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There was nothing but darkness in the spring of 2020 as the Covid-19 pandemic raged and shut down the economy. But as right-wing protesters demanded an end to the lockdown, a much bigger social conflict was brewing under the surface. A rebellion exploded in Minneapolis in response to the brutal police murder of George Floyd in late May, during which a police station was overtaken and burned down. The uprising quickly spread across the United States as protesters looted downtown urban centers, set fire to cop cars, vandalized government buildings, and fought the police. The Black proletariat led the charge, but white, Latinx, Asian, and Indigenous proletarians also joined the fight, demonstrating new possibilities for building alliances. While anti-police rebellions continued throughout the summer and fall, the uprising receded with the start of the winter. But this conflict is far from over.
In an effort to think through the experience of the uprising and prepare for the great struggles that are coming, The Revolutionary Meaning of the George Floyd Uprising provides an in-depth analysis of what exactly happened during the 2020 uprising, its potentials, internal limits, and strategic implications.
ANNOUNCEMENT: Love After Babel wins Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association
Congratulations to Chandramohan S!
Love after Babel is a collection of poems that deal with themes such as caste, the resistance of Dalit people, Dalit literature, islamophobia and other political themes, with almost one hundred poems divided into three sections (Call Me Ishmail Tonight; Name Me a Word; Love after Babel). The introduction is by Suraj Yengde (award-winning scholar and activist from India, author of the bestseller Caste Matters, inaugural postdoctoral fellow at the Initiative for Institutional Anti-racism and Accountability, Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School).
Chandramohan’s poems are dialogues of the ‘ self’ with the ‘other’. He brings to life a world that subverts myths, literary canons, gender and caste stereotypes by pooling in sparklingly new metaphors with sensitivity and care. He draws his images from contemporary incidents as well as myths and legends of yore, and delves deep into the politicized realm, thus ‘rupturing the hymen of demarcations’ of identity, resistance, repression and love.
—Babitha Marina Justin, poet, artist and academician
Chandramohan’s poetry is an extraordinary combination of a strong individual voice, crying out against a deeply felt sense of personal abuse, and a sophisticated understanding of the long history and mythology of such abuse, in India but also in the world at large. Mythological figures like Shambuka and Urmila illluminate, and are illuminated by, modern atrocities. The poems are by turns shocking, moving, and exhilarating. —Wendy Doniger O’Flaherty is an American Indologist whose professional career has spanned five decades.
Chandramohan S has the stark ability as a poet to react to any social happening, and these turn out to be in the most responses to societal happenings, plunged into the dark interiors of human behavior. So these could be related to caste oppression. Economic exploitation, religious polemics etc. But the poetic ability or the agility is always there to handle a situation born out of politico- social situations. There lies his remarkable dexterity as a poet commentator. His lines are direct, and even angry. But that does not matter. This is poetry- at its best. No wonder then that, his poems have been published world wide. He is perhaps now one of the very few, if not the only Indian poet in English to have taken the burden of social and political repression, as a distinct and livid political idiom. To read his poems is also painful, but the poetry is in the pain!—Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last 33 years.Love after Babel selected by as one of Twelve books that form part of the arsenal of Dalit writing by Suraj Yangde.surajyengde@surajyengde
The inside story of the struggles of the Kenya Land and Freedom Army, referred to by British colonialism as the ‘Mau Mau rebellion’, is little known today. The autobiographical material written by Karari Njama (a senior leader in the Mau Mau hierarchy) and compiled by Donald L. Barnett was first published by Monthly Review Press in 1966, as Mau Mau From Within: An analysis of Kenya’s Peasant Revolt. It was reprinted in 1970; it has remained out of print for many years. As the late Basil Davidson put it in his review of the first edition: “Njama writes of the forest leaders’ efforts to overcome dissension, to evolve effective tactics, to keep discipline, mete out justice … and to teach men how to survive in those merciless forests. His narrative is crowded with excitement. Those who know much of Africa and those who know little will alike find it compulsive reading. Some 10,000 Africans died fighting in those years . Here, in the harsh detail of everyday experience, are the reasons why.”
