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Lessons from Audre Lorde’s The Uses of Anger: UCONN Women’s, Gender, and Sexuality Studies at 50
In recent years, we have witnessed renewed calls for women to embrace anger as a source of power. These voices have Lorde’s “The Uses of Anger”, first delivered at the University of Connecticut (UCONN), Storrs, in 1981, to thank for charting an innovative scholarly and poetic terrain that theorizes anger as much more empowering and liberating than conventional discussions of the term typically allow.
Lorde’s essay redefined anger productively, approaching it as an epistemological tool igniting a desire for self and collective liberation. The result was a remarkable critical reflection that laid the groundwork for deconstructing broader systems of oppression, particularly, heteronormativity, heteropatriarchy, institutionalized racial poverty, racial capitalism, and white privilege. Lorde’s essay moved with precision, centering Black women’s struggles in a world built around the use – and abuse – of racialized people subjected to systematic dehumanization.
In their introduction, Jane Anna Gordon, Elva Orozco Mendoza, and Sherry Zane reflect on the inheritance, lessons, and responsibilities that Women’s, Gender, and Sexuality Studies must grapple with if it is to deepen and fulfill its radical mission.
Guided by the imperative to look backward to understand the present and forge a future, the book closes with a sankofic interview with M. Jacqui Alexander and Beverly Guy-Sheftall, conducted by Briona Simone Jones.
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Aufbruch in Jackson [German edition of Jackson Rising: Black self-management and solidarity economy]
German translation of Jackson Rising: The Struggle for Economic Democracy and Black Self-Determination in Jackson, MississippiHow black activists are building liberation practically from below: Departure in Jackson documents the history of one of the most exciting revolutionary experiments in the USA Present.
Since the 1970s, black liberation movements in majority-black Mississippi have taken change into their own hands. The Deep South should become the center of their independence – “Free the Land!” In the 2010s, the election of Chokwe Lumumba as mayor in the capital Jackson took an important step towards implementing the vision of assembly democracy, solidarity economy and an end to racial inequality. Lumumba dies unexpectedly in 2014, but his son Antar and the Cooperation Jackson continue to move forward.
We learn about the pitfalls of radical local politics and struggles for housing and land, democratic economic models and ecology, internationalist solidarity and the parallels to the Rojava Revolution and the Zapatistas, about encouraging experiences in which different concerns go hand in hand.
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“Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”
Escrito durante as comemorações do septuagésimo quinto aniversário da publicação de Black Skin, White Masks (“Pele Negra, Máscaras Brancas”), de Frantz Fanon, “Not Bad for a N—, No?” oferece reflexões sobre as circunstâncias da publicação desta obra clássica com os insights de Fanon sobre o que ele chamou de tentativa de “assassinato do homem” e a necessidade urgente de a humanidade se tornar “acional”.
Escrito durante las celebraciones del septuagésimo quinto aniversario de la publicación de Black Skin, White Masks (“Piel negra, máscaras blancas”) de Frantz Fanon, “Not Bad for a N—, No?” ofrece reflexiones sobre las circunstancias de la publicación de esta obra clásica con las ideas de Fanon sobre lo que llamó el intento de “asesinato del hombre” y la urgente necesidad de que la humanidad se vuelva “acción”.
