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The Shadow: Poems for the Children of Gaza
USD $ 16.00Select options This product has multiple variants. The options may be chosen on the product pageThe Shadow: Poems for the Children of Gaza
Discover The Shadow: Poems for the Children of Gaza, a poignant collection by Palestinian poet Ahmed Miqdad and Maltese-Canadian poet John P. Portelli. Written amidst the horrors of Gaza’s genocide and the personal battle with cancer, these 42 poems bear witness to the intersection of political violence and personal mortality. Through raw emotion and lyrical defiance, the poets forge solidarity across borders, offering a glimmer of hope in the face of erasure.
Featuring evocative art by Malak Mattar and a foreword by Professor Jamil Khader, this collection is a call to remember, resist, and reclaim humanity. A portion of proceeds will support Palestinian relief efforts.
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Gaza Held in Time: A Tapestry of Two Lives
USD $ 6.99 – USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageGaza Held in Time: A Tapestry of Two Lives
Gaza Held in Time
“A jewel of pain and memory.” —Patrizia Cecconi
Two Voices. One Shattered Homeland. A Story the World Can’t Ignore.
About the Book
Gaza Held in Time: A Tapestry of Two Lives is a groundbreaking memoir written by Tareq AlSourani and Yara Nasser, two Palestinian teenagers whose lives were torn apart by the 2023–2025 genocide. One fled to Egypt, carrying the guilt of escape. The other stayed, documenting Gaza’s descent into famine, mass graves, and the quiet rebellion of dreams.
Their alternating narratives—raw, poetic, and unflinchingly honest—weave together moments of piercing beauty (the scent of jasmine in Gaza’s streets, the taste of warm knafeh from Abu Al-Soud) with the horror of drone strikes, forced displacement, and the systematic erasure of their home.
This is not just a book about war. It’s about what it means to love a place the world is trying to destroy.
Why This Book Matters
- A Firsthand Account of Genocide: Written in real time from inside and outside Gaza, it shatters statistics with intimate, devastating testimony.
- A Testament to Resilience: From cooking over open fires to smuggling words past censorship, their creativity defies annihilation.
- A Call to Remember: “We wrote so Gaza would not fade into headlines.” This book is a lifeline to stories the world must not forget.
Praise for Gaza Held in Time
“Devastating… These could be our children. A brave and necessary book.”
—Yahia Lababidi, Palestinian poet“Their words should haunt us forever.”
—Lynne Segal, Birkbeck, University of London“A door left open for memory, for return, for rebuilding.”
—Aref Husseini, author of Half-AshkenaziExcerpt: The Day Everything Changed
“October 7, 2023. I woke to the sky screaming. By noon, the internet was gone. We played cards in silence, waiting for the ceiling to collapse. When it didn’t, we realized: this was the new normal. Gaza was being unmade in front of us.” —Yara Nasser
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Available in softcover and eBook.
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- #GazaHeldInTime – Share quotes, reviews, and solidarity.
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#GazaHeldInTime #ReadPalestine #GazaGenocide #Memoir #ResistanceLiterature #FreePalestine
“The story is not over because the sea still calls our names.”
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A Manifesto on Palestine: Rethinking Liberation from Below
We are excited to share a summary of a truly transformative new work, A Manifesto on Palestine: Rethinking Liberation from Below, by Ibraheem Rasras. This manifesto offers a profound and challenging re-evaluation of the Palestinian struggle, urging us to look beyond conventional political and diplomatic frameworks to envision a radically different path to freedom and self-determination.
