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Edited by Ndongo Samba Sylla
This volume is a compendium of analytical contributions focusing on recent political developments (2014-early 2015) in West Africa. Major events are reviewed, ranging from the popular uprising in
Burkina Faso, which put an end to Blaise Compaoré’s regime after 27 years in power, to the crisis raging in northern Mali, the human tragedy associated with the Ebola epidemic and the adoption of economic emergence plans by many States in the region. A special focus was placed on the issue of State sovereignty over policies and resources, as well as the role of social movements. Despite the cyclical perspective adopted in the contributions, the underlying message is that West Africa is currently standing at a crossroads. The question is whether the region’s States will collectively manage to implement the necessary changes to meet the expectations of their respective peoples, which are primarily made up of youths whose patience is wearing thin in the wake of three decades of political and economic liberalisation.
Ibrahim Abdullah * Mamane Sani Adamou * Coffi Cyprien Aholou * Francis Akindès * Alpha Amadou Bano Barry * Fernando Leonardo Cardoso * Lila Chouli * Modou Diome * Elieth Eyebiyi * Cláudio Alves Furtado * George
Klay Kieh Jr. * Issa N’Diaye * Abdoulaye Saine * Ndongo Samba Sylla * Mary Akosua Torgbe * Joseph Koffi Nutefé Tsigbé * Seydina Ousmane Zina
Beyond the critique of neo-liberalism, there is therefore a pressing need to reflect about alternatives that will help Africa back out of this dead-end and find its own path. This is the perspective adopted by this book edited by Ndongo Samba Sylla, which compiles contributions of experts on Africa’s development issues. Can democracy help to achieve the changes that Africans aspire to? If yes, under what conditions? Otherwise, what is the alternative?
Every couple of years, an inspired group of people, led by the editors of AwaaZ Magazine (www.awazmagazine.com), organise a festival in Nairobi, Kenya, that goes by the name ‘SAMOSA’—South Asian Mosaic of Society and the Arts— bringing together different communities through art, music, dance, film and discussions. In 2016, during the 7th biennial event, included was a colloquium organised in collaboration with the Department of Literature of the University of Nairobi. This unique collection of essays considers the issues of citizenship, identity and belonging in Kenya through an examination of literature, film, music, and theatre, providing reflections on women, statelessness and refugees.
A pleasant quick read on a complex subject of citizenship, identity and belonging. Ignites an interest in these issues as expounded in the arts and film. —Dr George Gona, Senior Lecturer, Department of History and Archaeology, University of Nairobi.
This excellent compilation of papers by leading Kenyan academics, writers, public intellectuals and practitioners of various forms of art focuses on issues of citizenship, identity and belonging in literature, film, music and theatre. They cover a vast range of subjects that tell the story of Kenya’s past and present. —Ramnik Shah- Kenyan ex-lawyer who writes on migration and diaspora related subjects.
Críticas da obra:
“Uma provocante crítica à extração contemporânea dos recursos (talvez mais adequadamente, “exploração” dos recursos) na África Subsariana. Na sua convincente análise, e em momentos abrasadora, Bassey apresenta uma critica cativante e abrangente da crise social e ambiental que se vive na África” – Chatham House
“De escravos a diamantes e passando pelo petróleo, há muito que os países mais consumistas têm vindo a pilhar a África a seu bel-prazer. Bassey explica muito bem como tudo isso tem vindo a acontecer, frisando bem o que procura a África: Justiça. Leia a obra e junte-se ao apelo de Bassey” – Annie Leonard, autora d´A estória das coisas
“Um livro que explica, de forma perspicaz e eloquente, o que a África pode fazer para travar as novas formas de colonização exacerbadas pelo caos das mudanças climáticas” – Pablo Solon, ex-embaixador da Bolívia nas Nações Unidas
“É uma obra que, a par da forte denúncia que faz da ganância e do saque da riqueza africana, apresenta perspetivas de esperança” – Camilla Toulmin, presidente do Instituto Internacional de Desenvolvimento e Meio Ambiente
“A África e o seu ambiente. Com um estilo refrescante, o autor torna as suas ideias extremamente acessíveis. Um dos mais proeminentes ambientalistas da África, faz uma análise abrangente dos desafios que enfrenta o continente, inspirando as pessoas a agir.” – David Fig, Presidente da Biowatch South Africa e autor do Staking Their Claims
“Para aqueles que ainda estão sépticos dos efeitos das mudanças climáticas, este livro vai deixa-los não apenas incomodados e preocupados, mas também motiva-los a fazer alguma coisa” – Nigerian Compass
O nigeriano Nnimmo Bassey é arquiteto, ativista ambiental e escritor. Foi presidente dos Amigos da Terra Internacional (Friends of the Earth International) de 2008 a 2012 e Diretor Executivo da Ação pelos Direitos Ambientais (Environmental Rights Action) durante duas décadas. Em 2009, foi nomeado “Herói do Ambiente” pela revista Time e, em 2010, foi co-vencedor do prestigiado Right Livelihood Award (considerado o Prémio Nobel Alternativo). Em 2012, ganhou o Rafto Prize. É atualmente diretor da Fundação Health of Mother Earth, uma organização ambientalista de reflexão e advocacia.
Muu-So is a story of creation. “To those willing to carry the clay pot, Muu, will be given the power balance and a sense of justice” proclaims the supreme deity, Maa Ngala Ba.” They will be named Muu-So, the pot carriers.” The story of creation has diverse interpretations across the world. This new story comes from the Sahel where one of the oldest civilisations once prevailed. It is a tale of the beauty of the process of creation and how it is also necessary to closely care for and love that which we are responsible for.
The book is aimed 5-12 years of age.
La présente publication du Réseau Pas de REDD en Afrique (No REDD in Africa Network) a pour but de démystifier le REDD, les projets de type REDD et toutes leurs variantes, et de montrer ce qu’ils sont vraiment : des mécanismes injustes conçus pour lancer une nouvelle phase de colonisation du continent africain. Les exemples présentés démontrent clairement que le REDD est une escroquerie et que les pollueurs savent qu’il leur permet d’acheter le « droit » de polluer.
The worst form of slavery is to willingly offer yourself on the auction block, get bought and pretend you are free. This is what participation in the mechanism called Reducing Emissions from Deforestation and forest Degradation (REDD) is.
This publication by the No REDD in Africa Network aims to demystify REDD and REDD-type projects, and all their variants, and show them for what they are: unjust mechanisms designed to usher in a new phase of colonization of the Africa continent. From examples presented, it is clear that REDD is a scam and the polluters know that they are buying the “right” to pollute.
The No REDD in Africa Network warns that REDD may be the ultimate wedge to crack open the door for the invasion of the African continent with genetically modified crops and trees. Furthermore, REDD threatens to take over soils, water (blue carbon) and entire eco-systems. It may also rekindle the culture of colonial plantation agriculture infamously called ‘cash cropping’. In Africa, REDD is emerging as a new form of colonialism, economic subjugation and impoverishment, and must be stopped.