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Pius Adesanmi died in the doomed Ethiopian Airline flight 302 on March 10, 2019. Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi is an assemblage of 267 original poems written by 127 established and emerging African writers. While some of the poets celebrate Adesanmi, others reflect philosophically on existence, mortality, immortality and/or offer hope for the living. In this memorably textured collection, the poets – some who knew, and some who did not know Adesanmi – exorcise the pains of loss through provocative poems that pour out their beating hearts with passion.
Chris Dunton, editor of Wasafiri, writes:
“… Adesanmi’s passing has been commemorated in a superb anthology of commissioned poems, Wreaths for a Wayfarer. This beautifully produced volume contains the work of 126 contributors, mainly from Nigeria, but also from other countries, ranging from Mexico, through the UK, to Sri Lanka; as Odia Ofeimun puts it in his foreword: ‘Pius Adesanmi was ‘my personal person’, as he was to so many people around the globe’ (xxv). It also includes a selection of poems from Adesanmi’s own collection The Wayfarer.
“Nduka Otiono’s Introduction to the anthology is a model of its kind, eloquent, heartfelt and informative, with a great deal of valuable background material in footnotes. An especially pleasing touch, so much in the spirit of Adesanmi the dedicated mentor, is the editors’ decision to take on ‘budding poets . . . [a decision which] necessitated editing and working with such authors to help develop writings that might otherwise have been rejected’ (7). A little later, Nduka comments: ‘we conceptualized an anthology that will be enduring in its thematic range and stylistic variety. And we got one’ (8). …”
Table of Contents
Acknowledgements |Foreword—Odia Ofeimun | Introduction: Death and an African Digital Towncrier—Nduka Otiono | Introit: Coffin in the sky—Niyi Osundare
Part I. WAYFARER
Scabha or The Sliding Door Operator—Sihle Ntuli | When an Iroko Falls—Iquo Diana Abasi | How to Survive War in Nigeria—Iquo Diana Abasi | I Wet the Earth, I Sing You Wreaths… —Fareed Agyakwah | Harvest IV—Funmi Aluko | Wayfarer—Funmi Aluko | The Wayfarer—Saudat Salawudeen | End of Forever—Saudat Salawudeen | Muse of Homecoming—Justus K. S. Makokha | Encore— Agatha Agema | Now that I know young birds die in flight—Segun Michael Olabode | The Water-Pot is Broke—Susan Bukky Badeji | from absence, memory and farther—Obemata | Umbilicals—Tijah Bolton-Akpan | The Pilgrim Unbound—Clara Ijeoma Osuji | Eclipsed at Noon—Abdulaziz Abdulaziz | To the Daughters— Abdulaziz Abdulaziz | The Traveler—Abiodun Bello | For the Wayfarer—Chifwanti Zulu | The Acts of Brother—’Bunmi Ogungbe | Backing His Daughter: For Pius, on Facebook—Jane Bryce | Avoiding Sunlight—Unoma Azuah | Akáṣọléri ́ (Mourners) —Kọ́lá Túbọ̀sún | Last Tweets—Kọ́lá Túbọ̀sún | Farewell, Wayfarer—Oyinkansade Fabikun | Solitaire—Kafilat Oloyede | How to Keep the Wake for a Shooting Star—Chuma Nwokolo | Eagle—Uzo Odonwodo | In Memoriam—Uzo Odonwodo | Can You Do This Thing?