The Core Diagnosis: Beyond Material Occupation
Rasras argues that the Palestinian crisis is not merely a material one of occupation, dispossession, and statelessness, but also a deep “epistemological crisis”. The very structures intended for liberation, the manifesto asserts, have been “subverted, diverted, or rendered ineffective by the very forces they seek to fight”. This is evident in the recurrence of atrocities, reminiscent of past massacres, seen in Gaza from 2023 onwards. A central critique is leveled against the adoption of hierarchical, statist, and technocratic forms of liberation, which have come to tragically resemble the configuration of the oppressor, shedding their ethical and revolutionary essence. The Oslo Accords are cited as a prime example, transforming the language of liberation into one of “formalized managerial governance” and “conditional sovereignty”. This has contributed to a profound “void in the political contextualization and ethical framework of the political ruling”.The Problem of “Stylistic” Resistance and Internalized Colonialism
The manifesto identifies how Palestinian resistance has, over decades, shifted from revolutionary, bottom-up rhetoric to institutionalized and compromised modes, particularly after the Oslo Accords. It introduces the concept of “stylistic” liberation, where leaders impose their imagined schemes rather than adapting to the realities on the ground, leading to an “alienus” leadership that lacks genuine popular allegiance. This “stylistic” approach also manifests when liberation is pursued through “tools of trivialization” that are external to the collective’s specific needs, such as placing prolonged peace negotiations *before* achieving liberation. This externalization, mirroring the colonizing process itself, leads to a form of alienation, obstructing collective self-control and, in many cases, resulting in the unconscious participation of the colonized in their own subjugation. Distrust stemming from unfulfilled promises by factions like Hamas and Fatah has further deepened fragmentation and a sense of “strangeness” among Palestinians.A New Strategy: The Ethics of Resistance and Anarchic Programs
To counter this multifaceted crisis, the manifesto proposes a radical alternative: a “bottom-up resistance” grounded in a unified mode of ethics, a collective understanding of the cause, and consistent practices. This “ethics of resistance” is not a rigid dogma but an “emancipatory code” and a regulatory framework for all aspects of Palestinian daily life, directly confronting neoliberal values like profit-maximization. It is intertwined with the urgent need for a “cultural revolution” that aims to restructure social circumstances and foster a “revolutionary consciousness”. This cultural shift, implemented in successive waves, includes intensive education on human rights and rooting new “networking-elements” within Palestinian social and cultural life. The goal is to establish a “solid reference-point” that can unify Palestinians, whose power has been fragmented by internal divisions and external pressures.The manifesto champions “anarchic programs” as a strategic framework to dismantle subjugation. This involves collectively disengaging from oppressive laws and creating a vacuum for temporary self-management, thereby strengthening local grassroots power. It envisions an “anarchic rule” based on “organic units” and “free cooperation,” emphasizing self-management, direct worker control, and integrated agriculture and industry. This approach aims to organize Palestinians without the fear of division or surveillance that has plagued traditional political structures.
The Power of the Everyday
Crucially, the manifesto points to the already existing “affirmative, anarchic, and ethical politics” in fragments throughout Palestinian society. These are not found in the monopolies of NGOs or political parties, but in the “spontaneous and often-unrecognized social inventions of ordinary people”. Examples include mutual aid networks in Gaza during siege, informal community schooling, grassroots organizing, and the refusal to cooperate with surveillance. These acts of “everyday resistance”—like a student crossing a checkpoint or a mother going to work despite immense barriers—are seen as foundational for a new paradigm of collective ethics and political orientation.Toward a Horizon of Liberation
A Manifesto on Palestine is a bold call for “breakage,” arguing that “no gradual reform will bring freedom”. It is an “epistemological” task to unveil and amplify these lifeways and forms of knowledge, leading to an ethical reconstruction for a collective life that rejects domination in all forms. The manifesto asserts that the future of Palestine will not come from foreign beneficence or failed peace talks, but will be “constructed by the long disenfranchised of the political arithmetic: the dispossessed, the alienated, the uncredentialed, the everyday”. It invites all to engage in “a problem to be enjoyed more than an answer to be spewed back,” asserting that “freedom must be written by individuals who are living alternatively”.We encourage you to delve deeper into this profound manifesto and join the critical conversation about rethinking liberation from below.