The book is an extraordinary story of courage, passion, heroism, combined with recounting of colonial terror, brutality and betrayal. It is a story of how the very idea of being ‘Kenyan’ was intimately linked to the idea of freedom, a connection that was destroyed not only by the firepower of the British, but also by those who collaborated and established themselves as the beneficiaries of neocolonial rule. Disconnecting notions of freedom from identity left only a caricature that rapidly descended into tribalism and ethnicity.
This momentous story of the struggle for freedom described here is relevant not only for a new generation of Kenyans but also for all those engaged in emancipatory struggles internationally. For so long as the experiences arising from the struggles described in this book are perceived as merely ‘African’ or ‘Kenyan’, it is not possible to fully grasp the contributions they have made to the struggle for a universalist humanity.
What is recounted in this publication is more than an ‘analysis of a peasant revolt’. It is above all a history of the Kenya Land and Freedom Army. As Ngūgī wa Thiong’o points out in his Preface to this new edition, ‘we don’t have to use the vocabulary of the colonial to describe our struggles.’ We were tempted to rename the book ‘Kenya Land and Freedom Army from Within.’ But because the original title has wide recognition, and and as one of the characteristics of movements of the oppressed is to appropriate derogatory terms used by their oppressors and repurpose them as an expression of pride in their own experiences, this book retains the original title, but with a change in the subtitle as ‘The Story of the Kenya Land and Freedom Army.’
We were delighted that Karari Njama was able to provide us with a Prologue to the new edition (Kamoji Wachiira, a former political prisoner, connected us with Karari and translated the text of the Prologue). Shujaa Hon Dr Gitu wa Kahengeri, Secretary-General of the Mau Mau War Veterans Association reminds us how the veterans of the liberation movement, like Karari Njama, continue to live in extreme poverty today despite the enormous contribution that they made to the struggle for freedom.
Kenya’s leading writer and academic, Ngūgī wa Thiong’o, points out in the Preface, how so much of the narratives about the Kenya Land and Freedom Army has been written from ‘without’, emphasizing the importance of a book that speaks to the personal testimony from within the movement. We are honoured to have Mīcere Gīthae Mugo, Emerita Professor of Literature at Syracuse University, provide reflections on the importance of the republication of this historical text. There are many who, as children, lived through the terrifying events of the Emergency during which so many were tortured and killed by the British (and their local collaborators) and whose psyche remains deeply affected by what they witnessed. Kamoji Wachiira describes some of these experiences vividly in his Introduction to the new edition. He highlights the extent of betrayal by successive post-independence governments, and the development of the post-independence revival of resistance which he was a central part of. He also emphasizes the importance for a new generation of Kenyans “to gain not only a deep understanding of Kenya’s revolutionary history but also to reflect on what lessons may be drawn for the struggle to achieve real freedom.”
The original publication had no biographical information about Don Barnett. Few are aware of the extent of Don’s political engagement with the cause of liberation, of which Mau Mau From Within was only one aspect. He was a founder of the Liberation Support Movement in Canada, and had close contact with the MPLA (Popular Movement for the Liberation of Angola). Don sadly joined the ancestors in 1975. We are fortunate, however, that Don and Daphne’s son and daughter, Michael Barnett and Dawn Barnett, were able to provide, together with Ole Gjerstad, a revealing biography.
We have endeavoured to retain the content of the original book (but for a few minor corrections) including the original Selected Bibliography. An updated Further Reading list is provided.
Transforming ourselves, Transforming the World: An open conspiracy for social change – Second Edition
You can watch / listen to a conversation between the author, Brian K Murphy, and David Austin here.
This is a new edition of the book originally published by Zed Books in 1999. The book includes an Introduction written by David Austin and an Afterword from the author, Brian Murphy.
This book is for all those – community workers, adult educators, social activists of every kind – who want to overcome pessimism and play a part in changing society in the direction of peace, justice and dignity for all human beings. As author Brian Murphy— the independent analyst, organizer, educator and writer, and former staff member of the social justice organization, Inter Pares—points out, many of us are pessimistic about our ability to change the world when confronted by destructive political and corporative forces and the destruction they wreak. Murphy reveals the social and personal dilemmas which hold people back from social engagement, and argues that the various constraints we face can be overcome.