—Sarah Katz-Lavigne | Lights—John Chizoba Vincent | The Meteorite—Omowumi Olabode Steven Ekundayo | Black Box—Ian Keteku | Paramour of the Pen—Abraham Tor | Flying Coffin—James Onyebụchi Nnaji | Looking for the Dead—James Onyebụchi Nnaji | The Eagle Perched—Moses Ogunleye | A Pius Flight—Kennedy Emetulu | Kwanza for Pius—Ifesinachi Nwadike | Dream-mare—Nidhal Chami | A Walk in the Graveyard—Chimeziri C. Ogbedeto | Payo—Biko Agozino | Iku—Peter Olamakinde Olapegba | He left—Amatoritsero Ede | Spousal Loss—Peter Olamakinde Olapegba | The Face of My Savior is the Ordinary Moment—Gloria Nwizu | Denouement—Gloria Nwizu | A Conversation between Two Young Cousins—Ethel Ngozi Okeke | Sunday Flight—Emman Usman Shehu | Departure—Ivor Agyeman-Duah | The Count—Uthpala Dishani Senaratne | Rude Shock—Olajide Salawu | Saturday 12:56—Ludwidzi M. K. Mainza | Daughter—Ludwidzi M. K. Mainza | Tough Love—Nnorom Azuonye | In the Midst of it All, I am…—Anushya Ramakrishna | Haiku – Ai-Ku (Immortality) —Adesanya Adewale Adeshina | He Rose—Adesanya Adewale Adeshina | A Singing Bird—Adesanya Adewale Adeshina | Arrivant—Akua Lezli Hope | EarthWork Sestina—Akua Lezli Hope | Animalia, Chordata, Mammalia, Proboscidea—Akua Lezli Hope | Poem of Relief: When Your Sadness is Alive—Kennedy Hussein Aliu | If I Seek—Kennedy Hussein Aliu | When You Ask me About my Teacher—Kennedy Hussein Aliu and Leyda Jocelyn Estrada Arellano | The Eagle is not the Quills and Talons—Olumide Olaniyan | without a farewell—Nduka Otiono | After the Funeral—Nduka Otiono | Fugitives from the Violence of Truth—Efe Paul-Azino | Just but a Journey—Sam Dennis Otieno
Part II. REQUIEMS
Elegy for Pius—Helon Habila | This Exodus Has Birthed a Song—Echezonachukwu Nduka | where to find you: a requiem—Echezonachukwu Nduka | Blown—Richard Inya | words melt in his mouth—Peter Midgley | Requiem for the Fallen / Mogaka o ole—Lebogang Disele | To Our Hero: Rest in Peace—Lebogang Disele | What Shall We Do to Death?—Winlade Israel | A Star Just Fell—Winlade Israel | Requiem—Peter Akinlabi | Requiem for Pius—Rasaq Malik Gbolahan | Wayfarer—Rasaq Malik Gbolahan | Twirling the Beads of Grief… —Tade Aina | Say me Rebellion—Kingsley L. Madueke | When this Calabash Breaks—Kingsley L. Madueke | Requiem for the Wayfarer—Adesina Ajala | Song of Sorrow—Soji Cole | Planting Season—Anote Ajeluorou | For Our Departed Bard—Maria Ajima | Memory of Tear—Joshua Agbo | Why? —Margaret Wairimu Waweru | Letter to Dad—Margaret Wairimu Waweru | Missing Voices—Ugochukwu P. Nwafor | Tears on Canvas—Wesley Macheso | Nausea—Wesley Macheso | This Easter—Wesley Macheso | When I Am Gone—Maryam Ali Ali | Nothing Has Changed—Maryam Ali Ali | Protest—Ejiofor Ugwu | Our Voice is Gone—Janet James Ibukun | Agadaga Iroko / Giant Iroko—Sunny Iyke U. Okeigwe | This Poetry—James Tar Tsaaior | The Passing of Pius—Uzor Maxim Uzoatu | Light Dims to Shine Forever—Akachi Adimora-Ezeigbo | You Bled Africa! —Mitterand Okorie | To the Muse of Isanlu: A Salute—’BioDun J. Ogundayo | you remain with us—Nkateko Masinga | A Bit of Narcissism—Okwudili Nebeolisa | Bereavement—Okwudili Nebeolisa | Dirge for the Departed—Koye-Ladele Mofehintoluwa | If Only—Femi Abidogun | Falling Birds—Yusuff Abdulbasit | Immortality—Yusuff Abdulbasit | Harvest of Deaths—Yemi Atanda | The Horse and the Tortoise—Yemi Atanda | The Chorus Is Death—Ubaka Ogbogu | Breaking Bread—Obiwu | Still They Hunt for Emmett Till—Obiwu | on wisdom’s wings—Jumoke Verissimo
Part III. HOMECOMING