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Ancestral Daughter
Ancestral Daughter is a poignant collection of free-verse poetry by Palestinian writer Zeina Jhaish, exploring themes of diaspora, identity, resistance, and love. Through vivid imagery and raw emotion, Jhaish navigates her dual existence as a Palestinian woman from Gaza living in the diaspora, weaving personal and collective histories into her verses. The book is divided into two parts: “Ancestral,” which delves into exile, land, and the trauma of occupation, and “Daughter,” which reflects on womanhood, heartbreak, and rebirth. Poems like “Haifa on 85th Avenue” and “Godforsaken Homes” juxtapose longing for homeland with the alienation of displacement, while “Being a Palestinian Woman: A Guide” celebrates resilience. Jhaish honors her heritage, mourns ongoing violence, and clings to hope, dedicating the work to Gaza and Palestinian martyrs. Blending English and Arabic, her poetry is a testament to ancestral love and the unyielding spirit of her people.
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Unsilenced: Poems for Palestine
From: USD $ 10.00Select options This product has multiple variants. The options may be chosen on the product pageUnsilenced: Poems for Palestine
Unsilenced: Poems for Palestine is a collection of poems that convey profound emotions and serious reflections on the ongoing situation in Gaza and Palestine since the Nakba. The anthology seeks to express the moral outrage felt by poets from around the world, highlighting the perceived double standards of the West regarding international law and the suffering of the Palestinian people. The poems examine the daily realities of life and philosophical perspectives on the human condition, using nature as a motif to articulate emotions and explore themes of homeland, childhood, exile, genocide, and war. All proceeds from the sale of the collection will be donated to Gaza, demonstrating the poets’ commitment to fostering positive change through their art. Contributors include diverse voices from various countries, each recognizing the urgency and necessity of addressing the inhumane actions perpetrated against Palestine.
Income from the sale of this title will be donated for Palestine.
Praise for Unsilenced
Haunting verses by poets fluent in the language of death and genocide. Each poem rings out as a piece of memory, a bridge and a dream. This elegy will stand as a testimonial, a witness, by brave voices exhausted by the deafening silence of a traumatized world. —Nnimmo Bassey, author of I See the Invisible (poems) and Laureate of the Right to Livelihood Award 2010
… the priceless value of an anthology of lyrics from yet another encircled, blitzed, strafed, and bombarded commune, ghetto, or kibbutz, is that it bears indelible witness to the unbreakable human spirit yearning for freedom, for peace, for bread and wine and water set amid an olive grove or a lemon orchard. That is what you will unfold in editor John P. Portelli’s Unsilenced: Poetry for Palestine. Poets—Jew and Arab, Muslim and Christian, Atheist and Surrealist—voice suffering, resilience, despair, and hope, speaking out of their fragile humanity to demand that vile atrocities cease. — George Elliott Clarke, author of Canticles I-III, 6 vols, MMXVI-MMXXIII (2016-2023)
Unsilenced shows how poetry is written to trigger and provoke, to bear witness, to look at the sky and shout, over and over, as loudly as necessary against injustice. Immanuel Mifsud, Associate Professor, University of Malta and winner of the European Union Prize for Literature (2011).
