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Insurgent Feminisms: Writing War
USD $ 5.00 – USD $ 35.00Select options This product has multiple variants. The options may be chosen on the product pageInsurgent Feminisms: Writing War
War is never just the war itself, it’s not the event or the epoch. War is the impossible and unending afterlife, the struggle to breathe after being bludgeoned, and the re-situating of one’s self and of one’s place after displacement and fragmentation.
Insurgent Feminisms: Writing War advances a new paradigm of war writing by focusing on gender. War is always fought upon the backs of women, often under the pretense of saving them. Yet, along the way, the brutalities unleashed on women during wartime remain relentless. In this collection, insurgency emerges in the raw and meticulous language of witnessing, and in the desire to render the space of conflict in radically different ways. These feminist and queer perspectives on war come out of regions and positions that disobey the rules of war writing. Comprising reportage, fiction, memoir, poetry, and conversations from over sixty writers, the collection includes contributions by Chika Unigwe, Nathalie Handal, Ubah Cristina Ali Farah, Suchitra Vijayan, Bélen Fernández, Uzma Falak, Otoniya Juliane Okot Bitek, Sarah Ladipo Manyika, Lara Pawson, Gaiutra Bahadur, Robtel Neajai Pailey, Sumana Roy and Lina Mounzer, among several others.
Bhakti Shringarpure co-founded Warscapes magazine in November 2011 and it has now transitioned into the Radical Books Collective.
Veruska Cantelli is a writer, translator, editor, and Associate Professor of Interdisciplinary Studies at Champlain College in Vermont, USA.
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Lessons from Audre Lorde’s The Uses of Anger: UCONN Women’s, Gender, and Sexuality Studies at 50
USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product pageLessons from Audre Lorde’s The Uses of Anger: UCONN Women’s, Gender, and Sexuality Studies at 50
In recent years, we have witnessed renewed calls for women to embrace anger as a source of power. These voices have Lorde’s “The Uses of Anger”, first delivered at the University of Connecticut (UCONN), Storrs, in 1981, to thank for charting an innovative scholarly and poetic terrain that theorizes anger as much more empowering and liberating than conventional discussions of the term typically allow.
Lorde’s essay redefined anger productively, approaching it as an epistemological tool igniting a desire for self and collective liberation. The result was a remarkable critical reflection that laid the groundwork for deconstructing broader systems of oppression, particularly, heteronormativity, heteropatriarchy, institutionalized racial poverty, racial capitalism, and white privilege. Lorde’s essay moved with precision, centering Black women’s struggles in a world built around the use – and abuse – of racialized people subjected to systematic dehumanization.
In their introduction, Jane Anna Gordon, Elva Orozco Mendoza, and Sherry Zane reflect on the inheritance, lessons, and responsibilities that Women’s, Gender, and Sexuality Studies must grapple with if it is to deepen and fulfill its radical mission.
Guided by the imperative to look backward to understand the present and forge a future, the book closes with a sankofic interview with M. Jacqui Alexander and Beverly Guy-Sheftall, conducted by Briona Simone Jones.
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LENIN: The Heritage We (Don’t) Renounce
USD $ 5.00 – USD $ 37.00Select options This product has multiple variants. The options may be chosen on the product pageLENIN: The Heritage We (Don’t) Renounce
These 100 tributes, from every continent, are like building blocks, in word and image creating not a mausoleum, but paths to a new future… It’s about thinking with and through Lenin, and the proof is here. — Isabelle Garo, author of Communism and Strategy.
The organic intellectuals in this book have woven a thread of what is to be done in the heart of fascism today, a tool for reclaiming our humanity. — Gacheke Gachihi, member of the Kenya Organic Intellectuals Network.
A left that rejects Lenin’s legacy in times of catastrophic capitalism and imperialist war can neither be truly left-wing nor have a decisive influence on world history. —Michael Brie, author of Rediscovering Lenin.
Lenin: The Heritage We (Don’t) Renounce brings together 100+ authors and visual artists from 50+ countries across the world – from Afghanistan to Zimbabwe – in order to critically commemorate the hundredth anniversary of the death of Vladimir Ilyich Ulyanov, aka Lenin, on 21 January 1924.
Combining academic, journalistic and more personal-political texts, including poetry, theatrical skits and fictional writing, the books’ contributors aim to identify and constructively engage with the living legacy of Lenin’s life and work before, during and after the October Revolution. Concretely, the 100+ texts deal with a great variety of “old [Leninist] truths that are ever new” (Lenin), both historically and in today’s times: Imperialism, the National Question and the Right to Self-Determination, the Vanguard Party, Trans Liberation, Ecological Leninism, Dialectics, Artificial Intelligence, Military Marxisms, Black Liberation, Communist Feminism as well as Revolutionary Dreaming and Organising, among many others.Also, Lenin is put into dialogue with a number of revolutionary comrades-in-arms, among them Amílcar Cabral, Mao Zedong, Julius Nyerere, José Carlos Mariátegui, Julio Antonio Mella, G.F.W. Hegel, Antonio Gramsci, Qu Quibai, Alexandra Kollontai and Rosa Luxemburg.