The Indent (For Pius) —Uche Nduka | when the sun sets—Adejumo Uthman Ajibola | Aridunun Akowe—Dahunsi Ayobami | Pius: Myth, Mystic, Mystery—Tenibegi Karounwi | Returning the Light as Wreath—Ndubuisi Martins (Aniemeka) | Naija is a Badly-Behaved Poem—Ndubuisi Martins (Aniemeka) | Confessions of a Gypsy—Richard Kayode O. James | When the Pious Die—Uchenna-Franklin Ekweremadu | Song of the Pilgrim—Obinna Chukwudi Ibezim | Pius, the Seed—Celina O. Aju-Ameh | Cloud Coffin—Tola Ijalusi | Letter to My Father—Ololade Akinlabi Ige | I Journey Quietly Home—Martin Ijir | Hopeful People—Ndaba Siban | Explaining My Depression to You—Yusuf Taslemat Taiwo | The Broken Quill—Nathanael Tanko Noah | we do not know how to carry this pain—Edaki Timothy. O | Stars, Out—S. Su’eddie Vershima Agema | Converging Skies and Shadows—S. Su’eddie Vershima Agema | Will You? —Biodun Bamgboye | Farewell—Maryam Gatawa | Transit to Kenya—Anthony Enyone Ohiemi | Abiku Agba—Usman Oladipo Akanbi | Evening Bird—Bayowa Ayomide Micheal | Withered Green—Augustine Ogechukwu Nwulia | Home Call…047—Onuchi Mark Onoruoiza | Outshining the Stars—Onuchi Mark Onoruoiza | The Eagle Has Fallen—Manasseh Gowk | Farewell—Manasseh Gowk | Death—Khalid Imam | The Flood—Khalid Imam | Blue Skies—Yejide Kilanko | This Very Goodbye—Nseabasi S. J. King | The Deserted Road or Elegy for Pius Adesanmi—Daniel Olaoluwa Whyte | What My Father Said on His Death Bed—Gbenga Adesina | Wayfarer—James Yeku | One Meets Two—James Yeku | First Goodbye—D.M. Aderibigbe | Monster—Afam Akeh | where you are now—Raphael d’Abdon | When the Curtains Fall—Uchechukwu Umezurike
PART IV. A SELECTION FROM PIUS ADESANMI’S THE WAYFARER AND OTHER POEMS
The Wayfarer—Pius Adesanmi | Ah, Prometheus! —Pius Adesanmi | Odia Ofeimun: The Brooms Take Flight—Pius Adesanmi | To the Unfathomable One—Pius Adesanmi | Message from Aso Rock to a Poet in Exile—Pius Adesanmi | Entries—Pius Adesanmi
Part V. POSTLUDE
A Prose-Poem, a Tribute, and a Wreath for Pius—Adesanmi Anu’a-Gheyle Solomon Azoh-Mbi | When and If…—Pamela J. Olúbùnmi Smith
About the editors
Soundtrack to a Wayfarer s Transition by Eyitayo Aloh https://doi-org.proxy.library.carleton.ca/10.1080/00083968.2020.1829830
“Wreaths for a Wayfarer is an eclectic collection of 161 poems by 126 poets and writers, woven like a tapestry of words into a wreath for one of their own. The mix of writers cuts across generations, social strata and stylistic practices of the genre. Rather than being a drawback, this is actually a strength of the anthology, that one man can bring together such an array of writers in one tome. It is an attestation to the influence of Adesanmi, the wayfarer, on his earthly journey – a man who served as a bridge that connected people from different backgrounds and brought them together for a common cause, be that the academic field of African studies and his desire to see it gain greater traction in academia, or global literature at large and his love of deconstructing the western canonisation of literature. Above all these, however, Adesanmi quintessentially remained a human with love for fellow humans. lt is a testament to Adesanmi’s influence and reach across generations that renowned African poets such as Niyi Osundare, Helon Habila, Akachi Adimora-Ezeigbo, Maxim Uzor Uzoatu, Emman Usman Shehu, Jumoke Verissimo and Funmi Aluko, all representing various ethnic and generational divides, share the pages of the collection with up and coming poets in a poetic salute to a wayfarer who also happens to belong to their artistic tribe.