Contributing Authors
Poems by: Raed Anis Al-Jishi (Kingdom of Saudi Arabia), Ridvan Ardic (Türkiye), Lil Blume (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Hasan Bozdaş (Türkiye), Norbert Bugeja (Malta), Tatev Chakhian (Armenia), Franca Colozzo (Italy), Lana Derkač (Croatia), Josie Di Sciascio-Andrews (Canada), Leanne Ellul (Malta), Marthese Fenech (Malta), Abigail George (South Africa), Joe Giampaolo (Canada), Elham Hamedi (Iran), Xanthi Handrou-Hill (Greece), Jennifer Hosein (Canada), Fady Joudah (USA), Sheema Kalbasi (Iran, Denmark, USA), Rula Kahil (Lebanon and Canada), Nibal Khalil (Palestine), Zeyneb Karaca (Türkiye), Yahia Lababidi (USA), Milica Jeftimijević Lilić (Serbia), Sonia Maddouri (Tunisia), Lisa Suhair Majaj (Palestine, U.S.A., and Cyprus), Marwan Makhoul (Palestine), Leila Marshy (Canada), Taghrid Bou Merhi (Lebanon and Brazil), Ahmed Miqdad (Palestine), Maria Miraglia (Italy), Walid Nabhan (Malta, Jordan, Palestine), Mirela Necula (Romania), Mansour Noorbakhsh (Canada), Joseph C. Ogbonna (Nigeria), Muhammed Huseyin Ozer (Türkiye), John P. Portelli (Malta and Canada), Niloy Rafiq (Bangladesh), Shirani Rajapakse (Sri Lanka), Giovanna Riccio (Canada), Omar Sabbagh (Lebanon), Paul Salvatori (Canada), Eray Saricam (Türkiye), Zulal Sema (Türkiye), Cao Shui (China), Kadir Tepe (Türkiye), Graciela Noemi Villaverde (Argentina), Mirela Leka Xhava (France, Albania), Klara Vassallo (Malta), Anna Yin (Canada), Ghassan Zaqtan (Palestine)Select options This product has multiple variants. The options may be chosen on the product page -
Night Settles Upon The City
USD $ 15.00 – USD $ 16.00Select options This product has multiple variants. The options may be chosen on the product pageNight Settles Upon The City
Written with urgency out of a war-time Beirut, this poetry collection registers the griefs and the heroism of the Lebanese, under siege yet again. Sabbagh lends his lyrical voice here, to give a voice to the voiceless, trying to find some harmonic sense out of catastrophe. This book will compel readers, both Lebanese and those with any kind of human heart. While much of the work was written swiftly, on impulse, and almost like, as one of the poem’s title’s has it, a ‘War Diary,’ in verse, this work aims nonetheless to last in its significance and resonance at a time when the world as a whole (let alone Lebanon herself) has become so unpredictable, so fickle and so perilous. Night Settles Upon The City aims to be a worthwhile addition to the contemporary literature of war and, more specifically, to the literary representations of the modern Lebanese reality and experience.
Omar Sabbagh is a poet who is privileged to write about war and destruction from the relative safety of his study. But this double-edged illusion is insidious — mental and emotional inwardly, and physical for those who are directly under attack. It is visceral, political, heart-wrenching — yet the poet seeks out light and hope through the act of writing, for the sake of ownership and sharing. He may say that “I cannot read minds and nor / will I ever wish to”, but he writes for the importance of record-keeping, seeking solace, both private and public — as the Night Settles Upon The City of Beirut.
— Sudeep Sen, Winner of the Rabindranath Tagore Literary PrizeOmar Sabbagh has long brought us a world in which personal experience stitches a hyphen between the eastern Mediterranean and the northerly British archipelago. Now he makes the tension inherent within that richness explicit, in a love-letter to his family and home city of Beirut. Written while the ‘night’ of war ‘settles upon the city’, his introductory ‘Thoughts’ show us how unthinkable war remains, even when it arrives on the doorstep. This is a book of witness to what cannot happen, and yet does.
– Fiona Sampson, Professor Fiona Sampson MBE FRSL.Two-Way Mirror: The Life of Elizabeth Barrett Browning WW Norton 2022 – Washington Post Book of the Year, New York Times Editors’ Choice, finalist Plutarch Prize, finalist PEN Jacqueline Bograd Award, Sunday Times Paperback of the year.The poet Omar Sabbagh lives in Beirut. His voice is playful, almost surreal at times. He talks of ‘the hairbrained monocle of war’ and suggests that if you live long enough in a place like Beirut ‘laughter becomes a lover’s distance-giving kiss’. Night Settles Upon the City offers us a poetry that is neither ideological nor partisan, not of the frontline but of a deeply threatened warzone. Its terms are easy-going, sorrowful, humane, formally intelligent and tinged with apprehension. It is humanity being human. Reading it is relief and hope.’