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Weaving Our Stories: Return To Belonging – An Anthology
“We are lovingly tethered to each other’s struggles, liberation and survival…This is the mantra sweetly embedded across this profound heartfelt body of work. Weaving our Stories is a beautifully curated montage of community voices committed to the preservation of their indigenous lands and culture. Here is an anthology that collectively teaches us how to resist, build and dream toward a liberated future. What Luanna Peterson and the contributors offer us is a divine vision to walk with our communities ancestors and descendants with a collective vision to world making. Throughout the anthology lives a chorus of powerful voices that are amplified in a series of interwoven manifestos, stunning visual art and spirited poetics often echoed in their mother tongue. Like strands of sweetgrass, these stories are interlocked and bound up across a multitude of lineages. Hawaii, like many of our homelands, has been a site of settler colonialism, US imperialism and pillaging of its most abundant lands. Every page of Weaving Our Stories gives us an opportunity to reimagine, regenerate and reclaim our legacies! What Weaving our Stories does is make visible the histories and possibilities of freedom for its people and living cultural archive. Upon reading this anthology, I began to realize that each of the contributors in the book serves as a griot of the oral history and creative traditions…which has always been an instrument of change and freedom! Add this to your 2024 booklist.” – Tarisse Iriarte Medina, independent curator, and consultant working in New York City and Puerto Rico
Weaving Our Stories: A Return to Belonging, edited and introduced by Luanna Peterson, is a book sewn seamlessly of art and heart. Every story stands bravely alone but is a part of the gripping whole. These are survivor stories, and they aren’t easy to tell. But that’s the point, isn’t it? The message will come home to you, as it did so beautifully to me. — Debra Lape, author of Looking for Lizzie – The True Story of an Ohio Madam, Her Sporting Life and Hidden Legacy and Factory Girl in the Rubber City – The Journal of Mary Cable.
Weaving Our Stories is a drenching of Spirit that helped me remember the shared purpose I have with the world and now with beloved Kalihi, Waipahu, Ko‘olauloa, and all of Hawaii. It is indeed an anthology that “… celebrates the radical and revolutionary role stories [play] in supporting our healing and liberation.” Mahalo, dear poets, artists, writers, and evolutionary revolutionists, for putting this collection together. Mahalo nui Luanna Peterson for holding the center with the grace of our kupuna – all of them. Time for us to heal. It is an honor to be connected to this kaupapa. — Dr. Manu Aluli Meyer
Full of strength and loving provocation, Weaving our Stories gathers poems, visual art, and stories of a new generation of Hawai‘i change-makers. The collection reminds us that we can seek liberation in our ancestral stories, that we reach for liberation by carrying the stories of others, and that we find liberation when we learn and extend the common patterns among us. It is a brilliant representation of Hawai‘i’s own. — Dr. Noelani Goodyear-Ka‘ōpua
We are lovingly tethered to each other’s struggles, liberation and survival… This is the mantra sweetly embedded across this profound, heartfelt body of work. Weaving our Stories is a beautifully curated montage of community voices committed to the preservation of their indigenous lands and culture. Here is an anthology that collectively teaches us how to resist, build and dream toward a liberated future. What Luanna Peterson and the contributors offer us is a divine vision to walk with our communities’ ancestors and descendants with a collective vision of world-making. Throughout the anthology lives a chorus of powerful voices that are amplified in a series of interwoven manifestos, stunning visual art and spirited poetics often echoed in their mother tongue. Like strands of sweetgrass, these stories are interlocked and bound up across a multitude of lineages. Hawai‘i, like many of our homelands, has been a site of settler colonialism, US imperialism and pillaging of its most abundant lands. Every page of Weaving our Stories gives us an opportunity to reimagine, regenerate and reclaim our legacies! What Weaving our Stories does is make visible the histories and possibilities of freedom for its people and living cultural archive. Upon reading this anthology, I began to realize that each of the contributors in the book serves as a griot of the oral history and creative traditions…which have always been an instrument of change and freedom! Add this to your 2024 booklist. — Tarisse Iriarte Medina, independent curator and consultant working in New York City and Puerto Rico
The young leaders and storytellers featured in Weaving Our Stories inspire and encourage us to move beyond received narratives that nourish bigotry or diminish one’s capacity for compassion and imagination. With powerful pedagogical and artistic impacts, the stories create space for us to name ourselves and heal out loud. The voices simultaneously remember and innovate as we re-familiarize ourselves with one another as well as ‘aina, to weave a tapestry of shared feeling and responsibility. Although the anthology speaks of loneliness and attempted erasure, its words also speak of deep belonging and strength—of the artistry, energy, ingenuity, and wisdom of people, place, and culture; of our commitments to one another; and the healing that comes from washing our eyes – and seeing our truth. — Dr. Maya Soetoro-Ng
Weaving Our Stories is a Hawaii-rooted abolitionist program that utilizes storytelling as a vehicle for liberation. Our mission revolves around teaching storytelling as an act of resistance, dismantling harmful existing narratives, and nurturing our ability to weave counter-narratives that acknowledge and celebrate the inherent beauty and brilliance within our storytellers. Through our stories, we advocate for justice and liberation.
