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Inutabada o iiuhadabadadara sade era samaraka (àŠčàŠżàŠšà§àŠŠà§àŠ€à§àŠŹàŠŹàŠŸàŠŠ àŠ àŠàŠčà§àŠŠà§ àŠàŠŸàŠ€à§à§àŠ€àŠŸàŠŹàŠŸàŠŠ : àŠàŠàŠàŠż àŠà§àŠ°àŠźàŠŹàŠ°à§àŠ§àŠźàŠŸàŠš àŠžàŠźà§àŠȘàŠ°à§àŠ)
This is a Bengali translation of Hindutva and its relationship with Zionism, by Amrit Wilson: ISBN 978-1-990263-76-7. Written in December 2022, this text is based on a lecture given earlier at the invitation of the Institute of Palestine Studies. Since then, the relationship between Israel and India has deepened further and atrocities have skyrocketed in both countries. On 5 April 2023, Israeli forces stormed Al Aqsa Mosque compound in occupied East Jerusalem and attacked worshippers inside. At the same time, Israel is facing internal turmoil in a battle between a diverse group, including those who think the current settler colony is a democratic nation and want things to remain as they are, and those who stand even further to the right. Significantly, the BJP, Indiaâs ruling party, supports the latter. This book is about Hindutva, the ideology which drives the Hindu-supremacist Bharatiya Janata Party (BJP) regime of Prime Minister Narendra Modi, and Zionism, the ideology of the Israeli apartheid state. In this era of rising fascism, these two remarkably similar ideologies are crucially important in cementing the economic and military alliance between two of the worldâs most repressive right-wing states â while helping to legitimize them in cultural arenas. Israel is, of course, a settler colonial state, but it is also, like India, a fascist state, not only because of âthe extremist parties that [are] part of the governmentâ but also because of âtheir enablers â Netanyahu and his chauvinistic Likud party which long strove for a Jewish state dominating both sides of the Jordan River.â In the words of Marwan Bishara, Netanyahu is âthe godfather of modern Israeli fascism.â This essay focuses primarily on Hindutva, discussing Zionism mainly to highlight its similarities, links and increasing alliances with Hindutva.
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Religion, Society and the Pandemic: A complex entanglement
In nearly three years, starting from early January 2020, the coronavirus directly and indirectly consumed the lives of nearly 20 million people worldwide. This book explores the interplay between the coronavirus pandemic and religion on the theological, institutional and societal dimensions. It focuses on Hinduism, Buddhism, Christianity, Islam and secularism, but some minor faith systems are also covered. Exploring the evolution of the pandemic in seventeen nations, it asks: Was religious belief an obstacle or a positive factor in understanding the scientific basis of the coronavirus pandemic? Did religious institutions, leaders and laity facilitate or block the implementation of the official pandemic control measures? Was the role played by religion in the coronavirus pandemic affected by historical, social, economic and political factors? How did secularism operate in the coronavirus pandemic? Did the coronavirus pandemic enhance or undermine religiosity? The basic aim is to draw lessons from this pandemic that will facilitate how humanity may deal with future pandemics in a just and egalitarian social order.
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Aufbruch in Jackson [German edition of Jackson Rising: Black self-management and solidarity economy]
German translation of Jackson Rising: The Struggle for Economic Democracy and Black Self-Determination in Jackson, MississippiHow black activists are building liberation practically from below: Departure in Jackson documents the history of one of the most exciting revolutionary experiments in the USA Present.
Since the 1970s, black liberation movements in majority-black Mississippi have taken change into their own hands. The Deep South should become the center of their independence â âFree the Land!â In the 2010s, the election of Chokwe Lumumba as mayor in the capital Jackson took an important step towards implementing the vision of assembly democracy, solidarity economy and an end to racial inequality. Lumumba dies unexpectedly in 2014, but his son Antar and the Cooperation Jackson continue to move forward.
We learn about the pitfalls of radical local politics and struggles for housing and land, democratic economic models and ecology, internationalist solidarity and the parallels to the Rojava Revolution and the Zapatistas, about encouraging experiences in which different concerns go hand in hand.