— George Szirtes FRSL, Eliot Prize winner.Night Settles Upon the City by Omar Sabbagh is a profoundly reflective and evocative collection that blends personal experience with the brutal realities of life in a war-torn Beirut. Through a tapestry of poems, essays, and prose, Sabbagh explores the intersections of love, grief, intellectual contemplation, and the relentless backdrop of violence. The writing oscillates between moments of tender introspection and stark depictions of societal collapse, embodying a kind of philosophical meditation on suffering and survival. Sabbagh’s voice is distinctively lyrical, capturing both the intimacy of individual loss and the broader existential weight of conflict. His reflections on war and its aftermath are imbued with a sense of historical consciousness, yet deeply grounded in the immediacy of personal anguish and resilience. The collection is not just about bearing witness to destruction, but also about finding fragments of humanity amidst the ruins. A haunting and powerful work that invites readers into the fragile space between beauty and despair.—Dr. Pamela Chrabieh, Kulturnest Co-founder & Managing Director
The Arabic term for poet means the one who feels, unlike the Greek origin of poetry, which describes the craft itself. Omar Sabbagh is the quintessential poet in the Arabic sense. In this collection, he vibrates with Beirut, where he now lives, at a time when the city’s famous cultural vibrations are overwhelmed by murderous quakes caused by the Israeli war machine.
—Gilbert Achcar, Professor of Development Studies and International Relations at SOAS University of London.Beirut’s Omar Sabbagh, lover of beauty, poet of lush lyrical power, addresses the spirit of the great Dr. Edward W. Said in one poem, saying these troubled seasons make him “restless now in (his) resting place.” I’m captivated by a further description of Said, “living paper, breathing ink of one whose thoughts still seem to think.” There is healing in such sensitive recognition. Wise voices we always needed are suddenly needed desperately. Sabbagh invokes his love for a precious home frequently under siege and his care for all the people who made and surround him. Gratitude for the wisdom, kindness and rich affections of Night Settles Upon the City.—Naomi Shihab Nye, recipient Lifetime Achievement in Poetry Award, the Wallace Stevens prizeIn Night Settles on the City, Omar Sabbagh gives voice to the bewilderment, fear, rage, and despair so many of us in the Middle East are currently feeling. His eloquent, tender poems grapple with the impossibility—yet absolute necessity—of language at a moment when words otherwise fail. Like all the best poems, Sabbagh’s challenge, soothe, haunt, and rehumanize us, ultimately arousing our better selves.
—Mai Al-Nakib, author of An Unlasting Home and The Hidden Light of ObjectsBoth erudite and demotic, felt through the body and ‘guided by ear’ Omar Sabbagh’s voice powers through the remote attacks on Beirut – the city in which he currently lives – the hourly atrocities and unspeakable suffering to reach us and to speak for us. ‘What’s to understand?’ he asks ‘That murder can be finessed?’ In his seminal new collection, Night Settles Upon the City, night becomes a ‘dark and violent animal’ with its ‘panther’s pelt’ of terror ‘slowly curving round us’ through which we hear the voice of the aggressor reflecting that ‘…each murderous attack/ I order seems to drain this world of innocence.’ Yet Sabbagh’s own voice remains measured, balanced, especially in the portraits he paints of his beloved father…‘It gets worse each day watching him/ ageing’ (‘The Old Man and his Walking Stick’). This poem ends with the lines ‘an old man and his son, fighting a war/ in a warzone we all must visit’. Alongside unimaginable horror we are shown the ordinary griefs and losses that we all suffer – of ageing, of failing, of being human; and it’s the humanity and compassion with which Sabbagh bears witness that will secure this book’s future among the handful of classics that will come to define our era.