This anthology follows the trail of esteemed works such as “This Bridge Called My Back: Writings of Radical Women of Color” and “Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization.” This anthology includes poetry, essays, visual art, and narratives penned by authors and artists who identify as Black, Indigenous, and people of color from Hawaii and beyond. While our contributors span a diverse spectrum of experiences and identities, they all share a common commitment to individual and collective well-being. Our contributors astutely showcase how their expressions of resistance and liberation, whether through visual art or written text, align with one or more of the central themes of Weaving Our Stories: resistance through cultural memory, accountability, resisting false binaries, and countering hegemony.
In tandem with the community collection of stories that revolve around resistance, this anthology also highlights the remarkable achievements of our six accomplished Black youth organizers. These young individuals dedicated a year to the Weaving Our Stories Youth Series during the pandemic, delving into the power and relevance of storytelling in our journey of resistance and liberation. Each of the six youth activists provides an overview of their Community Impact Design Projects.
These culminating endeavors addressed community issues by proposing interventions that harness our resistance themes and our three Pillars of Liberation—namely, institutions, structures/methodology, and people.
This anthology offers celebrations of our triumphs, our joys, and our unwavering resilience. Simultaneously, they advocate for our ongoing resistance, insisting on justice and a sincere confrontation with the often-overlooked lived experiences that deserve acknowledgement.
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“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
Written during the seventy-fifth anniversary celebrations of the publication of Frantz Fanon’s Peau noir, masques blancs (“Black Skin, White Masks”), “Not Bad for a N—, No?” offers reflections on the circumstances of the publication of this classic work with Fanon’s insights on what he called the attempted “murder of man” and the urgent need for humanity to become “actional.”
Écrit lors des célébrations du soixante-quinzième anniversaire de la publication de Frantz Fanon de Peau noir masques blancs, «Pas mal pour un N—, n’est-ce pas? » offre des réflexions sur les circonstances de la publication de cette œuvre classique avec les idées de Fanon sur ce qu’il a appelé la tentative de «meurtre de l’homme» et le besoin urgent que l’humanité devienne «actionnelle».
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Black Anarchism and the Black Radical Tradition: Moving Beyond Racial Capitalism
I am glad to see that there is a second wave of Black anarchists since 2015, arriving on the scene. I support the rights of all Black anarchists to build their movements, and I defend the rights of Anarkata. I don’t agree with everything in this book, but that is immaterial. This is an excellent book and well written. — Lorenzo Kom’boa Ervin, activist and author of Anarchism and the Black Revolution and The Progressive Plantation. During his over 50 years as an anarchist, Ervin was a member of the Student Nonviolent Coordinating Committee (SNCC), the Black Panther Party, and Concerned Citizens for Justice. He founded the first Black anarchist federation in North America, Black Autonomy.