In sum, the book aspires to help liberate the old Ilyich from the musty, petrifying solitude of his mausoleum and to invite him back into the “real movement, which abolishes the state of things” (Marx & Engels) in the here and now, i.e. our multiple, intersecting struggles against all types of capitalist-colonial-heteropatriarchal-ableist oppression and for the rekindling and strengthening of the new Communist horizon.
While many on the contemporary Left continue to openly disavow any association with Tovarish Lenin, Lenin: The Heritage We (Don’t) Renounce affirms the opposite – that there will be no revolution without Vladimir Ilyich among our rank-and-file comrade-ancestors. Or in the words of one of the book’s authors, Himani Bannerji, “We neglect Lenin’s voice at our own peril.”
To work, everybody, to work,
the cause of the world socialist revolution
must and will triumph.
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Weaving Our Stories: Return To Belonging – An Anthology
USD $ 5.00 – USD $ 25.00Select options This product has multiple variants. The options may be chosen on the product pageWeaving Our Stories: Return To Belonging – An Anthology
Weaving Our Stories is a Hawaii-rooted abolitionist program that utilizes storytelling as a vehicle for liberation. Our mission revolves around teaching storytelling as an act of resistance, dismantling harmful existing narratives, and nurturing our ability to weave counter-narratives that acknowledge and celebrate the inherent beauty and brilliance within our storytellers. Through our stories, we advocate for justice and liberation.
This anthology follows the trail of esteemed works such as “This Bridge Called My Back: Writings of Radical Women of Color” and “Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization.” This anthology includes poetry, essays, visual art, and narratives penned by authors and artists who identify as Black, Indigenous, and people of color from Hawaii and beyond. While our contributors span a diverse spectrum of experiences and identities, they all share a common commitment to individual and collective well-being. Our contributors astutely showcase how their expressions of resistance and liberation, whether through visual art or written text, align with one or more of the central themes of Weaving Our Stories: resistance through cultural memory, accountability, resisting false binaries, and countering hegemony.
In tandem with the community collection of stories that revolve around resistance, this anthology also highlights the remarkable achievements of our six accomplished Black youth organizers. These young individuals dedicated a year to the Weaving Our Stories Youth Series during the pandemic, delving into the power and relevance of storytelling in our journey of resistance and liberation. Each of the six youth activists provides an overview of their Community Impact Design Projects.
These culminating endeavors addressed community issues by proposing interventions that harness our resistance themes and our three Pillars of Liberation—namely, institutions, structures/methodology, and people.
This anthology offers celebrations of our triumphs, our joys, and our unwavering resilience. Simultaneously, they advocate for our ongoing resistance, insisting on justice and a sincere confrontation with the often-overlooked lived experiences that deserve acknowledgement.
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I see the invisible
USD $ 5.00 – USD $ 20.00Select options This product has multiple variants. The options may be chosen on the product pageI see the invisible
Truth be told, I never thought I would write another volume of poetry after the last, I will not Dance to Your Beat (2011). The reason was that my previous volumes were reactive to the circumstances of the times. Patriots and Cockroaches (1992) was a reaction to the socio-political corruption that had engulfed Africa and dimmed the enthusiasm that had been built by the years of struggle for independence. Whereas we thought we were stepping into a post-colonial era, what we stepped into was a vicious neo-colonial times. The next collection, Poems on the Run (1995) was a reaction to military autocracy and the repression that followed. The volume was literally written underground. This was followed by Intercepted (1998) all written while detained at Kalakuta Republic of Alagbon Close. We Thought it was Oil But it was Blood (2002) responded to two things primarily – extractivism and the accompanying human and environmental rights abuses in the Niger Delta and elsewhere. The massive erosion of biodiversity and attacks on food sovereignty through the introduction of genetically modified organisms (GMOs) into our agricultural system inspired I Will not Dance to your Beat.
What you have in your hands, or on your screens, is a compilation that is largely more meditative than the previous collections. There are moments of reflection on the colonial and neoliberal foundations that permit a willful disconnection from nature and the resultant destructive extractivism.