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Weaving Our Stories: Return To Belonging – An Anthology
âWe are lovingly tethered to each otherâs struggles, liberation and survival…This is the mantra sweetly embedded across this profound heartfelt body of work. Weaving our Stories is a beautifully curated montage of community voices committed to the preservation of their indigenous lands and culture. Here is an anthology that collectively teaches us how to resist, build and dream toward a liberated future. What Luanna Peterson and the contributors offer us is a divine vision to walk with our communities ancestors and descendants with a collective vision to world making. Throughout the anthology lives a chorus of powerful voices that are amplified in a series of interwoven manifestos, stunning visual art and spirited poetics often echoed in their mother tongue. Like strands of sweetgrass, these stories are interlocked and bound up across a multitude of lineages. Hawaii, like many of our homelands, has been a site of settler colonialism, US imperialism and pillaging of its most abundant lands. Every page of Weaving Our Stories gives us an opportunity to reimagine, regenerate and reclaim our legacies! What Weaving our Stories does is make visible the histories and possibilities of freedom for its people and living cultural archive. Upon reading this anthology, I began to realize that each of the contributors in the book serves as a griot of the oral history and creative traditionsâŠwhich has always been an instrument of change and freedom! Add this to your 2024 booklist.â – Tarisse Iriarte Medina, independent curator, and consultant working in New York City and Puerto Rico
Weaving Our Stories: A Return to Belonging, edited and introduced by Luanna Peterson, is a book sewn seamlessly of art and heart. Every story stands bravely alone but is a part of the gripping whole. These are survivor stories, and they arenât easy to tell. But thatâs the point, isnât it? The message will come home to you, as it did so beautifully to me. â Debra Lape, author of Looking for Lizzie â The True Story of an Ohio Madam, Her Sporting Life and Hidden Legacy and Factory Girl in the Rubber City â The Journal of Mary Cable.
Weaving Our Stories is a drenching of Spirit that helped me remember the shared purpose I have with the world and now with beloved Kalihi, Waipahu, Koâolauloa, and all of Hawaii. It is indeed an anthology that â… celebrates the radical and revolutionary role stories [play] in supporting our healing and liberation.â Mahalo, dear poets, artists, writers, and evolutionary revolutionists, for putting this collection together. Mahalo nui Luanna Peterson for holding the center with the grace of our kupuna â all of them. Time for us to heal. It is an honor to be connected to this kaupapa. â Dr. Manu Aluli Meyer
Full of strength and loving provocation, Weaving our Stories gathers poems, visual art, and stories of a new generation of Hawaiâi change-makers. The collection reminds us that we can seek liberation in our ancestral stories, that we reach for liberation by carrying the stories of others, and that we find liberation when we learn and extend the common patterns among us. It is a brilliant representation of Hawaiâiâs own. â Dr. Noelani Goodyear-KaâoÌpua
We are lovingly tethered to each otherâs struggles, liberation and survival… This is the mantra sweetly embedded across this profound, heartfelt body of work. Weaving our Stories is a beautifully curated montage of community voices committed to the preservation of their indigenous lands and culture. Here is an anthology that collectively teaches us how to resist, build and dream toward a liberated future. What Luanna Peterson and the contributors offer us is a divine vision to walk with our communities’ ancestors and descendants with a collective vision of world-making. Throughout the anthology lives a chorus of powerful voices that are amplified in a series of interwoven manifestos, stunning visual art and spirited poetics often echoed in their mother tongue. Like strands of sweetgrass, these stories are interlocked and bound up across a multitude of lineages. Hawaiâi, like many of our homelands, has been a site of settler colonialism, US imperialism and pillaging of its most abundant lands. Every page of Weaving our Stories gives us an opportunity to reimagine, regenerate and reclaim our legacies! What Weaving our Stories does is make visible the histories and possibilities of freedom for its people and living cultural archive. Upon reading this anthology, I began to realize that each of the contributors in the book serves as a griot of the oral history and creative traditions…which have always been an instrument of change and freedom! Add this to your 2024 booklist. â Tarisse Iriarte Medina, independent curator and consultant working in New York City and Puerto Rico
The young leaders and storytellers featured in Weaving Our Stories inspire and encourage us to move beyond received narratives that nourish bigotry or diminish oneâs capacity for compassion and imagination. With powerful pedagogical and artistic impacts, the stories create space for us to name ourselves and heal out loud. The voices simultaneously remember and innovate as we re-familiarize ourselves with one another as well as âaina, to weave a tapestry of shared feeling and responsibility. Although the anthology speaks of loneliness and attempted erasure, its words also speak of deep belonging and strengthâof the artistry, energy, ingenuity, and wisdom of people, place, and culture; of our commitments to one another; and the healing that comes from washing our eyes â and seeing our truth. â Dr. Maya Soetoro-Ng
Weaving Our Stories is a Hawaii-rooted abolitionist program that utilizes storytelling as a vehicle for liberation. Our mission revolves around teaching storytelling as an act of resistance, dismantling harmful existing narratives, and nurturing our ability to weave counter-narratives that acknowledge and celebrate the inherent beauty and brilliance within our storytellers. Through our stories, we advocate for justice and liberation.
