life, it is not a ‘happy ever after’ ending. It would have been interesting to hear more about Ali and his background as well as about Leila’s brothers and mother. Another criticism is that, at times, Jake, the central character, just seems ‘too perfect’. However, the story, the characters, the way the novel is structured, all makes this a really brilliant read.
There are so many powerfully realistic scenes. For example, the passage where Jake goes to find out why his friends have turned against him, really made me empathise with Jake’s pain. This is a singular feature of this novel, the ability to bring together people who are supposed never to meet. Then there is the section where Jake is cooking a stew and you follow the whole process from the chopping stage up to the eating stage, and the tension builds right up. Then there is the bus journey with its details of bus tickets and bus stops along with the ‘policing’ of young people by drivers, which all comes alive as you read it.
There are also some very interesting facts too, like the link between a Scotch Whiskey Brewery and Pakistan, or that there are the soldiers who go to fight wars, and when they die no one ever hears about them. An important and unforgettable feature of this novel is the way in which Tariq Mehmood uses language. There are the funny names like the Mucky Duck pub, Go-East Go West travel agency, and Kurly’s Kurry Kabin. Then there is the technique of joining old words to create new ones like the ‘ohgoddoIhaveto’ look or the ‘Pleasepleaseplease’ and the ‘dontyouworryson’ smile.
Although the novel is aimed at young readers, this book speaks to adults too. It dares to give space to that humanity which connects us all. And it screams out loud:
‘No to Racism,
No to Poverty,
No to War!’
Daraja Press
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019