As a collection, Wreath for a Wayfarer fills a gap in the coming to terms with the tragic passage of Pius Adesanmi by his artistic peers. In a culture that has become so material, that the concept of a wreath carries with it the presence of a cadaver and a tomb – neither of which was present at the time Pius died, due to the nature of his death – to have a “wreath” of words helps give Adesanmi’s contemporaries closure and deal with the trauma that accompanied his passing. One of the co-editors, Nduka Otiono, alludes to this in his introduction, pointing out that the poems represent “the collective wreaths laid by a dispersed community of writers unsettled by the untimely loss of Adesanmi.”
There has been a rise in the use of strategic litigation related to seeking equality for lesbian, gay, and bisexual (LGB) persons. Such developments are taking place against the backdrop of active homophobia in Africa. The law and the general public should, argues the author, treat LGB persons in the same way that heterosexuals are treated. In the past two decades,30 strategic cases have been ﬁ led by LGB activists in the Common Law African countries, namely in Botswana, Kenya, Nigeria, South Africa, and Uganda. While the majority of the cases have been successful, they have not resulted in signiﬁcant social change in any of the countries. On the contrary, there have been active backlashes, counter-mobilisations, and violence against LGB persons, as well as the further criminalisation of same-sex relations and constitutional prohibitions on same-sex marriages in some of the jurisdictions. The author argues that activists in Common Law Africa have to design LGB strategic litigation in such a way as to ﬁ t within the actual social and political conditions in their countries if strategic litigation is to spur social change.
Adrian Jjuuko is an exceptional scholar. A rare combination of intellectual brilliance, commitment and hard work. The book is born of this. It reflects his incisive analytical skills, anchored in solid knowledge of the law and jurisprudential developments in the field. His ventures into political theory, philosophy, and the social sciences give the analysis additional clarity and empirical grounding.
—Siri Gloppen, Norwegian political scientist, professor of Comparative Politics at the University of Bergen and Director of the CMI-UiB Center on Law and Social Transformation.
Adrian Jjuuko’s meticulously researched examination of the use of strategic litigation not only celebrates the many victories which have been realized in a range of African courts of law, it also reviews and critiques the losses. He demonstrates that the law can be both an effective tool for liberation, just as it can consolidate minority oppression, gender injustice and sexual tyranny. This book is a deeply engaging and highly recommended text for those interested in shaping the evolving rights and struggles of sexual minorities on the continent for decades to come.
— J. Oloka-Onyango, Professor of Law Makerere University School of Law
The essays here contribute to developing and deepening an understanding of the ecological challenges ravaging Nigeria, Africa and our world today. They illustrate the global nature of these terrors. These essays are not meant just to enable for coffee table chatter: they are intended as calls to action, as a means of encouraging others facing similar threats to share their experiences.
Set out in seven sections, this book of 54 essays deals with deep ecological changes taking place primarily in Nigeria but with clear linkages to changes elsewhere in the world. The essays are laid out with an undergird of concerns that characterise the author’s approach to human rights and environmental justice advocacy. The first section rightly presents broad spectrum ecological wars manifesting through disappearing trees, spreading desertification, floods, gas flaring and false climate solutions.
You can read this book online for free.