This anthology follows the trail of esteemed works such as “This Bridge Called My Back: Writings of Radical Women of Color” and “Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization.” This anthology includes poetry, essays, visual art, and narratives penned by authors and artists who identify as Black, Indigenous, and people of color from Hawaii and beyond. While our contributors span a diverse spectrum of experiences and identities, they all share a common commitment to individual and collective well-being. Our contributors astutely showcase how their expressions of resistance and liberation, whether through visual art or written text, align with one or more of the central themes of Weaving Our Stories: resistance through cultural memory, accountability, resisting false binaries, and countering hegemony.
In tandem with the community collection of stories that revolve around resistance, this anthology also highlights the remarkable achievements of our six accomplished Black youth organizers. These young individuals dedicated a year to the Weaving Our Stories Youth Series during the pandemic, delving into the power and relevance of storytelling in our journey of resistance and liberation. Each of the six youth activists provides an overview of their Community Impact Design Projects.
These culminating endeavors addressed community issues by proposing interventions that harness our resistance themes and our three Pillars of Liberationânamely, institutions, structures/methodology, and people.
This anthology offers celebrations of our triumphs, our joys, and our unwavering resilience. Simultaneously, they advocate for our ongoing resistance, insisting on justice and a sincere confrontation with the often-overlooked lived experiences that deserve acknowledgement.
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âNot Bad for a Nâ, No?â / «Pas mal pour un Nâ, n’est-ce pas? »
Written during the seventy-fifth anniversary celebrations of the publication of Frantz Fanonâs Peau noir, masques blancs (âBlack Skin, White Masksâ), âNot Bad for a Nâ, No?â offers reflections on the circumstances of the publication of this classic work with Fanonâs insights on what he called the attempted âmurder of manâ and the urgent need for humanity to become âactional.â
Ăcrit lors des cĂ©lĂ©brations du soixante-quinziĂšme anniversaire de la publication de Frantz Fanon de Peau noir masques blancs, «Pas mal pour un Nâ, n’est-ce pas? » offre des rĂ©flexions sur les circonstances de la publication de cette Ćuvre classique avec les idĂ©es de Fanon sur ce qu’il a appelĂ© la tentative de «meurtre de l’homme» et le besoin urgent que l’humanitĂ© devienne «actionnelle».
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SphĂšres politiques et contrĂŽle Ă©tatique : Les structures politiques de âšlâĂ©tat nĂ©ocolonial en Afrique
Il sâagit dâune brĂšve tentative dâorienter lâĂ©tude de lâĂtat nĂ©ocolonial en Afrique Ă travers une Ă©valuation de la maniĂšre dont il gouverne son peuple. On soutient que lâĂtat produit diffĂ©rents modes de contrĂŽle Ă©tatique en dĂ©ployant diffĂ©rentes politiques sur diffĂ©rentes parties de la population. De cette maniĂšre, il peut combiner une rĂšgle vĂ©ritablement dĂ©mocratique Ă lâimage de lâOccident sur certains tout en soumettant la majoritĂ© Ă des formes coloniales de domination. Les subjectivitĂ©s politiques importĂ©es de lâOccident et son obsession du discours sur les droits de lâhomme sont largement rĂ©servĂ©es Ă une sphĂšre de la sociĂ©tĂ© civile dans laquelle le droit dâavoir des droits est confĂ©rĂ© aux citoyens. Dans les domaines de la sociĂ©tĂ© incivile et de la sociĂ©tĂ© « traditionnelle », le droit aux droits nâest pas respectĂ© par lâĂtat, de sorte que diffĂ©rentes subjectivitĂ©s, y compris rĂ©guliĂšrement la violence, rĂ©gissent la maniĂšre dont les problĂšmes politiques et leurs solutions sont abordĂ©s Ă la fois par lâĂtat et par le peuple. En consĂ©quence, des subjectivitĂ©s politiques distinctes prĂ©valent dans la conceptualisation de la rĂ©sistance populaire dans chacun des trois domaines, et il devient difficile de rallier des prĂ©occupations et des conceptions aussi diffĂ©rentes au sein dâune lutte anticoloniale nationale.
“Une dissection concise, dense et Ă©clairante des rouages ââde l’Ătat africain post-indĂ©pendance qui trace Ă©galement une voie vers l’imagination et le travail pour une vĂ©ritable politique de libĂ©ration.” â Ndongo Samba Sylla, chercheur principal, Fondation Rosa Luxembourg.