In this new edition, David Austin explains in his Introduction why this book, first published in 1999, is perhaps more relevant to our times than ever, offering insights from his own experiences of engaging critically with the book and with others. (David Austin is author of Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal and the editor of Moving Against the System, The 1968 Congress of Black Writers and the Making of Global Consciousness.)
And in his new afterword, Brian Murphy reflects on the continued relevance of the original text, emphasizing how our humanity is being corroded and commodified. To reclaim our humanity, he argues, we must transform ourselves to transform the world.
Brian Murphy’s immensely inspiring book,Transforming Ourselves, Transforming the World, deeply challenges us to think and rethink everything we knew and thought we knew.—Nnimmo Bassey, Executive Director, Health of Mother Earth Foundation & Right Livelihood Award Laureate in 2010
We need more conversations like the one in this book, which are rooted in hope while honestly working through a foundational way of seeing and understanding ourselves in the bigger picture.— Christina Warner, Co-Executive Director and Director of Campaigns and Organising, Council of Canadians.
This is one of the coolest, enjoyable and important books I have read in recent years. Written from the heart as well as the head, it is a breathtakingly visionary, unique and insightful take on the life of the ultimate activist.—Hope Chigudu, Feminist activist
The republication of Transforming Ourselves, Transforming the World is a gift for our troubled times. All of us who share the drive to change our society will find encouragement and nourishment. This book offers a break from an all-too-common type of “activism” that demands harmful suppression of our individual creativity, freedom and health. What we have here is a celebration — and an entirely convincing validation — of a way of changing the world that is always nurturing and open-ended; a process of possibility and becoming, as we build on humanness to realise greater humanness. As Murphy puts it: “‘I will act, because it is sane, and healthy, and human to do so. We will act together, because it is sane, and healthy, and human, and more effective to do so. … This is how we can begin to develop an open conspiracy’”. I’m energised to sign up to this “open conspiracy”, and I’m sure many more readers will be too. — Mark Butler, co-author with Church Land Programme (South Africa) of in, against, beyond, corona
Table of Contents
Introduction to Second Edition: David Austin
Preface and Acknowledgements
1 The Courage to Be
2 The Dilemma of Action and the Psychology of Inertia
3 Confronting the Dilemmas: Beyond Inertia
Possibilities in Process
4 The Missing Link
5 The Individual, the Visionary
6 Challenging the Established Rationality
7 Imperatives for Modern Education
The Open Conspiracy
8 The Open Conspiracy: Allies for Health and Action
9 Theatres and Strategies: Embracing the Future
10 Education and the Open Conspiracy
Eclectic Notes on Knowledge and Action
Afterword to the Second Edition – Brian Murphy
One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.
Bitter divisions engulf an English town where young Muslims oppose the British armyâ€™s presence in Afghanistan, whilst white youth condemn the Muslims as traitors.
To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.
Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.
But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.
This is the sequel to You’re Not Proper.
Set in and around Manchester, You’re Not Here is informed by Mehmood’s experience of growing up a working class Pakistani in northern England, combatting racism on the streets and being arrested. The novel explores the British Asian experience in the context of the “war on terror” and Islamophobia. “I have lived and fought against various waves of racism in Britain, but the current Islamophobic one, the new racism, is far more insidious and divisive than those which preceded it,” says Mehmood in his blog.
This novel is a sequel to You’re Not Proper, which explored, in the author’s words, “what it is to be a Muslim teenager in the west today”. While it featured two teenage women’s search for identity and belonging — one with a Pakistani father and white Christian mother, the other her Hijab-wearing school friend — Mehmood’s sequel is, interestingly, told from the point of view of a white working class British youth.
Jake’s father was in the army. His elder brother is missing in action in Afghanistan. Jake is in love with a Muslim girl. We are introduced to diverse Asian characters and to white racist friends of his brother, and to the tensions both within and between the two communities, through Jake’s eyes.
While the novel reads like a pacey thriller, the teenage love story is treated with convincing tenderness. And there is sympathy for British soldiers. One scene features physically and mentally scarred ex-soldiers discarded by the state, and Military Friends and Families Against War make an appearance.