The second section zeroes in on the different types of violence that pervade the oil fields of the Niger Delta and draws out the divisive power of crude oil by holding up Sudan as a country divided by oil and which has created a myriad of fissures in Nigeria. The exploitation of crude oil sucks not just the crude, it also sucks the dignity of workers that must work at the most polluting fronts.
Section three underscores the need for strict regulation of the fossil fuels sector and shows that voluntary transparency templates adopted by transnational oil companies are mere foils to fool the gullible and are exercises in futility as the profit driven corporations would do anything to ensure that their balance sheets please their top guns and shareholders. The fourth section builds up with examples of gross environmental misbehaviours that leave sorrow and blood in a diversity of communities ranging from Chile to Brazil and the United States of America.
Section five of the book is like a wedge in between layers of ecological disasters and extractive opacity. It takes a look at the socio-political malaise of Nigeria, closing with an acerbic look at crude-propelled despotism and philanthropic tokens erected as payment for indulgence or as some sort of pollution offsets.
The closing sections provide excellent analyses of the gaps and contortions in the regulatory regimes in Nigeria. It would be surprising if these were not met with resistance on the ground.
These essays provide insights into the background to the horrific ecological manifestations that dot the Nigerian environment and the ecological cancers spreading in the world. They underscore the fact there are no one-issue struggles. Working in a context where analyses of ecological matters is not the norm, decades of consistent environmental activism has placed the writer in good stead to unlock the webs that promote these scandalous realities.
Valiani has written a beautiful and insightful book of poetry about the birthplace of humanity; ‘the cradle of civilization’, Africa. The poems are gathered into four sections: “Womb”; “Land(s)”; “Tides”; “Wind”. Each section is prefaced by philosophy, findings and artifacts of “Maropeng” which becomes both subject and predicate for this soothing poetry: a lullaby for the soul’s remembering. Candice James Poet Laureate Emerita of New Westminster
Cradles is a collection poems on the nature(s) and nurturing that cradle us. They are divided into four parts: Womb is the first cradle, both ‘nature’ and ‘nurture’, under-acknowledged and often unmentioned. Beyond the physical womb of individuals, there are collective wombs that incubate on yet grander and greater scales. Land(s) are the cradles we typically identify as our ‘origins’, but as the Cradle of Humankind teaches, the many lands of today are interlaced in many concealed ways and originated in a single, little understood place. Tides are the many migrations and cycles of time that shape us. They can shift, upset and remake the nurturing of cradles; but also cradle us in cycles of wreckage. Wind sets us free of places and times of origin. This detachment can bring freedom, a sense of loss/lostness, and the many things in between. The freedom/loss/lostness spiral whirls with the wind and transforms. In surrendering to it we can alter its pace to our needs and desires.
Edited by Demba Moussa Dembele and Carlos Cardoso
This book is based on a conference held in October 2012, African Countries and the Franc Zone: Remaining in the Trap or Opting for Monetary Independence. It reviews the global context, characterized by the systemic crisis of capitalism and the questioning of its legitimacy in several regions of the world, particularly in the global South. It provides an overview the challenges of economic and monetary emancipation; the consequences of the Franc Zone and its implications for the development of African countries, including the analysis of the latter’s economic and social record; and reviews the experiences of countries that gained their monetary sovereignty and the lessons for the creation of a West African currency.
In addition to providing the proceedings of the conference, the book includes essays by Nicolas Agbohou, Sanou Mbaye, Demba Moussa Dembele, Mohamed Ben Omar Ndiaye, Yash Tandon and Lansana Keita.
Edited by Ndongo Samba Sylla
The engaging and wide-ranging discussions published here explore contemporary political realities in Africa through a ‘social movement’ lens.
Detailing the nuances of social movement politics in 12 West African countries during the 2010-2013 period, they present a chronicle of the socio-political struggles that have taken place in the region. In so doing, this volume answers key questions related to these movements. What logic drives them? What forms do they take? What has been their political impact? Can we speak of a resurgence of social movements? If so, are these a response to the crisis of ‘representative democracy’? Did they give rise to new forms of expression and democratic participation? What challenges do they bring?