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Domains of politics âšand modes of ruleâš: Political structures of the âšneocolonial state in Africaâš
âA concise, dense and illuminating dissection of the workings of the post-independence African state that also charts a path towards imagining and working for a true politics of liberation.â â Ndongo Samba Sylla, Senior Researcher, Rosa Luxemburg Foundation.
This is a brief attempt to orient the study of the neocolonial state in Africa through an assessment of the manner in which it rules its people. It is argued that the state produces different modes of rule by deploying different politics over different parts of the population. In this manner, it can combine a genuinely democratic rule in the image of the West over some while subjecting the majority to colonial forms of domination. Imported political subjectivities from the West and its obsession with human rights discourse are reserved largely for a sphere of civil society in which the right to have rights is conferred upon citizens. In the domains of uncivil society and ‘traditional’ society, the right to rights is not observed by the state so different subjectivities, regularly including violence, govern the manner political problems and solutions are addressed both by the state and by people. In consequence, distinct political subjectivities prevail in the conceptualization of popular resistance in all three domains, and it becomes difficult to rally such different concerns and conceptions within an overall anti-neocolonial struggle.⎠-
Post Capitalist Philanthropy
In Post Capitalist Philanthropy, Ladha and Murphy walk us through the deep logic of neoliberalism, the foundations of globalisation and the ideology of corporate free trade… [they] dissect philanthrocapitalism, and they indicate the possibilities of reclaiming the true, economics of the gift, of caring and sharing.â Vandana Shiva, from the Foreword to Post Capitalist Philanthropy.
Ladha and Murphy conduct a âsweeping and engaging ethnography of the archetypal, mythopoetic, institutional, and philosophical territories of capital as a worlding agent and as a carceral dynamic obscuring transformational possibilities…We would need to move and think with our feet again, experimenting beyond money as a paradigm of control. Weâve already begun.âš~ Bayo Akomolafe ~âšAuthor, These Wilds Beyond our Fences: Letters to My Daughter on Humanityâs Search for Home and founder of The Emergence Network
This book asks a daring question: can wealth be reappropriated to restore balance to our broken world? A key resource for anyone eager to rethink philanthropy andâ economics in the 21st century. ~ Jason Hickel ~ Visiting Senior Fellow at the London School of Economics, author of The Divide and Less is More
Each page contained in this textâis a reminder of what my heart already knows is true, with information and inspiration that lifts the sense of possibility for making deep change together.
~ Gail Bradbrook ~ Co-founder, Extinction RebellionPost Capitalist Philanthropy is an essential mystical revolutionary handbook that should be required reading for anyone involved in philanthropy.
V (formerly Eve Ensler) âAuthor of The Vagina Monologues***
Transition Resource Circle thanks Daraja Press, the non-profit Pan-African publisher focused on social justice, for their collaboration in making this book a reality. All proceeds from the book are evenly split between Daraja Press and Transition Resource Circle’s solidarity fund.
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From Citizen to Refugee: Uganda Asians Come to Britiain
In his introduction to this new edition of From Citizen to Refugee: Uganda Asians Come to Britain, Mahmood Mamdani reminds us that long before 1972, most Ugandan ‘Asians’ had already been disenfranchised by law, both Ugandan and British. Despite a global industry that insists otherwise, Uganda Asians are a poor fit as victims: there was no large-scale loss of life during the expulsion, nor were there massacres of Asians, only of âindigenousâ peoples. Asians in Uganda, as in East or Southern Africa, he argues, were immigrants, not settlers: immigrants are prepared to be a part of the political community, whereas settlers ‘create their own political community, a colony, more precisely, settler colonialism.’ Mamdani insists that there is no single Asian legacy. there are several and they are contradictory. The Asian question in Uganda remains, but it is no longer the original Asian question. But it does allow us to think more broadly. Just as US law recognizes African Americans as Americans of African descent, so too must those of Asian origin in Africa consider themselves, and be considered, Asian Africans.
It is in his bittersweet and touching book on the Asian expulsion from Uganda that one can trace the beginnings of author and intellectual Mahmood Mamdaniâs world-view.. … In From Citizen to Refugee: Uganda Asians Come to Britain Mamdani offers portraits of people reduced to a vegetative existence in refugee camps, feeling the burden of not being fluent in English and struggling with the uncomfortably cold weather. Not surprisingly, these few months played a pivotal role in shaping Mamdaniâs theoretical and political leanings, and it is here that one can locate his preoccupation with the formation of racial, ethnic and class identities during the colonial era and his overarching concern with issues of citizenship.
â Bhakti Shringarpure, Associate Professor, University of Connecticut, Editor-in-chief, Warscapes, Founder, Radical Books Collective