The narrative is packed with authentic voices, often humorous observations and insights, The novel reads like a thriller. It reaches an action-packed and moving climax, but, unlike a thriller, we are left uneasy about what may happen next.
Helen Goodway, Red Pepper, Summer 2019
For all the official historiographic efforts at forging a mythologised image of Vladimir Ilyich Ulyanov as the austere, no-nonsense, professional revolutionary, the really existing flesh and blood Lenin understood and appreciated that the most materialist action an individual must carry out without fault to metabolise the struggle for communism is to breathe. Not just biologically respire but consciously breathe. Breathe for oneself and breathe for and with others. If it is indeed our desire to breathe new life into the long choking red star, a new oxygenic Communist politics of walking and breathing is what we must aspire to, inspire, respire and encourage.
See the Description below for further details.
The book explores the challenges Palestinian filmmakers confront to develop a cinema that gives expression to the national narrative. It is based on collaborative research involving Film Lab Palestine, Sheffield Palestine Cultural Exchange and Sheffield Hallam University. We explore the political, economic and cultural contexts that impact on Palestinian film production and some of the barriers encountered in profiling and screening Palestinian films, to shed light on the complex terrain that is traversed to sustain and develop a film industry and film culture in historic Palestine and beyond.
Table of contents
The struggle to develop a national cinema
The experience of Filmlab Palestine
Visualising the Palestinian past
Roadblocks, borders and hostile environments
The screening and reception of Palestinian films
The Palestinian short film
Appendix 1: Cinema of the Palestinian Revolution
Appendix 2: 70 Years of Nakba: Audience response
Appendix 3: Love and Desire in Palestine: Audience response
Appendix 4: Selection of leaflets from film screenings
About the authors
Praise for Struggling to be seen
To so nimbly and elegantly traverse Palestinian time and space is itself a defiance of the occupation’s brutally enforced barriers. The authors’ unstintingly political examination of Palestinian cinema has much to offer both those in the know and readers new to this extraordinary body of work. — Kay Dickinson, Professor, Film Studies, Concordia University
Working extensively through primary sources, conducting research and interviews across generations of Palestinian filmmakers, the authors offer the reader an ambitious and wide-ranging essay which charts the development of a national Palestinian cinema, from an historical and critical perspective. By exploring the constellation of political, social and aesthetic concerns that shape this cinema, this authors challenge us to rethink the stakes behind the contemporary development of a Palestinian cinema industry, its audience reception, in historic Palestine and beyond.— Samia Labidi, cultural programmer & artistic curator
Illuminating and compelling, Struggling to be Seen lays bare the historical, enduring but also emerging (colonial and neocolonial) obstacles to the development of a film industry and film culture within the West Bank and Gaza. Though familiarly sobering (in its re-confirmation of the scale of injustice facing Palestinians), the book provides up-to-the-moment and an interdisciplinary account that provides rich, fresh terrain that reveals new and exciting progressions within Palestinian film culture. —Michele Aaron, Reader in Film and Television, University of Warwick, author of Death and the Moving Image: Ideology, Iconography and I (Edinburgh Univer- sity Press, 2014) Director, Screening Rights Film Festival.
Struggling to be Seen is a must read for those who are interested in under- standing the multilayered challenges that face Palestinian cinematography from its production phase to its screening phase. The book is a short read which takes the readers through the different stages which shaped the Palestinian film making enterprise. Struggling to be Seen shows the restrictions that Palestinian filmmakers face from the initial stages to funding and screening. The authors tell a story of a people whose sense of self-reflection is suppressed by the Israeli oppressive machine which con- stantly works at erasing the Palestinian peoplehood, detaching it from its past.— Nahed Habiballah, Assistant Professor and member of the Board of Directors of Policy and Conflict Resolution Studies Center, Arab American University, Ramallah, Palestine
This book marks the 25th anniversary of the execution of Nigerian activist and written Ken Saro-Wiwa. The 21 essays, by international contributors, and 42 poems by new and established poets, are inspired by his ideals and activism.