This revolutionary book reveals the political power of “stretching” the classical anarchic tradition to critiques of racial capitalism. Bagby-Williams and Suekama deliver an accessible, thought-provoking analysis of two waves of Black American anarchism: that which arose from 20th-century politics of Black liberation and the later reanimation of anarchism triggered by 21st-century killings by American police. The authors layer deep class criticism with insightful case studies not just to retrace a history of Black Anarchism but to make a compelling argument about the diversity of thought that influences the radical tradition. With this book, the historical and continuing contributions of feminist thought, queer activism, and anti-colonial struggle to the movement are made clear. Readers will learn that Black Anarchism has not died due to “progress,” but rather proliferated in light of the American tragedy that is capitalism, imperialism and brutal, carceral control. This book has nuance. Read it now!” — S.M. Rodriguez, Ph.D., Assistant Professor of Gender, Rights and Human Rights, London School of Economics, and author of The Economies of Queer Inclusion: Transnational Organizing for LGBTI Rights in Uganda. www.smrodriguez.com
A necessary and accessible historical analysis of the often overlooked Black anarchism. Bagby-Williams and Za Suekama demonstrate that any revolutionary movement truly committed to a post-capitalist world must constructively engage with this Black radical tradition. — Toni Harrison, Black Canadian writer, community organizer, and host of the podcast Actually Existing Socialism (https://podbay.fm/p/actually-existing-socialism).
Thank you for sharing the pamphlet. Once we started reading it we could not put it down. It was refreshing to learn about the different texts, approaches and experiences of Black anarchism. What stood out the most for us was the inclusion of feminist and queer perspectives moving away from the ableist heteropatriarchy lens. The authors recognize the importance of pan-Africanism as one source of Black anarchism. They also emphasize the Black anarchist insight that all forms of oppression must be fought, to better address the challenges across all oppressed and Black bodies. In an era where movements are advocating for the abolition or reform of oppressive systems, this text helps reflect and reimagine what new inclusive systems may look like. It also makes an important analysis that highlights the complexity and diversity in Black anarchism, which is essential if we are to confront the white savior complex and complacency in addressing inequities and dismantling racial capitalism. —Tinashe Goronga, medical doctor and public health leader in Zimbabwe; coordinator of EqualHealth’s Global Campaign Against Racism affiliated with the international Social Medicine Consortium; and Mandela Washington Fellow for 2022; and Yeukai Chikwenhere, pharmacist and global health researcher in Zimbabwe, co-founder for the Centre for Health Equity, and community organizer for EqualHealth’s Global Campaign Against Racism.
This geography of Black anarchism succeeds in outlining its tendencies, champions, and contradictions. It reminds us that the children of Maroons don’t need no lessons in liberation. That we’ve always used things that confine to redefine. We beat plowshares into swords. And then we rob gun stores, cause who uses swords anymore? —Ben Passmore, comics artist, political cartoonist, creator of the Daygloayhole Series, and author of My Black Friend, which in 2017 won the Ignatz Award for Outstanding Comic.
This work Is an important achievement in clarifying the history and current importance of Black anarchism. The information that the book presents will be new to many readers. For instance, one important component involves the explanations of how hierarchical principles within the Black Panther Party and Black Liberation Army helped generate the emergence of Black anarchism among key party members who later developed their ideas and strategies while in prison. Likewise, the book breaks new ground in demonstrating that Black anarchism has emerged not from the European/ North American anarchist traditions but rather from roots in Pan-Africanism, the Black radical tradition focusing on racial capitalism and the work of Cedric Robinson, and grassroots struggles partly in the U.S. South. An in-depth analysis of the somewhat different but complementary focuses within the two generations of Black anarchism also is very helpful. Finally, the book highlights concrete, contemporary implications for revolutionary strategy, including a perceptive analysis of the compatibilities between socialist and Black anarchist approaches to current transformative struggles. This publication will become widely known and used, because it brings enlightening new ways to understand and to act on the intertwined structures of racial capitalism and the capitalist state.