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Palestine Wail: Poems
USD $ 18.00Select options This product has multiple variants. The options may be chosen on the product pagePalestine Wail: Poems
Lababidi’s Palestine Wail calls for the simplest, barest humanity, and it reminds us that loss of life, occupation, and genocide take an impossible toll on everyone. Finally, it holds us all accountable to address injustice, to dispel oppression and to work toward collaborative and restorative justice. In our interview, we focused on what he saw as our responsibility to humanity. — How Hope Outlasts Despair: An Interview with Yahia Lababidi — https://www.clereviewofbooks.com/writing/how-hope-outlasts-despair-an-interview-with-yahia-lababidi
…a poignant message of compassion and hope, the kind beautifully expressed by Yahia Lababidi in his #book #Palestine Wail,
@DarajaPress.
“Since purchasing the book, I have read the poem every day—it tends to feed my imagination.” https://boundlessphilanthropy.com/writings/tending-the-imagination-the-practice-of-creativity-care-challenge-compassion #poetry #GazaRenowned aphorist Yahia Lababidi’s Palestine Wail writes alongside a catastrophe beyond words, trying to shelter in words what remains of our humanity. To be a Minister of Loneliness and Lightkeeper, tending to the light. — Philip Metres, author of Fugitive/Refuge
Palestine is personal for writer, Yahia Lababidi. His Palestinian grandmother, Rabiha Dajani — educator, activist & social worker — was forced to flee her ancestral home in Jerusalem, at gunpoint, some eighty years ago.
As an Arab-American, Lababidi feels deeply betrayed by the USA’s blind support of Israel’s genocide of Palestinians.
In Palestine Wail, he reminds us that religion is not politics, Judaism is not Zionism, and to criticize the immoral, illegal actions of Israel is not antisemitism — especially since, as an Arab, Lababidi is a Semite, himself.
Using both poetry and prose, Lababidi reflects on how we are neither our corrupt governments, nor our compromised media. Rather, we are partners in humanity, members of one human family. Not in Our Name will the unholy massacres of innocent Palestinians be committed (two-thirds of whom are women and children) nor in the false name of ‘self-defense’.
In turn, Lababidi reminds us that starvation as a weapon of war is both cruel and criminal, as is collective punishment.
Palestine Wail invites us to bear witness to this historical humanitarian crisis, unfolding in real-time, while not allowing ourselves to be deceived, intimidated or silenced. We are made aware of the basic human truths that no lasting peace can be founded upon profound injustice and that the jailor is never Free…
Yahia Lababidi, an Arab-American writer of Palestinian background, has crafted a poignant collection which serves as a heartfelt tribute to the Palestinian people, their struggles, and their resilience in the face of an ongoing genocide and ethnic cleansing.
The collection, described as a love letter to Gaza, draws inspiration from the rich literary tradition of Palestinian resistance literature. Lababidi, known for his critically-acclaimed books of aphorisms, essays, and poetry, brings his unique voice to this personal, political and spiritual work.
Palestine Wail addresses us in a variety of voices: outrage, lamentation and pity, in attempting to honor the pain of the oppressed Palestinian people, while also celebrating their enduring spirit.
Lababidi’s Wail, ultimately, is a prayerful work seeking peace, healing and reconciliation—a testament to the transformative power of literature to keep hope alive in the face of seemingly insurmountable odds.
These are necessary and truthful poems. Yahia Lababidi powerfully illuminates this heartbreaking time and terrible season in the history of our world. This book, like a lantern in darkness, brings to light the truth of lives we must learn to honor and remember. — James Crews, author of Unlocking the Heart: Writing for Mindfulness, Creativity, and Self-Compassion
Yahia Lababidi’s stunning and resonant collection, Palestine Wail, addresses the outrage felt by many of the oppressed Palestinian supporters and more. He also speaks of the lamentations of his people and the show of pity, compassion, and empathy from many members of the human family from all around the world. — The Indefatigable Longing For Peace And Rapprochement In Yahia Lababidi’s Palestine Wail By Michael Parker.