Some of the poems came through conversations and poetry writing sessions with Peter Molnar, Maryam al-Khawaja — Rafto Human Rights laureates and Salil Tripathi, a member of the board of PEN International, in August 2017. The sessions held at a beautifully rustic location in Celleno, Italy, were documented on celluloid by the duo of Maria Galliana Dyrvik and Anita Jonsterhaug Vedå of SMAU, a multimedia firm in Norway. Poetic relationship with Maria and Anita has continued over the years and their work continues to inspire more and more poems.
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“Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”
USD $ 5.00 – USD $ 15.00Select options This product has multiple variants. The options may be chosen on the product page“Nada mal para um N—, Não?” “No está mal para un N—, ¿no?”
Escrito durante as comemorações do septuagésimo quinto aniversário da publicação de Black Skin, White Masks (“Pele Negra, Máscaras Brancas”), de Frantz Fanon, “Not Bad for a N—, No?” oferece reflexões sobre as circunstâncias da publicação desta obra clássica com os insights de Fanon sobre o que ele chamou de tentativa de “assassinato do homem” e a necessidade urgente de a humanidade se tornar “acional”.
Escrito durante las celebraciones del septuagésimo quinto aniversario de la publicación de Black Skin, White Masks (“Piel negra, máscaras blancas”) de Frantz Fanon, “Not Bad for a N—, No?” ofrece reflexiones sobre las circunstancias de la publicación de esta obra clásica con las ideas de Fanon sobre lo que llamó el intento de “asesinato del hombre” y la urgente necesidad de que la humanidad se vuelva “acción”.
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IGOLI EGOLI
USD $ 14.00Select options This product has multiple variants. The options may be chosen on the product pageIGOLI EGOLI
Contents
IGOLI
On love (xxxiii) 13 Dorothy Masuku in Sophiatown 2018 14 Re-Map 16 On love (xxxiv) 18 56 Chapman Street 19 Yesterday Today Tomorrow 20 Marlboro Winter 21 Diepsloot Winter (pre-loadshedding) 22 Only in Jozi 23 Dispossession 24 Ontvangs B Helen Joseph Hospital 25 Mammogram Waiting Room Roodepoort 26 Pholosong Emergency 27 1st Road 28 Inclines 29 Counterclock Clock 30 airbnb Meldene 32 Meldene to Melville, COVID-19 late third wave 33 Excess death or, Acer rubrum 34 Westdene Winter or, Masculinity 35 Shrieking yellow 36 Fleurhof 37 Intraction Extraction 38 On love (xxxv) 40 Moon Garden 41 On love (xxxvi) 42 Garnets or, On love (xxxvii) 43 Spirit 44 Lower 4th Westdene or, On love (xxxviii) 45 On love (xxxix) 46 Natalia Molebatsi and Bab’Themba Mokoena in dance 47 Maps 48 inimba 49 On love (xl) 50 On love (xli) 51 Footsteps 52 inimba (ii) 53 On love (xlii) 54 iSothamilo or, On love (xliii) 55 big little forest 56 On love (xliv) 57
EGoli
or, Only in Jozi (ii) or, On love (xlv) 62 Origins 63 metsi/amanzi/emanti/mvura/madzi/ruwa/water/ /l’eau/ 65 Down Main Street Melville or, Umsebenzi 66 Umsebenzi (ii) 67 Footsteps (ii) 68 Where will we go? 69 RosesRunways 70 On love (xlvi) or, Umsebenzi (iii) 71 72 Wealth 74 Recipe or, Wealth (ii) 75 On love (xlvii) 76 sodade (iii) or, Joy of Jazz Sandton 2017 77 Mushrooms in Mint or, On love (xlviii) 78 Footsteps (iii) 80 Distances 81 Only in Jozi (iii) 82 Greenhill Grocer or, On love (xlix) 83 Only in Jozi (iv) or, On love (l) 84 Fidel Castro at Lillisleaf Farm 2017 or, On love (li) 87 After the launch of Cradles or, 2018 or, On love (lii) 90 sodade (iv) EGoli or, On love (liii) On love (liv)
A new collection of poems by Salimah Valiani. IGoli EGoli is a sociopolitical reading of Johannesburg drawing on its famous, and not so famed, people, places, plants & pronouncements.
First published by [email protected]
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“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
USD $ 5.00 – USD $ 11.00Select options This product has multiple variants. The options may be chosen on the product page“Not Bad for a N—, No?” / «Pas mal pour un N—, n’est-ce pas? »
Written during the seventy-fifth anniversary celebrations of the publication of Frantz Fanon’s Peau noir, masques blancs (“Black Skin, White Masks”), “Not Bad for a N—, No?” offers reflections on the circumstances of the publication of this classic work with Fanon’s insights on what he called the attempted “murder of man” and the urgent need for humanity to become “actional.”