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Episodes from a colonial present
Postcolonial critique deconstructs global inequality in its epistemic and material dimensions. This collective comic project illuminates everyday life’s coloniality as well as the decolonising potential of everyday struggles in the spaces, discourses and practices of so-called ‘global development’. -
From Citizen to Refugee: Uganda Asians Come to Britiain
In his introduction to this new edition of From Citizen to Refugee: Uganda Asians Come to Britain, Mahmood Mamdani reminds us that long before 1972, most Ugandan ‘Asians’ had already been disenfranchised by law, both Ugandan and British. Despite a global industry that insists otherwise, Uganda Asians are a poor fit as victims: there was no large-scale loss of life during the expulsion, nor were there massacres of Asians, only of ‘indigenous’ peoples. Asians in Uganda, as in East or Southern Africa, he argues, were immigrants, not settlers: immigrants are prepared to be a part of the political community, whereas settlers ‘create their own political community, a colony, more precisely, settler colonialism.’ Mamdani insists that there is no single Asian legacy. there are several and they are contradictory. The Asian question in Uganda remains, but it is no longer the original Asian question. But it does allow us to think more broadly. Just as US law recognizes African Americans as Americans of African descent, so too must those of Asian origin in Africa consider themselves, and be considered, Asian Africans.
It is in his bittersweet and touching book on the Asian expulsion from Uganda that one can trace the beginnings of author and intellectual Mahmood Mamdani’s world-view.. … In From Citizen to Refugee: Uganda Asians Come to Britain Mamdani offers portraits of people reduced to a vegetative existence in refugee camps, feeling the burden of not being fluent in English and struggling with the uncomfortably cold weather. Not surprisingly, these few months played a pivotal role in shaping Mamdani’s theoretical and political leanings, and it is here that one can locate his preoccupation with the formation of racial, ethnic and class identities during the colonial era and his overarching concern with issues of citizenship.
— Bhakti Shringarpure, Associate Professor, University of Connecticut, Editor-in-chief, Warscapes, Founder, Radical Books Collective -
Settler Colonialism
Settler Colonialism examines the genesis in the USA of the first full-fledged settler state in the world, which went beyond its predecessors in 1492. The text originates from Roxanne Dunbar-Ortiz (2021) “Not A Nation of Immigrants: Settler Colonialism, White Supremacy, and a History of Erasure and Exclusion.
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International Brigade Against Apartheid: Secrets of the People’s War That Liberated South Africa
Edited by Ronnie Kasrils with Muff Andersson and Oscar Marleyn.
First published by Jacana Media (Pty) Ltd in 2021, ISBN: 978-1-4314-3202-8, this Daraja Press edition is available in North America and East Africa
I thought I had a pretty good understanding of the global anti-apartheid movement until I read this extraordinary collection of essays. This book blew my mind!
—Robin D.G. KellyWe hear for the first time from the international activists who worked secretly for the ANC’s armed wing, Umkhonto we Sizwe(MK), in the struggle to liberate South Africa from apartheid rule. They acted as couriers, provided safe houses in neighbouring states and within South Africa, helped infiltrate combatants across borders, and smuggled tonnes of weapons into the country in the most creative ways. Driven by a spirit of international solidarity, they were prepared to take huge risks and face great danger.
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JACKSON EN REVUELTA
[Spanish edition of Jackson Rising]
Mississipi; el estado más pobre de los EEUU, el que tiene el porcen- taje más alto de población Negra y con una historia dramática de terror racial y de resistencia Negra. Este es el contexto de la resistencia presentada en este recopilatorio de escritos.
Sin desanimarse por la incertidumbre, el miedo y la an- siedad causadas por el constante deterioro del orden ne- oliberal, la respuesta de las activistas Negras de Jackson ha sido organizarse. Inspiradas por la rica historia de lucha y resistencia en Mississipi y comprometidas con la Estra- tegia Jackson-Kush, construyen instituciones arreladas en el poder comunitario, que combinan política y desarrollo económico y que satisfacen necesidades reales de la gente para crear un model social alternativo.
Las experiencias y análisis recogidas reflejan el poder creativo que se genera cuando la lucha política se basa en una visión del mundo liberada de las contradicciones y li- mitaciones inherentes al liberalismo. Esta es, en definitiva, una historia sobre un porceso decolonial y socialista, orga- nizado y dirigido por personas Negras.
