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  • Singing to Liberation: Songs of Freedom and Nights of Resistance on Indian Campuses

    Student activism and cultural activism go hand in hand on Indian campuses. Over the last few years, especially after 2014, student movements in the country against social injustice have increased in numbers and tenacity. Cultural modes of expressing dissent have played a key role within this new wave of student movements that have gripped the nation. This book takes the reader through a journey into the ways cultural activists analyse cultural modes of protest, especially in the context of student movements in the Global South. The book delves into the political and ideological contours set by organisations such as the Indian Progressive Theatre Association (IPTA) and the Progressive Writers’ Association (PWA), and by figures such as Faiz Ahmed Faiz, Habib Jalib, Hemanga Biswas and Safdar Hashmi. The book locates them within the contemporary wave of cultural protests, analyses their continued relevance and argues for a revival of theoretical and practical engagement with the early progenitors of the progressive cultural movement in India.

    It would be difficult to capture in mere words the … joy of seeing young faces beaming with excitement and joy, the sense of community and togetherness as people sing together. The myth of a people so bamboozled by religion that they could not appreciate poetry, music, and performing arts lay shattered before our feet. And the myth that the people were too ground down by poverty to appreciate art and literature proved to be nothing but an elitist prejudice. We sang, we laughed, we danced, we joked with the people. We felt the walls of class, caste, privilege and hatred crumble in those moments of ecstasy. — Taimur Rahman, Associate Professor, Lahore University of Management Sciences and Lead Guitarist and Spokesperson of the Marxist Band ‘Laal’

    This book is a reminder that we need to turn towards each other in revolutionary siblinghood. It is a call to revive a rich tradition of cultural activism across India and a celebration of emergent critical vibrant grassroots, people-centered student movements. Very importantly, this is also a book in the art of revolutionary dreaming, of embracing new possibility. —Ndindi Kitonga, Professor, Longy School of Music of Bard College, New York


    Singing to Liberation is a highly provocative and timely work by Suddhabrata Deb Roy. The struggles, crises, violence, and resistant movements inside the university campuses in India have been openly spoken out without any unnecessary jargon and rhetoric. Each and every page of this book is a powerful archive of sociopolitical crises, censorships, and bloodshed that India is currently experiencing” – Sayan Dey, Author, Green Academia (Routledge) and Performing Memories and Weaving Archives (Anthem Press)

  • Undaunted: Stories of Freedom in a Shackled Society

    ….to free oneself or assist in liberating others involves taking risks, being suspicious of the status quo, leaving the safety of the shore and launching out into the deep and the unknown. This is a very lonely calling too as one immerses oneself into the whole of reality with courage to confront and listen. Yet, the calling is not to be the liberator of the oppressed but to make a commitment to fight alongside them, as Paulo Freire wrote in Pedagogy of the Oppressed. — Fr Gabriel Dolan

    From his work in Turkana, Kitale, Kapenguria and Mombasa, Father Gabriel reminds us that true transformative change comes from the people themselves, from the bottom up. This is a challenge that the social justice/human rights practitioners must internalize and the sooner the better. The idea of being the “voice of the voiceless” must transform to facilitating, encouraging and giving space to those who suffer the indignities of injustice, violence, poverty and repression. Indeed, one of the most significant tasks for the human rights community is to devolve away from Nairobi, in real, practical, and substantive ways.

    It is not easy for a white man, with all the attendant privileges that brings, to become an integral part of the struggle for pro-poor transformative change in Kenya, and be subject to arrest, harassment, and repression. For those who read these memoirs, please circulate them to everyone you know. Translate them, read them in the mosques, churches and under trees so that Kenyans can get a sense of where we have come from, what we should avoid, and what it takes to make some gains that benefit the majority of our people. — Maina Kiai

    This book is published by Zand Graphics Ltd (Kenya) in association with Daraja Press.

    USD $ 20.00
  • Insurrectionary Uprisings: A Reader in Revolutionary Nonviolence and Decolonization

    Insurrectionary Uprisings is a compendium of essays that explore what it will take to win a world based on love and justice. From historical writing, including Thoreau, Gandhi and Arendt, to essays that address the multiple crises we face in the 21st century, the volume brings together authors and thinkers from around the globe. With an emphasis on the quotidian violence of racial monopoly capitalism and Western imperialism, Insurrectionary Uprisings insists that the possibility of revolutionary nonviolence rests, in part, on decolonization and decoloniality and a thorough analysis of the deep and violent roots of racial capitalism, settler colonialism and heteropatriarchy. Fannie Lou Hamer’s testimony at the 1964 Democratic Convention underscores the inherent violence that saturates life in the U.S., while Cabral’s “Message to the People of Portugal” challenges the working class of imperial Portugal to recognize their kinship and to form alliances with the people of Guinea-Bissau. The very different strands of activist thinkers who comprise the book centre it on the experience of the global majority.

    Editor Wende Marshall reading Insurrectionary Uprisings
    Editor Wende Marshall reading Insurrectionary Uprisings!