Discontent vis-à-vis liberalism in its political and economic dimensions seems to be the trigger of the numerous popular uprisings and protests that occur in the region. In spite of their ambiguities and limitations, these struggles currently seek to remove a double disconnect: that between citizens and the ‘representatives’ and that between the economy and society, between what capital wants and what the people aspire to.
Ndongo Samba Sylla, the editor of this volume, is a Senegalese economist, programme and research manager at the West Africa Office of the Rosa Luxemburg Foundation. Author of The Fair Trade Scandal. Marketing poverty to benefit the Rich (translated from French by Pluto Press 2014), he is the editor of “Rethinking Development” (Rosa Luxemburg Foundation 2014). His recent research work deals with the history of the word ‘democracy’.
Ibrahim Abdullah – Souley Adji – Kojo Opoku Aidoo – Francis Akindès – Alpha Amadou Bano Barry – Fernando Leonardo Cardoso – Lila Chouli – Modou Diome – Moussa Fofana – Cláudio Alves Furtado – George Klay Kieh Jr – Claus-Dieter König – Severin Yao Kouamé – Fodé Mane – Issa N’Diaye – Zekeria Ould Ahmed Salem – Ndongo Samba Sylla
Edited by Ndongo Samba Sylla
This volume is a compendium of analytical contributions focusing on recent political developments (2014-early 2015) in West Africa. Major events are reviewed, ranging from the popular uprising in
Burkina Faso, which put an end to Blaise Compaoré’s regime after 27 years in power, to the crisis raging in northern Mali, the human tragedy associated with the Ebola epidemic and the adoption of economic emergence plans by many States in the region. A special focus was placed on the issue of State sovereignty over policies and resources, as well as the role of social movements. Despite the cyclical perspective adopted in the contributions, the underlying message is that West Africa is currently standing at a crossroads. The question is whether the region’s States will collectively manage to implement the necessary changes to meet the expectations of their respective peoples, which are primarily made up of youths whose patience is wearing thin in the wake of three decades of political and economic liberalisation.
Ibrahim Abdullah * Mamane Sani Adamou * Coffi Cyprien Aholou * Francis Akindès * Alpha Amadou Bano Barry * Fernando Leonardo Cardoso * Lila Chouli * Modou Diome * Elieth Eyebiyi * Cláudio Alves Furtado * George
Klay Kieh Jr. * Issa N’Diaye * Abdoulaye Saine * Ndongo Samba Sylla * Mary Akosua Torgbe * Joseph Koffi Nutefé Tsigbé * Seydina Ousmane Zina
Beyond the critique of neo-liberalism, there is therefore a pressing need to reflect about alternatives that will help Africa back out of this dead-end and find its own path. This is the perspective adopted by this book edited by Ndongo Samba Sylla, which compiles contributions of experts on Africa’s development issues. Can democracy help to achieve the changes that Africans aspire to? If yes, under what conditions? Otherwise, what is the alternative?
Every couple of years, an inspired group of people, led by the editors of AwaaZ Magazine (www.awazmagazine.com), organise a festival in Nairobi, Kenya, that goes by the name ‘SAMOSA’—South Asian Mosaic of Society and the Arts— bringing together different communities through art, music, dance, film and discussions. In 2016, during the 7th biennial event, included was a colloquium organised in collaboration with the Department of Literature of the University of Nairobi. This unique collection of essays considers the issues of citizenship, identity and belonging in Kenya through an examination of literature, film, music, and theatre, providing reflections on women, statelessness and refugees.
A pleasant quick read on a complex subject of citizenship, identity and belonging. Ignites an interest in these issues as expounded in the arts and film. —Dr George Gona, Senior Lecturer, Department of History and Archaeology, University of Nairobi.