The volume includes contributions by people intimately connected with Saro-Wiwa. His brother Dr Owens Wiwa recounts how his older brother awakened and nurtured his awareness of the tremendous damage Royal Dutch Shell was doing to their homeland, in collaboration with the then Nigerian military government. His firsthand account of the brutality of the military government and its impact; his unsuccessful efforts to save the life of his brother; his time in hiding and subsequent escape, with his family, from Nigeria and his efforts to retrieve the remains of his brother for burial, makes for very moving reading. Likewise, Noo Saro-Wiwa shares her story of growing up in England with strong links to family in Nigeria, and the trauma of hearing of her father’s execution while at University.
Maynooth University, where the editor works as Deputy Librarian, holds the death row correspondence from Ken Saro-Wiwa to Sister Majella McCarron. McCarron provides two personal essays. One, a reflection on the events that shaped her work with Saro-Wiwa in Nigeria and her subsequent efforts to save the lives of the Ogoni 9: the second essay explores her experience as a table observer of the Shell to Sea campaign, which strove to have gas, discovered off the west coast of Ireland, refined at sea rather than inland.
The damage that Shell has caused in Ogoni and the issue of redress are topics addressed in essays by experts including Mark Dummett, of Amnesty International, who investigated how Shell and other oil companies have caused or contributed to human rights abuses through their operations in the Niger Delta. Daniel Leader, a barrister and partner at Leigh Day’s international law department, the firm who have led a number of ground breaking human rights cases, including a series of cases against Shell on behalf of Nigerian communities, explores the issue of legal redress. Architect, environmental activist, author and poet Nnimmo Bassesy’s wide ranging essay presents Saro-Wiwa as activist and writer and creator of the Ogoni Bill of Rights, against the backdrop of the UNEP report of the Environmental Assessment of Ogoniland, which recorded that drinking water in Ogoni had benzene, a carcinogen, at over 900 times the level permitted
I welcome the publication of this volume which highlights the work of Trócaire and other people and organisations
to fight for a more just world. Trócaire campaigned strongly for the release of the Ogoni 9 and continues to campaign for justice in the face of state and corporate violations of human rights. The writings of Ken Saro-Wiwa and those inspired by his work keep the flame of justice lit.
Dr Caoimhe De Barra, Chief Executive Officer, Trócaire.
The publication of I am a Man of Peace: Writings Inspired by the Maynooth University Ken Saro-Wiwa Collection highlights the shift towards peaceful protests as a means to a more sustainable end. It is a justification that one’s dreams for the greater good can still be attained without bloodshed. Ken preached, lived, and practiced peace in his search for justice even in the face of stiff opposition. Years after his death, Ken’s ideologies and philosophies have proved relevant today.
Dr Owens Wiwa, Executive Vice-President, Clinton Health Access Initiative (CHAI).
Sister Majella McCarron’s choice of Maynooth University for this unique donation was particularly appropriate, given the University’s long involvement with issues of inclusion and justice in Ireland and abroad. This deep-rooted commitment is today articulated in our University Strategic Plan, where a strategic goal is ‘to build on our achievements to date and become a model University for equality, diversity, inclusion and inter-culturalism, where social justice, addressing inequality and empowering people are central to our mission.’ This book makes a significant contribution to that goal.
Dr. Gemma Irvine, Vice-President of Equality & Diversity, Maynooth University.
Writing can urge us to pause, to think, and to discover what we really want to say. Sharing that writing calls for courage and support. In this publication, as Jessica Traynor suggests, we see the evidence of a new generation of Irish and new Irish citizens engaging with complex issues through poetry. Reading their poems, we may begin to understand more about each other and ourselves. By bringing together these Irish and new Irish voices the book contributes to building a shared discourse which is essential for trust, community and hope.