Écrit lors des célébrations du soixante-quinzième anniversaire de la publication de Frantz Fanon de Peau noir masques blancs, «Pas mal pour un N—, n’est-ce pas? » offre des réflexions sur les circonstances de la publication de cette œuvre classique avec les idées de Fanon sur ce qu’il a appelé la tentative de «meurtre de l’homme» et le besoin urgent que l’humanité devienne «actionnelle».
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Religion, Eugenics, Science and Mathematics: An Eternal Knot (Hardback)
USD $ 5.00 – USD $ 45.00Select options This product has multiple variants. The options may be chosen on the product pageReligion, Eugenics, Science and Mathematics: An Eternal Knot (Hardback)
Religion, Eugenics, Science and Mathematics by Karim F Hirji examines the dynamic relationship between religion, on the one hand, and science and mathematics, on the other, on historical and conceptual grounds. It focuses on Hinduism, Buddhism, Christianity, Islam, and various shades of secularism, including Marxism. Where relevant, other faiths are integrated into the analysis. The questions it addresses include: Are religion and science mutually exclusive, opposing entities? Do divine beings and divine realms exist? Are science and religion valid but different forms of truth? What are the societal roles of science and religion? Can science provide a tenable, exalted code of ethics? What are the futures of religion and science? Can religion and science cooperate in resolving the daunting, existential problems facing humanity today? All issues are explored in an interdisciplinary, historical manner. Examination of the religious dimension of the doctrine of eugenics, which culminated in the Nazi era extermination pogroms, forms a major case study in the book.
Among other things, the book peruses scriptures, explores practice, enjoins analysis with anecdotes, and contrasts the beliefs of scientists and religious luminaries. Though it is directed toward the general reader, its novel approach, broad consideration of social and economic factors, and the nature of the evidence it has marshalled makes it of interest to theologians and scientists as well.
Religion, Eugenics, Science and Mathematics builds on the foundation laid in Religion, Politics and Society by Karim Hirji. In addition to eugenics, by relating religion to mathematics, genetics, neurology, climate change and other issues, the book reveals that the relationship between religion and science is a complex, entangled knot, not reducible to a simplistic summary.
The ultimate message of the book is that science and religion can exist harmoniously on the moral plane and that the primary obstacle facing human progress today is neither religion nor science but the dominant neoliberal system that generates vast inequality, deep social divisions, including religious divisions and a callous disregard for the global biosphere.Select options This product has multiple variants. The options may be chosen on the product page -
Religion, Politics and Society: A progressive primer (Hardback)
USD $ 5.00 – USD $ 55.00Select options This product has multiple variants. The options may be chosen on the product pageReligion, Politics and Society: A progressive primer (Hardback)
Written by Karim F Hirji, a retired professor of Medical Statistics, Religion, Politics and Society focuses on the four major global religions—Hinduism, Buddhism, Christianity and Islam—together with minor religions like the Ahmadiyya, Confucianism, Sikhism, Seventh Day Adventism and Traditional African Religion as well as on Secularism, New Age beliefs and the ancient Paleolithic and Neolithic era belief systems to explore the origin, spiritual import and social function of religion in human society. Utilizing the canons, beliefs, practices, history, eminent personages, institutions of the diverse faiths, it tackles matters like: How did the social function of religion evolve over time? How does religion relate to the power structure of society? Does religion promote or hinder social harmony, justice and equality? Under what circumstances? Is religion necessary for morality? What are the roots of interfaith conflict? How do modern religions and neoliberalism interact with each other? Does religion have a future? Can religion and secularism be harnessed for resolving the globally vexing yet pivotal concerns of human society? If so, how?
These and related issues are tackled with the help of a variety of past and contemporary individual level and broader type of richly illustrated examples. The role of women in religion a topic of focus throughout the text. The varied functions of religion under slavery, feudalism, capitalism, colonialism, neo-colonialism, imperialism. socialism, and neoliberalism are also attended to.
The foundational premise of this book is that while spiritual beliefs differ, all humans are equal in dignity and have equal rights. No religion is more exalted than others; there are no chosen people. We all belong to the global human family. Our religious and cultural diversity is a cause for celebration, not conflict.
Respectful in style and targeted towards the general and knowledgeable readers, Religion, Politics and Society is the first of a two-book project. The second book, Religion, Science and the Pandemic, addresses the relationship between religion, science and mathematics. The key objective of these books is to help uplift the quality and tenor of the current discourse on religion and explore how faith can promote human dignity, equality, social justice and harmony. A genuine consensus and peaceful coexistence cannot emerge from diluting the truth.Select options This product has multiple variants. The options may be chosen on the product page