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A Mutiny of Morning: Reclaiming the Black Body from Heart of Darkness
Nikesha Breeze has taken pages from Joseph Conrad’s Heart of Darkness, taken his words, and forced them to leave his colonized mind. She has made the words her own in poetic form. She illuminates the invisible Black voices inside, a radical, surgical, and unapologetic Black appropriation, at the same time as a careful birthing and spiritual road map. The resulting poems are sizzling purifications, violent restorations of integrity, pain, wound, bewilderment, rage, and, sometimes, luminous generosity.
The violent, scathing white supremacy of Joseph Conrad’s Heart of Darkness is traversed page by page and word by word in this brilliant prayer/poem—a work of reclamation, redemption, rescue, and repossession. — Wende Marshall, co-editor Insurrectionary Uprisings: A Reader in Revolutionary Nonviolence and Decolonization
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El Significado Revolucionario de la Revuelta de George Floyd
Si quieres poner la rebelión de George Floyd en su contexto político e histórico adecuado, esta es una de las obras con las que debes empezar. El Significado Revolucionario de la Revuelta de George Floyd plantea el caso incuestionable de que lo que presenciamos no fue solo una serie de eventos con el objetivo de reformar el imperio, como los medios burgueses quieren hacernos creer, sino un movimiento que en su corazón tenía y tiene como objetivo la erradicación del imperio y la construcción de un futuro nuevo e incierto. Este trabajo explica por qué y, además, aborda cómo puedes participar más profundamente.
– Kali Akuno, cofundador de Cooperation Jackson
Hablando sobre la descolonización, Fanon dice que cuando tratamos de cambiar el orden del mundo, esto es “claramente una agenda para el desorden total.” Con esto quiere decir que es una demanda absoluta, que no puede ser mediada por modificaciones de política. Esta demanda absoluta regresa en las llamas del Tercer Recinto en Minneapolis, en el verano de 2020. Nadie se ha acercado más que Shemon y Arturo en capturar esta lucha, en nombrar el carácter extraordinario y contradictorio de la Revuelta de George Floyd—cómo escapa la misma historia que la produce, única e inevitable, una verdadera insurgencia, progenitora de un centenar de formaciones contrainsurgentes. Estos comunicados de la rebelión ofrecen claridad sobre las desesperadas y extraordinarias victorias de la lucha y las formas que tomará el enemigo. Este texto es portador de las posibilidades, propuestas y problemas del verano; No puedo imaginar un mejor destino para la escritura.
– Joshua Clover, autor de Riot.Strike.Riot: The New Era of Uprisings
No hubo nada más que oscuridad en la primavera de 2020 cuando la pandemia de Covid-19 se enfureció y cerró la economía. Pero mientras que los manifestantes de derecha exigieron el fin del cierre de emergencia, un conflicto mucho más grande se estaba gestando bajo la superficie. Una rebelión exploto en Minneapolis en respuesta al asesinato policial de George Floyd, y durante la rebelion una estación de policía fue tomada y prendido fuego. Después de esto la revuelta se extendió rápidamente por todo los Estados Unidos. Los manifestantes saquearon los centros urbanos, lucharon contra la policía, quemaron coches de policía y destruyeron edificios de gobierno. El proletario negro lideró la carga, pero los proletarios blancos, latinos, asiáticos e indígenas también se unieron a la lucha, demostrando nuevas posibilidades para construir alianzas en esta sociedad segregada. Si bien las rebeliones contra la policía continuaron durante el verano y el otoño, el levantamiento retrocedió con el comienzo del invierno. Pero este conflicto está lejos de terminar.
Preparándonos para las grandes luchas que vienen, El Significado Revolucionario de la Revuelta de George Floyd proporciona un análisis de lo que sucedió durante los disturbios de 2020 en los Estados Unidos, sus potenciales, límites internos, e implicaciones estratégicas.
Esta es una traducción al español de The Revolutionary Meaning of the George Floyd Uprising