Dr Alison Farrell, Founder of the Summer Writing Institute For Teachers (SWIFT) and Co-founder Irish Network for the Enhancement of Writing (INEW)
We inhabit extraordinary times: times in which we are acutely aware of the intensity of what revolutionary thinker Frantz Fanon called “the glare of history’s floodlights.” The velocity and scale at which the revolt against police murder that began in Minnesota after the death of George Floyd on May 25th and moved throughout the US, and then other parts of the world, was astonishing. It was impossible to predict, but then, in retrospect, it is George Floyd’s death becomes a nodal point: calling for action as well as rethinking and self-clarification. Thinking about this moment with the world revolutionary Frantz Fanon, we need to be aware of continuities and discontinuities — or, as he puts it, opacities — between the ages, his and ours. Fanon is always speaking to us, but often in ways we cannot hear. We have to work to listen to him and to understand the new contexts and meanings in relative opacity. It is this constant dialogue that helps illuminate the present and enable ongoing fidelity to Fanon’s call in the conclusion of The Wretched of the Earth the necessity to work out new concepts to confront one of Fanon’s greatest concerns, the betrayal of the revolutionary movement. In this pamphlet we consider how Fanon’s idea of liberation is connected with “the rationality of revolt.” The practice of engaging Fanon not only with revolt but with the reason or rationality of revolt connects with Fanon’s idea of how this liberated humanity is a product of a new consciousness of collectivity open to rethink everything.
The corona crisis reveals what is wrong and toxic — in ourselves, in relation with others, and in relation with the rest of non-human nature. But we can also look for what is good and life-affirming. The authors argue that the future must be founded on ‘kindness, social solidarity and an appropriate scale of time’, a future that cherishes life and the connections that transcend borders. This pamphlet is a vital contribution to much needed reflections and discussion.
This is a fabulous book. Usually a blurb or endorsement like this is supposed to enhance the book, but in this case the flow is in the other direction. For me it is a huge honour to be associated with it. Like many others, I have been trying for months to get my head around what is happening, trying to formulate my ideas, and then here it is, in these pages, so clear, so understanding, so challenging. How we now go on to shape the interconnectedness between people and between people and other forms of life will determine the future of humanity. The best, most sensitive, most realistic, strongest thing that I’ve read on the Corona Crisis. — John Holloway, Professor, Institute for Humanities and Social Sciences, Autonomous University of Puebla, Mexico, and author of In, Against, and Beyond Capitalism:
The San Francisco Lectures
This pamphlet, part of Daraja Press’s Thinking Freedom Series, is written by Mark Butler with his colleagues at the Church Land Programme, a small independent non-profit organisation based in KwaZulu-Natal province, South Africa, that seek to distill learnings that emerge from the work of militants on the ground.
First published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women’s lives and struggles in Britain. Through discussions, interviews and intimate one-to-one conversations with South Asian women, in Urdu, Hindi, Bengali and English, it explored family relationships, the violence of immigration policies, deeply colonial mental health services, militancy at work and also friendship and love. The seventies was a time of some iconic anti-racist and working-class struggles. They are presented here from the point of view of the women who participated in and led them.
This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter titled ‘In conversation with Finding a Voice: 40 years on’ in which younger South Asian women write about their own lives and struggles weaving them around those portrayed in the book.
An amazing review of the book can be read here: https://librofulltime.wordpress.com/2023/03/03/book-review-amrit-wilson-finding-a-voice-asian-women-in-britain/
Here is an extract:
This book is a call to collective action and sisterhood, a memorial and an instruction to keep going. In her Reflections, Wilson points out White feminists need to let Asian women work on their own problems while standing in support, not intrude and try to sort their issues out for them, and the valuable material she gathers in this book is indeed because she was part of the communities she was studying, speaking to the women in their kitchens in their own languages. I was so pleased to be able to revisit this wonderful work. – Lix Dexter @LyzzyBee_Libro
A great interview with Amrit Wilson in Montreal Serai (October 4, 2020).
‘This book is a wonderful, important and necessary reminder of all the black feminist work behind us and all that is left to do.’ —Sara Ahmed, feminist writer and independent scholar, and author of Living a Feminist Life
‘Finding a Voice acquires a new significance in this neoliberal era…an indispensable archive as well as a narrative of a past that is not past but reactivated and recast…’ —Kumkum Sangari, William F.Vilas Research Professor of English and the Humanities, University of Wisconsin-Milwaukee
‘A ground-breaking book, as relevant today as it was in the seventies – and evidence, if ever such were needed, that the struggles of Asian, African and Caribbean women remain inextricably linked.’ —Stella Dadzie, founder member of OWAAD and author of Heart of the Race
‘Finding a Voice… was affirmation that our lives mattered, that our experiences with all their cultural complexities, mattered.’ —Meera Syal, British comedian, writer, playwright, singer, journalist, producer and actress.