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Beside the Sickle Moon: A Palestinian Story
From: USD $ 5.00Select options This product has multiple variants. The options may be chosen on the product pageBeside the Sickle Moon: A Palestinian Story
Beside the Sickle Moon is near future literary activism based on Israel’s occupation of Palestine. The story tells a first person narrative through Laeth Awad, a Palestinian who lives above his convenience store experiencing days pass through smoke clouds with his cousin Aylul. One night upon returning to their village from Ramallah they encounter an Israeli checkpoint within the buffer zone that hadn’t been there before. It isn’t long until the two stumble upon Israel’s plans to construct a luxury hotel for incoming settlers, Ma’al Luz. Demolition crews and military personnel are due to fulfill this contract in the months to come and with them as overseer is the infamous Meir Cohen, a Mossad operative who played a key role in the fall of Gaza.
Aylul believes from their father, an Al Qassam militant who died in the battle for Jericho, that only the threat of annihilation breeds the best of human action. They use their contacts to connect with the factions, who grant them strength to defend their village from occupation. With these resources in hand Aylul forms Al Mubarizun, a group crowning themselves Palestine’s final resistance.
Laeth doubts the existence of a future, lost in philosophical ambivalence as he tries to follow his cousin into the depths of guerrilla warfare. He questions the futility of resistance when all former allies have normalized relations with Israel. And what of the innocents on the other side of the Wall who had no say in where they were born? Though a minority of the population, he is not alone in this sentiment. Palestinian youth begin to empathize with this logic enough to create a new social movement, the Forgotten Ones. Coining the derogatory term that their critics slung, the NGO advocates for a peaceful transition to Israel’s colonization where most Palestinians hear whimpers of surrender.
Set in a hauntingly plausible future, where Israel has marked a century of Palestinian occupation … As a novel of the future, Beside the Sickle Moon is, unsurprisingly, preoccupied with temporality, attempting to reconcile the vastness of macro-historical events with the immediacy of everyday life. … One of the most chilling features of Husien’s novel as history is the world’s renewed abandonment of Palestine. In a future of systemic global crisis, nations have closed ranks and shut their eyes. Israeli mines run on the slave labor of Palestinian captives, and refugee camps have become invisibilized death zones … — Londiwe Gamedze https://africasacountry.com/2024/11/reading-the-present-as-history
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Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism
As the world grapples with the legacy of crimes of enslavement, colonialism, genocide and mass killings, imprisonment and murder of children, attempts at eliminating cultures and history of Indigenous peoples, looting and other crimes against humanity, the performance of public atonement has become increasingly prevalent. Apologies from state actors and institutions are issued in solemn ceremonies, often acknowledging the collective guilt for historical atrocities. Despite the solemnity of these events, there is a growing scepticism surrounding the sincerity of these apologies, particularly when they are not accompanied by tangible reparations, healing, reconciliation or systemic change. This scepticism is rooted in a perception that these acts of contrition are sometimes less about making amends to the aggrieved and more about assuaging the guilt of the aggressors and maintaining the status quo, providing the illusion of progress without the substance.
In this compelling work, Oh, Sorry! Rituals of Forgiveness, Crises and Social Struggles in Postmodern Capitalism, the authors unveil the complex interplay between public apologies, social justice and popular mobilisations. The chapters are devoted primarily to the experiences of Latin America, particularly of Mexico, Guatemala, Chile, and Brazil. But there is also a chapter on the struggles for Palestine — so relevant in the face of the current genocidal invasion by the Zionist State of Israel into Gaza, the world’s largest and most densely populated concentration camp.Select options This product has multiple variants. The options may be chosen on the product page -
Struggling to be seen: The travails of Palestinian cinema
USD $ 5.00 – USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageStruggling to be seen: The travails of Palestinian cinema
The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. The research is based on collaborative work to research and screen Palestinian films involving Film Lab Palestine, Sheffield Palestine Cultural Exchange and Sheffield Hallam University as part of the Creative Interruptions research project (https://creativeinterruptions.com/palestiniancinema/). We explored the political, economic and cultural factors that impact on Palestinian film production and some of the barriers encountered in profiling and screening Palestinian films in Britain.
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