This excellent compilation of papers by leading Kenyan academics, writers, public intellectuals and practitioners of various forms of art focuses on issues of citizenship, identity and belonging in literature, film, music and theatre. They cover a vast range of subjects that tell the story of Kenya’s past and present. —Ramnik Shah- Kenyan ex-lawyer who writes on migration and diaspora related subjects.
Críticas da obra:
“Uma provocante crítica à extração contemporânea dos recursos (talvez mais adequadamente, “exploração” dos recursos) na África Subsariana. Na sua convincente análise, e em momentos abrasadora, Bassey apresenta uma critica cativante e abrangente da crise social e ambiental que se vive na África” – Chatham House
“De escravos a diamantes e passando pelo petróleo, há muito que os países mais consumistas têm vindo a pilhar a África a seu bel-prazer. Bassey explica muito bem como tudo isso tem vindo a acontecer, frisando bem o que procura a África: Justiça. Leia a obra e junte-se ao apelo de Bassey” – Annie Leonard, autora d´A estória das coisas
“Um livro que explica, de forma perspicaz e eloquente, o que a África pode fazer para travar as novas formas de colonização exacerbadas pelo caos das mudanças climáticas” – Pablo Solon, ex-embaixador da Bolívia nas Nações Unidas
“É uma obra que, a par da forte denúncia que faz da ganância e do saque da riqueza africana, apresenta perspetivas de esperança” – Camilla Toulmin, presidente do Instituto Internacional de Desenvolvimento e Meio Ambiente
“A África e o seu ambiente. Com um estilo refrescante, o autor torna as suas ideias extremamente acessíveis. Um dos mais proeminentes ambientalistas da África, faz uma análise abrangente dos desafios que enfrenta o continente, inspirando as pessoas a agir.” – David Fig, Presidente da Biowatch South Africa e autor do Staking Their Claims
“Para aqueles que ainda estão sépticos dos efeitos das mudanças climáticas, este livro vai deixa-los não apenas incomodados e preocupados, mas também motiva-los a fazer alguma coisa” – Nigerian Compass
O nigeriano Nnimmo Bassey é arquiteto, ativista ambiental e escritor. Foi presidente dos Amigos da Terra Internacional (Friends of the Earth International) de 2008 a 2012 e Diretor Executivo da Ação pelos Direitos Ambientais (Environmental Rights Action) durante duas décadas. Em 2009, foi nomeado “Herói do Ambiente” pela revista Time e, em 2010, foi co-vencedor do prestigiado Right Livelihood Award (considerado o Prémio Nobel Alternativo). Em 2012, ganhou o Rafto Prize. É atualmente diretor da Fundação Health of Mother Earth, uma organização ambientalista de reflexão e advocacia.
Muu-So is a story of creation. “To those willing to carry the clay pot, Muu, will be given the power balance and a sense of justice” proclaims the supreme deity, Maa Ngala Ba.” They will be named Muu-So, the pot carriers.” The story of creation has diverse interpretations across the world. This new story comes from the Sahel where one of the oldest civilisations once prevailed. It is a tale of the beauty of the process of creation and how it is also necessary to closely care for and love that which we are responsible for.
The book is aimed 5-12 years of age.
La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
The worst form of slavery is to willingly offer yourself on the auction block, get bought and pretend you are free. This is what participation in the mechanism called Reducing Emissions from Deforestation and forest Degradation (REDD) is.
This publication by the No REDD in Africa Network aims to demystify REDD and REDD-type projects, and all their variants, and show them for what they are: unjust mechanisms designed to usher in a new phase of colonization of the Africa continent. From examples presented, it is clear that REDD is a scam and the polluters know that they are buying the “right” to pollute.
The No REDD in Africa Network warns that REDD may be the ultimate wedge to crack open the door for the invasion of the African continent with genetically modified crops and trees. Furthermore, REDD threatens to take over soils, water (blue carbon) and entire eco-systems. It may also rekindle the culture of colonial plantation agriculture infamously called ‘cash cropping’. In Africa, REDD is emerging as a new form of colonialism, economic subjugation and impoverishment, and must be stopped.