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A fictionalised account of a slave rebellion in Roman Sicilia more than sixty years before Spartacus, it tells the story of the slave Younis from Afamia (now in Syria), a mystic and seer who led a great uprising sustained much longer than Spartacus’s. As with Messinian rebellion against Spartan oppression centuries earlier, the West has been slow to take such events seriously and reinstate their presence in popular culture as expressions of human spirituality and resistance. The role of seers as leaders is reminiscent of Ayi Kwei Armah’s The Healers on ancient Africa. This book is a fascinating and brilliant telling of popular struggle. It is a minor classic.
— Michael Neocosmos, Emeritus Professor in Humanities, Rhodes University, South Africa, author of Thinking Freedom; Towards a theory of emancipatory politics
I highly recommend Basem Ra’ad’s compelling and deeply researched historical novel about the fire-breathing Syrian slave who challenged Roman might in the second century BCE, seeking independence for his thousands of followers. This little-known story of resistance deserves wide attention … an amazing and important story.
— Adrienne Mayor, Department of Classics, Stanford University, author, The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy
What Basem L. Ra’ad has done in this remarkable novel about slave uprisings is to demonstrate how ‘the history of all hitherto existing society is the history of class struggles.’ He shows why the dominant discourse needs to be revised. A moving story that casts light on many strifes in our times.
— Tariq Mehmood, author, Song of Gulzarina, Associate Professor, American University of Beirut
Slave King disrupts two millennia of malign stories about one of antiquity’s original slave revolts. Not cannibals, not demons, but slaves, farmers and herdsmen created a kingdom of equality and compassion. In vivid prose and deep knowledge, Ra’ad re-imagines freedom emerging from Mediterranean multicultural shores. It is a profound re-creation of history in thrilling fiction.
—Hilton Obenzinger, author of Witness 2017-2020 and American Palestine: Melville, Twain, and the Holy Land Mania
Slave King recreates a major slave revolt in Sicily led by a Syrian magus turned leader, circa 140-132 BCE, decades before Spartacus. He forges a coalition of slaves, farmers and herders to defeat Roman legions and establish an egalitarian entity. The novel uses biased ancient sources but challenges them to speak for the oppressed and provide alternative cultural-historical perspectives relevant to the present. Among its chapters are scenes of exorcism, crucifixion, ancient marriage customs, a play, and several battles.
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British armyâ€™s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019