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  • The Second Coming

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    The Second Coming


    In the remnants of a fractured UK, England is on the brink of collapse where far-right militias rise to power. As Islamophobia and English nationalism ignite brutal violence, 19-year-old Marah Sultana is thrust into a fight for survival. Hunted by forces seeking control, she carries a secret powerful enough to change the course of the war—and the future of the world. In a world in which America’s reign as a superpower has crumbled, its mercenaries now rule in its shadow,

    In The Second Coming, Tariq Mehmood delivers a searing, unflinching narrative that mirrors his own lifelong struggle for justice. This novel is not just fiction—it’s a reflection of real-world battles. Mehmood’s powerful storytelling compels readers to confront uncomfortable truths while offering a gripping, emotional journey of resistance and survival.

    A dystopian desi mash-up of The Handmaid’s Tale, Clockwork Orange, and V for VendettaThe Second Coming warns of the dangers of right-wing nationalism and white supremacy and imagines where such hate could take England if it is not, somehow, nipped in the bud. — Paul Cochrane, journalist, Middle East Eye

    A must-read dystopian fantasy about race, religion, and love. Unmissable – Melvin Burgess, novelist, winner of the Carnegie Medal and the LA prize for Teenage Fiction

    An unforgettable novel, both vivid and nightmarishly plausible. — Peter Kalu, novelist, storyteller, playwright and poet.

    A story of resilience and hope told against the brutal realities of patriarchy and colonial violence.
    — Amrit Wilson, activist, feminist, and author of Finding a Voice: Asian Women in Britain (Daraja Press)

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    From Citizen to Refugee: Uganda Asians Come to Britain

    In his introduction to this new edition of From Citizen to Refugee: Uganda Asians Come to Britain, Mahmood Mamdani reminds us that long before 1972, most Ugandan ‘Asians’ had already been disenfranchised by law, both Ugandan and British. Despite a global industry that insists otherwise, Uganda Asians are a poor fit as victims: there was no large-scale loss of life during the expulsion, nor were there massacres of Asians, only of ‘indigenous’ peoples. Asians in Uganda, as in East or Southern Africa, he argues, were immigrants, not settlers: immigrants are prepared to be a part of the political community, whereas settlers ‘create their own political community, a colony, more precisely, settler colonialism.’ Mamdani insists that there is no single Asian legacy. there are several and they are contradictory. The Asian question in Uganda remains, but it is no longer the original Asian question. But it does allow us to think more broadly. Just as US law recognizes African Americans as Americans of African descent, so too must those of Asian origin in Africa consider themselves, and be considered, Asian Africans. It is in his bittersweet and touching book on the Asian expulsion from Uganda that one can trace the beginnings of author and intellectual Mahmood Mamdani’s world-view.. … In From Citizen to Refugee: Uganda Asians Come to Britain Mamdani offers portraits of people reduced to a vegetative existence in refugee camps, feeling the burden of not being fluent in English and struggling with the uncomfortably cold weather. Not surprisingly, these few months played a pivotal role in shaping Mamdani’s theoretical and political leanings, and it is here that one can locate his preoccupation with the formation of racial, ethnic and class identities during the colonial era and his overarching concern with issues of citizenship.

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  • Hand on the Sun cover
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    Hand On The Sun: A passionate and powerful novel of race and class

    This was Tariq Mehmood’s first novel, published by Penguin Books in 1983, charting the experience of the second generation migrants to the UK. Set in the declining textile industry of the North of England, it is a raw story of pain and anger at the relentlessness of British racism, from the street to the state – a story of an unquenchable desire for justice, and reclaiming human dignity. A dignity that is wrapped around new questions of Identity, a crossroad between religion, language, history and resistance. It is a little big story, that talks to the extremities of social, political and literary issues today? Can stories of a generation be appropriated? How important is religion in identity? If all you have is a story to tell, who should you tell it? Are the issues of today, just the issues of today or can we learn something from the past? In these stories, friendship is not defined by religion or colour, but by humanity. And racism is much more than skin deep. It is an exhilarating read that bears witness to the urgent 80’s battles against state and popular racism. As important now as then. In this new edition, Mehmood provides a Foreword that describes how the novel came to be written and the lives of real people on whom the characters were created. In the Afterword, Mehmood revisits some of the characters who are now 40-years older, and reflects on how the book would have been written today where the conditions of mass mobilizations no longer exist in neoliberal Britain.

    USD $ 5.00USD $ 18.00
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