‘This new edition comes at a time…when we are experiencing the growth of the surveillance state and when our narratives are being co-opted and used against us. Finding a Voiceis not only welcome, it is necessary.’ — Marai Larasi, Director, Imkaan; Co-Chair of UK’s End Violence Against Women Coalition.
Amrit Wilson is a writer and activist on issues of race and gender in Britain and South Asian politics. She is a founder member of South Asia Solidarity Group and the Freedom Without Fear Platform, and board member of Imkaan, a Black, South Asian and minority ethnic women’s organisation dedicated to combating violence against women in Britain. She was a founder member of Awaz and an active member of OWAAD. She is author, amongst other books, of Dreams Questions Struggles—South Asian women in Britain (Pluto Press 2006) and The Challenge Road: Women and the Eritrean revolution (Africa World Press 1991). The first edition of Finding a Voice: Asian Women in Britain won the the Martin Luther King Jr award.
It is the impact of oppression, racism and class which unifies South Asian women and the book comes at a time where we see the continued rise of the far right, misogyny, issues of class and the gig economy here and across the globe being played out in the media and perpetuated by male leaders going unchallenged by the state.
These new voices confirm how groundbreaking the book has been as a reference point for south Asian women now through listening to the voices of women from four decades ago, honouring their contribution and speaking in solidarity with them. As Wilson says in her introduction, it “reclaims our collective past as an act of resistance.”
An excellent read.
‘Reclaiming our collective past’: Amrit Wilson reflects on 40 years of anti-racist feminist work
By Sophia Siddiqui ARCHIVESPOLITICS 30th October 2018
Great revolutions make history. Conservative resistance and counter-revolutions only delay their progress. The French revolution invented modern politics and democracy, the Russian revolution paved the way for the socialist transition, while the Chinese revolution connected the emancipation of those peoples oppressed by imperialism with the path to socialism. These revolutions are great precisely because they are bearers of undertakings that are far ahead of the immediate demands of their time. beacons that illuminate the still unfinished struggles of the peoples for the realization of these goals. It is impossible to understand the contemporary world by ignoring these great revolutions. To commemorate these revolutions, says Samir Amin, one needs both to assess their ambitions (the utopia of today will be the reality of tomorrow), and to understand the reasons for their temporary setbacks. Conservative and reactionary minds refuse to do so—they wish us to believe that great revolutions have been nothing more than unfortunate accidents, that the peoples who have made them were carried away by their deceitful enthusiasm, diversions from the normal current of history. This collection of essays helps to situate the lessons of the October 1917 Russian Revolution from a perspective of 100 years.
Egyptian economist and intellectual, Samir Amin (1931-2018), was one of the world’s greatest radical thinkers —a creative Marxist’. He was the director of Third World Forum (Forum du tiers monde), Dakar and President of the World Forum for Alternatives. He published numerous books and papers, including The Law of Value and Historical Materialism, Eurocentrism – Modernity, Religion and Democracy: A Critique of Eurocentrism and Culturalism, Ending the Crisis of Capitalism or Ending Capitalism?‘, Global History – a View from the South and Russia and the Long Transition from Capitalism to Socialism
These poems by Issa Shivji, lawyer, activist and Tanzanian public intellectual, were written at different times in different circumstances. They give vent to personal anguish and political anger. Mostly originally written in Kiswahili, here accompanied by English translations, and they are intensely personal and political.
Poems are clustered under several headings to provide a context. The first combines personal agony at the loss of comrades and friends with poems about love and affection for living ones. The second is about robberies of freedom, resources, and dignity and the loss of justice under neoliberalism. The third section, entitled Hopes and Fears, comprises short poems tweeted over the last five years expressing despair, fear and hope in the human capacity for freedom.
The last section are poems, concerned with Shivji’s period in South Africa in 2018, reflect on the emergence of neo-apartheid with its wanton and shameless exploitation of the majority.
Wonderfully translated by Ida Hadjivayanis.